disco elysium was ahead of the curve they managed to make a man so magnetic he seduced three quarters of the player base despite the fact he's canonically a dude highly prideful of having a big obnoxiously loud car
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Iām not Christian, I donāt go to church anymore, and my pastor died, but when he was alive Iād sometimes go to his sermons and I remember one time he said āit feels good to hate, but we know that it isnāt allowed, so when weāre told that weāre allowed to hate someone we get so excited that we forget weāre supposed to loveā, and if my humble atheist ass might borrow some church talk Iād like to perhaps submit that
Anyhow sometimes on the day to day I feel disgust or revulsion and I have to ask myself āis this a danger to anyone at all or am I just looking for something Iām allowed to hateā and a solid 98/100 times itās the latter so once again thank you pastor D
hi! first of all, i love love LOVE all your writings!! i love the way you depict these characters, especially karen and dex. i've scrolled through lots of daredevil character fics but yours is my fav all the time ngl
i was wondering if you could write daredevil&punisher characters reacting to their s/o who do sh? I've recently gave up to the urge and it would mean a lot to me if i could read this subject in your style. If it's too much, i totally understand.
(I'm a un-english user so apologies if there were any grammer mistakes lol)
characters used į° .į matt murdock / frank castle / foggy nelson / karen page / elektra / ben poindexter / billy russo / dinah madani / james wesley
sensitive content below. please proceed with caution and make sure you are in a stable enough mindset to read. <3
āļøµ MATT MURDOCK. šÆ
the first time he notices itās not visual, itās tactile. he wonāt have to catch you during the act, or wait till you tell him. mattās world is built on texture and sound, so he feels the change in your skin under his fingertips one night. raised lines, the catch of scar tissue, or the way your pulse spikes when his hand brushes a covered area. he wonāt say anything right then; he freezes for a heartbeat, thumb hovering, and you can see his mind racing.
later, his brain pieces together patterns: the way youāve been hiding your wrists under long sleeves even when itās hot, how your scent shifts (blood has a metallic tang he can detect easily), your heart rate doing that jagged flutter every time the topic of mental health comes up.
by the time he says something, or before he catches you, heās already known for a while.
he brings it up gently but directly. matt doesnāt dance around the truth once heās decided to speak; he sits down across from you, voice soft, like heās afraid of spooking you. āi can tell youāre hurting yourself,ā he says. āi⦠just want to understand why.ā his hands are folded, fingers rubbing his thumb anxiously ā thatās his tell when heās upset.
internally, it guts him. mattās whole life is built around protecting people, and the idea that youāre in danger from yourself triggers his protectorās instinct in a way heās not equipped for. he feels guilty, like he should have noticed sooner, or like heās failed you somehow
matt is very careful with touch after he knows. his heightened senses mean he always notices bandages or fresh wounds, and heāll adjust instinctively, holding you where itās safe, brushing hair back instead of gripping your arms, never making you feel exposed.
he does research, a lot of it. youāll notice new books on his nightstand about trauma recovery, self-harm, and mental health. he even asks karen for advice, framing it as āa friendā if he has to.
heās big on replacement coping mechanisms. heāll buy you a stress ball, ice cubes, anything tactile you can use when the urge hits. heāll talk you through it, āif you need to hurt, try this first. or call me. even if itās 3am.ā
matt knows he canāt āfixā you, but he still tries to create small, safe rituals. late-night tea in the kitchen with the lights dimmed, a walk on the roof when he senses your anxiety spiking, a warm hand at the back of your neck grounding you.
if you let him, heāll offer to bandage you.
heāll gently suggest therapy or professional help, but he frames it as support, not judgment: āiāll go with you, if you want. iāll wait outside.ā
becomes hyper-vigilant about your tells. the way you go still, the way your scent changes when youāre in a bad headspace. heāll check in more, sometimes almost too much. āyou okay?ā āare you safe?ā āneed me to come over?ā
when you relapse, he doesnāt shame you. heās sad, heās worried, but he sits down next to you, takes your hand, and says, āthis doesnāt change anything. youāre still here. iām still here.ā
he prays for you. not in a preachy way, but quietly, hands clasped at the church when no oneās around. sometimes heāll light a candle for you.
