Always RB: because there is never enough love. And fanfic love is some of the purest.

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Always RB: because there is never enough love. And fanfic love is some of the purest.

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this and also the only difference between fanfic writers and writers who sell their own original works as careers is that fanfics aren’t monetized. that’s all.
being a “professional” writer doesn’t mean your works are inherently better than fanfics. I’ve read so many fics that are more professionally written than some published books.
whether or not a piece of writing is monetized has nothing to do with its quality.
fandom etiquette as a whole died when people who didn’t grow up on fandoms became stans during lockdown, yes, but why am i seeing people openly mocking fics on twitter. why am i seeing screenshots of fics with captions like “bro what is this 😭.” why am i seeing people mock fic writers for not knowing how sports or theater or college or any other organization operates in the real world.
“college is absolutely nothing like this” “why are we writing four people on the team scoring a hat trick in one game” “so tech work is nothing like this, hope that helps!”
if you don’t like a fic, and if you can’t suspend your belief enough to enjoy a fic that exaggerates or ignores real-world orgs, you don’t have to read it. you don’t have to screenshot it and put it on blast for twitter. you don’t have to post a link to it in the replies. the back button is literally there on your phone. it’s not giving baby’s first fandom anymore, it’s giving entitled asshole and it isn’t as cute as you think it is.
me: I should write
also me: let me play the scene in my head and fantasize about writing it instead
“the moment/scene in good omens that brings you the most joy :,)”
I like when they make this silly face🥹

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Good Omens Prime I didn’t need to cry more today, but thanks I guess.
Michael, sweet summer child, all the hugs 🫂
Full image below the cut as to not upset the tumblr gods
i will never be over the fact that during first contact a human offered their hand to a vulcan and the vulcan was just like “wow humans are fucking wild” and took it
Humanity’s first contact with Vulcans was some guy going “I’m down to fuck.”
Vulcans’ first contact with Humans was an emphatic “Sure.”
@sineala
#iiiiiiiiiiiiii mean vulcans had been watching humans for a long time#they knew the significance of a handshake but still#they had to find some fast and loose ambassador#willing to fuckin make out with a human for the sake of not offending them on first contact#lmao#star trek give me the story of this fast and loose vulcan
“sir…these…these humans…they greet each other by…” *glances around before furtively whispering* “by clasping hands…”
*prolonged silence* “oh my…”
“sir…sir how will we make first contact with them? surely we…we cannot refuse this handclasping ritual, they will take it as an insult, but what vulcan would agree to such a distasteful and uncomfortable ritual??”
*several pensive moments later* “contact the vulcan high command and tell them to send us kuvak. i once saw that crazy son of a bitch arm wrestle a klingon, he’ll put his hands on anything”
Elsewhere, w/ kuvak: “….my day has come.”
The vulcan who made first contact with humans is named Solkar guys. Y’all just be makin’ up names for characters that already have names.
Bonus: here’s a screencap of Solkar doing the “my body is ready” pose right before he shakes Zefram Cochrane’s hand:
I swear Vulcans only come in two types and they are “distant xenophobes” or “horny on main for humanity”. Also apparently this guy is Spock’s great-grandfather and frankly that explains everything.
Hey so I looked into this at one point and that handshake literally created a lifelong telepathic bond between the two of them, and basically all of Solkar’s descendants were later obsessed with humans, including freaking SPOCK, so I’m not saying that handshake was so gay and good that it created an intergenerational telepathic bond between Solkar’s descendants and humans, but I’m also not….not….saying that.
actual footage of first contact makeouts
The slow deliberation with which Solkar takes Cockrane’s–I’m sorry, Cochrane’s–hand… The sheer sensuality witch which Solkar infuses an otherwise borderline impersonal social ritual… It clearly shows a very conscious knowledge, on Solkar’s part, of what the significance of the handshake is in Vulcan terms and of how affected he is by it.
