new age retro punk

We don’t give a fuck about punishment. We do medical research. We give housing and food. Education makes people live longer? Build the Schools. How will we do abortion control? How does it strike you to have free childcare until age 6? Three years each of parental leave? How about just paying money to kids so they have money to be alive?

Prisons kill people. What if we tried to prevent murder instead. What if you could get free housing and food and childcare if you left your abusive partner. What if we could make it so that your name disappears off the Internet when they try to track you.

Planets as Bantu Knots!!!🪐🪐🪐

you've probably already noticed that turn signals ("blinkahs") don't serve their usual function here - a common saying on the server is that using them as intended is just giving information to your enemies. you may be tempted to conclude that these "blinkahs" are useless. not so! they are exclusively used for parrying cars audacious enough to think they can just drive past you. the timing is a five-frame window beginning when you can first see the approaching car in your sideview mirrors. simply engage your blinkah and then immediately jump out in front of your opponent. if you get the timing right, you will build super meter. if you're too early, you've accidentally performed a safe traffic maneuver, resetting your meter to 0. if you're too late, you crash and may have to transition to direct PvP, which is outside the purview of this guide.

yellow lights can also be parried by running them, with the amount of super gained determined by how far you make it through the intersection before the light turns red. the ideal window you're aiming for here is between your front and back wheels crossing the white line

you can use your super meter to cast a variety of spells to hinder your opponents. popular meter-efficient spells include mainstays such as "Summon Double-Parked Uber Eats Driver", "Line-Skipping Merge", and "Greater Unmarked Cop". if you max out your meter, you can cast the legendary "Power Word: Storrow".

the super meter system works differently for bikes. obviously, since they lack blinkahs and run red lights anyways, they can't build super in any of the normal ways. instead, they build it up passively, since their very existence enrages every driver around them. to offset this, the spell list for bikes is a lot lower-power than the spell list for cars, mostly being focused on mobility or utility instead of offense (although there are some notable exceptions like "U-Lock Missile"). the capstone spell for bikes is, of course, "Post Misleadingly Edited GoPro Footage On Reddit".

*checks wiki*

I went, "What. no. she/her."

"How does that work? With she/her/hers and they/them?"

I stared at her. "What are you talking about?"

"Well you came out as-" and I said, "I'm asexual."

She replied, "Like an amoeba, I know."

"Oh. My god. No. Mom. It doesn't- it's not the asexual you learned about in biology. I didn't come out as a single celled organism."

With heavy relief, she said "Oh, it has a different meaning?"

and it's fucked up! because circumstances aligned that just as gen z grew up and lost their innocence, so too did the places they frequented fall into disrepair; what more poignant metaphor could you find for dead decadence than having the excesses of your childhood literally fall apart as you grew up? and its so interesting, because it''s not quite the same fear as the dark forest full of monsters that preceded the liminal spaces movement; humanity has long moved past being seriously threatened by packs of wolves or stray bears, and so the mythology around them stagnates. but that level of industrialization, the building of ever-bigger buildings, the stripping of human imperfection in favor of mass-production, the pervasive sense of not fitting into a world that was supposed to be promised to you? that has shaped the concept of a "liminal space" in a facinating way. i think that's why the liminal spaces movement is dominated by man-made locations- to the point where even when set outside, the focus is specifically on an artificial element of the landscape. the mass-production, the sameness of modern architecture- it's expressed by exaggerating it, stretching what would be in reality large but walkable buildings into expansive labyrinths with no rhyme or reason to their construction- which, of course, is the point; that instead of there being no reason for it's existence, like a dark forest, there is a theoretical purpose that these buildings are fulfilling- one that is entirely exclusive of you. it's an expression of decadence a level above dead rich people haunting their own hoarded wealth; a building built entirely for it's own sake, built until it encompasses the entire world, where humanity has been entirely excised. to a generation that now worries more about the seemingly unknowable whims of corporations, dead decadence no longer means old castles and dilapidated manors where one rich man lived and died- it means empty suburbs where no one lives, grungy shopping malls with every booth shuttered, playgrounds and arcades left to rot at the will of an ambiguous gestalt for reasons strange and opaque.