āļøµ FRANK CASTLE. šÆ
frank notices everything. itās part soldier, part dad-instinct, part trauma. heād pick up on it faster than most. heās used to scanning for injuries, reading posture, and cataloguing every detail. he sees the long sleeves, the way you pull your arm back too fast when he reaches for it, the faint scent of antiseptic or iron in your bathroom.
the moment he knows for sure might be abrupt. maybe he walks into the bathroom without knocking and catches a flash of a blade, or he pulls your sleeve up when youāre hurt and sees old scars. his reaction isnāt subtle, his whole face changes; he goes very, very still, like a switch flipped.
heās not a man of speeches. the first thing out of his mouth would be low, hoarse: āwhat the hell are you doinā, sweetheart?ā not angry at you, but at the sight.
heāll close the distance immediately, not rough but firm. he takes whatever object youāre using and sets it aside, almost automatically checking for damage, bleeding, infection, how deep. his hands are steady because battlefield training kicks in.
he kneels in front of you, big hands on your wrists, palms up, scanning. his voice stays low but hard-edged: ālook at me. youāre alright.ā
guilt first. frank will think itās his fault somehow, that his life, his violence, his enemies bled into you. heāll replay every moment he mightāve missed the signs.
heartbreak second. frank carries his heart quietly but intensely, and realizing youāre in that much pain hits him harder than any bullet.
protective rage third. frank has nowhere to aim it. heās used to āfind target, neutralize target,ā but here the target is pain inside you. he has to learn to sit with that.
he becomes hyper-present. frank will hover like a watchdog, not smothering but always there. if you head to the bathroom, you might hear him shifting in the hallway. if youāre late coming home, heās calling. heās not trying to control you; heās trying to keep you alive.
will start removing potential tools from easy reach, blades, razors, even broken glass. he does it subtly, making sure you donāt feel punished, just safer.
will bandage your wounds himself if you let him. heās good at it, heāll disinfect, wrap, and kiss your forehead after, no words.
frankās a fixer. he wonāt just say ādonāt do thatā; heāll set up a whole safety net. numbers of crisis hotlines taped to the fridge, a therapist he āhappens to know,ā someone who wonāt push you but will be there if you want.
heās not great with emotional vocabulary, but heās blunt about love. youāll hear a lot of: āyou matter to me.ā āi canāt lose you.ā ācome here.ā
he does not shame you. his tone stays practical. if you relapse, he helps you clean up, sits beside you on the floor, hand on your back, silent until youāre ready to talk.
frank is very serious about your safety outside his line of sight. he keeps tabs, not stalking, but definitely making sure he knows where you are and that youāre okay. if you give him access to your location, heāll track it and only act if something seems off.
frank also starts steering you into activities that build confidence and agency: self-defense lessons, shooting at the range, gym time. not because he expects you to fight but because he knows feeling stronger helps with mental spirals.
can be too protective. his instinct to ālock down the perimeterā can slide into hovering or scaring off your friends without realizing it. he has to be told explicitly, āi need spaceā or āiām safe.ā
makes sure you eat. heāll cook, simple, filling food, nothing fancy, and slide a plate in front of you without comment.
memorizes your bad days cues: the way you withdraw, the songs you play, the text style you use. heāll show up with coffee, a soft shirt, or a distraction when he senses one coming.
heās proud of you for every little victory. if you go a day without harming, if you tell him youāre struggling instead of acting on it, heāll murmur āgood jobā and kiss your temple. he treats each step as something real, not corny.
āļøµ FOGGY NELSON. šÆ
foggyās the type to notice small changes in vibe before physical signs. he picks up on your tone, the way you cancel plans, how you avoid eye contact. it takes him a while to connect the dots because his brain resists going to the darkest place, but once he sees actual scars or evidence, it hits him hard.
maybe he notices bandages peeking out while youāre doing dishes, or you leave the bathroom door ajar and he glimpses a fresh cut. he freezes mid-step, his hand tightening on the doorframe.
the first words out of his mouth arenāt rehearsed. itād probably be a quiet, almost stunned: āhey⦠what happened?ā his face softens instantly, not scolding but aching.
heās visibly shaken, cheeks pink, eyes shiny, but he tries hard not to let you see panic. heās a caretaker, and he knows the moment needs your stability more than his emotions.
gut-punched. foggyās whole thing is being the steady, good-hearted comedic relief in the middle of chaos. realizing youāve been hurting yourself feels like heās been looking the other way.
deep sadness. foggy is naturally optimistic, always trying to see the good. seeing you in pain will rattle his sense of security.
foggy will gently bring it up in conversation later. āiāve been thinking about the other dayā¦ā he wants you to know itās not a secret shame locked in a vault, but something you can speak about.
heāll research. heāll read about self-harm, coping skills, and local therapists. starts bookmarking resources.
heās the type to print out a list of grounding techniques and tape it to your fridge with a silly magnet. heāll say, āi know itās cheesy, but⦠maybe it helps?ā
foggy is an acts-of-service person. heāll start cooking more, making sure you eat regularly, walking you to the subway, calling at night to check in if he canāt be there.
builds in tiny ācheckpointsā in your day. texts like āhowās lunch?ā or āmade it to class okay?ā like a friend making sure youāre hanging in there.
