thank you SOOOOO much for your aang meta because the way this fandom doesnât understand its own main character is insane to me. whenever people are like âoh the end of the show was ruined bc aang shouldâve had to kill ozaiâ iâm like no!!!! you donât understand aang and you donât understand the core message of this show!!!
No literally, the hatred and vitriol thrown at Aang as a character by this fandom is not just baffling but honestly kind of disturbing to me given the context of the show and the real history and cultures that inspired it.
Everyone knows the Air Nomads were inspired by Tibetan Buddhist monks, and by extension the Air Nomad Genocide takes from the real cultural genocide of Tibetans at the hands of China of which over 1.2 million have been killed. This is still an ongoing thing and has been happening since at least the 1950âs. Given this context, and even real life history aside, given the subject matter of the story and plot you would think the people who engage with this show would⌠idk⌠show more self awareness? But clearly not.
Allow me to go into a little meta for a moment because Aang is truly one of my favorite characters in media ever, so hopefully I donât bore you lol because I would talk about him for hours.
A lot of people really overlook Aang as a character or like⌠forget he exists, almost. Itâs very bizarre to me considering as you mentioned, he is the main character but the title of the show is also named after him and his peopleâs genocide. So, we can infer that this event is what everything and every other character will revolve around, and it does. Iâve even seen people argue that Aang has either 1) no character arc or development and/or 2) that the show doesnât take the time to depict the genocide enough for audiences to care. Both statements are false, so allow me to show why:
We start the show off with following Aang from when he wakes up from his hundred year slumber. I could already state obvious subtext of the iceberg and what this means for his character in the context of the story, and I will, but letâs move along first. The first couple of episodes are spent establishing our Sokka, Katara and Aang dynamic and building relationships between them, because the third episode delves into the genocide the show is titled after. We along with Katara and Sokka follow Aang to his home, which we see visually as being in ruins what with the overgrown foliage and lack of care to the grounds, not to mention its seeming vacancy. There is a building tension the entire episode, and it allows itself to simmer in it, (unlike Netflixâs terrible adaptation), which makes Aang discovering Gyatsoâs skeleton all the more impactful when it finally comes.
We see Gyatso is wearing the same threngwa (Buddhist prayer beads) he had in flashbacks letting us know it is his body. Aang too recognized this. These necklaces, in real life, are used to repeat prayers/mantras. Real threngwas largest bead is known as the guru bead, which speaks to the relationship between the student and spiritual teacher, represented in the air symbol Gyatso wears. We see this come back around in Aangâs final shot alone at the very end of the show so it is no coincidence. It is also a deliberate parallel that Katara and Aang share (her motherâs necklace), as they have many in the show and constantly circle one another as characters.
Aang has learned at this moment that he isnât just a victim of genocide, he is the sole survivor. Not even in real life is there documented genocide on the scale Aang would be experiencing in show. Itâs simply an unimaginable level of loss, and for people to assert it is anything but that is not only completely tone deaf given the subject matter of the story, but itâs also just genuinely fucked up. Excuse my language. Because Aang might be a fictional character, and the Air Nomads might be fictional as well, but the culture inspiring them and what happens to them is not. And many people that love ATLA are from cultures that have experienced genocide. For this reason, I truly believe Aang is one of the most important characters in western media, especially in childrenâs television.
We see the genocide of Aangâs people echo throughout the narrative going forward. Aang comes across people in one of the temples that are refugees, in the midst of destroying sacred sites that only he can understand and remember the cultural importance of because he is the only one left. At the same time, he shows empathy toward these people, who have no where to go and are like him and his new friends, victims of an evil regime. Aang realizes that no, they arenât part of his culture, and they might not know everything he does, but they do embody what his people valued: freedom. And in that way, the spirit of them lives just as the refugees. It might not be the same, but that doesnât mean it doesnât have value. I also greatly appreciate ATLA depicting the nuances of war in this way. It is very unusual for a form of media that focuses on this topic to actually devote time to aspects of war that are not black and white.
We also see Aang find a bison whistle, and I think this must have been such a precious token for him to uncover. And while Sokka doesnât believe it will work, that itâs a waste of money, the show disproves him in the end. He mustâve thought it was so nice that someone cared enough about his culture to make such a thing.
We then learn in The Storm that Aang ran away from his home. This is where the show starts to more deeply delve into his survivorâs guilt, which was mostly alluded to beforehand but never outright stated in this way. Aang divulges to Katara that the council members at his temple were going to forcibly separate him and Gyatso, his father, and in Aangâs words: âHow could they do that to me? They wanted to take away everyone I knew and everyone I loved!â
We as the audience know that Gyatso was going to fight the other council members to keep Aang, but Aang will never know this. This episode, and this event that leads to Aang running away, is the core of his character arc for the entire series.
