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Summary: You come home late and hear noises coming from from your bedroom only to discover that itâs Peter masturbating to a polaroid photo of you.
Warnings: ALL CHARACTERS ARE 18+, smut, no use of y/n, language, MCU/TH Peter Parker, SMUT, little plot, pinv, bnd spiderman?, whiny!peter, loser!peter, mutual masturbation, caught masturbating, reader has a vagina, dirty talk?, pet names (good boy, baby, honey), no creampie, clitoral stimulation, established relationship, sub-ish!peter, dom-ish!reader, let me know if I missed any!
Word Count: 3.6k
a/n: (at the end)
You reach your apartment door and unlock it as quietly as possible, hoping not to wake Peter on his day off. You walk into a dark apartment, decide to leave the lights off, take off your shoes, and head to your shared room.
But before you can even open the door, you hear a noise coming from behind the door. The noises sound pained and pathetic, like grunting but also weeping and whining. Suddenly, on full alert, you peek your head inside the door to see a light seeping out of the crack of your bathroom door. Not seeing Peter in bed, you put two and two togetherâit's Peter who's making those noises. You approach slowly, taking time to pull off your sweater and hang it on the desk chair.
When you reach the doors crack, you peek in to make sure Peter is okay. And, holy shit. The sight sends bolts of fire throughout your body. Your eyes go wide, and your mouth goes dry as it hangs open.
Peter is sitting on the toilet seat, a polaroid photo in one hand and his dick in the other. He pumps himself slowly, eyes glued on the photo. From this angle you can just make out a figure. One that looks staggeringly similar to you. It's a photo of you.Â
You squint your eyes, trying to get a better look at it. From what you can tell, it's one Peter took a few weeks ago. A photo of you in bed just before you fell asleep. You never got to see them until now.
In the photo, he had caught you mid-yawn, arm stretched out, head tilted back; your shirt was riding up your torso. Your bra was off so you could see the outline of your boob and hardened nipples through the thin shirt.
You now understand why he said what he had all those weeks ago. He had smiled sheepishly at you, laughed, and said, âNow you can go to sleep, honey. I'll just keep this one for myself.â You had assumed he said it, implying the state of your hair was not something you wished to see.Â
Peter's hand speeds up just in the slightest. His whining gets louder as his finger brushes hit your slit teasingly. It made your legs shaky to hear him so clear and uninterrupted. Usually your own noises drown him out, or his praise and teases throw his whines and moans out the door.Â
Peter moans out your name, his head thrown back in pure bliss as his pumps become messier. Pre cum leaks from his swollen tip, and his thumb swipes it up to act as more lubricant. It makes your mouth water.
You can see his eyes travel back down to the photo. He pleads with an imaginary you through his shallow breaths. You suddenly feel very uncomfortable in your panties as they become hot and wet. You want to step inside, sink to your knees without a word, and start sucking him off right there. But the opportunities this predicament leaves you in are far too enticing.
You can tell Peter is getting close by how the pumping of his erection quickens. His breathing gets shorter and faster with each swipe of the wrist. He pants out your name and a mantra of curses. You can see him struggling to keep his head from rolling back so he can keep his eye trained on your photo. Peter's grip on the photo tightens, the material beginning to crumple up.
You take it as an opportunity to push the door open slowly. At the sound of the door squeaking, you tut and step in just slightly. Peter inhales sharply and pauses his motions. His head turns to you at the noise. You smirk at him, arms folded over your chest as you watch shame flood his system.Â
âWhat do we have here?â You ask teasingly. You take a step forward, and Peter gulps.
âI didnâtâ uh,â he gulps, âknow youâd be home so early.â At this point, he has pulled the hem of the shirt he is wearing down to attempt to cover himself up.
âMhm,â You hum and chuckle at the sight of him so embarrassed and pathetic.
You both just sit there for a moment staring back at each other. Peter, absolutely guilt-ridden, just wallows in his shame as you watch him. You purse your lips in thought, coming to a rather pleasing idea.
âBy all means, continue.â You say, gesturing to his painfully hard dick poorly hidden under his shirt. He looks at you, confused, like he's unsure if youâre testing him.
âGo on.â You poke at him, lifting a brow. âWhat? Are you shy now that I'm watching?â You cock your head to the side.
You see his jaw clench and his fist squeeze himself in anticipation. He shakes his head, trying to gain back even a shred of confidence.
âThen go on.â You say as you settle against the door frame. He looks to you and then down to the picture, skeptical.Â
âIâCanâcan Iââ He begins stuttering his way around what he actually wants.
âGo for it.â You nod. Peter then pulls the picture out in front of him again. His cheeks are still hot and flush with embarrassment, but he starts up his movements again anyway. Peter shudders as his index finger brushes along a vein at the bottom of his shaft.
He picks up his pace, not as fast as before, but still a steady one. You pay close attention to his eyes; at first his gaze is fixed on the picture, then the next second it's on you. He's getting off to the fact that he got caught masturbating.
He grunts lowly and pumps his cock faster. You can't help but admire the sight before you, Peter sweaty and panting with an alluring look in his eyes, his glorious hands working himself so well. You hum out a noise dangerously close to a moan.
âYou know,â You start with a dark look in your eyes. Peter slows down his pace to listen to you better. âPhotos are great. But the real thing is always better.â You bite your lip, chest fluttering with excitement.
Peter stops his movements altogether. âWâWhat do you mean?â He gapes, a small smile growing on his face that says he knows what you're getting at.
âI mean, I'm right here. And I am better than some stupid photo.â You flirt before turning on your heel and heading back into the bedroom. Peter says nothing, sitting dumbly on the toilet seat.
âWell? Come on,â You usher him over, and Peter quickly stands and stumbles after you, leaving the photo on the edge of the bathroom sink. You begin to slowly peel off your clothes as you head towards the bed.
Now in only your underwear, you climb to sit at the top of the bed near the headboard. Peter climbs on after you, quickly tugging off his shirt to reveal his toned muscles in the dim light.Â
âStop.â You order, and he stops right where he is. Peter just sits there completely bare in front of you, obediently waiting for your next instructions. âI want you to watch me first, and then, when I say, you can finish what you started.â
You can see the neediness pool in his eyes at the idea, but you shush him as you begin to slowly pull down your panties from where they rest on your hips. You tug them down past your knees, and stop just above your ankles. The cool air of the room hits you, and you shudder. Peter watches your every reaction as if to memorize them. His eyes trail from your wet heat to your face and back down again, making sure to take his time trailing his eyes over your breast and stomach. He whimpers and shuffles in his position to try to relieve some tension.
âPull them off,â And he does. You watch as Peter greedily raises your panties to his nose. You only smirk as his eyes flutter close and his dick twitches against his abdomen. "Hmm," You moan while taking him in. "Good boy.â Peter's eyes flutter open at your words, and he lets out a quiet unintentional whimper.Â
God, he loved you. He loved the way you told him what to do and looked so hot while doing it. As much as he wanted to touch you and make you feel good, he could always get behind being your pretty, well-behaved, loser boyfriend. After all, it is his favorite thing to be:Â yours.
Peter watches desperately as you spread your legs for him and he chokes on his own saliva. Youâre dripping with arousal, all because of him. He whines pathetically, his eyes watching hungrily as you reach down to gingerly spread your arousal over your pretty pussy. You watch as he holds his breath, trying his best to just watch as you asked. You chuckle when you see his fingers twitch, needing to reach out.
You trail your fingers from your entrance up to your swollen clit. You message the nerve endings gently, keeping your movements slow and calculated. Then you gently push on your clit, and it pulses against your fingertips, begging for more attention. Your head falls back as a moan escapes your lips and you continue the motions. Peter can only dream of doing it to you himself while his dick pulses painfully as it's left unattended per your instructions.
After a while, you stop your circling and move your fingers down to scissor your entrance before slowly pressing a finger into yourself. You pump your finger in and out tauntingly, keeping your eyes focused on Peter's reactions. You watch his sharp intakes and how he shifts his weight between his legs, trying miserably to keep his own arousal at bay. He looks almost like he's being hypnotized by your leaking cunt, and you can't help but want to torture him even more. Another second finger pushes into you, and Peter has to close his eyes to keep from losing his composure. He's been thinking about you all day, and now here you are bare in front of him, but he can't even touch you. Briskly, you find a new rhythm, working your digits faster and curling them up to hit that soft spot that makes your legs quake. He hears every push and pull through your wetness, and it's maddening.
âPlease, please, let me touch myself,â Peter whines, having to bite his lip to hold back the humiliating sounds trying to leave him. His eyes flutter open instantly, locking onto your dripping hole. âOh baby, youâre so pretty.â He gasps out, bucking his hips up pathetically. You moan at the sight, eyes heavy-lidded and longing for him.
ââCourse baby. You can touch yourself, but stay at my pace, yeah?â You raise your head to look at him, and he nods eagerly. Without thinking twice, he takes hold of his rock-hard cock and gives it a firm squeeze.
Within a couple of seconds, you are both moaning and moving your hands in tandem. Peter moves with such delicacy, every flick of his wrist calculated and measured to not lose the speed you set. His pre cum helps him glide his hands up and down his shaft swiftly, and you can't help but think how much you wish it was your hand. Similarly, his eyes are glued to your fingers, wanting to see every reaction your body has. You nudge your foot against his leg, signaling for him to move closer, and he does. Not losing any momentum, Peter shuffles to kneel closer to you on the bed.Â
The sounds of ragged breathing and blissful sounds of pleasure fill your bedroom. Peter canât help but reach down with his free hand to grope at his balls, the sight of you making him a humiliating mess. He doesn't care if he looks pathetic because all he can think about is how good you look and how bad he wants to be balls deep inside of you. This angle of him makes you hungry for more, and you attempt to flatten out your hand trying to stimulate your clit with the top of your palm. You canât quite get it and moan out in frustration.
âCan I help?â Peter asks, desire rushing through his veins. He leans in closer, your legs pressing dangerously close to him. You nod enthusiastically, eyes locking onto his pretty, lustful expression. Without being able to stop yourself, you press a kiss to his cheek, all while his hand moves down between your legs, finding your clit with practiced ease.
Peter circles your clit so perfectly. Your free hand reaches out to grab hold of his armâof any part of him that you can cramp onto. Already, you can feel the body-wrenching orgasm growing in your core. You thrust your fingers faster and in turn Peter picks up his pace too, both around his shaft and on your bud of nerves.
âPeter, oh my goââ A moan rips from your throat and Peter grunts in response.
âWhat is it, baby?â He asks, licking his lips. His breathing gets deeper, and he lets out a deep, low moan.
âAhâFuck, I'm so close,â Your stomach twists as your hips buck up, desperate for release, âCum with me,â You order. Peter nods and shudders violently at your words, his dick throbbing in his hand.
Peter keeps moving his fingers against your bud in tightly drawn circles, trying to pull the orgasm out of you, needing the feeling of you coming against his fingers. Peter thrusts into his hand, trying to hold out for you, not wanting to come before you do.Â
When your movements become uncoordinated, and your moans become jumbled, he lets go with you. Peter's brows furrow deeply, twisting into pure bliss and ecstasy. Your body shakes uncontrollably, a wave of pleasure crashing into you as the coil in your core snaps. Both your bodies quake as your orgasms wash over you.
You shudder when finally Peter pulls his fingers from your clit and your breath hitches as you slowly pull your fingers from your still pulsing hole. Peter whimpers as his hand releases its grip on his shaft.
âFuckâhmmâshit,â you stumble out. âPeter," You sigh, slowly coming down from your high.
As your eyes readjust to the room's dim lighting, you can see the sticky shine of Peter's cum across his abdomen and hand. He's still on his knees, but his body is sagging and swaying slightly with pleasure. It makes your chest seize up, and you smile. You lean in and clumsily press a kiss to his cheek.
âHmmphââ Peter moans as he leans in to your kiss. âPleaseâlet meâlet me fuck you now?âÂ
The laugh rumbles through you warmly. âAlright,â you smirk lazily now, âHow about you show me what you were thinking about while fucking your hand and staring at my photo?â You say as you spread your legs slowly, tempting him to come closer. You slide down to lay your head against the pillows.
Desire flashes behind Peter's eyes, and he crawls over to you, uncaring about the mess that he's undoubtedly leaving on the sheets. He drops to his hands and knees above you. Peter leans down to your neck and breathes you in, taking his time letting your scent linger, groaning. He then moves his hips to hover above yours. Peter connects his lips to the hot skin of your neck, sucking your dewy skin between his teeth.Â
âFuck,â You hiccup as you feel Peter reach down to line himself up with you. He doesnât stop nibbling on your neck, even as his tip gently pushes between your legs. The stretch makes you moan and reach up to grasp Peter's shoulders for support.Â
"This okay?" Peter asks, moving to kiss the other side of your neck. You nod and hum in response, nails running along his broad shoulders and back.Â
âYeah, thatâs it. Keep going, baby,â You pant out. Peter pushes deeper, sinking his length in further. His lips kiss hickey after hickey into your skin. You want to see his face and feel his lips against yours.
âStop sucking on my neck and kiss me,â You pout while pulling Peter's face up to your awaiting lips. Peter hums and smiles into the kiss. His lips part, allowing you to slip your tongue across his bottom lip before pushing it into his mouth to intertwine with his.
After what feels like forever, Peter pushes to the hilt, his hips brushing against yours beautifully. Peter groans into your mouth, and you whimper as the vibration sends jolts of pleasure through you.Â
Peter pulls away from your mouth, breathing heavily. "God, youâre tight.â Peter leans his head against yours, eyes locking with yours as he adjusts to you. It's so vulnerable and intimate you wish you could stay this close to him forever. Your nails trail up to run through his hair, and Peter leans into the sensation.Â
âCanâcan I move?â Peter moans softly, gazing deeply into your eyes. You let out a shaky breath before nodding.Â
âPlease,â you just about beg, now tugging on the strands of his hair. Peter says nothing else as he pulls out and roughly thrusts in again. It takes him a couple thrusts of his hips to develop a steady rhythm, but once he gets there it's euphoric.
