It's Catching - Mable John
1966
Mable John in full-on irresistible mode
Stax heat in under three minutes.
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It's Catching - Mable John
1966
Mable John in full-on irresistible mode
Stax heat in under three minutes.

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She's Fine She's Mine - Thee Headcoats
1991
Vintage rhythm & blues meets scrappy garage rock
Taking inspiration from one of rock 'n' roll's great innovators, Thee Headcoats deliver a cover bursting with grit, groove, and infectious enthusiasm.
1955
Big Mama Jump - Lightnin' Hopkins
1947
The blues, bursting with life
Lightnin' Hopkins picks up the tempo with a lively performance full of rollicking rhythms and sparkling guitar work.
Rise Sally Rise - Mickey & Sylvia
1955
A forgotten rhythm & blues jewel
Brimming with warmth, bounce, and irresistible hooks, this is a reminder of how effortlessly the duo could charm.
Victory - Ebo taylor
1980
Triumphant Ghanaian grooves with a message of unity
I really like how this track blends highlife elegance with deep funk.

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I Need You There - The Chessmen
1965
A fuzz-fuelled 60s garage rock classic
Loud, direct, and full of attitude.
Nobody Loves You Like Me - Etta James
1955
Etta in full sparkle mode
A feel-good rush of classic rhythm'n'blues, all bounce and brilliance.
Girls Like Dirt - The Uniques
1968
Rocksteady elegance from start to finish
One of the many reasons The Uniques remain such beloved figures in Jamaican music: timeless harmonies and effortless style.
Krimi - Kleenex
1978
A thrilling Swiss punk detonation
Short-lived but hugely influential, Kleenex packed personality into every note.
"Krimi" is a breathless rush of spiky guitars and fearless attitude.
1959
West African Rhythm Brothers was the most popular African band in London in the late '40s and ‘50s. Since the band was led by Ambrose Campbell, it was sometimes called Ambrose Adekoya Campbell's West African Rhythm Brothers.
Source : African music library.
Ominara - West African Rhythm Brothers
A mesmerising blend of flowing guitars, subtle percussion, and timeless West African groove

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Scorcher - Errol Dunkley
1968
A little burst of Jamaican magic
A classic Dunkley performance: relaxed vocals, crisp rhythm section, and that gentle push of rocksteady energy.
Jungle Fever - Charlie Feathers
1958
A wild rockabilly fever dream
Charlie Feathers was one of rockabilly's true originals, delivering songs with a loose, unpredictable edge that few could match.
"Jungle Fever" is all swagger, echoing guitar, and restless rhythm.
This is the B-side of Why Don't You.
I'VE BEEN AROUND - Little Willie John
1956
I've Been Around - Little Willie John
1956
Soulful swagger in every note
Little Willie John had a gift for making every song feel completely natural.
This one glides along with an easy rhythm while his rich, expressive voice does the rest.
Furry Lewis
Big Chief Blues - Furry Lewis
1928 Relaxed groove, timeless sound
Effortless fingerpicking with all the warmth of early Memphis blues.
Ceferino En Salsa - Ceferino Nieto
1973
Panamanian flavour with a salsa kick
Bright accordion melodies ride an irresistible Latin groove.

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Roland Alphonso - "Phoenix City"
1966
Jazz spirit meets irresistible Jamaican rhythm
Roland Alphonso lets his saxophone do all the talking on this uplifting instrumental bursting with early ska charm.
Cara-Lin - Thee Headcoatees
1997
Maximum garage-pop joy
Fuzzy guitars, infectious melodies, and boundless energy make "Cara-Lin" an irresistible blast from start to finish.
Accompanied by a live performance of the original by The Strangeloves
1965