That’s why he’s so slow in doing it, and so sensual. A part of Solkar can’t believe this is happening, despite it being a perfectly logical thing to expect from a human, and the rest of him can’t believe how good it is.
I bet that if the camera zoomed in any further we would see the dilation of Solkar’s pupils and a quickly-repressed shiver of delight. Cochrane’s firm, businesslike clasp is probably (in sexual terms) being perceived as a deliciously carnal display of dominance.
No wonder Solkar is all like, “TAKE ME, YOU WILD-MANNERED BARBARIAN WITH ENTICINGLY ROUGH CALLUSES.”
And so we find out that yes, there is such a thing as bottoming in Pon-farr.
Every time this post comes round my dash, it just gets better.
#somehow the idea of vulcans being Horny On Main always gives me the giggles#like literally all they had to do#was be like actually#hand contact is very intimate for our species#and im p sure humanity as a whole would not find that insurmountably weird#there are human cultures that dont shake hands#vulcans are logical enough to think that through on their own#so clearly that vulcan was just down to fuck#down to fuck in a public#professional diplomatic situation no less#and he did not fucking care who knew it (via kittykatthetacodemon)
Some Vulcan: we could probably just explain that handshakes are intimate in our culture
Solkar, rubbing lip gloss on his hand: don’t tell me how to do my job
This is my favourite Star Trek post, complete with headcanons, corrections, the truth coming out of her well to shame Spock even. Seriously perfect fandom work.
We write for ourselves, but we post for others.
(this came out of a conversation in the comments on a previous post about an author threatening to stop updating a fic because of lack of engagement)
So there’s this idea that fic writers should write for themselves and not care too much about stats or engagement,
and i totally get the sentiment behind that. if writing becomes entirely about stats and external validation, something important does get lost - creative freedom and joy, conviction in your own writing
but i also think:
“i write for myself, but i post for others.”
because posting fic is not only self-expression. it’s social. ao3 is called an archive, but emotionally it often functions as a community space.
people post for connection, for participation, for others to bear witness to their pain and trauma and grief,
and i don’t think most people are asking to be admired so much as acknowledged. there’s something deeply human about wanting another person to encounter something that mattered to you and go:
“ok, yeah, I see what you were trying to say. I see you.”
especially because fanfic is often people processing very real feelings through fictional characters at a safe distance, one step removed,
and then uploading that deeply personal thing into a shared archive and hoping somebody else might connect with it.
And i think that’s why it hurts so much when you summon up the courage and post a fic into the void and you get nothing back,
and then it’s like,
does anyone see me? does anyone even care?
Yup! Exactly.
Hello, it's me again...Complaining about Good Omens season 3... again.
I still cannot really grasp who thought it was a good idea to make Aziraphale say that Crowley was the best angel. I understand the sentiment, and I appreciate that his speech gives us some semblance of acknowledgement that Crowley's fall was unfair.
HOWEVER!!!!!!
Crowley isn't an angel. I even dare to argue Aziraphale isn't really an angel either. They aren't on heaven or hell's side, in Crowley's words: "we are on our side." Meaning, their identities don't align with heaven or hell's ideologies.
Both characters are on a grey area. Crowley just some guy who disagrees with heaven annihilating Earth as much as he disagrees with hell's innate heinous plans. Aziraphale is just some guy who happens to share the same ideals of perserving humanity, even if he has to lie his way around heaven in order to do so.
And this isn't even a subtle thing, like, it's quite literally the basis on the characters and they even verbally acknowledge this.
In season one, Aziraphale makes emphasis on Crowley being a good person deep down, Crowley responds that Aziraphale on the other hand, is just enough of a bastard worth knowing.
In season 2, both of them toast in the name of "shades of grey." and this season also establishes Aziraphale and Crowley both funcitioning outside of heaven and hell, defying it in their own ways. (hiding gabriel, lying to angels and demons, etc.)
So for Aziraphale to call Crowley "the best angel" just falls flat for lots of viewers. This isn't season one or two, where Aziraphale is still unlearning Heaven's worldview and struggling to separate goodness from obedience.