Peter grunts softly into your ear, his skin slapping yours as your head falls back against the pillows. His hips bump yours with every push of his pelvis, leaving you grasping tightly onto his shoulders. Your arousal begins to seep down your thigh, but you remain blissfully unaware even as Peter glances down, sees it coating his own thigh, and lets out a guttural moan.
Peter speeds up, your previous orgasm helping to slick Peter's erection and make the slide of each thrust easy. The sound of skin slapping against skin echoes through the dimly lit room, and you moan his name, unable to control the moans pouring out of you. Each stretch seems more intense than the last, and you can't help but pant as he ruts into you like an animal.
âIâve missed you,â Peter admits, and his voice cracks, his neediness more evident than ever. "SoâAhhâhmmâso much." He pushes his head into your neck again, leaving gentle kisses over the skin he made swell. You whimper into his shoulder, unable to form the words you need. Peter understands immediately and just continues his praises into the crook of your neck.
âNothing compares to youâShit! MmmâNot my hand or even a picture of you.â Peter groans, letting his hips rut into you faster, chasing the high desperately calling his name. Your walls pulse around him, pulling him closer to that ledge.
You pull your head up and his along with yours, so you can rest your forehead against his. His eyes are so full of love, even as he pounds him to your weeping slit. As one hand braces him against the bed, the other reaches up to caress your cheek.
"Fucâhmm," Peter moans, his face twisting into that familiar pent-up expression. "Need to come," He whimpers out. His moans begin to catch up to his thrusts, indicating just how close he is.
Feverishly but still somehow gently, your lips mold against Peter's. They tingle against your own. Peter moves the hand on your face down where your bodies are connected. Without needing to be asked, he begins drawing shapes into your bundle of nerves, helping you chase your orgasm.
âAhh!â you moan as you buck up into his hips. Peter's movements arenât calculated anymore; they are animalistic and frantic as he pounds into you.
It takes all but two minutes for your orgasm to shoot through you. Your legs shake helplessly around his frame while you pulsate around his twitching hard-on.
"So perfectâgodâMmm, love you so much," Peter is a whimpering mess as your muscles pump him, essentially begging him to come. "You're so pretty when you come, baby."Â
He's right on the edge before he pulls out of your warmth. He uses his hand to pump himself the rest of the way to his orgasm. And you watch blurry-eyed as hot white cum shoots out of him and onto his hand and your awaiting stomach. The sight itself sends another warm bolt of pleasure through you.
Once his cock is emptied out, Peter collapses next to you on the bed, breathing heavily. You both lay there in relative silence, catching your breath in the hot musk of sex before Peter lets out a laugh in his post-orgasm afterglow. You chuckle softly too, turning to catch his eyes.
âNow we burn that photo.â You say, and Peter huffs in agreement. He shifts to rest his head against his arm leaning above you.
âNo, never.â He disagrees, eyes instinctually moving towards the bathroom door as if to make sure his Polaroid is safe. âYou're beautiful in that photo, and now it's a memory of this, so defiantly not.â You roll your eyes but smile anyway.
"You're a piece of work that's for sure."Â
"Says the one who got off to catching me masturbating," Peter argues, his eyes tracing the lines of your face.
"Says the one who was masturbating to a photo of me in the first place and who got off to getting caught. Which is arguably worse." You rebut, and Peter just grins stupidly at you before leaning in and pressing a deep, passionate kiss to your lips.
a/n: I started this probably two years ago and havenât touched it until Spider-Man bnd awoke me from my slumber. Hope you enjoyed! More Peter stuff it to comeâim currently working on a two request that were sent in so stay tuned for that. Thanks for reading, reblogs, likes and comments are always appreciated.
Pairing : Bruce Wayne x fem!reader
Warnings : domestic barf, Drabble, batmom-esque reader, def inaccurate, no use of y/n & a bit suggestive
wc : 770
The quiet of the night sinks into your skin like a warm blanket. You sit on the big, soft, red couch in the libraryâone that you and Jason had begged Bruce to install, and he did after a drawn-up petition stating why the old stiff leather one wasn't cutting it anymoreâwith a book sitting open in your lap. Your back is leaning against one of the armrests as your legs recline on the couch cushion. You did try to read the book, but youâre being distracted.
Specifically, the large, warm, calloused hand of your husband that was brushing over your shin was distracting you. A case file rests in his other hand. It seems as though he doesn't even notice what he's doing because when you call his name, he just lets out a grunt.
"Honey." You rest your arm against the top of the couch and lean your head along your arm. He only hums this time, continuing his motions.
You watch him quietly. His dark lashes tilted downwards, the strong bridge of his nose, his sharp jawline, the single strand of hair sitting out of place on his forehead, and the most enamoring part is the subtle rise and fall of his chest. The sight sent a wave of peace through you. Your Bruce is alive and well and sitting next to you. No villains, no crime solving, no danger.
"What are you looking at?" His voice comes out gravely and tired but with a twinge of a tease. You can see the small smirk tugging at the corner of his deep, full lips. The expression pushes the skin at the corners of his mouth in, effectively showcasing his unfairly beautiful dimples.
"Darling?" He calls your name, now turning to face you. His hand stops but doesn't lift from your leg.
"Just admiring you." You admit shamelessly.
"Hmm." He hums and sets down the case file. "Well, I'm flattered."
"You should be." Your smile matches his teasing one. Moving your book to the side, you sit up slightly from your reclined position. Bruce leans forward too, lifting your legs, which are draped over his lap so he can move closer.
"I am. Flattered and unbelievably lucky." Bruce says, his signature charm creeping its way into his voice. But unlike the charm he puts on for charity galas or fundraisers, this charm is genuine, slightly timid, and unbelievably hot. It's the same trick he used to get you to go on a date with him.
"Oh?" You amp up your own charm and lean into the tease. Keeping your hands to yourself, you shuffle closer to him effortlessly. "And why's that?"
"My gorgeous wife is looking at me like she did when I was 20." You double over with a quiet laughter that shakes your body. You can't help it. And it makes Bruce smile, a big one, a rare one.
"You still look 20 most days." You shrug after your laughter dies down. When you look up to meet his eyes, he's closer than before.
"Most days?" He challenges, resting his head against his fist.
"It was a long time ago, Honey." You chuckle out. "And we have too many kids to look even remotely young." To that, Bruce shrugs in resignation, his smile easy.
"But still." His voice comes out softly as he leans in even closer. His hand reaches up and ghosts his fingers over your cheek. "Feel young when I have you pressed against me like this." He whispers, eyes falling to your lips.
"Oh, do you?" Your eyebrow raises suggestively. Without thinking, your tongue swipes out to wet your lips. Bruce lets out a hum so deep you swear you can feel the rumble of it.
"Just like our wedding night." Bruce breathes out, his eyes fluttering shut. You let out a noise before he even makes contact with you, your hand lifting to grip the back of his neck. Bruce's lips brush against yours deliciously.
"Oh, get a room!" Tim calls out from the door, followed by a gagging sound. "You two are disgusting." He shakes his head of dark hair. Tim turns on his heel and bolts in the other direction, effectively leaving Damian standing in the doorway alone with a scowl on his face. A scowl you'd make if you just walked past a dumpster with rotten fish.
"Mother, must you really? On the red couch?" Damian sounds both disgusted and disappointed. All you can do is laugh as he slams the door behind him. Bruce lets his head fall to your shoulder with a laugh of his own.
A Sherlock Holmes and James Moriarty fic masterlist
Summary: In your first year at Oxford you meet Sherlock Holmes and James Moriarty who quickly welcome you into their duo. Tensions brew as deeper feelings being to grow and disrupt the balance of the group.
Let it be knowns/Warnings: Use of a last name but this is not a OC fic, Cursing, violence, typical James and Sherlock banter. (More will be added as they come up)
Parings: Sherlock Holmes x fem!reader x James Moriarty
Notes:
I honestly have no end in sight I just play the game because the game is fun.
Reader is American!
I know because of the time this show is set that reader could realistically only be a white woman but for the sake of the fic that history is non aplicable. Readerâs race is not specified and if there is anything that insinuates it let a girl know so I can edit.
PART 1: Let the Games Begin
PART 2: Unsuspecting Love (James) | Undiscovered Love (Sherlock)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
Warnings: no use of y/n yearning, assault, handsy guy, horrible use of French (ignore me), let me know if I missed any.
Word Count: 3.3k
a/n: (at the end)
(Series masterlist)
Sherlock's love is loud and absurdly obvious to everyone but himself. Unlike James, Sherlock's love creeps up on him; he'd never even know it was there unless something forces him to. It's like watching the sun rise and only realizing the stars were there once theyâre gone. Even with deducing skills as practically unmatched as his, he seems to miss all the signs laid out before him. And maybe it's because he loves in a way so uniquely him that it sometimes passes right over his head. He simply doesn't pick up on how he subconsciously memorizes your entire schedule and adapts his life to revolve around you, or how he finds a way to bring you up in every conversation he has. He can't seem to realize that all of his actions point to a man in love.Â
What makes Sherlock's love so unique is that anybody, everybody could tell him he had fallen in deep, and he would simply call the notion absurd and press on as if nothing had been mentioned. And love, for Sherlock, isn't something that can be forced.His love for his mother and brother was something that came as simple as breathing, even if the love itself was anything but. Yet if he tries to love someone, it never works. In the past, he's tried to form that connection, but he always gets lost in the 'what am I supposed to be feeling?' So every interaction came with mind-boggling exhaustion and confusion. By the end of each of those occurrences, he was ready to give up on the prospect of love altogether.
"Where is James?" Your voice rings like church bells in Sherlock's ears. He turns with an expectant smile on his face. His straight posture somehow gets even sharper as his body comes to face you fully.
"In his dormitory, I assume, or some place similar," Sherlock says easily as though it should be obvious to everyone.
"Why? Was he not meeting us here too?" You glance around, almost trying to will him into existence. There is no sign of him, but still the flicker of hope to just peek a glance at his obnoxious grin is shrinking into a breath of smoke.
"Yes, he was. But his obligations to his academic endeavors took priority today." Sherlock answers, brushing the fabric draped over his shoulder straight. "He has an exam in two days that he's studying for."
"Oh, I see." There is no way to hide the disappointment that befalls your expression. Sherlock picks up on it too, and it sends a flaring pulse of annoyance to his temples. He is quick to change the subject away from James, back towards himself and the day he has planned.
"Well, on another note," Sherlock steers your attention toward the carriage awaiting you both at the end of the cobblestone street. "We have much to do, and no time to spare dwelling on James' whereabouts."
"I suppose you're right." You deflate slightly, letting Sherlock lead you away from Oxford's tall, impressively intimidating buildings.
"I'm most always right," Sherlock states, taking the lead toward the brougham. It is nicer than those he usually frequents. But then Sherlock only travels by horse and carriage when with family.Â
"Sure you are." You mutter, folding your arms over your chest and trudging after him. The roll of your eyes is not lost on Sherlock, but he pays it no mind as he continues to the end of the street.
Sherlock makes it to the brougham before you do, and he's quick to climb the step to open the door for you. You wonder if his oddly posh manners come from a true place of respect or possibly his upbringing. Though there's no way to tell if both factors have led you to this moment, Sherlock standing above you, hand out to offer help you up, and a warm look passing over his face as you take his hand and he pulls you inside.
You flatten your overskirt while Sherlock climbs in after you. He takes the seat next to you with a soft grunt before leaning out the window and calling to the driver the destination.
"Where are we going? What did you say?" You lean over him as if, when you get closer to the window, someone might say it again so you can hear. Sherlock leans back with a humorous huff as you lean before him.
"Into town. A new book shop has opened, and I think we'd both find it rather interesting to browse."
"Perchance is this bookstore we are headed for the same bookstore that is rumored to be running an underground brothel?"
âWhat? No.â Sherlock doesn't need to scoff for you to understand that he wants you to think he believes the notion to be ridiculous.Â
âAnd what business does Sherlock Holmes have in a brothel?â You push on anyway, slyly smiling at him from your spot next to him.
âNone." He rolls back his shoulders and readjusts his cap. "Aside from a rather inciting missing persons case.âÂ
"Ahh, I see." You laugh and roll your eyes.
The store smells of old paper and deep oak with fleeting hints of lavender from the open door at the back of the shop. The bell atop the door rings as Sherlock pushes it open for you. Immediately, your eyes are pulled toward the rolling ladder against the far left wall and the beautifully bound books behind it.
Sherlock nods at you to take a closer look as he goes to speak with the man behind the counter on the right wall. The man can't be bothered to look up as Sherlock approaches, much more interested in something resting in his lap. The man can't be older than forty and no younger than thirty. The first thing that catches Sherlock's attention is the wrinkles in the haggard waistcoat and his mustache, far too showy, it's become ineffectual and lost the power that one like Sherlock's brother Mycroft holds.
"Good morning, Sir." Sherlock greets, one of his hands coming up to rest along the wooden countertop. The man still doesn't look up, and now Sherlock can see why. In his lap sits a book marked up like a married woman the morning after her husband leaves town for the weekend. Sherlock clears his throat. But still no response.
Meanwhile, your fingers trace the spines of the books. Some are clearly old, others vibrantly unheard of. The Adventures of Tom Sawyer, Madame Bovary, Alice's Adventures in Wonderland, Don Quixote, The Odyssey, Inferno, and an outrageous amount of other selections pull your eyes every which way. But your attention catches as your gaze brushes past a deep green leather binding, horizontal notches along the spine, and gold print reading Hamlet.Â
Before you can stop yourself, you let out an audible noise of thrill. Sherlock turns abruptly, and with his gaze, the man behind the counters follows. Sherlock feels the shift behind him, and his head whips around. Irritation growing between his eyes, Sherlock opens his mouth to speak, but the man beats him to it.
"Hello, Madame. Do you need any assistance?" His voice is deep and smooth like caramel and chocolate perfectly melted together. His accent was an odd blend of French and English, one that flows past your ear gracefully and sends odd, unwelcome sensations through you.
