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"I don't know if that's just the animal. I don't know if it's not braver to die. But I do recognize the habit. The addiction to being alive. We live past hope. If I can find hope anywhere, that's it, that's the best I can do. It's so much not enough, so inadequate but.... Bless me anyway. I want more life."
if I just had the presence of mind and the wherewithal and the chutzpah and the bandwidth and the executive function and the energy and the mental resources and the spoons and the right attitude and the capacity and the gumption and th
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been thinking about cyborg theory, and gurathin, and murderbot
works referenced, in order of appearance
Rasper, R. Prototyping Criptical Neural Engineering β Tentatively Cripping Neural Engineeringβs Cultural Practices for Cyborg Survival and Flourishing. Nanoethics 16, 35β49 (2022). https://doi.org/10.1007/s11569-021-00405-8
Williams, Damien P., Heavenly Bodies: Why It Matters That Cyborgs Have Always Been About Disability, Mental Health, and Marginalization (June 8, 2019). Available at SSRN: https://ssrn.com/abstract=3401342 or http://dx.doi.org/10.2139/ssrn.3401342
Kokhot, J. (2025). Overcoming life: Neuralink, cyborgs and the (an)aesthetics of cure. Technoetic Arts: A Journal of Speculative Research, 23(1), 29β45. https://doi.org/10.1386/tear_00140_1
Kurzman, Steven L. βPresence and Prosthesis: A Response to Nelson and Wright.β Cultural Anthropology 16, no. 3 (2001): 374β87. http://www.jstor.org/stable/656681.
Kafer, Alison. "Accessible futures? Disability, feminist and queer theory, and progressive politics." βThe Claremont Graduate UniversityβProQuest Dissertations & Theses, β2005.β3159642. https://www.proquest.com/docview/305006871, citing Jennifer Gonzalez: Gonzalez, Jennifer. "14. βEnvisioning Cyborg Bodies: Notes from Current Researchβ". Cybersexualities: A Reader in Feminist Theory, Cyborgs and Cyberspace, Edinburgh: Edinburgh University Press, 1999, pp. 264-279. https://doi.org/10.1515/9781474473668-019
Weise, Jillian. "Common Cyborg." Granta, September 2018. https://granta.com/common-cyborg/
Kafer, Alison. "The Cyborg and the Crip." Feminist, Queer, Crip. 2013. citing Steven Kurzman.
Kurzman, Steven L. "Presence and Prosthesis: A Response to Nelson and Wright." Cultural Anthropology 16, no. 3 (2001): 374-87. https://www.jstor.org/stable/656681.
Rasper, R. Prototyping Criptical Neural Engineering β Tentatively Cripping Neural Engineeringβs Cultural Practices for Cyborg Survival and Flourishing. Nanoethics 16, 35β49 (2022). https://doi.org/10.1007/s11569-021-00405-8
Crosby, Christina, βAllies and Enemies,β in Coming to Terms: Feminism, Theory, Politics, ed. Elizabeth Weed (New York: Routledge, 1989), 206; as cited by Alison Kafer in "The Cyborg and the Crip."
Haraway, Donna J, as cited by Brennan, Dave in A Cyborg's Father: "Donna J. Haraway, Staying with the Trouble: Making Kin in the Chthulucene (Durham: Duke University Press, 2016), 33. Haraway defines the word [sympoeisis] as βmaking-with.β Other interpretations include βworldling-withβ or βbecoming-with.β Haraway also points to M. Beth Dempterβs earlier definition of the word, sympoiesis as βcollectively-producing systems that do not have self-defined spatial or temporal boundaries. Information and control are distributed among components. The systems are evolutionary and have the potential for surprising changeβ (ibid.)"
Forlano, L. (2017). βData Rituals in Intimate Infrastructures: Crip Time and the Disabled Cyborg Body as an Epistemic Site ofΒ Feminist Science.β Catalyst. Special Issue on Science out of Feminist Theory. https://doi.org/10.28968/cftt.v3i2.28843
A few months before he died, Franz Kafka wrote one of his finest and saddest tales. In βThe Burrowβ, a solitary, mole-like creature has dedicated its life to building an elaborate underground home in order to protect itself from outsiders. βI have completed the construction of my burrow and it seems to be successful,β the protagonist notes at the outset. Quickly, however, the creatureβs confidence begins to wane: how can it know if its defences are working? How can it be certain?
Kafkaβs protagonist wants nothing less than complete security, so nothing can be left out of its calculations. In the small world of its burrow, every detail is significant, a possible βsignβ of a looming attack. Eventually, the creature begins to hear a noise it believes to be that of an invader. The noise is equally loud wherever it happens to be standing. It would appear, then, to originate within the creatureβs own body: the sound, perhaps, of its own heart beating, its own frantic breathing; life happening and ebbing away, while the creature is worrying about something else.
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[id screenprint from wikipedia: On 14 February 1779, English explorer Captain James Cook was violently killed as he attempted to kidnap Kalani`Opu'u, the ruling chief (ali'i nui) of the island of Hawaii, after the native Hawaiians had stolen a longboat from Cook's expedition. As Cook and his men attempted to take the chief to his ship, they were confronted by a crowd of Hawaiians at Kealakekua Bay seeking to rescue their hostage. The ensuing battle killed Cook and several Royal Marines, as well as several Hawaiians. Kalani'opu'u survived the exchange. end id]
note wikipekia has been edited to say 'killed' instead of 'violently killed' and commandeered instead of stolen
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When the tech brings me back, an image already waits on the monitor: a white boob against the blackest black. The boob is filled with white lace, white ribbons, white strips of silk, like my breast is a diva primping herself in a pitch-black dressing room. Or maybe sheβs filled with white swirls of smoke that her sultry self would have puffed in the previous century, lipstick staining her cigarette holder. Or maybe Iβm just turning her into a diva because here, on the monitor, sheβs been turned into a suspicious object, potentially deadly.
Heather Lanier, "Have You Ever: Mammogram Edition"
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