By this point, he has spent millennia watching Crowley be compassionate, self-sacrificing, and deeply human despite no longer identifying as an angel. If anything, Crowley's rebellion is what makes him...well the Crowley that Aziraphale grew to love and care about.
Why is this dialouge framing Crowley's highest virtue to his connection to Heaven, even though so much of his story has been about rejecting the labels and roles that Heaven imposed on him in the first place?
Heaven isn't the absolute definition of good, it never had been. Aziraphale knows this. The reason he decided to go back to heaven wasn't because he genuienly believed heaven was good, but because he wanted to protect Crowley and the humans on earth.
Associating Crowley with his angel status and presenting it as an emotional payoff feels disconnected from the journey both characters have actually been on.
To add on, Aziraphale saying: "angels aren't killers" in go3 is insane because yes they are??
The audience has watched Heaven repeatedly endorse or attempt mass destruction. The angels were prepared to support Armageddon in season one, they treated humanity as expendable, and characters such as the archangels have never shown much concern for the lives that would be lost in pursuit of "the plan."
More importantly, Aziraphale himself knows this !! He's the one who spent millennia becoming disillusioned with Heaven. He's witnessed its cruelty firsthand. One of his defining traits is that he often has to wrestle with the gap between Heaven's rhetoric and Heaven's actions.
In one moment, you have him say things like, "I chose Heaven because of you," which aligns with the interpretation that he returned to Heaven not because he suddenly believed in the institution again, but because he wanted to protect Crowley and prevent the Second Coming.
But then the story turns around and gives him lines that seem to frame Heaven and angels as inherently "good," and that's where I lose the thread.
It's not like the finale is exploring some grand emotional conflict with Aziraphale's relationship to Heaven either, which is why this repeated association of "angels = good" and "Heaven = good" feels so strange.
If the story wanted to examine Aziraphale relapsing into old beliefs, struggling with internalized loyalty to Heaven, or wrestling with the fact that part of him still wants to believe the institution can be redeemed, that could be a compelling conflict. But the finale doesn't really spend much time interrogating those ideas.
Instead, it often feels as though the narrative itself is speaking through Aziraphale and expecting the audience to accept these statements at face value.
The problem is that Good Omens spent years teaching the exact opposite lesson.
The series repeatedly showed that moral worth is not determined by whether someone is an angel or a demon. The entire story is built around the idea that people are more than the labels imposed on them.
So when the finale suddenly treats "angel" as a meaningful shorthand for goodness again, it doesn't feel like a culmination of the themes.
Especially if you have Aziraphale refer to Crowley as an angel, to me it seems like a softer version of the whole "I forgive you" bit in season 2. It suggests that Crowley's worth is tied to the part of him that Heaven once approved of. It feels like Aziraphale is still, however unintentionally, evaluating Crowley through Heaven's lens rather than his own.
Like, even if that wasn't the intention, the dialouge still ends up falling flat. Crowley being Aziraphale's best angel shouldn't have been the cathartic realization. Aziraphale loves Crowley because he's kind, because he cares too much, because he's brave and inpires Aziraphale to be brave too.
As Crowley once said in season 2: "we don't need heaven or hell, they're toxic."
We were waiting for Aziraphale to fully articulate what he has been demonstrating for three seasons: that Crowley's value has nothing to do with Heaven's approval. That he is good because of the choices he makes. That he is worthy of love exactly as he is.
And just as disappointing as Aziraphale's admission about Crowley being "the best angel" was, Crowley doesn't really get a moment to express what Aziraphale means to him.
There's no heartfelt acknowledgment. No moment where Crowley looks at Aziraphale and recognizes the immense courage and selflessness that have defined him for six thousand years.
Which is especially frustrating because Aziraphale's journey is every bit as remarkable as Crowley's.
We are talking about the first angel who lied to God, giving away his swoard in order to protect humans. The person who, despite being terrified of losing everything, kept finding the courage to do what he believed was right. Aziraphale was someone who stood against Heaven when it mattered.