âOh, sorry.â Your voice comes out meek, and you unintentionally bump the shelf behind you with surprise at your tone. "I umâ" You clear your throat and straighten yourself out in the blink of an eye. "I'm fine, thank you."Â
The book on his lap is snapped closed as though two seconds ago it wasn't completely captivating him. Sherlock feels a rush of distaste rise up his throat as the man steps out from behind the counter.Â
"Well then, sir, if you please. I have some questions aboutâ" The man discards Sherlock without even the faintest glance of his eye or attention and approaches you with a practiced air of faux benevolence. The sudden unease Sherlock was no doubt expressing physically, if the troubled glance you shoot his way is any indication, begins to also affect his vocal cords. They seem to be temporarily frozen in sheer bewilderment.
"Are you sure you're alright?" He smiles, and it seems to grace his face as easily as James' smirks do his. But there is something about this man that flares your nervous system. "The book did not bite you, did it?"
"Iânoâ" You look down at the book before moving to quickly put it back on the shelf where you found it.
"I promise they are not snappy with our usual customers." The man moves to stand just in front of you. Not close enough that the proximity, if you were to call it out, would cause a social scandal, but not far enough that the musk of him isn't invading your senses. Sherlock takes a step forward, even if his voice is failing him, his body knows what it can do; James didn't teach him to fight for nothing.
"But then again, you are not the usual customer. We are rarely graced with ladies quite so magnifique as you, madame." The heat that floods your face startles you. You've never had someone you are so unacquainted with speak to you so plainly.Â
Before you can think to respond, he steps closer. If you were in your right mind, you would have said something, but the debonair he possesses catches you far too off guard. His hand reaches out to yours, and you can feel the heat of it burning through the fabric of your skirts and brushing against your groin with too much pressure for it to be a mistake. You inhale sharply as it happens, but the moment is over before you can move to speak.
Sherlock catches it and instantly reaches out for the man's wrist. The air stills in the shop as Sherlock's takes a step between you two. Sherlockâs hand makes contact with the man's clothed wrist. In an instant, the man drops his hold on you, and you take a step back.
"Please refrain from touching her again, Sir." Sherlock's tone leaves no room for agreement. The man's eyes flash with both annoyance and unease before he snatches his hand back towards his body.
There is an uncomfortable beat as Sherlock stands defensively in front of you. The meaning behind the croaking sound of you clearing your throat does not go over Sherlock's head. In fact, the sound tied with your anxious posture makes his eyes twitch with anger.
In an instant, the man's demeanor shifts. A smile plasters once again over his face as he takes on his charming disposition as if nothing had happened. But the twitch in his finger as he bows gives away his own uneasiness. He doesn't want to stir up any trouble that might get him into something he can not get himself out of. And he clearly underestimated Sherlock's willingness to defend you.
"Louis de la Rivière, at your pleasure and service." He bows before you, trying to take back an ounce of respectfulness he previously had that he is able to. But it does not ease you or Sherlock at all. "And, your name, Miss?" Your name falls from your lips almost involuntarily, purely out of courtesy.Â
"Well, if you need any assistance at all, Miss Willborn, I'm more than happy to oblige." Louis is all smiles as he rises from his bent position, but his voice is laced with undertones of annoyance.
"I'm in no need of any help. Thank you, Mr Rivière." You speak in the most definitive tone you can muster. You can tell that it sets Louis' temper off even more. His charm is something that plain as day seldom fails him. He just lowers his head slightly and glances at Sherlock, whose still unmoving gaze is burning holes into the man's skull.
Louis cautiously steps back from the pair of you, attempting to make the retreat behind the safety of the counter as nonchalantly as he possibly can. His footsteps are dull thuds against the carpeted floor, but they seem to be the only sound you can focus on.
It is not a second later after Louis sits in his chair with the same book open behind the counter that Sherlock is guiding you towards the exit of the shop. His touch is like a breath of relief. And without a thought, you let him walk you out of the shop and down the street out of sight from the peering windows of the book shop.
"Are you alright?" His voice is gentle, cautious. His hand is propped in mid-air. His fingers are itching to brush your arm, comfort you in the way he knows only touch can, but his mind is willing him to mind your boundaries, mind your sensitivities as you mind his.Â
After a moment, you nod, reorienting yourself. Sherlock, still unsure of your truthfulness, keeps his focus on you. Your hand, shaking slightly with adrenaline, reaches out toward Sherlock to steady yourself. Your hand meets his forearm, and Sherlock adjusts to your weight without a word. His breath catches slightly as he watches you calm yourself.
"I'm fine." You mutter out, eyes fluttering closed as you take steady inhales. "That was justâuncomfortable." He nods, his eyes now wandering to the street, busy with pedestrians and students alike, bustling with carriages and horse-drawn wagons all rushing off someplace far and important.
"OhâSherlock the underground brothel. I'm sorryâ"
"No, that doesn't matter. But you do." Sherlock feels an undeniable pit of worry growing in his gut.
"I shouldn't have brought you along with me." Sherlock's voice comes out quiet, but you catch it. You also catch the crease between his brow and the angry tint in his eye.Â
"Stop. None of that." You huff out, shaking your head profusely.
"If I had just not listened to my own mindâooh, how it loves to have ideas, ones that are often so very counterintuitive of what I wish to achieveânone of this would have happened," Sherlock begins to rant. It is only then that Sherlock meets your eyes to argue against his favor. "If James were here, he wouldn't have let that happenâ"
"Well, James is busy, remember?" You point out, breaking him out of his own head. "In no situation is that your fault."
"No. Noâno. You don't understand. Iâ" He stumbles over his own words. "James is not busy. He could have been here if I hadn't deliberately neglected to tell him I invited you out today." His tone starts off strong, blazing like a wildfire, but by the time he reaches the last word, it's nothing more than a small flame of passion. You lose his eyes as he grits his teeth and turns his head away.
"Youâdidn't tell him?" Your brain has yet to reach any point past confusion. Your hand releases its hold on his arm as you try to understand. You can't emotionally wrap your head around it until you intellectually wrap your head around it.
"I thought, childishly, that I could get away with spending the day alone with you." He speaks it as if he were in confession. The bowed head of shame and posture that screams regret.
You aren't sure if you should be angry or flattered. The three of you are infrequently away from each other when on outings. It's not typical for two to split off from the group. Rather, you all seem to do everything together with little complaint about it aside from the occasional snide banter. Though it is not so uncommon an occurrence because the number of them can be counted on one pair of hands.
What strikes you as unusual is Sherlock deliberately keeping information from James about both your whereabouts. It is a possibility that if he had told James, James would have intentionally come along anyway. Which that thought too strikes you as slightly odd. Nevertheless, Sherlock withheld knowledge from James for you. The same James who is one of yours and Sherlock's closest friends. And for that, you conclude that you're flattered, even if a little perplexed.
"Sherlock," You sigh, stepping closer to try and catch his eyes again.
"I never intended for this to happen. I only wantedâ" He stops himself mid-sentence, eyes wide, staring off into the distance as though something has dawned on him. He takes a shaky breath in before he turns to face you completely.Â
"I only wished that you might enjoy yourself." It passes from his lips as his face twists into the concrete look of acceptance. Acceptance of what? You had no idea. But then again, how could you? How could you know that the flaring anger that arose in him, which was stamped out by crumbling guilt, had made way for tantalizing consciousness of his own psyche?Â
The daunting realization of his own feelings for you seemed almost impossible, but somehow, at the same time, unmistakably true. He hadn't noticed them before now, and that was the most astonishing. But now that his brain has latched onto these facts, the signs in front of him couldn't be clearer. He is in love. Deep, all-consuming, faithful, unforgiving, warm, breathtaking, love.Â
And it isn't the kind of love he recognizes by putting the pieces of his own subconscious actions together, but it's something he feels deep in his chest. A thudding behind his heart, a ripple beneath his skin at just the brush of your hand against his. No longer is his mind pestered by what love is socially expected to be. Instead, there is an overriding feeling of care and need to know you inside and out. A need to dissect your every thought and be able to read your mind before you've even made up your mind. His love is a gut-wrenching promise of devotion and steadfastness.Â
"I apologize." Sherlock consoles as mortified bile crawls up his throat. "Sincerely."
The brief pause of silence scares him more than anything. His fists clench as he prepares for the worst. Curses against his name, a fist to his face, or perhaps the wish to never see him again. Somehow, the ladder feels the most painful to think about.
"And I forgive you, Sherlock." You speak so softly to him that it sends cracks in his stone disposition of taking full responsibility. "I don't blame you for anything that's happened. I couldn't."
"But it is my fault. You don't have to pretend that it's not for my sake." Sherlock rebuts, almost upset that you are not angrier with him. "I can take it. I can take the blame."
"Sherlock." You take hold of his arm now, instantly grabbing all his attention. "If I don't blame you, then there is no one left to blame you, so logically speaking, it's not your fault. Only his."
Sherlock takes a moment to think about it. He knows that if he were to point out the holes in your argument, you'll only get irritable, but he also can't let himself get away without even a little scolding.
"And you can't blame yourself because I forbid it." You add, now moving to sling your arm through his.
"You can'tâ"
"I additionally forbid any more debate on the matter." You decide, beginning to trek down the cobblestone street, even further away from the book shop. Still a bit frazzled by the whole encounter, you lean against Sherlock, and he holds steady as you both walk.
You both know that it will have to be discussed later. The slight tremor in your walk was evidence enough for Sherlock to see through your feigned unbothered attitude. He tries to continue talking about it, but you cut in before he can and go on a ramble about the book you had found with green leather binding. The topic change really is more of a distraction for you both. But Sherlock can't find it in himself to linger on the subject any longer.
"As you wish," Sherlock replies, his heart fluttering slightly as his side brushes yours just slightly.
a/n: Thanks for reading! I promise im working on other stuff, this summer is just very busy and stressful so bear with me. And please feel free to send in requests!
I just wanted to say I really loved ur newest fic with platonic Ryland grace. Iâm so interested to see what happened to Y/n before the mission. I feel like they possibly got in a car accident which ended up killing the man in the front seat. Or maybe the man was Grace? Anyway sorry for the ramble just wanted to say I love your writing
No please, continue the rambling I love it.
I obviously canât say for sure who the man in the front seat is or what happened to him just yet for spoiler purposes but I love your ideas. Im also glad it got your attention because it will come up again later.
Thank you so much for the love it brings me a lot of joy (And the motivation to write)!
Summary: Two months ago you woke up on Mary, now youâre faced with an alien probe and a middle school science teacher.
Warnings: PLATONIC RELATIONSHIP, no use of y/n, cursing, crying, angst, mentions of death. (Let me know if I missed any!)
Word Count: 7k
a/n: (at the end)
(Series Masterlist)
You woke up to the sound of a heavy bass. Buzzing through the ground and shooting up into your ears. It rattled your body and seemed to drag it out of whatever comatose state you were in. Now, of course, you know it was a coma, but then all you knew was that you recognized the song. Hello, by Martin Solveig & Dragonette, a cruel introduction for the very rude awakening that was coming your way.
The next thing you recall from that day, or perhaps nightâthe logistics surrounding your wake-up are unclearâwas choking. Something is lodged deep in your esophagus and testing the limits of your gag reflex. Your vision was blurry, but you did see the si-if-looking robot arms reaching down toward you. That sent you into an even bigger panic.
By the time the bridge picked up, you were tugging at cords and tubes while simultaneously trying to push the robot arms away. You must have been seriously out of it because all of a sudden you were pushing against fleshy arms. Someone was over you, trying to push you back down. You didn't understand why he was holding you down until he helped one of your shoulders and yanked the tubes out of your throat.
Your memories of the rest of it are hazy, but the next time you woke up, it was without tubes and cords stealing your breath. Instead, you woke to a snoring man beside you. It should have freaked you out, but it was a better wake-up call than robot arms. Of course, what the man had to say after he realized you were awake freaked you out more than any robot arms ever could.
It's been weeks since then, but some nights before you drift off to sleep, you play it back in your head and imagine what would happen if you had woken up in a hospital bed. Because then you would not have to be here, trying to figure out how to open some sort of alien communication sent over from a massive alien ship not a couple of hundred feet away, with a middle school science teacher.
"It says it's xenon." You say, as you point the element detector at the dirt colored cylinder looking object. Its scientific name, the mobile optical emission spectrometer, is something you are not comfortable with not knowing how you know, so the element detector it is. The object is not quite a cylinder because the sides aren't round, so actually it's more like an irregular prism. Except that the sides donât follow the same shape.
Dr Grace pushes off the far wall to get to where you are. He's already shaking his head as he lands next to you, reaching out to grab the lab table next to you to keep from drifting. You let go of the prism, and it floats in the space in front of you. Fighting the simmering irritation, you angle the element detector so he can see the black text that says Xe.
"Xenon is a gas." Grace blurts out, creases running deep across his face. He is still in part of his EVA suit. Or at least the undergarments that keep him cool while he is in his EVA suit, and he looks incredibly stupid, you can't take him seriously. Especially now with his lab goggles on. Somehow, even with the strap that wraps all the way around his head, they are still sitting askew on his face.
"Well, yes, I know that, but that doesn't change that it's xenon and a solid." You huff, moving to now lift your own goggles to sit on top of your head. "Now what?"
"We open it." Grace reaches out for the prism. First, he shakes it, but no sound is made. He then begins to examine the xenonâs surface, looking for any buttons or notches that could be the key to opening it. He presses down on every part of it, but he's met with silence and stillness.
"God, let me try," You sigh, shaking your head in exasperation. Grace lets it go, and you take it from him. You twist the top of the prism, but nothing happens. After a grunt of annoyance, you try again, this time with more force. Still nothing.
"I have an idea," Grace says, gently taking it from your gloved hands. He tilts his head as he grabs hold of the top of the prism just as you did. But this time he twists to the left, not the right, and with little to no force, the seal breaks. Grace smirks at the prism like he just beat the hardest level robot in an online chess game. He then, without pulling the top off of the xenon case, looks up at you.
"That was what I was going to try next." You dismiss his eyes, clearly seeking some sort of praise as you fold your arms over your chess and turn away.
"Obviously." Grace laughs softly. It makes you angrier. You know he's just trying to lighten you up, but it only serves to irritate you more. You don't like feeling stupid. Especially with people you don't know well.