It is not that Aang runs away or has a problem with running away, as so many fail to understand, but rather that expecting Aang to sever all attachments for the sake of the world leads to his own peopleâs doom and will only cause destruction in the end. Aangâs elders wanted to take him from his fatherâs care and ship him away to be isolated and rigorously trained, for their benefit. Gyatso of course argued against this, because this was cruel and not something any other airbender was expected to doâto give up all attachments to other people and to what is familiar to them, to sacrifice everything for the world.
This sacrificial theme pops up repeatedly for Aang, and as Iâve said plenty of times, he is never narratively rewarded for such a thing.
When Appa is stolen, and his last remnant of his obliterated culture is taken away, it is Katara who is able to reach through his grief and rage. Katara, like Aang, largely understands how he must feel given her own peopleâs genocide. She also takes a stand against Aang trying to force the Avatar State upon himself, something deeply traumatic for him, for the sake of ending a war.
âFor the people who love you, watching you be in that much rage and pain is really scary.â
Aang has a really beautifully done aspect of his arc concerning the Avatar State and Katara, as the two are inherently tied together. In Book 2, we see this sacrificial theme grow stronger when Aang is asked to choose unlimited power over attachment and love. This is the exact same thing that caused him to flee his home. It makes sense it is echoed now in Katara, given we are told that his love for his people is reborn in his love for her. (Also not part of this meta but I really like the parallel in the comics with how Aang calls her sweetie and we specifically hear Kya call her this in flashbacks. Itâs yet another parallel about the loss of what Katara and Aang loved being found again in and through one another.)
We are told in The Guru that Aangâs heart chakra deals with love and is blocked by his grief. We then visually see the airbenders being tied to Katara. We also get a green color scheme, the color of the heart chakra, otherwise known as the Air chakra.
Aang canât let Katara go. His love for her is too great. It is only in the catacombs that he is not given a choice. He is forced to give her up for the sake of the battle at hand. If he doesnât give her up, if he doesnât enter the Avatar State, this guarantees she will die.
And then the narrative subverts what we would expect by punishing him for this.
Typically, especially in western media, we would be told to view a character gaining unlimited power as a good thing. This is not the case in ATLA. This plot point is framed as a complete tragedy. Itâs truly one of the saddest, most hopeless moments of the entire show. This visual of Katara holding Aangâs corpse in her arms is so charged. Holding the worldâs Avatar, the worldâs Last Airbender as he dies. As her physical embodiment of hope dies. As a part of her spirit goes with him. Itâs so incredibly sad.
This sacrifice is not met with reward. Itâs met with anguish. Katara returns Aangâs feelings through her actions. We donât need words to be spoken to understand what is being conveyed: she canât give him up, either. She nearly drowns everyone in the catacombs just to catch him before he can hit the ground. She heals him, resurrects him from the dead, summons his Avatar spirit, instills in him and raises him up with new life just as she did from the iceberg.
This is why kataang is absolutely fucking peak, but thatâs another convo for another meta. But I canât help mentioning it seeing as they are so integral to one another, and their romance is so deeply woven into the narrative, and to the themes at hand.
We continue to see Aang try to give her up again in The Awakening. Katara doesnât allow him to do this successfully, for good reason of course, as we are being told visually and thematically that Aang shouldnât have to sacrifice for the world. He burns what is left of his glider, his old clothes torn and ruined, and Katara again parallels him by removing her motherâs necklace. Both characters assimilate into the nation that tried to eradicate them. They continue to mirror one another in Book 3 very heavily.
We also have this visual symbol of Aangâs sacrifice. It is literally a blistering, open wound on his air chakra that Katara tries for over a month canonically to heal. (Also her water is making a heart. Cute) This wound is cutting off his chi path, where his tattoos follow along his body, breaking the order of his tattoos and spine. Katara does heal him. She does bring him back to life, back to the world, but even she cannot erase the damage done to Aangâs body and soul, not entirely and this is both physically and figuratively.
She says she can feel âa lot of energy twisted up in thereâ, and thatâs really speaking to the fact that Aang⌠hasnât dealt with the loss of his people. He hasnât finished his arc. Which leads me to my next point:
During the first installment of the 4 part finale, we see this argument of taking a life brought up again. We already have known that Aang is a pacifist throughout the show. We also were visually shown Gyatso surrounded by dead firebenders in episode 3. We can infer something very crucial about that imagery: Gyatso killed them all and himself, seeing as he had no charring on his clothes etc. He likely suffocated them all, and himself, to stop their assault. Regardless of how he killed them, we know that he had to of done so. Which means that Gyatso, and likely the other airbenders (at least some of them) probably resorted to lethal methods during Sozinâs ambush.
