Un tiens vaut mieux que deux tu l'auras

FALLING SLOWLY by Steve Kazee & Cristin Milioti / It's probably no surprise that this song is on here since it's one of my all-time favorite songs, but I'm putting it here anyway because it's just SO GOOD. It has one of my all-time favorite lyrics—"you have suffered enough and warred with yourself; it's time that you won"—which is so good to think about in the context of your favorite OTP. I know Mulder and Scully would feel that about each other (and, let's be real, we all feel that about them). And even though they fell for each other the minute they met, it was also a reeeeal slow burn.

CRASHING DOWN by Elyse Myers / I'm way too delighted by the juxtaposition of "falling slowly" in love with love coming "crashing down" on them, but it's somehow both things at once so I stand by it. This was an immediate MSR song for me, it just felt so fitting. "The very first time I heard your voice, it was lightning to my soul / You said my name and looked me in the eye / that was all I needed to know about your love / It came crashing down on me" felt perfect for their first meeting, and THEN!!!! Immediately after that: "I didn't know then what I know now, but even if I did, I wouldn't change a single thing / I would do it all again for your love / to feel it crashing over me." My mind immediately went to "even if I knew for certain, I wouldn't change a day." And then this part?? "The very first time we disagreed"—cough, the very first meeting—"I was learning about you still / Your head is strong and your heart is fierce / You don't give up, you never will on your love / It still crashes down on me." Anyway this song is MSR and nothing will ever change my mind.

HUNGER by Ross Copperman / First I must shout out one of my favorite x-files tweets because the horniness is definitely a piece of associating "hunger" with MSR (lol) but beyond that... this song! MSR! AH!! The verses especially make me think of them: "one look and I can't catch my breath / two souls into one flesh / when you're not next to me, I'm incomplete" and "oh, love, let me see inside your heart / all the cracks and broken parts / the shadows in the light / there's no need to hide." And then there's the palpable want between them—"I'm on fire like a thousand suns / I couldn't put it out even if I wanted to."

ARMS by Christina Perri / I know this was so overplayed, but again, hear me out—this is soooo them. The lyrics are so beautiful and fit them both so well: "I can't decide if I'll let you save my life or if I'll drown" and "I hope that you see right through my walls / I hope that you catch me, 'cause I'm already falling / I'll never let a love get so close / you put your arms around me and I'm home" and "the world is coming down on me and I can't find a reason to be loved / I never wanna leave you, but I can't make you bleed if I'm alone" and again, "you put your arms around me and I'm home." And just thinking about the way Scully feels safe enough to let Mulder hold her and how Mulder collapse into Scully and lets her hold him even though she's so little! The fact that she can be his home!! AND and and when she says "can you hold me?" I AM SCREAMING!!!!

CEILINGS by Lizzy McAlpine / This is entirely because of this beautiful video that I watched and could never get out of my head. I will never not think of them and these scenes that fit so beautifully (rain in the pilot, the parallel between them in hotel rooms). Also, even though "touch me like nobody else does" implies sex in the song, I love thinking about how it goes beyond that for Scully and Mulder—they truly touch each other in so many ways that nobody else does, literally and metaphorically.

WONDERFUL UNKNOWN by Ingrid Michaelson / This song is a long time favorite of mine, but I love finding new reasons to cry about it... and MSR certainly did that! I think this can be applied at most stages of their relationship, but it especially makes me think of the unremarkable house. This song speaks to so much of the simplicity of love ("we make bread on Sundays and the little ones are climbing up the walls / nothing last forever but the sound of love astounds me every time that it calls") and it just makes me think of MSR living a totally unremarkable life basking in each other's love (which is exactly what happens, right?). Also... "in the best way, you'll be the death of me."

RANGERS by A Fine Frenzy / This is a song that has inexplicably been one of my favorites for a long time (inexplicably because usually I relate more to the lyrics if it's a favorite), so perhaps it was just meant to be on an Emily MSR playlist. This is another song that reminds me of the unremarkable house, especially in I Want to Believe. "They'll keep seeking but they won't find us / Let's keep living our quiet lives, you and I." I'm also going to cheat and say I consider this song to be a bit of a companion to "Come On, Come Out" and "You Picked Me" (from the same album which I think I could argue is itself an MSR album) and perhaps you should listen to those too... but I was trying to keep this a reasonable length lmao. "Come On, Come Out" reminds me of a couple comments in the show (specifically, settling for a life on this planet and looking for life elsewhere) and feels like what Mulder and Scully do for each other throughout the show in both a literal and metaphorical sense. "You Picked Me" is one of my favorite love songs (platonic and romantic) and also very MSR.