will sit up with you on the couch at 3am watching trash TV all night just so you donāt feel alone with your thoughts. heāll toss you a blanket, half-asleep but still making you tea.
makes āself-care nightsā feel less clinical. instead of āwe need to do grounding,ā itās āletās do facemasks and watch a bad movie.ā
heās careful not to police your body or your privacy. heās seen what happens when people feel cornered. he wonāt try to take sharp objects from your reach, instead, he keeps showing up, offering help, reminding you of your worth.
heād buy you small, thoughtful fidget toys or sketchpads if youāre open to alternate coping mechanisms. heād frame it like āi saw this and thought of youā rather than āhereās your coping tool.ā
heās not frank, he wonāt go punch a wall. but he might cry in the shower or at his desk when youāre not there. heāll talk to matt, karen, or marci in vague terms to unload without betraying your trust.
starts wearing a small token you gave him, maybe a pin, a bracelet, as a private grounding tool for himself. when heās worried about you, he touches it.
post-it notes. sometimes heāll leave little affirmations around your apartment, not corny quotes, but private jokes or āhey, youāre loved. -F.ā
foggy can overcompensate. heāll start dropping everything at work to check on you, burning himself out.
heāll sometimes swing too hard into humor, making jokes when youāre not ready. if you snap at him, heāll look wounded but apologize quickly.
heās not trained in crisis management. his help might feel clumsy sometimes, like buying you a random stress ball and thinking it fixes everything.
āļøµ KAREN PAGE. šÆ
karen is hyper-observant when it comes to people she cares about. she notices changes in mood, tone, or body language almost before you do. sheās also intuitive about secrecy because sheās been there.
sheād clock the small things first: long sleeves on hot days, flinching when she brushes your arm, your avoidance of physical closeness sometimes. it might take weeks for her to build the picture.
she wouldnāt confront you cold. karen tends to wait until sheās sure rather than risk accusing you of something heavy. sheād do her homework first.
when she finally catches you, maybe she walks into the bathroom when you forgot to lock the door, or she sees fresh bandages while youāre changing shirts, her breath would catch. she wouldnāt yell. sheād say your name softly, like a question.
karenās first instinct is to ground and comfort, not interrogate. sheād drop to her knees next to you, keep her voice low and steady. reach out but not grab ā ācan I touch you?ā ā because she knows touch can be overwhelming.
sheād probably tear up, but sheād bite the inside of her cheek to keep from crying in front of you because she doesnāt want to make it about her.
karen has a lot of survivorās guilt and protective instinct. seeing you self-harm would break her heart because it would feel like she missed something or failed to protect you.
can be impulsive. she might push too hard one day, asking too many questions. if you snap at her, sheād immediately apologize but then spiral about whether she made it worse.
sheād also feel this flash of recognition, sheās been through self-destructive behavior herself (substance use, dangerous decisions). it wouldnāt be alien to her.
sadness mixed with fierce determination. karenās the kind of person who doubles down when someone she loves is hurting.
karen would bring up professional help but in a very āIām on your sideā way. sheād research therapists, hotlines, support groups, but she wouldnāt shove them at you. sheād sit beside you, laptop open, saying, āwe can look together.ā
sheās a journalist. sheād use her research skills to find articles, coping methods, and then translate them into little practical things, keeping a first-aid kit stocked, buying fidget tools, or bringing you coloring books as a non-threatening outlet.
sheād also share pieces of her own story in a careful, measured way. not to shift the focus but to affirm youāre not alone.
would check in verbally a lot. āHowās your head today?ā āAny rough patches?ā Sheād make emotional check-ins feel normal, not like an interrogation.
sheād also make an effort to keep fun, normal conversations going so you donāt feel defined by self-harm. sheās big on āletās watch a bad movieā or āletās go to that diner.ā
if she found you actively hurt, sheād quietly and competently clean and bandage the wounds. sheās been around enough chaos to handle blood without panicking.
would start keeping a small stash of bandages and antiseptic in your apartment just in case.
sheād offer to sit with you while you try alternate coping mechanisms: ice, sketching, calling a friend, grounding exercises.
karen knows from her own life how damaging it is to be shamed. she would not take away your autonomy or issue ultimatums. sheād be careful to frame everything as āletās do this togetherā not āyou have to stop.ā
sheād be open to therapy herself if it would help you, couples counseling, support groups, anything.
if you needed space, sheād respect it but stay reachable. her texts would be consistent and warm: āJust checking in. No pressure to reply. Iām thinking of you.ā
karenās the kind of person who might go cry in her car after she leaves your apartment, gripping the steering wheel. sheāll journal about it or vent to a trusted friend (without betraying you) to keep herself steady.
she might pick up new self-care habits herself, yoga, therapy, prayer, to manage the anxiety of worrying about you.
she might overextend herself, juggling work and caretaking until sheās exhausted.
because sheās survived trauma, she might occasionally project her own fears onto you (āPlease donāt do what I didā) without realizing it.
sheās also fiercely independent and might struggle with not being able to āfixā you immediately.