Yet the finale doesn't really allow Crowley to acknowledge any of that. He doesn't tell Aziraphale that he's brave or that he's proud of him. He doesn't even tell him that he's the reason Crowley never completely gave up on goodness.
That leaves the impression that the story spent more time telling us what Crowley means to Aziraphale than what Aziraphale means to Crowley, even though the relationship has always been built by both of them.
And that's strange because Crowley, perhaps more than anyone else, understands exactly how difficult Aziraphale's journey has been.
While i'm not a fan of Aziraphale's whole "you were the best angel" speech, Crowley's side of the emotional conversation feels comparatively absent.
So not only do we get an inaccurate framing of why Aziraphale loves Crowley, we don't really get a meaningful articulation of why Crowley loves Aziraphale either.
One half of the relationship gets a declaration that many viewers find thematically questionable, while the other half barely gets a declaration at all.
It seemed like Aziraphale was doing most of the emotional heavy lifting for the relationship in Go3, when Aziraphale says "why give me Crowley? Why make me complete and then take it away?" it pulls at my heartstrings. He's saying that Crowley changed him, fulfilled him, and became an essential part of who he is.
But then Crowley's response is essentially, "You know you won't get an answer."
Which is a practical response. It's in character in some ways. But it isn't an emotional response.
For most of the series, Crowley is arguably the more emotionally expressive of the two when it comes to their relationship. He's the one who suggests running away together. He's the one who confesses in season 2. He's often the one pushing for honesty about what they mean to each other.
So when the finale arrives and Aziraphale ends up carrying the bulk of the explicit emotional dialogue, it can feel like their dynamic has unexpectedly flipped.
The result is that Aziraphale spends much of the finale explaining why Crowley matters, while Crowley rarely gets an equivalent opportunity to explain why Aziraphale matters.
And duh, Crowley loves Aziraphale, we know this. The problem, though, is that in a high-stakes emotional climax, knowing something and hearing it are not the same thing.
The audience has spent years watching Crowley demonstrate his love through actions. We aren't missing that, we are missing is the payoff.
This was the culmination of a relationship that had been developing for six thousand years. If there was ever a time for Crowley to tell Aziraphale that he's brave, that he's kind, that he's the best thing that ever happened to him, that time was now.
Not because the audience didn't already understand those feelings, but because Aziraphale deserved to hear them.
After everything Aziraphale had sacrificed, trying to do the right thing in a system that punished him for it, many viewers expected at least one moment where Crowley looked at him and said, in whatever words Crowley would use: "I see you. I know how hard this has been. I know who you are. And I love you because of it."
Instead, much of that affirmation remains implied rather than spoken. And while implication can be powerful, it's frustrating when the story is simultaneously asking the audience to invest in explicit emotional declarations from the other side of the relationship.
For a relationship that has always been built on mutual devotion, that asymmetry can feel surprisingly noticeable in what was supposed to be their final chapter.
Both characters have always been equally important in this series, and while Crowley gets more praise (albiet, the dialouge was not it.), Aziraphale literally gets paid dust.
The finale seems oddly uninterested in articulating why they love each other in a way that reflects the journey we've actually watched them take.
I didn't need Aziraphale to call Crowley the best angel. I needed him to recognize that Crowley is good because he chooses to be.
I didn't need Crowley to give a grand romantic speech. I needed him to look at Aziraphale and acknowledge the courage, kindness, and selflessness that defined his entire journey.
Both characters are extraordinary because of who they chose to become, not because of what Heaven or Hell once called them. And that's the emotional payoff I never quite felt the finale delivered.

