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One Nice Bug Per Day
Cosimo Galluzzi
d e v o n
KIROKAZE
sheepfilms
DEAR READER
dirt enthusiast
Peter Solarz
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@face-invader

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if an archaeologist says an artifact was probably for “ritual purposes” it means “i have no fuckin clue”
but if they say it was for “fertility rituals” they mean “i know exactly what it was for but i dont want to say ‘ancient dildo’”
Back in the day I worked at a certain very famous and very high caste art museum in the US as a junior curator. Part of my job was to catalog the objects in the museum database. This includes details like provenance, measurements, and a visual description of what the object looked like.
Like I said, the museum was a pretty snotty institution. It’s got a LOT of objects it’s way famous for possessing, but nobody knew about the absolutely massive collection of Moche erotic pottery it had because the curators were totally embarrassed by this stuff.
Some examples:
Pretty hot shit, right? They never, ever put any of this stuff on public view or published it in any catalogues but - we legit had like several hundred pieces of Moche ceramics in the “dirty pots” category. Anyway, I was left alone to just do my job with regard to the database for several years, ok? And I figured, well, these’re accessioned objects in the museum’s collection - better get down to bidness.
I catalogued every goddamn bestiality, necrophiliac, cocksucking, buttfucking, detached penis, and giant vulva drinking cup in that collection. I’d be like,
A drinking vessel in form of a standing man wearing a tunic and cap. He holds an oversized erection in his hands and stares into the distance (note I did not say “like he’s hella-constipated”). The vessel has a hole at both the tip of the penis as well as around the rim of the figure’s head, thus forcing the drinker to drink only from the penis or risk spilling wine all over themselves from the top of the vessel. Red and orange slip covers the surface of the piece.
Pretty straightforward, right? Apparently the deep seated fear of these objects that the curators exhibited was meant to spread to me as well, but - no one ever gave me that memo, because I guess Midwesterners reproduce asexually. When the curators understood that I had catalogued all of these objects in addition to the other, non-sexy pieces in the collection, they were apparently livid, but knew they had no legs to stand on in terms of getting pissed at me for it.
I visited the museum’s online public access database a few years back and - every single description I wrote of these pieces has been totally neutered to say something like Male figural vase.
Long story short? Just call a dildo a fucking dildo. It’s all gonna be ok, I swear.
This is absolutely the MOST unusual reblog I have ever tagged with what is probably my second-favorite tag, “talk to me about your work.”
Plus it’s hilarious.
I love ancient art history !!!!!
@lowercasetrashwriter
Museums should have sections dedicated to artifacts like these with a warning that says “There’s a lot of private parts in here but we’re dedicated to displaying history so we won’t censor these. Enter at your own risk” or something. It’s prudish to deliberately hide history because of some ding dongs.
Fucking Puritanism.
Unpopular opinion: Sex exists. Making body parts taboo is both psychologically bad for us and kinda stupid.
when i went to the travelling Pompeii exhibit a few years ago it was nice to have a section just gently sectioned off with all the fun phalloi and graffiti. they had a warning on it, but they ALSO had a warning on the ‘hey this is where the simulated eruption happens, if you have trouble with flashing lights or loud noises let us know so we can show you the shortcut’ bit, and I appreciated both.
Grande Ventres by Alina Szapocznikow
This doesn’t include the best bit of the whole thing - she found the Twitter thread!
This is like one of those romance novels where people bond over accidentally writing each other emails but better.
Like Pride and Prejudice but instead of the love interest getting dissed for his toxicity and then reforming, it’s just two people bonding over dissing a dead toxic asshole.
10/10 would recommend

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I love the midwest so much
older lotr illustrations sometimes depict éowyn wearing ridiculously small armour. apart from the problem general sexualisation of the only female character (who really does anything), there’s another hilarious thought:
éowyn pretended to be dernhelm, a man. to fit in, she must have worn men’s armor. so the armor in the illustrations is normal for rohirrim.
therefore, all the rohirrim rode to war just like that:
there’s a thundering sound in the distance as the rohirrim ride into war but rather than hoofbeats it’s the collective sound of all their cheeks clapping
the artist for this particular piece is Frank Frazetta and to be fair to him this is how he drew the orcs armor
so the rohirrim comment is probably not that far off
That’s a man who just straight up had a problem with the concept of wearing pants into battle, and I respect that
male or female
hero or villain
sea or land
even in the snow
I guarantee you Frazetta’s Rohirrim were 100% pants-free
Good Old Frank. That man loved bodies and hated clothes so much
Frank Frazetta was the reason He-Man was designed like that; the producers conduct a study to see what art appeal the most to children, and Frank’s work came out on top in popularity. So everyone in He-Man is dressed the way they are directly because of Frazetta.
