自分の中では殺生丸は保護者

Round 3 - 2026 (Costume Art / Fashion is Art) - Match 14 of 32

Jon Batiste (ERL Artisanal), left

"Designed by Eli Russell Linnetz in collaboration with stylist Corey Stokes and the Barkley L. Hendricks Estate, the bespoke wardrobe reimagined the boundaries of the modern male silhouette while honoring one of the most significant voices in 20th-century American art. The cornerstone of Batiste’s Met Gala appearance was his red carpet ensemble, a direct nod to Hendricks’ seminal 1976 painting, Steve. Constructed entirely from deadstock pearlescent and glitter silk taffeta sourced from the 1970s, the regal outfit utilized an intentional all-white palette — a technique Hendricks favored to highlight the contrast and presence of his subjects’ skin tones. Linnetz stripped the design back to pure form, leaning heavily into sculptural draping, asymmetry, and exaggerated volume. The look was anchored by a voluminous, floor-length puffer coat with an extended train, referencing the dramatic capes found in Hendricks’ portraiture. ... “Barkley Hendricks uses the medium of visual arts to highlight the everyday, casual majesty of black people. It’s aligned with what I’m doing in the medium of classical music with Black Mozart. Solo piano is a musical form of portraiture. It also very aligned with Eli’s approach to reimagining the male silhouette. Grateful to ERL, Corey Stokes and Barkley Hendricks estate for helping to tell this story via three different mediums of art: fashion, visual arts and music,” the musician shared in a statement." (x)

vs. Jamie Singer Soros (Bach Mai), right

"This hippo, affectionately named William, is from [the Met Museum] collection of ancient Egyptian art and is considered the unofficial mascot of The Met. You may be asking yourself, why are you dressing like a hippo for the Met Gala? Good question! 1. This is one of my favorite works of art at The Met. 2. The hippo was considered the fiercest animal in ancient Egypt. This little statue was found in a tomb, and was meant to symbolize protection for the dead in the next phase of life. I love the idea [of] using the hippo to juxtapose both the strength and fragility of the human body. 3. I thought I’d have some fun in taking a figure that could be associated with the overly critical labeling of women’s bodies and reshape (literally!) the narrative." (x)

found the post. to be fair to them. not the most egregious thing said on this post, but they did endorse the rest of it so.

ignoring "horny frat boys" being an insane way to describe percy, byron, and polidori, not to mention poor fucking claire lmao. theres a pervasive issue of people really wanting mary shelley's life and career to be a story of a woman being greatly underestimated and silenced by her (male) peers but persevering nonetheless and this idea is generally pushed in popular culture and by some ill informed biographers to the point that it is just no longer reflective of her actual experiences. i think people forget a lot that mary shelley existed in radical circles that, while not devoid of misogyny, had moved past the idea that women shouldn't have opinions and be writing and have lives outside of their relationships with men and who certainly were not discouraging her from pursuing a career in writing. she was deeply admired for being the daughter of wollstonecraft and godwin and then as a writer in her own right, and i think its sad that this idea that she was discouraged from pursuing writing by the men in her life, especially by her husband, is so pervasive because one of the most interesting things about her social group to me is the creative relationships built among them. people joke a lot that percy shelley is just remembered as the wife of the author of frankenstien as a diss on him but everything he is on record saying about her work implies that he would be fucking honored. they had a deep creative partnership and mutual admiration for one another's work that was much stronger than even their romantic relationship and its deeply frustrating how that is often disregarded and put down because people are so fixated on this stereotype of how they think 19th century women should exist that they dont let themselves engage with what her life was actually like.

Marvel Swimsuit Special: Brand New Beach Day #1 (2026)

pin-up by Dan Panosian

context:

𝐌𝐔𝐆𝐇𝐀𝐋-𝐄-𝐀𝐙𝐀𝐌 (𝟏𝟗𝟔𝟎) 🪷 Directed by K.Asif

Ocean Blue Sequin Beaded Sheer Net-Tulle Mermaid Flapper Gown

1920s

merugud uilix writer: "YES! im gonna make uilix's dog be multicoloured and alive :)"

fct writer: "I'm gonna add. so much more murder."

mu writer: "... u ok mate"