āļøµ ELEKTRA. šÆ
she wouldnāt ask right away. sheās calculating. sheād watch you for a while, trying to figure out your pattern, because she sees the world as a series of threats and habits.
when she finally does catch you, it could be abrupt: she comes back to the apartment unexpectedly, finds you in the act or cleaning up. she freezes, then steps forward like sheās approaching a weapon, not a person.
elektra doesnāt do gentle well. her first reaction might come out as anger: āwhat the hell are you doing?ā because panic feels like anger to her. sheās furious at herself for not catching it sooner and furious at you for being vulnerable in a way she canāt control.
sheās more likely to grab your wrist, spin you around, take the blade or whatever out of your hand than to crouch and whisper. itās protective but invasive. her voice might be sharp. sheās trying to keep control of the situation but it comes out like scolding.
if you start crying sheāll go still. sheās terrible at dealing with tears. she might turn her back, inhale, then force herself to soften: ālook at me. iām notā i donāt want to hurt you. i justā damn it.ā
sheād feel frustration and helplessness. elektra is used to acting to solve problems. pain that canāt be punched out of someone confounds her. contempt directed at the world, at whatever made you hurt, but also at the āweaknessā of pain because sheās trained herself to see vulnerability as a liability. sheād feel tenderness, buried under the anger. sheās furious because she actually cares.
would immediately confiscate any obvious means you use, knives, razors, not as a healthy boundary but like an operative clearing a room. sheās not subtle.
sheād offer you training. sheād say āif you need to feel pain, use the gym, come spar with me.ā she tries to redirect the impulse to something she understands.
texts āalive?ā instead of āhow are you?ā
would start dragging you on late-night rooftop runs, sparring sessions, adrenaline-heavy activities. āif youāre going to bleed, at least bleed for something.ā itās messed up but itās her form of care.
hovering physically. after finding out, sheād start showing up unannounced, sleeping over without asking, tailing you at night. sheād act like itās normal, but itās surveillance born of worry.
when talking about it sheād be very blunt: ādid you do it again?ā not āhow are you?ā but ātell me the truth.ā
elektra doesnāt really ādoā emotional caretaking. she might shame you without realizing it, calling it āstupidā or āweakā when sheās actually terrified. sheās used to control and secrecy, so she might keep your self-harm secret even from people who could help, thinking sheās protecting you, but actually isolating you.
she might project her own self-destructive instincts onto you ā āIām fine, so you can be fine.ā
could become jealous of anyone else you open up to, interpreting it as betrayal.
she might overcompensate by trying to āfixā you with training, missions, or violent distractions instead of listening.
sheād buy you things without comment, bandages, tea, a weighted blanket, and leave them on the counter. sheād invite you to travel with her last minute ā europe, a beach house, some safehouse she has ā as a distraction.
might try to teach you her breathing exercises from training. sheād sit opposite you, knees touching, guiding your inhale and exhale until you steady.
sheās not consistent. some days sheāll be clingy and protective, other days sheāll disappear on a mission and leave you feeling abandoned.
she could weaponize your vulnerability in an argument, not maliciously but because she hits below the belt when sheās angry. sheād regret it after but sheās volatile.
sheās deeply competitive and might resent the time/energy your recovery takes from your relationship.
āļøµ BEN POINDEXTER. šÆ
dex is hyper-observant to the point of paranoia. he notices the tiniest inconsistencies, the sleeve tug, the way you close the bathroom door, the bandaids, the antiseptic. he builds a picture before you even realize heās clocking it.
will ācheck on youā without telling you, reading your texts over your shoulder, scrolling through your socials, following your location, calling your friends. so itās very likely he pieces it together from multiple angles rather than you telling him.
he might actually catch you in the act because he shows up unannounced. you said you were at work late; he drives by, sees your car at home, goes in, and finds you.
if he doesnāt catch you directly, heās still going to confront you because the obsession of āi know somethingās wrongā becomes unbearable.
dexā panic comes out sideways. heāll go pale and quiet first, then swing hard into over-talking. āwhat the hell is this? why would you do that? is it me?ā
his fear of abandonment lights up immediately. he thinks: if youāre hurting yourself, youāre about to leave me. or youāre pulling away. he spirals into āyou hate me,ā āi donāt make you happy,ā āyouāre planning to disappear.ā
heās not good at physical restraint in a healthy way. if he finds you holding something sharp, heās grabbing your wrists, snatching it away, tossing it across the room. it can easily turn aggressive.