Sure, you and Dr Grace have been on the ship together now for close to two months, but not much conversation has happened. You didn't know him on a personal level, and he didn't really know you on a surface level. Every day, it seemed like you were someone new. It was as if you woke up from the coma with a crumbled wall around you, broken shards and rubble littering your mind and heart. But just as fast as Grace had noticed them in the first few days awake, noticed the quiet pauses that seemed to bring you to dark places, the flinching from him just speaking, you had hidden them again. You took the piece of the crumbled wall and built as fast as you could. You built so fast that Ryland has to question why. He figured that shutting down was the only way you knew how to protect yourself.
Grace has been awake for nearly five months now. When he first found out that he wasnât the only living organism on the ship, Grace cried. When you eventually woke up three months later, and Grace saw how old you were, he was glad you had missed the first couple of months. You didnât have to help carry Ilyukhina and Commander YĂĄo or have to see every breakdown Ryland had. Instead, you woke up to a steadier Grace, one who, when he saw you were just a kid, took it upon himself to be a steady foundation for you. He saw his kids in you, someone who needs help, guidance, and support. Grace decided that when he saw you choking on tubes with nothing but terror in your eyes, he would be the support for you that he had needed when he woke up alone floating in space.
Grace now pulls the top of the prism off. He peers into the new opening before leaning in to take a whiff. His body goes rigid as his eyebrows shoot up. He moves quickly, pushing his way towards the far wall.
"Oh no!" He exclaims in a deep, almost comical voice, well, it would be if it weren't for the fact that he looks just slightly terrified. He uses all sorts of things to pull himself over to the glove box currently located near the ceiling. You follow after him just as fast, concern driving your every move.
Grace knocks over a container of test tubes, and they go flying in all sorts of directions. When he reaches for the glove box, he somehow he trips mid air and misses the handle and stumbles away from it. After an embarrassingly and horrifyingly long time, Grace gets the xenon prism in the box.
He shuts it with a loud thud and springs back like it's already killed him. You jump too, and once the chaos settles into the quiet hum of Mary, your temper grows.
"Grace! You fucking scared me!" You shriek out as Grace runs a hand over his face. You can see the tension in his jaw, pulled tight.
"Can we stop it with the cursing?" Grace calls over to you, halfheartedly.
"Alright. Sorry." You mutter out, now feeling a little guilty at the stressed look on his face, but still annoyed at him. "And can we please get gravity in here? If you had floated over here any slower, we could both be dead. Admittedly, we should have started with it in there, but still. I'd really prefer it if I didn't die two months after waking up." You shake your head and rub the bridge of your nose with your index finger and thumb.
"Also, aren't you a science teacher? Isn't it the first thing you teach students during labs? To never directly sniff anything? Waft not sniff?" You continue your irritated ramblings, and Grace swears this is the most he's heard you talk consecutively in a row; it somehow eases the tension in his jaw.
Grace had figured out he was a teacher before you woke up, but when he actually got to interact with you, even if you were closed off, the belief had solidified. The way you asked questions or proposed ideas was astounding because you were so young yet incredibly bright, and it had ignited this spark in him that he had seemed to forget about. Like now, he almost forgot how powerful passion is, especially in kids. You recovered memories he never thought heâd get back. Memories of his students, of a field trip his class had gone on to a science museum, and even some memories of the lesson plans of activities he never got to do with his students. But right now your fire brings him back to heated discussions in his classroom on weather of not aliens existed. Now he wishes he could tell all his students he had the answer literally sitting in front of him. He wished you could have been one of his students in those types of discussions. You would have been a hassle, but the best kind.
"I'm pretty sure toddlers know to waft and not sniff. It's likeâlike look, don't touch! It's essentially the first lesson every kid learns. But for some reason, you broke the simplest rule in the book!" You finish exasperated before folding your arms over your chest. The force of the movement, mixed with the zero gravity of the ship, pushed your body to spin slightly. You quickly reach out for the wall to stop it when you see Grace's hint of a smile.
"Okay, so in hindsight I shouldn't have done that, yes." Grace starts, and slight amusement begins to bubble under his defensive stance. "But look, we're both alive. And just because I implement rules doesn't mean I always follow them."
"What, so you're a hypocrite?" You bluntly question, a brow lifting quizzically.
"I meant as a teacher. As a teacher, I don't follow all the rules I implement." Grace clarifies, pushing one of the still-moving test tubes away from his face as it floats towards him.
"That's worse, you're a hypocrite to impressionable children. A hypocritical teacher." You shake your head in mock disappointment.
"Most people would just call us teachers." He attempts with a glint of amusement in his eye. A smile begins to break onto your lips, but you quickly close your eyes to compose yourself. You let out a scoff to cover your chuckle, trying to seem unaffected.
It is moments when he sees you happy that keep Grace fighting. If he could see you smile at least once a day, it would be enough to get him to the next. Even with your anger, even with your unwillingness to let him in, Ryland tries his best to give you grace. If he were in your position, stuck in space light-years away from Earth with a strange man, cursed to die before you could legally drink, and with no recollection of how you got here, he would be pretty irritable too. Even having had the chance he did to live a good portion of his life on Earth, he was still devastated at the realization that the last thing he would live to see would be one of the many white walls of this ship.
The gravity is a welcome change. During your journey here, Mary had assumed the essence of gravity because of the force of the forward motion of the ship. But ever since you stopped moving, Â the gravity has also stopped. But now that you actually have both your feet on the ground, you feel somewhat calmer.
You walk back into the lab from the cockpit, Grace following after you to the glove box. You look through the glass and down at the prism that is now sitting on the floor of the box. The top has fallen to the side while the prism itself lies on its side.
"Now, let's take a peek at whatâs inside you," Grace says, speaking to the inanimate object. You give him a look that he ignores.
"Be careful this time. No sniffing without thinking, take precaution."
"Wouldn't do that to you again, promise," Grace says as he puts his hands in the gloves. Now, as his quiet concentration fills the room, you see it for the first time. The slight tremor in his hand. The twitch of his eye as he carefully begins to pull something out of the xenon casing. You want to ask him whats wrong, but you know the answer. He is scared, and he has been scared for a long time. But whenever you're around, he doesn't let himself show it. If he could,
He would stop shaking, but there are some things out of his control.
Unsure what to do or say, you simply step closer and gaze through the glass over his shoulder. You don't talk about his unsteady grip on the metal tongs. You just watch as he pulls from the container a hollow sphere with very thin, long, leg-like xenon wires curving down and out of it. Your gaze lingers on the object longer than Grace gives it his attention, because before you can even speak on it, Ryland flips the prism casing around to attempt to open the other side.
"Heyâwait, that kind of looks familiar." You mutter out, eyes fixed on the sphere with the lines. You stare at it for a moment, racking your brain. You know you recognize it, the image seems to be in graves in your head, but the words are lost on you. You tap your finger against your crossed arms as you think. "I swear Iâoh!" You call out as your body steps back with excitement. "I remember! It's why we're frickin' here!" You step back, trying to remember the name that goes with the memory. "The PaâPatâPar," You keep thinking aloud, but Grace ignores you as he screws the top off the other end of the prism.
"It starts with a 'p,' I know that. It was named after the woman whoâoh yes! Petrova! It's the Petrova line!" You call, and that finally gets Grace's attention. "It's a 3d model of the Petrova line." You nod along to yourself, not getting close to the glass of the glove box again to look at it.
Grace now turns his focus back toward the object he had set down. He picks it up with the tongs and holds it closer to the glass. He nods, agreeing with your statement. "Yeah, I think you're right. That must be the star out there. Tau Ceti." You glance toward one of the thick windows of the ship and watch as the star comes into view as the ship orbits itself to keep the gravity.
"Which means that whoever is over in that ship," Grace gestures toward the window as Mary spins, and you can for a moment see the alien ship. "Must be here for the same reasons as us."
"Take out the rest of it." You encourage, hitting his arm slightly to get him to move. Grace sets down the Petrova line model and turns the xenon prism around. From the second opening, he uses the tongs to pull out another object made of the same material as everything else. This object, like the last, has long thin arm like wires sprouting out of it, but this time the hollow sphere at the bottom is much smaller, and the wires are not curved. Along with the non-curving wires, there are circular tips at the end of each strand of xenon. Just as Grace pulls the entire piece of xenon out, it springs open, making you both jump back.
"Jesus!" You exclaim, holding your chest. "Fuck," you breathe out, turning around to catch your breath. This time Grace doesn't scold your curses.
"Whoa," Grace quickly bounces back from his momentary surprise and presses both hands against the glass as he peers down at it. The object now sits like a sphere of spikes, but the spikes aren't sharp, and they are all different lengths. You look now between it and the Petrova line model.
"It has to be another 3d model." You voice quickly, moving over to the computer and the monitors sitting in the corner of the lab. You take a seat on the swivel chair as you turn on the monitor. "We need to take it out. I have to get a better look at it." You pull up a map of Tau Ceti to see if there are any similarities to the new model and the previous one.
"First, we have to make sure it won't kill us," Grace says.
"Yeah, good plan." You nod, looking over your shoulder at him. "Um, how do we do that?" You ask ask after moment.
"Good question," Grace draws out the good before stepping back from the glove box with his hands on his hips. "Maybe we justâopen it a tiny bit and see if anything happens." He purses his lips in thought. "Unless, of course, you had a better idea."
"No, yeah, thatâlet's just do that." You agree, now swinging around on the chair to face him.
Turns out, the xenon is not toxic. After a very careless inspection, Grace and you come to conclude that the element, which should be a gas but is somehow a solid, is harmless. Even better, you found out that the xenon object was another 3d model.
"That's Tau Ceti," You point to the center of the model where all the wires are sticking out. On the monitor, you have pulled up a map of the star system the Xenon is modeling.
"Which means that this," Grace rolls the table the model is sitting on in front of the monitor and points to the end of one of the legs where a tiny 3d planet sits. But unlike all the other planets, this one has more than just a circle at the end of the wire. "Must be where they are from." He says, referring to the ship as it passes through the line of sight of the window.
"Forty Eridiani," You read aloud from the screen. "It's further from here than Earth," You observe, typing something into the computer to zoom in on where Earth is relative to Tau Ceti.
"You're a long way from home," Grace says softly under his breathe, eyes locked on the tiny planet. For once, his glasses sit straight on his face as he takes a second to grapple with this new information. You can see again now the slight tremble of his hand. He's still scared, still worried.
"We should add Earth onto the model and send it back." Your voice, breaking the quiet. "It seems like we're here for the same reasons, and we're both far from home."
Grace clears his throat as he stands from his crouching position. He shoots you a determined smile, heading for the station in the lab with building equipment. "Let's go make the first human contact with aliens."
The next message you received is housed in the same oddly shaped casing. And this time, instead of Grace having to jump off the side of the ship to get it, it arrives through the door of the airlock. You catch it this time, in your own red EVA suit, and over the coms, triumphantly brag about how easily you caught it. Grace doesn't point out the fact that it was literally shot out directly into your open hands while his wasn't, but you both know he wants to. Rather, he focuses on setting up a rope system to get around more easily in zero gravity as you come back inside.
"So, they want to connect our ships?" You question aloud, quietly watching as Grace flips the new xenon contraption in his hands. After inspectionâor flipping it overâyou notice the lines of xenon line up to create an image of both EVA ships. But one strip of xenon stands out starker than the rest; the strip connected to both the ships like a bridge.
"I think so," Grace breathes out, his tone dropping its normal cadence of curiosity and playfulness. You can feel the dread radiating from him and crawling up your skin.
There's a brief moment of serious contemplation that passed over you. Sure, this is a massive leap toward progress in your mission. But at the same time, you can't help but worry about what could go wrong. You can't help the endless, consuming fears that this could go deadly wrong.
"Can we stop it?"
Grace slowly halts his fiddling with the xenon. He doesn't want to scare you, but he knows that this is best. He would love not to need to face the unknown to keep you safe, but your situation doesn't allow it. The Earth's future is at stake, and if even one more alien planet is at risk, then that doubles the urgency of action. Grace wants to protect you, and he knows the best and scariest way to do that is to make contact.
"I don't think we should," Grace admits, turning slightly to look over his shoulder at you. You take another beat, trying to suppress your own doubts in order to think clearly. You know what's at stake, and you know you need to start acting like it.
"It'sâwe need to be careful. I mean, what if all those messages were just some scheme to get us close so they can take all our stuff and leave us for dead? I'm not saying that's what's happening, but we should be prepared." You question out, now pacing back and forth behind Grace, who is seated at a lab table near the window, deep in thought. If he wasn't so stressed, Grace might have taken the time to appreciate your unusual amount of speaking today.
"I doubt that's the case. They are here for the same reasons as we are. We need to be able to communicate better. And an hour ago you were all for alien contact, what's with the change?" Grace asks, setting down the xenon and spinning around in his chair to face you.
"I never said I was against it. All I mean is we have to be smart. Let's put aside the fact that they could be tricking us, I guarantee you our climates will be deadly to each other. I mean solid xenon, come on. " You scoff, having stopped your pacing, you lean against the wall opposite him. Grace lets out a soft laugh at your words, his posture easing up a bit.
"Okay, yes, we will be careful." He nods, a hint of a smile threatening to spread across his lips.
"Good." You respond quickly. You tap your fingers against your folded arms for a second before blurting out, "And if they try to eat us, don't expect me to hold back the I told you so."
"I wouldn't dream of taking that away from you." Grace rolls his eyes sarcastically and turns back to the lab table.
It doesn't take long after you slow the spinning ship to a stop for the other ship to start moving. You watch from the lab window, slightly terrified as a wire of xenon stretches from the edge of the larger vessel out to Mary. An elevator-like contraption shoots out from the other ship and across the shaft that the xenon arms created.
As soon as the gravity is shut off again, Grace busies himself elsewhere. He starts preparation for contact by getting his suit ready to go, making sure all of Mary's systems are functioning properly, and once that's all done, he meticulously starts cleaning up around the ship. He steers clear of the central hub where the lab is located to leave you your alone time. Instead, he focuses on the medical bay slash dormitory and the Don't go Crazy room.