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If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
i am at the point now in my post-s3 grief where just seeing positive takes about it pisses me the fuck off.
you enjoyed the finale. thats great. have a gold star. everyone is entitled to feel the way they feel about it. but I just dont understand it. I dont understand the positivity surrounding it. I feel like people are fucking clutching at straws or something trying to make it good in their heads when the reality is that everybody got the fucking infinity war ending. they got thanos snapped out of bloody existence and they didnt come back. no. they rebooted the universe.
im a marvel nerd so forgive this comparison but...you know not even the avengers wanted to do that? the avengers wanted all the original people back. that was the whole point of getting the fucking infinity stones. hulk snapped his fingers and brought everybody back. yes, it was 5 years later but the point was that everybody they had lost, everybody they loved, came back as they were.
why the fuck couldnt the good omens ending have been more like that? we dont want copies. we want the originals. as was said in the job storyline (that apparently means fucking nothing now because it never happened) we dont want new children, we want the old ones.
maybe i am a bitter old man. maybe im being too harsh. but genuinely, just think for a second what you are praising was a good ending. just think what these characters meant to people. just think what they represent. hope. love. survival. growth. being themselves. shades of grey. not fitting in but choosing their own path to escape the systems that hurt them.
and then think of the fucking finale that butchered all of that.
these characters showed me that i should keep going, keep surviving. that i dont have to fit in to be worthy of love. that i dont have to be ashamed of who I am. that my trauma and my mistakes dont define me. aziraphale and crowley survived so many hardships, so much trauma but they kept fucking going and that trauma wasnt all they had. because they had happiness too. shared lunches. adventures together. laughter. subtle touches. love spanned across 6 millenia. they were not traumatised husks. they were not on either side fully. they were themselves. and even though yes, they were constantly afraid of heaven and hell, they still found ways to find joy in the mundane. they still drank wine together, they still ate lunch together, they still hung out with eachother all the fucking time despite their abuse.
they could still have trauma and still experience happiness. still grow from it. still survive and love and smile. and that kind of message speaks to someone like me on a personal level. its why I fell in love with them so much. especially crowley. crowley always kept going even when he wanted to run away. even when he wanted to give up. his whole character arc was that he is an optimist at heart and he always knew the universe would take care of him.
to see him the way he was in the finale, to see him choose murder-suicide and bring aziraphale down with him...that goes against everything we've been shown him to be. a sarcastic cynical bastard at times, yeah, but a fucking survivor. and not only that, a survivor who is so in love with his angel he was shown to be giving up literally in that exact episode because aziraphale had left him! and then youre telling me he has a chance to be with him, something he's always wanted and he chooses to sacrifice them both instead? sacrificing himself i can understand i suppose...in a way, but aziraphale? and aziraphale just fucking folded and let him?
do you have any idea how harmful that message actually is to people? especially neurodivergent, mentally ill, traumatised, queer people like myself? it just makes me feel like im fundamentally unworthy of a happy ending because im fucking traumatised. and my bpd makes me feel like a bad person all the time anyway. i have always felt unworthy. thats why i related to crowley. and crowley always gave me the strength to keep going, that i am not just my bpd, just like he isnt just a demon. hes a good person. but now...what, none of that even meant anything because he chose to end it all? fuck, this notion that eradicating everything, eradicating the characters that mean the world to me because they keep fucking surviving, and doing it in a self sacrificial way, this notion that its a good ending truly fucking baffles me. all that theyve gone through, all that growth, all that love...it suddenly doesnt mean a damn thing. they killed themselves. its so fucking harmful. genuinely.
people saying they loved humanity more than themselves, yeah okay. but the whole purpose of season 1 was they wanted to stop armageddon because they loved earth too much. they loved all their earthly delights. but the main thing was that they wanted to experience it. and they were useless in the end anyway because all the humans stopped armageddon! they didnt do a damn thing. adam, the antichrist, chose to ignore his purpose and tell off his dad and save the fucking world along with the them and anathema and newt and even fucking shadwell and tracy in some weird way. aziraphale and crowley basically did nothing. and that was what free will was all about! anathema chose to burn the rest of the prophecies, adam chose to save the world not end it. aziraphale and crowley chose to save eachother from certain destruction and get heaven and hell off their backs because they loved earth and humanity and wanted to experience it with them. they all chose free will and they all ignored who they were supposed to be.