his voice might jump between whispering and shouting. heās trying to stay in control but it keeps breaking through.
he feels sheer panic. his nervous system goes full fight-or-flight. heās terrified not just of you being hurt but of losing you, and to him those are the same thing. he has so much guilt and self-blame. āi should have seen it, i should have stopped it, itās my fault youāre like this.ā then, heāll feel rage at whoever or whatever he thinks āmadeā you do it. heāll immediately start trying to identify a villain he can punish. dex genuinely idolizes the people he attaches to, so seeing you in pain feels like his world crumbling.
hypervigilance. he starts watching you constantly. youāll feel eyes on you at all times. he shows up at your job, your apartment, your gym, like heās ājust checking in.ā
interrogation disguised as concern: āwhere are you going? with who? when will you be back? did you eat? are you sure?ā over and over.
if you call him out for overstepping, heāll panic, thinking youāre about to leave. heāll deny, deflect, then break down. āi just wanted to keep you safe.ā
over-disclosure. if you ever shut down or get quiet heāll start āconfessingā everything to you, his own violent thoughts, what he ate, who he spoke to, as if by unloading his secrets he can make you do the same.
threats of self-harm (direct or indirect): not in a manipulative sense heās fully aware of, but because his BPD goes straight to āif you leave, iāll dieā territory.
unhealthy bargaining: āif you promise me youāll stop, iāll stop [insert thing he does to cope].ā
physical closeness. wants to sleep literally on top of you. sits on the bathroom floor while you shower. wonāt let you out of his sight for hours.
tries to control your schedule. āif youāre always with me, you wonāt have time to hurt yourself.ā
might push you to train with him at the shooting range or gym, thinking if youāre physically tired you wonāt self-harm.
monitors your phone and social media obsessively. deletes contacts he thinks are bad for you.
he can be deeply insensitive about mental health. heāll say blunt, cruel-sounding things like āwhy would you do that to yourself?ā or āare you trying to make me crazy?ā because heās overwhelmed.
heās jealous of anyone else you confide in. if you have a therapist, a friend, or a hotline, heāll see it as competition.
stalking and surveillance under the guise of protection. tracking your phone, waiting outside your work, following you at night.
he hides his anger but it leaks out in passive-aggressive jabs or little punishments, going cold for hours, slamming doors, leaving cryptic texts.
heāll do the āiām not madā thing while obviously mad, sulking, slamming cabinets, going silent for hours but hovering in your doorway.
his sensitivity means he can blurt out mean things without realizing, then be wracked with guilt after.
āļøµ BILLY RUSSO. šÆ
he might walk into the bathroom while youāre cleaning up, or catch a glimpse of scars when youāre changing. heās outwardly calm, but you can see something flicker behind his eyes.
because heās so invested in control, he masks that panic with a smooth, soft tone. āyou got somethinā you wanna tell me?ā he crouches, tries to make eye contact, but his jawās tight.
clinginess spike. he canāt lose you. from that moment he starts hovering, staying longer at your place, texting you more often, subtly rearranging his schedule so heās around.
billy has his own history of abuse, selfāhatred, and destructive coping. seeing you selfāharm cracks his persona; itās like looking at his own pain reflected back.
protective but selfish undertones. part of his drive to help you is genuine care. part of it is ego; he wants to be the one who āsavesā you, because it validates his own survival narrative.
billy doesnāt naturally do emotional support, but he knows curtis does. he might go to him privately, not to dump your secrets but to ask how to āhandle this,ā what to say, what not to say.
he doesnāt trust therapy. heāll try to show you instead that āif I crawled out of it, you can too.ā
starts pitching you his own survival story like a motivational speaker. ālook, Iāve been lower than low. I built myself back up. You can do the same.ā he frames your healing as something you choose and build, because thatās how he survived.
expensive dinners, weekend trips, new clothes, spontaneous plans, anything to make you feel glamorous, wanted, and alive.
he starts checking in constantly. texts like āhow you doinā?ā āwhatās your head like today?ā āyou at home?ā ā but phrased casually so it doesnāt look like hovering.
makes you the center of his world, arm around your waist, pulling out your chair, ordering for you, making sure everyone sees how much he adores you.
when he notices you slipping into a dark mood heāll try to snap you out of it with charm, joking, teasing, lightly touching your face. āhey, look at me. youāre too gorgeous to look like that.ā itās not the most emotionally attuned approach, but itās sincere in his way.