While he works, you attempt to lounge about the lab. Grace had settled most of your worries, but there is still a nagging feeling in the back of your mind. You try not to think about the fact that an alien organism is mere minutes away from either befriending you or tearing you and the only other human you know limb from limb. You pull yourself over to the computer using the rope system Ryland set up and click through applications until you land on a large file named 'Music'. Whoever had created the ships database was an angel. Thousands of tracks were attached to the file. Songs as old as the 1920's all the way up until November of 2023.
Ironically, the song you currently have on loop whenever Grace lets you play music is the same song you woke up to all those two months ago. Hello by Martin Solveig & Draggonette is the only thing you know will be able to distract you as the bridge between ships is made. So you open the file eagerly and press play.
The opening drums instantly call to your attention, making you tap your fingers to the beat against your leg. Next comes the guitar, which starts a subtle movement in your upper body that directly follows the movement of your fingers. But the second the piano's electrifying cords cut through the noise, you're a goner.
It takes all but two lyrics for you to be singing along with the recording, clapping, and moving your body in accordance with the music.
Before you know it, you're somewhere else completely. You're in the back of a car, leather seats cool against the bare skin of your calf. Your hair is blowing around you like a halo as the wind whips in from the lowered windows of the car. The vibrations of the drums rattle through your tiny body as you sing along. The lyrics that come out of your mouth sound right but make close to no sense, but your heart is fully in it. You hear a laugh come from the front seat like a ray of light. It's deep and comforting, a voice of someone trustworthy and safe. His voice is one you seem to recognize deep in your bones because when he turns around from the driver's seat, his silhouette blocks the illuminating sun behind him, you feel a laugh bubble up within you, matching his. It feels like the easiest thing ever. He says something to you, but before you can place what it is, the final "Hey" echoes out from the speaker and pulls you back to reality.
Now in the silence of the lab, you float breathlessly. The feelings that wash over you are ones you can't place with any certainty. There are tears in your eyes, but you are not sure if they are of joy or utter despair. Warmth blooms in your chest as a knot forms in your stomach. It was so rapturous and safe, you could have stayed there forever. But a sinking pit is pulling at your heart. It was gone in an instant, before you could relish it, it was taken from you. Worse, you sink further, as you realize that you'll never again be able to drive in a car with the windows rolled down, blasting music you love with someone you love a seat away.
You love them. It distracts you from everything else. You loved whoever it was that was sitting in the driver's seat. It was as easy as breathing to deduce. There was no hitch of doubt that passed over you as you thought about it. Odd. So you do have someone you love back on Earth. So you aren't alone in the universe after all. You have someone you love and who loves you back on Earth, blasting music and thinking of you too.
The feeling is overwhelming. Both elating and absolutely devastating. Your heart feels bombarded with so many conflicting emotions that it blurs your vision even further. But before you can even try to begin to decipher any of it sensibly, Grace calls out to you. You quickly blink away the water from your eyes as you hear him getting closer.
Later. Later, you'll have to deal with these newfound memories and all the emotional roller coasters that came with them. For now, you have to make contact with an alien without getting eaten alive.
"Is everything ready?" You ask, using the rope to propel you toward the outside of the airlock, where Grace is holding to the wall in his red EVA suit.
"Yep. Checked all systems twice. Everything is good to go." Grace affirms, brushing his gloved hand over his suit to straighten out a nonexistent bump.
"Okay, well." You swallow the lump in your throat while you watch him smile reassuringly at you. "Guess you should head out."
"Yeah," Grace nods gravely, his voice dying in his throat. His fingers aimlessly fiddle with his EVA helmet resting in one of his hands.
You both float there for a while, with no real intention to move. You stay still as if it may change what needs to be done. The truth is, it won't, but the possibilities of losing someone else are too loud for you to let him go without some hesitance. All protests seem to die in your throat the longer you float there.
Grace is no better. He knows what he has to do, but he's also terrified and grossly under qualified. The thought of trekking out into the unknown keeps his body suspended still in the air. Yet some other part of his conscience is urging him forward. If he doesn't take the leap into the depths of spaceâwell, really it's an enclosed tunnel which is equally as terrifyingâno one else will. He has to do it for you and for Earth, so he nods firmly, the tremor now in his leg, and takes hold of the tether rope to keep him connected to Mary and a headlight to attach to his helmet.
He clumsily attaches the rope to his suit and the light to his headpiece, and you watch, twiddling your thumbs anxiously. You have to tell yourself he's only fumbling because he's scared too, not because he has no ability and might die. The images of the car come back to you now suddenly and violently. You can't help but feel a pull to stop Grace as he pulls himself into the airlock. You only have him, and if you lose him, like you lost the man in the driver's seat, you don't think you'll be able to complete the mission Earth sent you here to do if he leaves you.
"Waitâ" He halts immediately, concern taking over his features like it was already simmering below the surface. "Do you have to go out there? We can't really know what's out there. Maybe we should rethink this whole thing. I don't think I'mâwe're ready yet." Your throat tenses as you speak. "We can still call this off and wait it out." You swallow, trying to push the burning sensation away from your eyes.
"I can'tâI don'tâWhat happens if you die?" You can't look at him anymore. All you see are flashes of the driver's silhouette blurring with Grace's. "Whatâwhat if you get eaten or something. Then I would really be aloneâ"
"Hey, hey," He calls your name gently, "listen to me." His voice isn't demanding but assertively tender. There is no doubt in your mind that he used this voice on his student. "I'm just as terrified as you, and I could try to lie to you and say everything will be fine, but I know you know better." His walls seem to break down as he speaks, the previous feign of calm for your sake now crumbled at his feet.
"Graceâ"
"I don't know how to do this. I really don't. I'm trying to be a strong grown-up in your life, but it's hard when our lives are the plot out of some sci-fi movie." Grace huffs out, shaking his head, still finding this whole situation hard to believe.
"I'm not asking you to be a 'strong grown up' in my life," You scoff, brows furrowing petulantly.
"Doesn't mean I won't be anyway." He looks at you with something you recognize from somewhere but can't place. It's almost a reverent kind of affection reserved for a select few. "I know our memories are hazy, but Iâkid IâI feel like I know you. I feel like you meant something to me," he tries to laugh off the gravity of it, but it doesn't work.
"I'm not a kid." Your voice begins to waver.
"Yeah, you are." Grace smiles sympathetically. "Look at you," He says, and he does look at you, like you saved him, like you hung the moon and start. "You're incredible, and smart and talented, but you are still a kid. Can't be older than 20. You really shouldn't be here. But you are. And I can'tâI can't fix it, I can't save you from our inevitable doom. I can't." Tears well in Grace's eyes.
"But I can tell you that I'm not going to let anything happen to you. Even if I'm scared shit-less, which I am, believe me. I'm the ultimate scared shit-less guy." You laugh faintly, and it makes him smile
"Quit cursing." You mock him with zero intent to make him stop. Ryland huffs and looks to the floor of the ship. It takes him a moment to collect himself before he continues. More tears threaten to pour as he meets your gaze.
"You are the most important thing to me, I can feel in my bonesâin myâmy soul. I look at you andâ" He chokes on his word. His fist flies up to his mouth to muffle the sound of his sob. He takes a deep breath to steady himself. "And I think, god, I love that kid. And I would rather die in some dark, solidâsomehowâxenon tunnel, by getting eaten by aliens than let you die." You let out a wet laugh.
"So please, let's do this together, calmly, so that you won't have to be alone." You nod solemnly, watching him in his red EVA suit. He smiles and reaches out to squeeze your shoulder.
Just before he turns to the air lock, you add, "Justâlook, don't touch, andâ"
"Waft not sniff." He interjects with a nod, you halfheartedly smile and nod too. Grace then turns to the door, puts on his helmet, and walks down the circular hall to the edge of the ship. You shut the large door behind him, making sure it's locked before nodding at him. Just before you turn to get back to get on coms, he lifts his hand and gives you a lazy grin, thumbs up.
The coms come to life with a static crackle. You quickly pull up the live feed from Grace's EVA suit. Your whole body feels on edge, your ears perk at every tiny sound, and your hand twitches against the metal trackball mouse. You're suddenly very aware of the fact that the sleeve of your EVA ventilation garment is brushing against your wrist. Trying to roll it up your arm only results in further irritation, and pulling it down is of no use due to the fact that it was built perfectly for the length of your arm. You huff out, trying to ignore it as the feed from Grace's suit loads. It's pitch black, nothing but darkness beyond the edge of the airlock.
"Any way you can light this up?" Grace's voice cuts through the coms. He sounds just slightly unsteady as you watch him grip the edge of the ship.
"Let me see." You answer back, clicking away to find a way to turn the outermost lights on. Brows furrowing, your eyes scan the screen for anything. You look to see if there are more lights, because you can run to the control room to turn them on manually, but you would prefer it if you could stay with Grace and do it through Mary's database.
"Anything?" He asks. You glance back at the live video and see Grace's hands gripping the ledge of the airlock. You grumble in frustration, and you reach out to mash down on the button that lets Grace hear you.
"Afraid not." You take a shaky inhale before letting out an audible huff of irritation. "I'm sorry."
"It's alright." You watch as Grace pushes off the ledge of the ship.
"Do youâ" You swallow, watching his movements with anticipatory dread. "You can come back insideâ"
"No, my head lamp will do fine. Just have to stay near the edge." Grace interjects reassuringly, his tone still soft even as he stands on the very edge of uncharted territory. The push propels him toward the side of the tunnel. He collides into it with a grunt.
"Are youâ"
"I'll be okay," Grace says comfortingly. With a heavy sigh, he slowly begins to haul himself along the side of the xenon tunnel.
You watch in silence for a long while as Grace trudges on. What seems like hours go by while you watch with bated breath, even though you know it can not have been more than six minutes. All you can really see is the side of the tunnel, the rope floating to the side of Grace's arm, and the seemingly endless darkness.
"Everything okay?" You ask, watching his feed. You want to hear it from him, not see it from his body cam.
"Everything is swell." His voice comes out strained. You watch as his grip on the wall fumbles slightly. Your posture straightens as you watch. His breathing gets heavier as his hand slips from the wall.
The video from the feed cuts out for just a moment, and when it flashes back on, you can no longer see the wall but just darkness. Your breath catches as it clips out again, and you hear a pained noise before the video cuts in again. Now all you can see is a close-up of the opposite xenon wall.
"What's happening?" Your trembling fingers against the coms button as you speak. He lets out a grunt in response, and the video shows him pushing back away from the wall.
"Just a slip." He replies, continuing his forward motion. It doesn't take long for him to reach the end of the tunnel. "I can see the ship." Is all he says as he approaches a solid wall of xenon.
You watch as Grace runs his gloved fingers along the wall, looking for some sort of opening. No sounds leave you as your heart pounds loudly in your ears. Part of you wishes it were you out there, stumbling over yourself. If anything happens to Grace, you know you won't be able to piece yourself together. And all the people of Earth would die because you couldn't be brave, because of your failure. Another part of you knows that if you had been the one to go out, you probably would have peed yourself already, and after that, very little would get done.
After a short search, Grace's camera shows a small window near the bottom of the tunnel. The shoulder-width, trapezoid-shaped window is only visible for a split second before his camera is pressed against the wall and your visibility goes to black.
"What do you see?" The question goes unanswered, and your heart rate picks up. "Grace? Are you okay? Whatsâ"
"Fine. Good, everythingâeverything's fine." Grace's voice trails off, and you have to assume he sees something. You hear two thumps through his intercoms before he speaks again. "It's just more darkness. If it weren't for the messages we got, I'd think the ship was abandoned."
"There has to be something there, right? Shine your light throughâ"
A flash of light is the first thing you see to cause alarm, followed by a bang and a yell. Grace's distinct voice ripples through the speaker of the coms like an earthquake. You watch helplessly while the feed flashes as he spins. Your heart pounds against your ribcage, and you're calling for him again the second your brain catches up with what's happening.
"Grace?" You press down on the coms. "What's out there? Are you okay?"
The camera feed stabilizes before his breathing can be heard again. Now, fuzzy, you see Grace approaching the xenon wall once more. His voice comes in breathless as he speaks into the intercoms.
"It wasâthere was a clawâ"
"Grace? Please, tell me what's happening. Are you alright? Are you hurt?" The desperation in your voice catches his attention. His movements stop momentarily for him to respond.
"I'm fine. I just sawâsomething. I'm not sure, I think it'sâit's aâ"
Once again, the camera presses up against the xenon wall, blocking your view of what's happening. Two more thumps come in through the speaker, and you remain quiet, listening for anything to help you understand what's happening. Grace lets out a noise, close to disbelief and relief. Through the coms, his voice cracks, and his words sound somewhat terrified but also a hundred percent certain.
"It's a rock!"
a/n: This took a while but itâs finally here. Thanks to all of those who commented on my initial post about this you really helped me finish it. This will probably be the longest part of the entire series, because Im thinking each post will be little snippets that add to the big picture. Feel free to comment or send in any asks about this series. Please be patient for the next part. Thank you.
Summary: Ryland Grace and you wake up on the Hail Mary with no memories of who you are or how you got there. Slowly through flashbacks and memories you begin to understand how you are connected.
Let it be knowns/Warnings: THIS IS A PLATONIC SHIP, father daughter relationship, cursing, mentions of abuse, mentions of violence, found family.
Parings: Ryland Grace x fem!reader (Platonic!!)
Notes:
This post will be updated as more is revealed in the fic. Be patient with me Im human. Comments, asks, and likes are highly encouraged!
This story starts when they first meet Rocky.
This fic is loosely tied to actual events in the movie. Meaning I will include important plot points but not exclusively that.
Reader age is as of now unstated, but she is in her late teens early twenties. (I know itâs crazy but bare with me)
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Warnings: no use of y/n yearning, crying, bad relationship with father, let me know if I missed any.
Word Count: 1.5k
a/n: (at the end)
(Series masterlist)
James Moriarty's love is something one expects to be explosive. Yet it is anything but. It is subtle and overwhelming but also absurdly intoxicating. It is something you only truly notice when it gets quiet. Because to have his love be known was something that truly terrified James. Nothing good ever came from having your secrets laid out for everyone to see.
And James feels it happen; The switch in his behaviors, the drift of his attention, the second you walked into a room. And of course, because his love is so unsuspecting, it's only fitting that it makes itself known at such a vulnerable moment.