That man gave us the gift of warrior thighs and tits for everyone.
Ah, it has been too long since I have seen the no pants post on my dash. And yes, this is a rare case where it wasn’t some sexist nonsense but an egalitarian No Pants Agenda.
It’s time for my regular reblog of Gondor Needs No Pants
I can’t remember now if it was Frank Frazetta and his Mrs. who used their own bodies for character models or if that was Boris and Mrs. Vallejo. Both pairs were ripped, though.
Illustration for the book Les Délassements De L’Éros, by Gerda Wegener, 1925
Oi dont even joke lad
I love this post especially the rat part
going on me feed
what do you mean there are exactly zero rats i. this post
DOES IT NOT STOP

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so make it
Cunt
I feel like this is something @theshitpostcalligrapher would write.
no no this one is a @carpe-aurore, I do chunkier scripts and she does a copperplate that would slay this
burning text gif maker
heart locket gif maker
minecraft advancement maker
minecraft logo font text generator w/assorted textures and pride flags
windows error message maker (win1.0-win11)
FromSoftware image macro generator (elden ring Noun Verbed text)
image to 3d effect gif
vaporwave image generator
microsoft wordart maker (REALLY annoying to use on mobile)
you're welcome
obligatory reblog of this after I forgot to bookmark them (again)
maybe y'all didn't notice but fat people who don't hate ourselves sure did notice that people were obsessed with shitting on fat people in the late 90s and early 2000s (conservative political time) and now are again (fascist political time), coincidentally while the market for weight loss has become a 90 billion dollar industry due to glp1s.
you are not immune to propaganda. it makes some people a whole hell of a lot of money for you to hate fat people and fear becoming (or staying, I think like 70% or something of the US is fat) one of us.
a lot of the fearmongering over fatness comes from studies directly funded by the weight loss industry...i think people don't really realize or think about the fact that research can absolutely be influenced and skewed by its funding. there is also research that shows that an amount of the negative health outcomes for fat people come from anti-fat bias. if you go to the doctor with concerns and the doctor simply tells you to lose weight, your problem is neglected and you may not even bother going to the doctor with the next problem.
every fat person you know for the most part probably has a story like this, of medical neglect. many of the stories i've heard personally are when the complaint or the doctor wasn't related at all, like being told to lose weight at the ear nose and throat doctor or at the dentist. it's straight up just bias. it's such a thing that in the show Shrill it's portrayed, when Aidy Bryant goes to the gynecologist and her doctor suggests she get gastric bypass.
the studies on health and fatness are simply not that black and white and there is basically no research that shows that more than an incredibly tiny minority of people can lose weight and keep it off for more than like 2 years. bodies have set points that they gravitate towards, it's not a personal failure. this also is how the weight loss industry succeeds so well - repeat customers.
some of the harm associated with fatness is also due to weight cycling, which is very hard on your body and is even worse if you get off a GLP1, which according to a recent study causes weight to be regained at a rate that is 4x faster than without taking a GLP1.
you don't have to hate yourself. you don't have to hate other people for their body type either. it makes me so sad to see the thinspo tag going around again in 2026 a lot like it was back in the day.
some resources to learn more here:
https://www.reuters.com/article/business/healthcare-pharmaceuticals/feeling-fat-may-be-worse-for-you-than-being-fat-idUSTON079061/
A study spanning almost four decades and involving more than 100,000 adults in Denmark found that those with an 'overweight' body mass index
there's so much crazy shit once you go down the rabbit hole. for example, BMI was not invented by anyone with a medical background. it was never meant to measure individual health.