heāll start dropping little selfāimprovement tips disguised as offhand comments: āwhen I was in a rut, I started running. changed my life.ā āever tried boxing? Iāll show you.ā
starts dictating your schedule, ādonāt stay up so late,ā ācome to this gym with me,ā āletās get out of town this weekend,ā which can feel suffocating if youāre fragile.
impatience with relapse. if you slip, heāll mask disappointment with smooth words, but you can feel it, a tense jaw, a quiet sigh. he doesnāt understand why itās not a straight upward line.
trying to āsellā you hope. he frames healing like a business plan. āstep one, step two, step three.ā
late at night, āI canāt lose you to this. Tell me what you need.ā
stands with curtis, rubbing the back of his neck. āI donāt know how to help them, man. Youāre good at this stuff. Tell me what to say.ā curtis gives him a look, and for once, billy listens.
believes in luxury as therapy. itās how he healed. so heāll keep throwing you into beautiful spaces, expensive meals, and āpower moves,ā hoping the shine rubs off on you.
deep down, heās scared youāll leave him or that youāll die on his watch. he covers it with charm and bravado, but there are nights he stares at the ceiling next to you, wide awake, jaw tight.
āļøµ DINAH MADANI. šÆ
observational, not intuitive. sheās an investigator by trade, so sheās attuned to details. changes in your routine, how you dress, unexplained injuries. she notices inconsistencies: youāre suddenly wearing long sleeves in hot weather; you dodge questions about your night; you keep a locked drawer in the bathroom.
she may catch small things. a prescription bottle, receipts for bandages or antiseptic, late-night internet searches left open on your phone.
she works long unpredictable hours. she might come home early and find you in the bathroom. she wonāt scream or burst in; sheāll push the door open with that āagent toneā and freeze, eyes locked, taking in every detail.
dinahās training takes over first. she gets calm, almost eerily so. she speaks low and steady, like sheās de-escalating a suspect: āHey. Put that down. Talk to me.ā
will not infantilize you, but she also wonāt leave you alone in the moment. sheāll physically take the object away if she can do it without a fight, or sheāll position herself between you and it.
after the immediate danger passes sheāll sit on the floor with you, knees bent, trying to breathe slowly so you match her breathing. sheās more about grounding than hugging, sheāll reach for your hand only if you reach first.
dinah prides herself on being aware. seeing you hurt yourself hits her ego ā āhow did I miss this?ā the agent part of her is already filing a mental ācase,ā triggers, means, risk factors. sheās running an assessment like itās a threat profile, but for you.
checks your wounds medically, makes sure youāre not in danger of infection or needing stitches. sheās matter-of-fact about it, like patching a field injury.
sheāll push hard for therapy or counseling. not a vague āyou should see someoneā ā sheāll research names, call offices, hand you a list.
keeps mental notes on what topics, people, or environments upset you. she wonāt always be right, but sheās trying to build a protective bubble.
talks you through breathing exercises, sensory grounding, or give you tasks, ādrink this water, look at five things in the room,ā anything to break a spiral.
might try to involve you in her routine, gym time, morning runs, grocery trips, thinking that having a schedule helps.
can come off like sheās interrogating you, demanding answers: āWhen did this start? Why? How long? Who knows?ā Sheās trying to get facts but it feels like a cross-exam.
sheās used to being the one who stops bad things. sheāll overreach, trying to āmanageā you instead of supporting.
if you self-harm again after she thought things were better, she might snap: āI thought we were past this.ā immediately regrets it, but it happens.
dinah is not a hug-and-cry person. she can seem cold even when she cares deeply.
āļøµ JAMES WESLEY. šÆ
might see marks accidentally, when you reach for something on a high shelf, bend down, or roll up a sleeve. he wonāt gasp or react outwardly. instead, he stores the information and watches patterns.
when he decides to speak, itās calm, measured, clinical. heāll say, āi noticed these.ā not accusatory in tone, but waiting for you to explain.
he doesnāt yell, cry, or panic. his face stays neutral, but inside heās processing strategy. he wants to ensure your safety efficiently without drawing attention.
heāll make sure the immediate physical risk is addressed. bandages, antiseptic, making sure infection is prevented. no hugs, no hand-holding, just action.
will ask pointed questions about triggers, frequency, and risk without judgement. āwhen does this usually happen? what sets it off? who knows?ā
he dislikes unpredictability and feels mildly irritated that this is happening without his knowledge. itās not moral judgment, itās operational, things need to be controlled.
may briefly wonder if he shouldāve noticed sooner. he doesnāt admit it aloud; instead, he tightens his control on the situation.
subtle tracking of your patterns. he notes times, moods, and events that correlate with the behavior. he doesnāt hover physically, but he keeps tabs.