This is not framed in a good light. We know pacifism is sacred to Aang and was to his people. Giving it up is another sacrifice in a narrative rich and full to the brim with them as far as Aang and his people are concerned. The airbenders, and Gyatso, gave up their spirituality to try and save themselves. What did it get them in the end? Nothing. They all still died. Their sacrifice was in vain, as all of them areâŚ
This is crucial to the finale.
Aang is shown to be meditating and specifically to be praying, what with the offerings he makes and are visually being represented here. So what is he praying to? To the universe. He wants another option. Thatâs what the Lion Turtle is. It is the universeâs answering to his unwavering faith.
The Lion Turtle comes and beckons him. It, seeing his pure spirit, his relentless determination to rectify what was set to wrongs 100 years ago with his people sacrificing their culture in the face of their deaths, sees that Aang is able to perform an ability no other Avatar ever has: energybending.
âThe true mind can weather all the lies and illusions without being lost. The true heart can tough the poison of hatred without being harmed. Since beginning-less time, darkness thrives in the void, but always yields to purifying light.â
The chant in this scene is based on a real Buddhist chant. The chant is in Mandarin and translates to âBow before the Buddha of Immeasurable Lightâs Disciple.â
Aang is the Disciple here as opposed to the Buddha (the original real life chant does not say disciple), but by altering it here, and by calling him a disciple it is acknowledging Aangâs humanity and his flaws which led to the imbalance he is experiencing culturally, emotionally, spiritually⌠In the same breath, it acknowledges his innate goodness as the Avatar and deems him worthy of a power no other Avatar was.
âIn the era before the Avatar, we bent not the elements, but the energy within ourselves. To bend anotherâs energy, your own spirit must be unbendable, or you will be corrupted, and destroyed.â
When Aang fights Ozai, we hear and see Ozai brutalize him both physically and psychologically.
âYouâre weak, just like the rest of your people. They did not deserve to exist in this world, in MY world!â
Aang was mistaken when he said his 7th chakra was locked during the Day of Black Sun. It was his Air chakra all along⌠his grief, his love, his loss.
We see an act of karma play out in this finale. Just as his prayer was answered, his heart is literally penetrated and forced open. A rock is driven through his heart chakra, and he enters the Avatar State for the first time completely conscious and aware of what he is doing. On the 100th anniversary of his peopleâs genocide, he faces the offspring of the responsible party, and he is so angry.
It is no shock nor coincidence that the first and last element Aang uses in this battle is air.
Aang slapping Ozaiâs hand away, a hand about to burn his face like he burned his own son, a hand about to complete the genocide 100 years in the making. And what does he do? He slaps it away, rejecting the imperialism for the final time. He asserts his peopleâs power through his bending, literally pushing fascism away from himself.
This is truly one of if not my favorite move any character does in the entire show. It is so simple and so, so heavy with subtext. And Aang, about to kill him, finds it within himself to pull back. This isnât who he is. This isnât who his people were. They were peaceful and forced to violence. They deserved to exist in this world. And then he energybends. Because his spirit and his love are unbreakable. Because only the last airbender can return what the world lost in war: freedom. Because only the last airbender could ever be the avatar. Because only Aang and his level of unconditional love could ever conquer in the face of evil.
We end the show with this being the final moment we see Aang alone, if only for a short second. I canât even articulate the emotions this conveys: perseverance, peace, sadness all in one. As he wears the same threngwa of his father, no doubt remembering his love for him, and for the rest of the airbenders. Has he done right by them in the end? Has he finally righted this wrong? Can he rest now, for the first time? Is he free to love again?
Aang is truly such an emotionally charged character to me. Every time I see him right here in this shot I start crying.
There is something so powerful and emotionally resonant in a character honoring their culture in the wake of such devastation, even against the entire world. Iâm sure for many fans who have experienced something like this, he is a very impactful character. More so, I think for any fan of ATLA that has ever been oppressed, has ever suffered and forced to slice away parts of themselves for the benefit of otherâs comfort, Aang is beloved. A hiding boy, and an iceberg his fortress of protection, and the themes of self determination and survival against all odds.
What a beautiful character and arc. What a wonderful message to send. What a wonderful hero to have been raised by as a child.
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