The U.S. weight loss industry reached an unprecedented high in 2023, estimated at $90 billion, largely driven by surging sales of the widely
Evidence is mounting that our body fat supports everything from our bone health to our mood, and now, research suggests it also regulates bl
just gonna reblog this forever because i love fat people and we deserve fuckin basic human dignity and respect regardless of our weight
Day 180 since Craig moved in. he clearly thinks he’s dating one of us but we can’t figure out who. it’s possible one of us is lying about it for some reason but so far our efforts at inquisition has led nowhere. we would kick him out but he’s been doing the dishes for us. we’ve decided that for the sanity of the polycule we’ll keep up the charade. if all of us continue to be flirty with him, he’ll project his attraction onto whoever the hell he thinks is into him. this house of cards is delicate but necessary
It got funnier
This is how cats domesticated themselves
Heated rivalry shouldve been about 2 ugly old guys that play mahjong then maybe id consider watching it
i don't remember them playing mahjong but they do other old man things like going to the wet market together and drinking soup and taking walks. anyway go watch suk suk / twilight's kiss
"ok but where's the old chinese lesbians" go watch all shall be well. it's by the same director and the old chinese lesbians are also at the market

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Her name was Judy-Lynn del Rey. And she became the most powerful editor in science fiction history.
Born in 1943 with achondroplastic dwarfism, Judy-Lynn grew up devouring science fiction in New York City's public libraries. At a time when the genre was dismissed as pulp fiction for teenage boys, she saw something else entirely: the future of storytelling.
She started at the bottom—an office assistant at Galaxy, the most prestigious science fiction magazine of the 1960s. Within four years, she was managing editor.
Then Ballantine Books came calling.
When she arrived at Ballantine in 1973, science fiction and fantasy were afterthoughts in publishing. Fantasy in particular was considered unsellable—unless you were Tolkien. Judy-Lynn thought that was nonsense.
Her first major move was audacious: she cut ties with one of Ballantine's bestselling authors, John Norman, whose "Gor" novels were popular but notoriously misogynistic. It was a risk. She didn't care.
Then came the gamble that changed everything.
In 1976, someone brought her an opportunity: the novelization rights to an upcoming space movie by a young director named George Lucas. Hollywood thought the film would bomb. Studio executives were skeptical. Most publishers passed.
Judy-Lynn said yes.
The Star Wars novelization sold 4.5 million copies before the movie even premiered.
She would later call herself the "Mama of Star Wars."
In 1977, she launched Del Rey Books—her own imprint, with her husband Lester editing fantasy while she oversaw everything else. Their first original novel was Terry Brooks's The Sword of Shannara. It became a phenomenon.
She didn't stop there.
Remember The Princess Bride? The original 1973 novel had flopped. It was headed for obscurity. Judy-Lynn rescued it, reissuing it in 1977 with a striking gate-fold cover and an aggressive marketing campaign. Without her intervention, there might never have been a movie.
She published the Star Trek Log series. She championed Stephen R. Donaldson's Thomas Covenant trilogy—convincing Ballantine to release all three books on the same day from a completely unknown author. Unprecedented.
She published Anne McCaffrey's The White Dragon—the first science fiction novel ever to hit #1 on the New York Times bestseller list.
And she did all of this while competitors called her imprint "Death-Rey Books"—because she was utterly dominant.
Between 1977 and 1990, Del Rey Books had 65 titles reach bestseller lists. That was more than every other science fiction and fantasy publisher combined.
Arthur C. Clarke called her "the most brilliant editor I ever encountered."
Philip K. Dick went further: "The greatest editor since Maxwell Perkins"—the legendary editor of Hemingway and Fitzgerald.
But here's what burns: the science fiction community never nominated her for a Hugo Award while she was alive. Not once. The men who ran the industry praised her in private and overlooked her in public.
In October 1985, Judy-Lynn suffered a brain hemorrhage. She died four months later, at 42.
Only then did the Hugo committee vote to give her the Best Professional Editor award.
Her husband Lester refused to accept it.
He said Judy-Lynn would have objected—that it was given only because she had just died. That it came too late.
He was right.
Judy-Lynn del Rey transformed science fiction from a niche hobby into a cultural force. She made fantasy into a mainstream publishing category. She bet on Star Wars when no one else would. She saved The Princess Bride from oblivion. She published the first #1 New York Times science fiction bestseller.
She did all of this standing 4'1" tall in an industry run by men who underestimated her at every turn.
The next time you pick up a fantasy novel, or watch a Star Wars movie, or quote The Princess Bride—
Now you know who made it possible.
Please enjoy these ducks changing their minds
(Source)
#napoleon’s invasion of russia‚ 1812‚ colorized