will research therapies, medications, or interventions. he may leave a note: āI scheduled a consultation. Review the options.ā
expects you to follow a schedule that minimizes risk. mealtimes, sleep, exercise, all observed and gently enforced with reminders.
when discussing self-harm, heās precise and unemotional. āthis is dangerous. it stops now. hereās how we prevent it.ā no sugar-coating.
asks you to explain triggers explicitly and works with you to minimize exposure. he might even control aspects of your environment to reduce risk.
if you donāt comply with his structured routines or advice, he may respond with cutting remarks, āiād prefer if you followed the plan.ā no overt anger, but very pointed.
his attempts to protect can feel intrusive. he wants everything optimized for safety, which can be suffocating.
treats your well-being like a mission. youāll notice he notices small things immediately, a scratch, a bruise, a change in tone, and reacts swiftly, without fuss.
if you ever relapse or struggle, heāll take it as a project to fix. he may plan interventions, track patterns, and never lose composure. heās a rock, in a very unemotional, strategic sense.
when youāre upset, heāll stay silent until you speak first. he doesnāt offer platitudes, but he listens intently and provides solutions or actions rather than comfort.
ā a / n : no muse bc we all know he would just be freaky and this is a serious topicā¦. i really appreciate your kind words and i hope my work can help you even slightly. im really proud of you , i know it can be difficult but im so happy youāre here. :) if anyone is struggling, please know help is out there, and no one will think any different of you for wanting it.
I really love this piece. Iāve been clean for over three years but the urge still pops up from time to time so I find these kind of fics really comforting. Not only are your posts so visually pleasing with all the aesthetics but theyāre so well written, Iāve had such a wonderful time going through your blog. Iām sure Iāll be lurking on your page once again when season two of ddba comes out so sorry in advance haha
Caroline Kaplan, the actress for Captain Ava, shared these detailed images of her costume and her on the other side of the porthole from The Convict.
Madison Miller, part of the make-up team, shared photos of Markiplier getting all done up. I love that they laid him out in the table for this.
Isaac McKee, who played the young version of The Convict, showed off his full costume while hanging out with his older self. He even signed autographs when he went to the movies which is so cool and I hope for only good things in his future!
Sam DeMartino, an assistant editor, provided a bucket of blood and a nice up-close image of the subās console.
lesbian heated rivalry wouldnāt be in hockey because there are already many out queer women in hockey due to the fact that hockey is viewed as a menās sport. the whole reason hockey is captivating for mlm is because it is a toxically masculine sport and the idea of having out queer men in that sport is surprising (requiring them to stay closeted/have situationships/etc), whereas it is not nearly as surprising for queer women. therefore, lesbian heated rivalry would actually occur in a setting like ballet, gymnastics, or some other stereotypically feminine sport (that has toxic feminine standards) where queer women are not as visible. in this essay i will
i was raised in the ballet; specifically the boston ballet. dancers are usually "jumpers" or "turners", i was solidly a jumper and a "good corps dancer". while i had some skill, i am "curvy", which genuinely is frowned upon in ballet. but i was short and technically-accurate enough to just keep-being-casted. I think I've been pretty much every character in the Nutcracker, minus the leads. I did sometimes land titled roles when dancing with smaller companies - including Sleeping Beauty, where i was the Evil Queen.
i got it over one of their permanent soloists. she was nice to me, even though she was a better dancer than i was (and a much better turner). i had shown up on audition day and taken the role from her. the choreographer had told her to her face: you have the dance skills, but she has the stage presence. that kind of conversation just happens in ballet. she cried about it later, i caught her coming out of the bathroom. i had apologized on his behalf. i said it's not fair. i asked her if she wanted to get dinner, my treat.
she was often knitting or listening to music, so we didn't talk a lot, but she had been nice. she just seemed introverted, and i am unfortunately an extrovert. i often tried to include her, but she would rarely participate. we were in one of those circles, discussing exes. i am always very careful in these conversations; and never out myself. i am often, after all, in a room of somewhat-naked women. i do not not want any of them to think i'm like that. i do not want the fuss. (it's happened to me before. it was ugly.)
we were putting on our pointe shoes, and I was laughing. "no i swear. we got into an argument about it. my ex was like - what do you mean you actually dance on your actual toes. i guess my ex thought it was like, a euphemism? mind you, i wasn't even the first dancer they dated." i flexed my foot, shimmied the shank a little lower, tested the box placement. it only hurts for the first year and a half, kind of. also every time you have to jump en pointe. after that, the worst pain is just the 100 dollars every time you need a new pair (which is often).
around us, the green room was a flurry of tutus and hair spray and people in very-thick slippers. most dancers are very friendly, actually. it takes a very specific kind of person to physically destroy yourself for hours on end; and then to do that in front of a live audience, half-naked. in sequins. with your leg over your head.