Youâve been irritable all day. Thatâs how James knew something was going on. Sherlock had made a joke, and you didnât laugh. That was odd. James made a snide remark, wanting simply to make you smile. But instead, you blow up in his face and storm off to your dormitory.
James hasnât known you long, but thus far he has never seen you so aggravated for seemingly no observable reason. Of course, you had called him a cock sucker before, but it had been with an eye roll or a smile you attempted to hide, but he still saw. Never had you been so serious or cruel with your intentions when you said it before. If it werenât for the way you stormed off after youâd said it, James would have taken earnest offense. But as you ran, he thought he saw tears welling up in your eyes, and instantly all hostilities were dropped before they began. Sherlock hadnât noticed, too busy giving all his attention to some inconsistencies he found in what Mycroft had told him earlier.
James is quick to follow after you, leaving Sherlock with some made-up excuse he'd be too preoccupied to question. He follows after you through halls and down corridors, calling out your name. You just keep on until you finally make it to your room, where you shut the door in James' face.
With a huff, he calls your name through the door. "Come on. I did not mean what I said. You know I didn't mean it." James his head against your door, catching his breath.
"Please just go, James." His breath catches as you speak.
"Not until this is settled," James says definitively, trying the doorknob. It's locked.
"I forgive you. There it is settled." You utter through the wood. But James can hear the sniffle you let out, so he presses on.
"If you forgive me, why is it that you still sound upset?" He tries, leaning into the door as if that will somehow get him closer to you. "Was it really me? Or did someone else do something?"
"Jamesâ"
"Because, as you know, I am not above getting my hands dirty."
"James, stop." You announce, cutting through his words. There is a stillness where neither of you speak; all that can be heard is shuffling from your side of the door. The sound of a key sliding into a keyhole pulls James to step away from the door.
The door is pulled open tentatively. When you finally come into view, you look somewhat disheveled. It pulls at James' heartstrings uncomfortably. Your eyes are red and puffy. Clearly, you've been crying more than he initially saw. James' nonchalant persona cracks just slightly under the weight of the sight.
"It has nothing to do with you." Your voice quietly. Like every syllable claws at your throat as it comes out.
"Then what is it?" James dips his head down to meet your gaze. You shift your weight from foot to foot in hesitant contemplation. James holds his gaze steady.
Reluctantly, you step aside to let James in. He steps through the threshold of your room and gazes around. Lying across your desk, which sits near the door, he sees letters scattering the surface. Some are unfinished letters, a couple are crumpled up, but in the center of your desk is a letter clearly not in your distinct penmanship. On this letter are creased wrinkles left in shapes only tears could make.
"Tell me whatâs wrong." James tears his eyes away before you notice. He faces you now, concealing his anguish behind furrowed brows of curiosity.
It takes you a minute to gather the courage to tell the truth. You trust James, but you also know that behind his facade of charm and quips, he holds so much weight. He doesn't need yours. But his stance is unwavering. He holds his ground as he waits for you, ever the gentleman.
âItâs my father.â You divulge. You say it as though if you say it too loudly, your father himself will hear you from across the Atlantic.
"Ah," James voices solemnly. That must be what the letters have been about. He takes a moment to mull over his words.
âYouâve never mentioned him before,â James decides. No connotations as to not upset you more. He is not sure of your own opinions on him yet.
âI donât like even thinking about him.â You let out a self deprecating noise that leaves James with a familiar understanding and distaste. One thing he feels often when thinking about his own father.
Your mind runs a million miles a minute, trying to compose itself. The mere thought of him brought feelings that, if you could, you would have killed and buried and never spoken of again.
âWhyâs that?â James' eyes don't leave you for even a second. His gentleness is so exposing, so stripped down and bare, it makes you curl in on yourself. Youâve never been one to get much attention unless you explicitly put yourself in the spotlight. No one had ever looked at you without you predetermining it and deciding it would happen. That is, until you met Sherlock and James. They both look at you without you having to grab their attention with some big gesture or loud character trait. They see you even when you don't want them to. And even worse, James can read you even when you wish he couldn't.
James knows you in some impossible way. In the short time he has known you, he has learned almost everything about you. Your tells, the way you cower ever so slightly when someone makes you upset, how you fight tooth and nail to be tolerated even though you are so easily loved. He knows that just about everything you do is calculated to push you higher and get you further. He knows you as if he has known you his whole life, and you see it. And it excites you, it terrifies you.
"He's like an insect," You being. "He crawls into the weakest parts of you and terrorizes and taunts and calls it love." You don't elaborate, but it seems to you that James understands. He always does. As grateful as you are, a part of you aches for him. You would never wish your pain onto him, but he seems to always already possess it.
âI seem to always be doing something wrong. I can never make him happy." You continue. James's presence is a welcome anchor that seems to be calming the waters of your mind.
"The only reason Iâm here is that I thought that if I agreed to go to Oxford, he would finally let me be. But I was sorely mistaken." More tears well up in your eyes as you take a seat at the foot of your bed. James takes a step closer.
"Is the letter from him?" James cautiously asks, but it only seems to bring more tears and a grave nod.
"If I do not improve my marks, all familial ties will be cut." A sob leaves your throat as you sink into the mattress. "I will be estranged and left destitute to fend for myself in a country that I do not belong to. I may never see my mother again." James sits with you now, warmth and comfort radiating from him.
"No. I will not let that happen," James affirms, jaw set tight. You struggle to control your uneven breathing.
"I promise you this," He says, your name as though it is a vow never to be broken, and takes your hand in his. "He will not hurt you again." Your breath hitches at the stubborn crease of his brow.
"Even if you fail out of Oxford, you will see your mother again." His words are resolute. He says them as if they are fact rather than simple hopes. "His threats are empty. You have me, you have Sherlock. You will never be on your own again."
The damn collapses, and you slam into James' sturdy frame. You cry freely now, no longer able to hold back your fears. James is startled only for a moment before he sinks into the feeling of you in his hold. He holds you securely and lets you set the weight of them down. He lets you come apart with the knowledge that he will be there to help build you up again.
And that's when he feels it. Sitting in your bed on an unsuspecting Sunday afternoon, he feels it. That ache deep in his chest, the pulsing in his veins, the confirmation in his heart. He loves you. And because he loves you, he will never let you go.
a/n: All the comments on the first part of this series is seriously motivating so thank you!! Hope you enjoyed I have nothing else to say. Good day.
A Sherlock Holmes and James Moriarty fic masterlist
Summary: In your first year at Oxford you meet Sherlock Holmes and James Moriarty who quickly welcome you into their duo. Tensions brew as deeper feelings being to grow and disrupt the balance of the group.
Let it be knowns/Warnings: Use of a last name but this is not a OC fic, Cursing, violence, typical James and Sherlock banter. (More will be added as they come up)
Parings: Sherlock Holmes x fem!reader x James Moriarty
Notes:
I honestly have no end in sight I just play the game because the game is fun.
Reader is American!
I know because of the time period this show is set that reader could realistically only be a white woman but for the sake of the fic that history is non aplicable. Readerâs race is not specified and if there is anything that insinuates it let a girl know so I can edit it out.
PART 1: Let the Games Begin
PART 2: Unsuspecting Love (James) | Undiscovered Love (Sherlock)
This had been swarming in my brain for a while now. Im currently trying to wrangle my thoughts into writing. If anyone cares at all it should be out soonish!
Also Iâd like to formally apologize to any book fans because I have yet to read the book. I will eventually but dyslexia isnât the kindest.
Warnings: explosion, historical inaccuracies, sherlock doesnât like physical touch, slow burn but not really, not proof read
Word Count: 3.9k
Summary: Sherlock Holmes attempts to be apart of your life again.
a/n: I keep taking forever to write this fic, Iâm sorry, I just want it to be good so I overthink everything
Part One, Part Two, Part Three
Classes and studying took up most of your time at Oxford, but the times you found yourself wandering the campus suddenly felt too frequent. Now knowing that Sherlock Holmes was somewhere around the university was a bit startling.
Youâd come to realize, during your short conversation with the Holmes boy, that you did not have any interest in speaking with him. A bitterness that had been buried deep within you suddenly reemerged, resentment that you carried for Sherlock after he left you in that countryside years ago. While you understood the circumstances of his departure, it never sat right with you. He never said goodbye to his friend, he had just forsaken you.
Now, his attempts to rekindle whatever friendship you once had would be neglected by you.
Youâd spotted Sherlock a few times along the campus streets. Once when he was collecting trash, another as he raked the leaves along a courtyard, and a third time delivering fresh toiletries to a public lavatory. Each time, you failed to evade his gaze. It was like Sherlock had a sixth sense for you. Nevertheless, each time, you would quickly pivot and shift your course away from his. Of course he called out for you, but you knew the campus better than he did and you managed to escape.
A couple days after you first reunited with the youngest Holmes brother, you had been departing from your residence hall when you ran into yet another familiar face. You were surprised to recognize Mycroft Holmes so quickly, but the confident, composed nature of how he presented himself had always been so irresistible when you were younger. You would recognize it anywhere. Mycroft strode along the cobblestone streets, cane in hand, no doubt only to show off the aristocratic man heâd become. His suit had been tailored to perfection, and a hat that further embraced his respectable status. Mycroft Holmes was still, if not even more compelling than last you saw him. Even if you had outgrown your silly infatuation with the eldest Holmes, you found yourself unintentionally moving towards him. You werenât upset with him like you were with Sherlock, Mycroft had left the countryside to pursue work long before the incident. At least he said goodbye.
âExcuse me, Mr. Holmes?â You approached him, a delighted grin pulling at the corners of your lips. Mycroft turned at the sound of his name, squinting slightly as his eyes landed on you. It had been years since you had last seen each other, and you werenât the young girl he remembered. While he donned a new mustache above his upper lip, you changed in more ways than one.
It took Mycroft a moment longer than Sherlock before he spoke your name, expression lighting up with surprise. âHow remiss of me to forget you attend this University!â A polite smile replaced his previous countenance as he removed his hat before tipping his head respectfully.
You bowed your head in return, âItâs lovely to see you.â
âAnd you as well.â
âWhat brings you here?â You inquire, brows furrowing curiously, though a slight smile remained on your face. âI donât suppose youâre here as a scout too?â You teased, earning a slight chuckle from the older gentleman.
âBusiness for the foreign office.â Mycroft answered simply, carefully placing his hat back on his head. âIâm on the way to attend Professor Hodgeâs gala opening for the new science building.â
âOh, donât let me keep you any longer then.â You moved to step back, excusing yourself from the conversation.
Mycroft shook his head, âNo, join me, I insist. I could use a friend.â He smiled again, more genuine than the first, indicating he truly meant his offer. He extended his arm out to you.
You took a short moment to think it over. âSherlock wonât be there?â You asked, framing the question as a casual inquiry, although there was much more intent behind it.
Mycroft sighed like he knew something, shaking his head as if your question was ridiculous. âFor both of our sakes, I certainly hope not.â He lifted his arm a little higher, extending the offer to you once more.
You gave in and accepted, nodding your head and looped your arm around his.
The Gala was a polished, yet pretentious event, full of professors and other high society members, all gathered in one place to celebrate Oxford's newest accomplishment. It was the kind of place your parents wanted you to be, and the kind that Sherlock would argue you arenât made for.
You sat beside Mycroft at a table near the back of the room, seated with Professor Hodgeâs assistant you knew as Edie, a few professors you werenât familiar with, and a couple of men who aided in funding the building.
âNothing has such power to broaden the mind as the ability to investigate.â Professor Hodge stood upon the stage, arms resting atop a podium as he addressed the crowd. You found yourself giving the professor barely a fraction of your attention, eyes wandering around the room as you inadvertently searched for Sherlock among the sea of faces. Although you knew events like this werenât exactly his cup of tea, the chance of his arrival was not unlikely.
Hodge continued, âI must now make mention of our brilliant mathematician, Professor Charles Thompson, for his invaluable contribution. Ladies and gentlemen, I invite you to charge your glasses-â A resounding thump interrupted the professor's speech, startling you along with a few other guests. The noise came from the wall behind Professor Hodge, brick and mortar crumbling as the structure collapsed more and more with each thud. You had to crane your neck, sitting taller in your seat as you attempted to get a better look at the commotion.
âHolmes, what the devil are you doing in my chimney?â You overheard the professor before Sherlock came into view, heading poking out of the opening he had created in the wall. Your eyes flew wide and you turned to look at Mycroft, who let out a defeated sigh, now hiding his face behind his hand.
âSorry to bother you, sir! A rather pressing issue,â Sherlock replied, voice strained with effort as he continued to break the wall down.
âWell, I hope it is for your sake. What is it?â
âA bomb!â Sherlock spoke louder now, a more desperate tone to his voice. âA bomb is an incendiary device-â
âI know what a bloody bomb is, Holmes! What has that got to do with interrupting my speech and destroying my chimney?â
âProximity, sir. Itâs likely to go off within the next thirty seconds, killing anyone within the blast radius, which I would assume is likely to be⌠pretty likely this whole room, sir.â Sherlock emerged from behind what used to be the chimney.
Professor Hodge responded quietly, something you couldnât hear from where you were sitting. Your eyes passed over the guests who made no effort to heed Sherlockâs warning. To be fair, it sounded ridiculous.
âShould we be moving?â You whispered to Mycroft, slight panic in your voice.
James Moriarty stepped out from behind Sherlock, much more urgency in his tone. âFor Godâs sake, would you stop being so English! Thereâs a bomb!â With that, the room erupted into screams of panic. Mycroft quickly urged you up and out of your seat, trying his best to guide you through the crowd as people began to run. Chairs screeched against the floor as guests shuffled to get out. Everyone made for the door, some tripping over themselves as they pushed past others.
You barely made it out of the room before an explosion went off behind you, bursting with fire and soot. The detonation left a ringing in your ears, the world becoming quieter, the guests frightened screams fading into no more than a fuzzy white noise. You looked around, slightly disoriented. Mycroft was beside you still, already looking down at you and asking if you were okay. You only nodded, bringing a hand up to rub your temple in efforts to soothe a subtle throb that had begun to develop.
