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@falaheejackoff
itâs been real

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3.02 / 3.12 / 3.15
The way you all talk about him, itâs like you think heâs some horrible person. But I know him, and I love him.

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Whatâs your favorite scene so far this season? Thereâs a scene in this episode where Connor and Oliver are just laying in bed. I love thatâbecause theyâre not back together or are they?âthey donât even know. Thereâs something really intimate about laying in bed talking to someone, and theyâre not even touching. Theyâre just going through their day, and Oliver has this little mini giggle fit. Thatâs my favorite scene, I think, out of the whole season because it feels so real. In the middle of all of this stuff thatâs going on, thereâs always a sweetness between them, I really think, that kind of permeates through the show in a really cool way. â Conrad Ricamora
Aja Naomi King photographed by Michael Rowe at Essenceâs 10th Annual Black Women In Hollywood Awards Gala on February 23, 2017.Â
a coliver 3x14 & 3x15 coda
The words slip out without Connorâs permission.
âAsk me tomorrow.â
They come out small and choked; his voice nearly breaking. When Oliver opens his mouth, Connorâs momentarily terrified he will ask again.
âTomorrow,â he repeats and doesnât give a shit if the word comes out desperate and a little broken.
âCon, Iââ But Connor doesnât let his boyfriend finish, canât let him finish.
He rushes up and knuckles in a hand in Oliverâs hair, pulling hard, not intending to hurt but not necessarily avoiding it either. He presses his mouth against Oliverâs in kiss that bruises. Itâs sloppy and fierce. He bites and nips and takes. Thereâs nothing sweet about this kiss, nothing remotely loving.
This night isnât supposed to be a night for declarations of love. This night is supposed to be fast and hard and freeing. It is supposed to be a reminder that theyâre both alive and safe and whole and here. He wants to wake up tomorrow in this bed in 303 with sore muscles and bruised jaw. He wants to walk around tomorrow with Oliverâs marks on his hips and neck. He wants to be able to look at Oliver tomorrow and see evidence of how well his boyfriend is loved, from the slightly dreamy look Oliver wears the morning after to the delicate way heâll take a seat at the breakfast table.
Tonight Connor doesnât want to talk or think or any of it. All he wants to do is feel.
Pulling away from the kiss, Oliver tilts his head to the side and drags in a shaky breath. âBut, Con, we shouldââ
Connor makes a noise of derision as he nips at the junction of Oliverâs neck and shoulder. âTomorrow,â he growls before moving to capture Oliverâs mouth again but, again, Oliver evades. He shifts back a touch, widening the space between them by mere millimeters.
âWait,â he breathes and Connor stills. Oliver cups his boyfriendâs cheek and runs a thumb over the manâs scruff. The touch is sweet, entirely loving, and without consciously realizing it Connor leans hard into the contact. Oliver opens his mouth to say something but the words die at the look in Connorâs eyes. Itâs wild and desperate but something else lingers in those eyes Oliver loves so much, something smaller and darker pierces through. After a heartbeat, he realizes itâs fear. Connor is afraid?
âTomorrow,â Connor whispers once more and this time Oliver nods.
âTomorrow,â he agrees and lets Connor manhandle him face down on the bed.
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Alfred Enoch at Kari Feinsteinâs Pre-Oscar Style Lounge, 2/23/17.

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youâre not going on a coffee date with a serial killer.
Come get your prize, Mr.Walsh.
You might have forgotten this but Iâm your only option here, without me you go to prison.

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make me choose: anonymous asked: coliver or flaurel
You werenât there⌠I swear I didnât do this.