so when crowley asks god about free will, why is that suddenly an issue? crowley already knows that angels and demons are basically useless to humanity anyway, they all think up horrible stuff themselves and get on with it and crowley just takes the credit for it. free will was never the problem. the problem was heaven and hell constantly trying to end the fucking world. crowley always wanted to know what the purpose of everything was. why make the world and then end it in 6000 years. he was curious. he asked questions. that was the point. then all of a sudden it becomes about giving the humans free will when they literally always fucking had it.
so yeah. no. not buying it. everytime I think about it i get angrier. there were so many different ways they could have ended it. think of the thousands of fanfics that were made post s2. and they chose the one ending that nobody fucking wanted. not only that, they somehow made it worse by choosing to completely destroy everything including aziraphale and crowley. then tried to soothe the burn with asa and anthony like we arent completely choking on the current fucking smoke.
its bullshit. it pisses me off. it entirely defeats the purpose of s1 and the book. it defeats the purpose of the job storyline. they butchered aziraphale and crowleys characters. they made crowley a pessimistic suicidal ball of depression and they made aziraphale the villain. no one said one nice thing to aziraphale that entire episode. there were plot holes everywhere. the jesus storyline went fucking nowhere. the metatron villain arc they were building went nowhere. I get they only had 90 minutes but cmon!
it was just a big depression shit show and I am eradicating it from my brain entirely. it is not the characters I fell in love with. it is not how I hoped the ending would go.
I just wanted them to retire to the south downs. an angel and a demon, living together in a peaceful cottage. crowley having his own garden. aziraphale having his own library. doing mundane domestic things together. loving eachother openly and fully and without fear.
people who say there was no other way...hello?? they literally wrote a new book of life. physically willed god into existence. they could have just said "bring everything back but heaven and hell dont interfere anymore".
if they were so willing to trust god and asked god herself for there to be a godless universe, then, yknow, I am fairly certain they could have fucking asked for this simple thing??
the ending is a dark tragedy to what was initially a fantasy comedy series.
and I. did not. care. for it.
On Open-Ended Endings
PSA THIS POST IS VERY ANTI-GO S3 so if you don't like don't read please. Please protect yourself. I'm not here to change minds, just to exorcise thoughts.
LEAVE
IF
YOU
LIKED
THE
FINALE
OR
ARE
STILL
REELING
PLEASE
AND
THANK
YOU
AND A CUT FOR GOOD MEASURE
Wholly inaccurate, and very in the spur of the moment, but I vibe sketched this thing after watching that thing.
I guess I draw an imaginary kiss every season, so I suppose it’s fitting.
I didn’t care for it.
I’m going to leave this up for a little bit, until the drawing problems with it bug me enough to take it down.

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When I was in grad school, one of my professors shared how to write a scientific paper (unsolicited, during a discussion on pelicans).
First, he said, you write the methods. You’ve been doing the methods for months, you know what goes there. You know what questions you’re trying to answer and how you went about answering them.
Now that you’ve done that, write the results. Do your analysis. Take some time to bask in having done that and chew it over.
Next: the introduction. What information do you need to set up the conclusion? Do you need to write the six worst sentences known to man as a draft conclusion so you can go back that up in the introduction? Do that.
Write that conclusion. Tie things up, you’ve done amazing. It’s looking good! Unfortunately. The hardest part is yet to come:
The abstract. An unholy melange of introduction, results, and conclusion. The thing that 90% of readers are going to stop after reading. The ultimate test of your ability to communicate your science. Thank goodness you have all this prep work done and aren’t trying to create it out of nothing! Thank goodness you didn’t try to write it first because it was the first thing on the page!
Anyway I’ve taken that approach to a lot of other kinds of writing since. I write the part I know (because of months of development) and then what that will mean, and then I work out what I need to support that, and then I write the part everyone will read.
The End / The Beginning