most of us have some kind of mental illness. i should tell you that. many of us have adhd. the thing about being a girlchild and being restless is that they have a solution for that: just slam you into endless dance classes. the constant body-awareness is incredibly soothing for me; but it's a lot for other people. we aren't kidding when we tell you we need to be aware of literally every tendon, angle, and muscle of our bodies. i have spent a lifetime focusing on lifting the sole of my foot. my pinky finger is a villain, and i am always trying to tame her back into shape.
her brown hair was perfectly back, her eyes perfectly rimmed, lipstick perfectly applied. she was knitting. the other girls chatting about how boys don't get it and how kristen's boytoy hadn't come to a single show and she was breaking up with him because of it. the conversation turned, we were just ragging on our terrible exes. somebody's ex once totaled her car. someone else's tried to use honest-to-god monopoly money at a starbucks.
and i fucked up, because we were laughing, and i was distracted by getting ready. and i said "yeah, she -" and then i snapped my mouth shut. thank god someone else was already talking. i felt myself blush. my body went cold. i thought to myself - there was crosstalk. everyone was speaking at once. maybe nobody heard. nobody even seemed to look at me twice. everyone was talking about their stupid exes. i smiled and nodded and gave it a few minutes. i was frozen, laughing mechanically. and then i made some excuse and half-ran into the hall, my stupid toeshoes clacking.
i felt like i was dying. fuck. fuck. i slammed my toes into rosin and pretended to warm up in some cramped corner between costumes. i pressed my forehead flush with the cold cinderblocks of the hallway, trying to force my breathing into check. i had to be onstage in a few hours. they're going to hate me now, and put me into some fucking side-room bullshit to get changed. they'll think i was being predatory that whole time. it's all ruined. fuck.
a little cold hand landed on my bare back. she was standing there, tilting her head at me. she has the "ideal dancer body" - tall, thin, long-legged. over that dinner, she'd said balanchine was a pedophile and it's weird they expect us to look like this. and i'd said ballet is a bastion of white supremacy. she'd said: you are the better dancer, by the way. they only like my shape.
she hugged her elbows, little goosebumps on her blued skin. "hey." she wouldn't make eye contact with me.
i felt like crying, which was stupid - despite having shellacked myself into waterproof makeup, i didn't want to risk tearstains.
her mouth twisted. "it's almost time for you to get into costume." her words sat between us awkwardly. we both knew i would be alerted by the costume crew when they were ready for me. she frowned, then, her jaw working like she was trying to say something. instead, she just shook her head a little.
"okay," i said. my voice was weird and scratchy. "thanks."
"did you - i heard you." she put one hand above mine on the wall, one long leg out in a common shape for dancers: a cross of fourth position and attitude; digging her foot down into her shoe, wiggling. she cleared her throat. "i heard you say she."
i dropped my hand. i pretended to stretch. "okay." i said. my brain was blank with fear. fuck. it's ruined. "yeah."
"you've dated... women?" she flexed her feet. pointed. started doing gentle hip swings, her body no more than an arm length from mine.
i looked anywhere else. the other people in the hallway, running around before the show. the racks of clothes. the wires. behind us, the greenroom was muffled and raucous with dancers laughing. i was going to be banned from that space now.
i crossed my arms over my chest. the duct tape creaked. (in a few months, i would genuinely crack a few ribs binding like that. but for then i just took the half-air). "yeah," i said. i puffed it out. "i'm. yeah."
"gay?" she was looking at her feet as she made tiny rond de jambs, working her ankles.
"gay," i creaked.
she paused then, and stepped closer to me. i was suddenly aware she had a solid six inches on me, all of which she carried with perfect grace and accuracy. "you go to contemporary on thursdays, right?"
a ballerina is supposed to enjoy ballet more than anything. i was actually secretly falling completely in love with contemporary dance, because it forgave me for having any mass on my body. "yeah?" i looked up into her dark eyes, trying to figure out where this was going.
she handed me her phone. "text me next time. we'll carpool."
stupid and stunned, i punched my number in, first name raquel last name ballet.
she took the phone back, looked at the screen, and smiled a little. she thumbed a few keys and held it back up: first name raquel, last name ballet: and then a rainbow emoji, girls kissing, and little pink hearts. "gotcha. see you then."
and then she turned and walked away in that particular "walking in pointe shoes" way dancers have, a little rolling lope. she made it look graceful, purposeful. i had no idea how to respond. i just stared at the after her, wordless, boggled.
my phone was in my dance bag, i didn't see the notification until many hours later. chugging water and sweating out of every pore. from an unknown number: the next role is mine, by the way. and then i'll take YOU out for dinner.
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