Once again, you found yourself searching the crowd for Sherlock. Unlike the last few times, you realized you wanted to find him. Your heart rate began to pick up when he was nowhere to be found. Sherlockâs name slipped from your lips unintentionally. Mycroft noticed and placed his hand on your shoulder in a comforting manner. He said something to you, but you couldnât focus beyond the loud ringing in your ears. You turned, looking back towards the smoking entrance of the science building, and as if on cue, Sherlock Holmes emerged from inside with James Moriarty by his side.
He was wiping soot from his face when his gaze caught your own. Sherlock stopped in his tracks, afraid that if he moved any closer, you would disappear like all the other times. This time, you didnât turn away. You felt your concern ease, instead replaced by something else.
Much to Sherlockâs surprise, you approached him in a quick, dire stride. He almost smiled, thrilled that you had come to your senses and decided to speak with him again, but he recognized your expression, and any trace of a grin faded in an instant. âOh no,â he muttered, horror crossing over his features.
âWhat?â James questioned, turning to follow his friendâs line of sight, though he wasnât quite sure what he was looking for.
Before Sherlock had time to answer, you were in front of the two men, hands flying out to hit Sherlock on the chest over and over again. âYou absolute fool! What is wrong with you?â You scolded him, releasing your pent up anger through the light blows to his chest.
Sherlockâs shoulders tensed, his eyes shutting as he took the strikes without complaint. Of course it wasnât an enjoyable sensation for him, but he didnât have the guts to tell you to stop. âIâm not sure I understand this reaction?â He forced the words, peaking through a squinted eye.
You stopped hitting him, though the angry glare hurt him just as bad. âReally? You think you can show up without warning after six years! And on top of that, barge into this gala, blow it up, and still have the nerve to act like everything is fine and youâre the hero!â
âFor your information, I did no such thing. I had no part in this explosion, James and I were attempting to stop it.â Sherlock defended, rolling his shoulders back in efforts to remove the tension. You gave him another sharp look which earned an amused snicker from James. Sherlock quickly swallowed his words, realizing his mistake. He adjusted his coat and cleared his throat as he regained his composure. âJames, would you give us a moment?â Sherlock spoke staidly, looking towards his friend, who teased shamelessly,
âOh, of course, donât let me keep you two lovebirds.â He bowed his head, feigning politeness before backing away slowly and disappearing into the chaos of the explosion aftermath.
Sherlock let out a huff, nostrils flared with his momentary irritation before his gaze caught yours once more. Something softened, though he looked at you now with uncertainty. âI donât understand,â Sherlock shook his head. âYou have been avoiding me for days. Whatâs changed?â
âOh, donât be a hypocrite. If distance is what is confusing you, then you should not have disappeared six years ago.â The words hit Sherlock hard, realization rushing over him all at once.
He blinked, for once at a loss for words. âNo, thatâŚâ Sherlock shook his head, regret overwhelming him suddenly. He longed to reach out to you, as if that would be any reconciliation for how you were feeling, for this misunderstanding, but he couldnât bring himself to do so. Words didnât feel like enough with you, they never did, but thatâs the only way he ever knew. âThatâs not what happened,â He began to protest, but was unable to when his name was called somewhere in the distance.
It was a very dishevelled looking Professor Hodge, accompanied by Edie and Mycroft, all whose patience seemed to be a short fuse. Sherlock looked back and forth, torn between his options. He opened his mouth to speak, but was once again interrupted by the sound of his name, this time from Mycroft. Sherlock sighed, knowing he wouldnât have much time before being rudely interrupted once again. âI can assure you, I never intended for that to happen. Allow me time to explain. Iâll find you later. Just promise youâll listen?â
You looked at him, eyebrows a tense line as you considered his advance. You didnât answer, but something in you softened, and of course Sherlock noticed. He always noticed. âThank you.â He said softly before making his way towards Hodge and the others.
Sherlock didnât find you in your dorm later that night. He knocked on the door once and waited, but there was no response. He knocked a second time, telling himself you just needed a moment to compose yourself. Still, there was no answer. Then he knocked a third time, and once more after that for good measure. You never answered and he felt his heart falter with defeat. It was simply too late. It seemed Sherlock Holmes had lost you for good.
When he returned to his room later that night with James Moriarty at his side once more, he slumped into a lopsided chair beside his desk and sighed deeply. Guilt and frustration overcame him, a frown pulling at his lips and a deep crease forming between his brows. He discarded his jacket, tossing it lazily onto the foot of his bed before running a hand through his hair as James approached him with a drink.
âYou look rather down in the dumps for a man who should be celebrating.â James remarked, sitting down on the armchair across from Sherlock, looking rather proud with that signature smirk he always wore.
âAnd what exactly should we be celebrating?â Sherlock inquired, picking up his drink and swirling the liquid inside the glass as he looked down at it. âWe havenât exactly solved anything. We donât know who planted the bomb. Or why?â
âAnd that is not our concern.â James countered, nonchalance radiating from him as he comfortably reclined back in his seat.
âNot our concern?â Sherlock repeated, leaning forward in contrast to James.
âWe set out to find the scrolls. We found them. Iâm not losing my scholarship, and youâre not going to prison. So I think thatâs worth raising a glass to.â James retorted, lifting his glass and taking a sip of his drink with a look of assurity on his face.
Sherlock didnât argue. He turned, resting his chin on the palm of his hand as his gaze roamed over the window. The room was silent for a moment before James began humming to himself. Sherlock was moments away from slipping away into the safety of his overactive imagination and hyperanalyze every action of his day when a knock sounded at the door.
James and Sherlock shared a look before the Irishman spoke, âAre you expecting company?â
Sherlock stood, shaking his head as he made his way to the door, âI am not.â He eyed the door suspiciously, taking hold of the knob before twisting it open to reveal you. Your name passed from his lips, his tone the most encouraged it had sounded in hours. âYou werenât in your room?â He recalled, brows furrowing with curiosity as he looked at you.
âI was not.â You shook your head. âI wasnât sure I was ready to face you.â
âAnd now?â
You held his gaze for a long moment, your expression finally free of any animosity or preconceptions. âMay I come in?â
âOf course,â Sherlock stepped to the side, allowing you into the room. He watched as you entered, his gaze burned to you like he was afraid if he blinked you would be gone again. He closed the door behind, flexing his fingers as he released the handle.
âOh, I was not aware anyone else was here.â You look between James and Sherlock, deciding whether you should stay or come back another time.
âDonât mind me,â James waved it off, now on his feet and approaching the floor mirror which held his jacket. âI have a previous arrangement to get to."
âYes,â Sherlock nodded, agreeing though he had no such knowledge of these arrangements James spoke of. âHe was just leaving.â
James smiled in the way he always does, first to Sherlock then to you as he shimmed into his jacket. âSo, Romeo, Juliet, good night, good night.â He teased, backing towards the door. âParting is such sweet sorrow that I shall say good night⌠âCause I am off to the pub.â With that, the door swung close behind him and you and Sherlock were left alone.
The room almost felt smaller now. Filled with a tension so great it was almost palpable. The silence was deafening and your heart threatened to escape from your chest. Sherlock wasnât exactly sure what to say, where to begin. All he knew was that he was treading on thin ice. âWould you like something to drink?â He finally spoke, the words coming out strained.
You nodded quickly, âYes, please.â While you would usually say no, the situation at hand felt in dire need of one.
In an instant, Sherlock was moving towards his liquor table to fix you something. You stood awkwardly in the middle of his room, looking around at nothing in particular. The walls were bare and the room itself lacked personality, yet you found it easier to observe rather than the man in front of you.
âHow did you know where to find me?â Sherlock asked, pretending to be occupied on pouring a drink, not yet having the courage to look at you just yet.
âMycroft mentioned something earlier.â You shrugged, fidgeting with your hands idly as you turned to look at Sherlock- or more so his back, which your eyes inadvertently roamed over, his white undershirt not leaving much to imagination. You cleared your throat when you caught yourself, quickly peeling your eyes away when he turned.
âAh, of course he did.â Sherlock nodded, pressing his lips together in a thin line. âWhat more did brother dear say about me?â He inquired, handing you your drink.
You looked down at the cup, âTo be truthful, there was minimal interest in the topic. Just a few fleeting mentions here and there.â You took a sip of the strong liquid, the drink burning the back of your throat, just delightfully enough to distract you from the tension between you and Sherlock.
âRight thenâŚâ Sherlock trailed off awkwardly, picking up his own drink before suddenly becoming aware of the fact that you were both still standing in the middle of his room. âOh, please sit. Do make yourself comfortable.â He stretched an arm out, pointing towards the armchair James sat on only moments before.
You sighed and made no movement toward the chair, just shaking your head before saying, âSherlock, we both know Iâm not here to catch up.â
âYes, youâre right,â He exhaled, knowing he couldnât avoid anything any longer. Sherlock took a step, finding his chair before slumping into it like before. He took a moment, going over the millions of things he could say, thinking back on the speech heâd prepared to say to you earlier, but once again, the words didnât seem adequate. He began despite, âI never meant to leave you so suddenly, those six years ago.â
âYou did not intend to, yet you did.â You spoke defensively, the words leaving your mouth before you could suppress the reaction. âYou disappeared Sherlock. You did not have to. You could have written at least.â
âYou are right. I should have. I was foolish not to.â Sherlock placed his drink down, looking at you with the most sincerity you had ever seen from him. âAfter everything that happened that summer. After Beatrice, then my mother, everything became disoriented.â He shook his head, running a hand through his hair. âFather told me he was sending me to finishing school that very same day I left, it was all so sudden. I wanted to say goodbye, I did, but I thought that maybe it would be better if I just disappeared. Your life had a clear path, mine did not. I always knew your parents disliked my interference, in fear that your life would become disorderly like mine. So I decided to step back. Your life would be better without me. I acted in your best interest.â
âYou acted in my best interest?â You repeated, almost dropping your glass. âYour disappearance was you being gracious to me?â You took a few steps closer, looking down at him with your brows raised.
âYesâŚâ Sherlock nodded, confusion spreading across his features, like he wasnât quite sure what he had said wrong.
You continued looking at Sherlock with absolute disbelief. âYou thought you could just decide what is best for me, and I would just accept it? Just move on and forget about you so easily like you never meant anything to me?â
âWell⌠when you put it like that-â
âSherlock, you were my best friend! I was never afraid of your mess, I didnât care! I donât! So do not try to act in my best interest. The life I wanted was never about order or the things you felt you could not offer me. The life I wanted always involved you!â You spoke firmly now, voice raised the slighted bit, though there was a desperate frailty to it.
Sherlock stood there just looking at you, his eyes wandering over your face, trying to find the right words to respond. Eventually, he managed, âI am so sorry.â The words came out weak and broken. âIâm not sure what I can say now to make things right. Iâm not sure anything could ever suffice for what I did to you⌠All I ask is another chance?â
You didnât answer instantly, although you knew you wanted the same thing. Him back in your life. Your gaze travelled across his face, eventually lingering on a patch of dried blood over his temple. âYou missed some,â You said softly, turning to the wash basin behind you and reaching for the face cloth beside it. Tenderly, you brought your free hand to his chin, tilting his face upwards before bringing the cloth up to his temple to rub at the blood stained there.
Sherlockâs eyes were glued to you. Your touch burned into his skin. Unlike other times, he found himself dreading the moment you would inevitably move away. He leaned into you, wanting to be close, needing to. The six years without you were not without his own displeasures. He missed you dearly throughout it all. Despite his uncertainty as you delicately held him, and the racing of his heart from being so close to you, he savored the feeling and didnât want you to let go.
To his disappointment, you did eventually pull away, placing the wash cloth down and stepping back before softly speaking, âI should go.â
Sherlock swallowed, âAlright.â It was all he could manage at the moment, looking up at you through half lidded eyes.
You slowly turned, moving towards the door and fidgeting with your fingers as you debated whether or not to speak again. âI suppose I will see you tomorrow.â You finally said, hands on the doorknob, turning over your shoulder to look at him one last time.
Sherlock nodded, a small smile finding its way onto his lips. âI look forward to it.â
grace, who has been alone for five minutes: oh my god. an alien! im not alone anymore! i hope he wants to be friends :)
rocky, coming up on 50 years of solitude, imprinting on grace in ways baby ducklings can only dream of: if you leave me to sleep where i can't watch your heart beat i am blowing up this tunnel with us both in it
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summary: you and grace put on a puppet show for rocky at his request so he is able to understand human culture better. little do you know, the engineer is setting you both up.
tags: a lot, a lot of rocky. he thinks humans are gross and stupid and you and grace should mate already. statement ryland referred to as "grace".
Waking up to see a sentient alien creature waddling about in a glass looking ball in the Hail Mary is not something you could say you expected when taking on this mission.
Said creature being the most hilarious living organism you have ever encountered in your life was also not on your list of expectations.
Bracing a hand on the ball, you double over, wheezing at him just tearing Grace apart (likely without meaning to, though sometimes he's so intentional with it it cannot be a coincidence) with a clumsily translated string of words.
"Friend sick, question?" Rocky inquires, bracing a claw against where your hand is resting. Then, voice taking over a more urgent tone â how did Grace manage to convey that via code or translation system, you will never know â, another claw tapping to get Grace's attention; "Grace! Grace! Friend leaking! Emergency, statement!" Pressing his head to your side of the xenonite in a hasty attempt at comfort, "Grace! Intervention. Now!"
"They're good, Rock," Grace sighs, pinching the bridge of his nose. "They're laughing because they think you said something funny," Turning to you, he points an accusatory finger at you in such a way that an image of him scolding a rowdy student in a classroom flashes in your mind. "About my "inability" to pilot, by the way!" He even does air quotes to emphasize his point. Cute. "Ouch!" He presses a hand against his chest, then waving it off with a dismissive huff. "So pay no attention to the fact that they sound like they're dying."
"Friend alright, statement." Rocky pulls back from the xenonite as he awaits confirmation.
"Yes."
Visibly relaxing, "Grace so dramatiiiiiicâ" Rocky drawls, and you're sure if he had eyes, he would be rolling them. "Grace is bad pilot. It fact. Friend try. See if better than Grace. Rocky thinks so. Grace worse than average."
"Mary! Back me up, please?" Grace looks to the ceiling for any kind of support.
