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"rain"

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I've been spoiled by growing up and living in major cities where everything I've ever wanted was just down the way, but now what I want seems to be entirely over on the other side of the continent and I have Serious Thinking to do.
The Thing (1982) dir. John Carpenter
I just think R.L. Stine is neat. His work strikes this balance of horror and humor so well, and there's a reason he's been so widely imitated, including by yours truly.
I've never met the man, but for the first time in a long time I think it might be fun to head on out to some convention or another just to get a book signed and tell him his work meant something to me. The usual, you know, but something to make him a real person of flesh and bone who sits down at a computer like the rest of us and types out the thoughts that run through his mind in so many delightful ways.
My thoughts on loneliness and friendship have obviously been getting riled up, especially due to my recent readings on being a child and being an adult and facing the world all along the way, but seeing those giant God Warriors from NausicaƤ in a recent reblog only reminded me of the Four Giants in Majora's Mask, who departed their world, but in doing so they left the poor Skull Kid to feel abandoned by his friends and lash out against the people who remained, which ultimately leads someone who was a mischievous but harmless scamp to become a horrific instrument of hatred and pain.
And in the end, when they return, they tell him that they never forgot him, their old friend, even if they couldn't be together anymore and would need to depart once again.
I do fret about escapism and fantasy and dwelling too much on these fictional people, but I also think, well, isn't it better to think about these things, even in these small ways? And I suppose, given my occupation and future hopes and dreams, I have to believe that, or else I just don't know what remains. I do think we need these stories, on whichever level they're told and shared. We always have and always will.
Here they are, by the way. Four giant friends who never forgot you.

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Iām moving through the IT cinematic universe and after so many iterations I start to wonder about other groups of kids facing horrors in other places that arenāt white folk towns in Maine. (The versions all make sure to include black characters in the central cast, but the descriptor holds true. Itās mostly white kids. Race is in the tapestry of the conflicts.) Iāll do research about it, but I start to wonder about the responsibility of these observations. A critic or essayist may form a thesis and cite all kinds of things on the subject, but I never could get into the swing of essaying. I never cared for convincing anyone of anything. So Iām left with the only recourse: make something about it.
In the books Iāve written so far, Iāve been careful to write kids of different racial and ethnic backgrounds, but all of whom are distinctly American. Write what you know in multiple senses. Iām American, but my inspiration in the endeavor is and always has been the Goosebumps series, which doesnāt delve into race or ethnicity, save for the occasional inept racist portrayal of places like Egypt and vague South Pacific islands. So I write American kids from all over the country and with different backgrounds to the best of my ability.
I commend IT: Welcome to Derry for expanding the cast of that Maine town a little more, but I still wonder about the IT of Odessa, or of Port Barre, or Couer d'Alene. What's going on out there? What horrors and triumphs? I'd like to know.
iām burning the candle at ends youāve never heard of
exactly
Reach out to HR (Horror Relations) to apply.
Absolutely love how emotionally aware my child is for a 4 and a half year old do not however love stubbing my toe on the island for the 100th time today and hearing "hey mama it's okay to cry! It's not okay to throw a fit though, and we hafta re-...we have to reconitize the difference"
When I immediately say "oh no thanks" to a food she offers me she says "oh mommy, chefs try new foods. Can you take one , two, bites for me and if you really don't like it then I won't ask forever again deal?"
like you know what fine sure I'll try your truly heinous concoction because I do in fact hafta respect the deals
She is holding an orange. Warszawa, Poland, 1956. Wolfgang Schrƶter

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Kate Black
Average Deep Space Nine A plot: "What are you willing to sacrifice for the chance at a better world? Who are you willing to hurt? Will the pain you cause now outweigh the peace that it might bring? When both choices are bad, and you do what you think is best, can you live with yourself after? Could you live with yourself if you made the opposite choice?"
Average Deep Space Nine B plot: "What do we do with all this hot sauce!?"
And sometimes, with DS9, the A plot is about the hot sauce and the B plot is about the moral complexities, and I love it either way round.
Yes, this is quite literally āIn the Cardsā!
I had to go and LOOK UP what those āmore serious political machinationsā were because I couldnāt remember, and itās only negotiating Bajorās non-aggression pact with the Dominion. So, you know, nothing major compared to Jake really loving his dad. Chefās kiss; perfection.
Welcome to Derry already had me hooked, and then they went for the eye stuff.
2023 -> 2024

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Leaf your leaves on the ground (no, seriously.) They provide so much for bugs, places to lay eggs places to hibernate. This comic does a great job at showing WHY we don't see our little friends as often, because our systems and social expectations are anti-earth and anti-life. Don't eradicate your friends (maybe just that one) let the leaves lay