TRUE BLUE by boygenius / I must give credit where credit is due: @emmiebea and @scullysconstant each sent this song to me, both about MSR but independently of one another... which I decided is a sign. And it is suuuch an MSR song!! Plus I find it delightful that there's a lyric about being born in July because that's when I was born. But back to the MSR of it all: "and it feels good to be known so well / I can't hide from you like I hide from myself" is soooo them and reminds me of the the fourth gif in this set—the idea that they know each other better than anyone else and can decode each other in a way that's just so specific to them. And then it goes on: "I remember who I am when I'm with you / your love is tough, your love is tried and true blue." My constant, my touchstone, my friend, my one in five billion... they are so fully themselves when they're together!!!! I also am forever screaming about Mulder using the phrase "true blue" in "Kitsunegari." I have no idea what to do with that information, but it matters to me.

YOU WILL FIND ME by Alex & Sierra / I liked the idea of putting "I can't hide from you like I hide from myself" before a song called "You Will Find Me." They always find each other when they're missing, whether they're physically missing or searching for some part of themselves. "You leave me room for my imperfections / when I'm a mess and you jump right in / if I drift in the wrong direction / you turn the tide and you calm the wind / anytime, everytime I get lost / you will find me."

TIMELESS by Taylor Swift / Speaking of finding each other... "I believe that we were supposed to find this / so even in a different life / you still would've been mine / we would've been timeless" and "sometimes there's no proof, you just know / you're always gonna be mine." I will never ever get over the "even if I knew for certain, I wouldn't change a day" and "we'd been friends together, in other lifetimes, always" of it all.

SATELLITE CALL by Sara Bareilles / A few weeks ago during an ask game I said this is a song I would want to put on a playlist for both Scully and Mulder, so here we are. It's one of my personal favorite songs and one that means a lot to me and it's a message I would want to give them, but I also think this is a message they would want to give each other. And if you really want to hurt, think about it during an abduction arc or literally just any time they don't know where the other is, even for a minute (because these two are insane and it doesn't even need to be a full-on abduction arc). "This was written for the one to blame / one who believes they are the cause of chaos in everything" and "this is so you'll know the sound of someone who loves you from the ground / tonight you're not alone at all / this is me sending out my satellite call." I have always loved this song because of the imagery—the idea that no matter where you are, how alone you feel, how dark the night, I am here for you, I am sending out my satellite call to you so you know I am here and you are not alone. So take that and add it to Scully and Mulder thinking of each other when they can't physically be together and trying to be the other person's source of strength and comfort aaaand yeah. (I am also going to cheat with this song and say "I Choose You" is another Sara Bareilles song that should be on here and only isn't because I was trying to be reasonable with length, but the reason I chose this song "Satellite Call" is because it feels more unique to them—the idea of a satellite call is just especially fitting for MSR in a way that it might not be for other couples, at least to me, because satellites, little green men, all that. But this is me saying that "I Choose You" is unofficially on this list as well because I love that song and it fits them so well.)

NO BIG DEAL (I LOVE YOU) by dodie / Another @emmiebea choice that I just had to include. There are two very different ways I think of this song, but I think they both make sense for MSR. I paired it with "Satellite Call" because of the wordlessness of both songs. "You hold me like it's already said / I don't mind, I will do this dance for the rest of my life / for as long as you want." Even though it is a big deal (especially for MSR), I feel like this song fits them so well because it also isn't a big deal—their love for one another is so obvious, so matter-of-fact, that in many ways it doesn't feel like it needs to be said. It's just there. So they act like it's already been said and like it's okay. But there's the other side of this song as well (the one that I think is how most people would read it/what it more clearly is about), the part that's acknowledging why it hasn't been said (and that it needs to be explicitly said)—they're acting like it's no big deal because they both know it is. They're afraid and telling themselves it's no big deal, they just love each other. Which is soooo much of their relationship. But I think the paradox adds to the depth of this song—they're kidding themselves that it's no big deal, but it also is no big deal. It's so natural that to make it a big deal feels almost disingenuous, in a way. It's both. I could get caught in this forever because this song lives so beautifully in the grey.

TWO by Sleeping at Last / I will never ever get over this song. It might go on every OTP playlist ever, I don't care, it still fits so well and is so them! "You know I'll take my heart clean apart if it helps yours beat" and "No, I don't want to talk about myself / tell me where it hurts / I just want to build you up, build you up / 'til you're good as new / and maybe one day I will get around to fixing myself too" and "I just want to love you, love you, love you well / I just want to learn how, somehow, to be loved myself" and "like a force to be reckoned with / a mighty ocean or a gentle kiss / I will love you without any strings attached / and what a privilege it is to love / a great honor to hold you up."

I WANNA LOVE YOU FOREVER by Kate Vogel / I love the sweet simplicity of this song and the simple desire to love you forever. I think the whole song fits them so well, but there are also specific lyrics that make me think of them, in particular: "my head fits right on your shoulder, my palm fits right in your hand." Because it's true! They fit together so well!!!!