"Dr. Grace has no previous records of pilot training received." Echoes from Mary's speakers, dealing the final blow as Grace purses his lips in a pout.
In Mary's defense, that does contribute to his argument. He can get better if he trains a bit more, but alas. The delivery of the line has comedic timing too good to ignore.
"Oh my Godâ" you cackle, snorting to catch your breath, "Let him live, both of you!"
"Rocky is no threat to Grace. Grace live. Odd human expression, question?"
Nodding, you manage to choke out a sound resembling yeah, wiping your eyes. As if remembering something, Rocky turns to you, and uh-oh, looks like you're next on the chopping block as the finger-like appendages meet into a point to gesture to you.
"Friend also! Inefficient human design. Leak for everything! Disguuust! Make Rocky worry. Apologize, statement."
Shaking with laughter, you lean against the xenonite, wrapping your arms around it in a hug. It's not like you can be mad at him for worrying about you, even though the things that worry him come with human anatomy itself. "Sorry for being human, buddy."
"Acceptable."
Rocky rolls next to your bunker when you're cleaning up your space a little.
"Friend. Time good, question? Rocky have question."
"Sure, hun. What's up?" you settle down to get comfortable. Rocky usually doesn't have simple questions, especially when seeking you out in private. If you're not the readily available human to ask in the first place, the reason why he seeks you out is to either get a second opinion (or confirm the information previously provided), or that he has not been able to get a satisfactory answer out of Grace.
"What word mean, question?" Rocky echoes, tilting his head, tapping a claw twice on the xenonite floor.
"Oh," This might be the first time you call him that petname, actually. "It's short for "honey", â a sweet subtance for consumption. It can also be used as a term of endearment for people who are close to you."
"Do not consume Rocky. Will not digest." You're still amazed at how well the humour carries on despite the translation device. "Eridian term of endearment not have "sweet" substance for consumption. We have âŤđ đ Ľ đ đ Ľđ Žđ đ Ľđ ŽâŠ âŞ___âŠ. ⪠âŹđ đ Ľđ đ đ Ľđ Ž ... But not same word."
"Do you want me to add it as a word?"
"No. Rocky think for more similar word. Question, now. Statement," Rocky tumbles closer, "Rocky observe. Friend no touch Grace. Hand up," he raises a claw, acting as if he's going to touch his another claw, then suddenly puts it down and slumping in place. Putting a show for your dumb little brain, as Grace would say. "Then change mind. Display intention, but no act. Why?"
"That's a loaded question, bud," A long sigh leaves you before you can stop it. Shrugging, you opt for a mild; "I don't want to cross any boundaries, you know?"
"Rocky not know. That why Rocky ask."
Oh, great.
"Boundaries, Rocky knows." Rocky supplies after a brief moment of silence to prompt you into talking, "Grace has explained before. When Rocky first arrive on ship. But you Grace same. Species, same. Mission, same. Same same same. Why boundary, question?"
"... Humans areâ" you start.
"Stupid. Statement." Rocky finishes your sentence for you.
"I was going to say complicated, but you know what? You are absolutely right."
Rocky makes a satisfied noise, "Rocky always right." There is a dolphin-like sound you pick up as Rocky shares up and down, laughing. You think he's being smug about being right until he adds; "Rocky is favourite. No boundary. More hug. Friend love Rocky more than Grace."
"Hey, nowâ"
"What counts as human mating behaviour, question?"
Unlike Grace, you live to yap with Rocky about the differences in species, perhaps owing to a personal interest in anthropology.
"Ooh, very sudden but flavourful question," grinning, you tap your chin in thought, "Do you mean like, courtship, or behaviour displayed exclusively between mates?"
"Second."
"You first, then. Just to provide an example."
Rocky gives a contemplative hum, one claw fluttering over the turquoise mark along his arm. "Mating mark, here. Rocky have Adrian mark."
"It's beautiful..." your eyes graze over the mark. Even with the sentimental meaning aside, it does look like something precious, like a gem or mother of pearl. "A little similar to that, humans have tattoos. We, uh... force ink under our skin to create patterns we like. But it's more of a personal expression, and not exclusive to mates, even if you get matching tattoos with another."
Rocky thrums, and he's definitely judging. You can tell.
"Otherwise, off the top of my head? Kissing, but... on the lips. That's exclusive to mates, I think. Kissing the cheek or hand for example, are not, and can be a display of affection or even respect, depending on the culture."
"... Matching patterns not sign of mate. Touching mouths is sign of mate." Rocky makes an exaggerated motion with his body, displeased at the mere idea, though before he can comment any further, you jut your hands out in a panic;
"We have wedding bands!" you blurt, pointing at your ring finger, "It's when you â supposedly and arguably â commit to your mate for life. You take a vow, and the collective recognizes you as a pair. Traditionally, you wear matching rings made of precious metal to signify the "unbreakable bond" or something."
"... Are you explaining the concept of marriage to Rocky?" You whip around to see Grace leaning against the doorframe, arms crossed and with an amused grin on his face.
"Help," Pleading, you reach out for him, and surprisingly, he takes your hand momentarily as he sits down.
Unnecessary physical contact.
You might, in fact, be so touch starved that you classify the action as flirting before you bury it deep down.
"Rocky no understand. Do puppet show."
Both you and Grace blink.
"For... for what..?" Grace asks, putting the glasses hanging off his chin back on his nose bridge.
"For everything! Rocky study Earth culture. Do puppet show! Grace and friend as puppets for better understanding, statement."
Rocky opens and closes his claws in a very enthuastic display of jazz hands.
".... I can narrate." you offer dumbly, the mere thought of close contact with Grace frying your mind, "We both can, actually. ... Shall we?"
The two of you get up, casting one last awkward glance at each other before holding hands and interlocking fingers.
"Why does this feel like explaining reproductive biology to middleschoolers..." Grace sighs, and you bark out a startled laugh.
"Ryland Grace!" you squeak, putting on your best scandalized form, swiftly delivering a light smack to his bicep, "We're not procreating! Certainly not in front of Rocky!"
"Would procreate if Rocky leave room, question?"
"Don't even, Rocky." Grace raises his pointer finger at him, brows raised as the ultimate warning.
After a getting past the initial awkward phase of trying to talk through scenarios and where to put your hands, you realise both you and Grace have a knack for acting.
It starts off with showing Rocky an initial meeting, mostly consisting of explanation and dialogue. Then come the dates, with a lot more props involved, like a makeshift wheel made out of a large valve as Grace pretends to pick you up from your home. It's like a dam has been broken with how many ideas flood the two of you.
Neither of you comment on how you're essentially acting out on your fantasies.
You act out a fancy dinner date, blundering through explaining why mood lighting in the form of candles is so important. Then, a more causal dinner date, something like a diner; showing classic things like sharing a milkshake with two straws, and somehow it's cute and playful to steal fries off of your lover's plate.
Moving rooms, you start getting more specific.
Acting out beach dates and swimming together, and at some point the conversation derails so bad that Grace ends up having you sit on his shoulders while he sits on his knees, and;
"It's played with two pairs. The one on the bottom is usually the stronger out of the pair, both to be able to carry the other and to have a strong foundation so the other pair can't push you off that easily," He keeps a hand on your thigh as a safety measure while he gestures to his waist with his free hand, "You would be in the sea water waist-deep at the very least, though going higher is usually preferred. And then the ones on top try to topple each other, and the pair who stays standing wins."
"It's a bonding activity for all parties and induces some friendly competition," you add, a hand resting on Grace's head, absentmindedly noting how soft his hair is before you pat the crown of his head to signal you want to get off.
"Display of strength. Rocky understand."
Then come the cinema dates, and Grace, of course, does not miss out on the opportunity to show the classic "pretend-yawn-and-embrace" move, to which Rocky visibly looks confused at, and Grace covers all his bases as he mentions cuddling is much more common in more private viewings, like at home.
"Okay, and thenâ again, traditionally," Grace shoos you a few steps ahead before tapping your shoulder, sinking to one knee as you turn around, bringing his hands together, then opening it as close to a ninety-degree angle as he can, pretending to open a ring box. "The male gets down on one knee to propose."
"Propose what, question?"
"Marriage, Rock."
"Oooh. Ceremony, question? Knee down also part of propose?"
"Eh," Grace makes a small, non-commital noise, "Pre-ceremony, more like. As for the kneeling, yes, but I'm not sure of the reason."
"I heard it dates back to knights." Avoiding his gaze in favour of looking at Rocky, your hands cup his, "Like, bending the knee to take the chivalric oath, or to swear loyalty to their chosen Lady. Haven't checked my sources, though, so don't quote me on that."
"That... makes so much sense, actually."
"Ceremony over when knee down, question? Proposal just gesture?"
"Oh! No Rock, you actually give a speech," Grace tilts his head like a cat, "Let me think, uhh..." A short sniffle out of reflex, "Something like..." gears in his head turning, he takes a moment before clearing his throat, fixing his posture before looking into your eyes, a hand resting over yours, "I, Ryland Graceâ"
No matter how nervous you feel, you must not flex your hand, he will feel it. Pull it together, deep breaths. Deep breaths.
"Promise to love and cherish you for all my days. I promise to be true to you in good times and the bad, in sickness and in health,"
Can he feel your pulse from your wrist? God, you hope not. It feels like your heart is trying to beat itself out of your ribcage.
"Will you marry me?"
Time stops.
Something in his gaze is different. You look for any semblance of humour or pretend, just something to let you know that he is doing this for the sake of the puppet show, and find... none.
"Yes," you manage to breathe out, the sound barely audible.
Graceâ Ryland? Even if it was an act, you just proposed, and accepted the proposal respectively â does not take his eyes off yours as he rises, leaning a bit closer, breath mingling with yours, andâ
He bypasses your face entirely, opting in for a hug.
"Couples usually kiss after that, since it's a happy event." He presses you closer to him, talking to Rocky over your shoulder.
You don't mourn the fact that you cannot see his face when you can feel his heart beat is just as thunderous against his chest when you're so close you can feel the heat emanating off his skin.
"Touch mouths after everything. Uuugh! Unsanitary. Disguuust!"
Pairing: James Moriarty x reader, Sherlock Holmes x reader
Summary: How you meet Sherlock and James.
Warnings: no use of y/n, cringe dialogue, violence, explosions, chases, cursing, drinking, yearning, love triangle??, let me know if i missed any
Word Count: 7.7k
a/n: (at the end)
There was a shift in the air when your boat from New York City first docked in England. It was subtle, but one you couldnât shake. It wasnât until you stepped out of your carriage at Oxford that you placed the feeling. The feeling was a precognition; an air of anticipation surrounded the institution. Still, with that feeling in place, you were unsure whether the outcome would be in your favor.
Growing up a fifth avenue elite alongside families such as the Vanderbilt family, the Hamiltons, the Rockefellers, and others, you were accustomed to the haughty nature of those with much money and  big shiny names. You yourself are a part of the Willborn family. Your family comes from a long line of riches, stretching as far back as King George I. Which attributes to why the name holds such weight in the world of  those with power and money. Along with the fact that after a stroke of luck from your father's business days, your familyâs wealth prospers due to the growing industrialized world. Your father had insisted that you attend Oxford as he had. And you, the ever-gracious daughter, had agreed, after your father agreed, to keep his hands out of your education while you were there.Â
That day of your arrival, you must have seemed troubled because that was the day you had met a scout named Sherlock Holmes. He had asked you what was causing you distress as he hauled one of your trunks up into his arms with little exertion. A conversation soon followed and continued all that afternoon as he helped bring your belongings up into your room. That evening, he had quelled your worry and left you feeling at peace with the future Oxford had in store for you. Â
After that day, you had only seen him in passing with friendly smiles and small exchanges of pleasantries. He was one of the only people at Oxford that you had met who didnât act like they had a stick up their ass without good reason. He was incredibly smart and somehow also kind. It was a startling change from the arrogance of New York and the cruelty of your lectures. Even still, your interactions remained at a minimum.Â
All that said, the last thing you had expected to happen was to be accused of stealing the princess's scrolls alongside Sherlock Holmes and his Irish friend. The morning of the accusation, it had been explained that the three of you had been the last seen going into the Library before the scrolls disappeared.
ââ
The second real conversation you have with Sherlock Holmes happens in the library. Sherlock had summoned you with no particulars, just that you meet him there as quickly as possible. You, curious as ever, were standing outside before he himself got there.
âSherlock!â You call out as you see him. He nods with a smile. He says your name in greeting and then stations himself next to you. His shoe taps against the ground of the hall. You note the anxious air to him, but donât speak of it.
âWhy am I here?â You ask, turning to face him. He smiles faintly as he takes a breath.
âAh, yes. I suspected the information wouldn't have reached you yet.â Sherlock's smile turns into a thoughtful look when his brows furrow in thought.
âWhat information?â You muse, tilting your head at him. He meets your eyes with a serious look that sets you standing straight again.
âYou were one of the last people seen in the library before the princesses' scrolls were stolen.â He explains, his hands moving to his hips. Stollen? You had just been in the library trying to get some quiet from Alice, the girl who sleeps in the room next to yours. There was always some commotion or another happening in that room.
âYou think I stole the scrolls?â You inquire, a scoff hinting at the tip of your breath. Sherlock shakes his head profusely before answering.
âNo, of course not. You hardly have the need for the money that selling them would get you.â Sherlock clarifies. âBesides, I have faith in you.â Â You smile at that. Somehow, it is reassuring in a way you didnât think possible. You had only met Sherlock once, and already you felt oddly safe in his presence, like there had been some unspoken vow of protection cast over you by him.
âWell, I am glad I can be trusted,â You smile softly. âBut how do you know all this, and I do not?â You question.Â
âI had a run-in with a constable,â Sherlock explains quickly. âAnd you were asleep when I got to your room, so it's no wonder you know nothing.â Sherlock shakes his head with a smile, mildly entertained with himself.
Just then, a man rounds the corner. The man is wearing a deep blue waistcoat with matching trousers and a mustache so sharp it looks like he just stepped in from shaving it in another room.
âBut why are you here?â You continue, paying little mind to the astute man.
âA question I would also enjoy the answer to, brother dear.â The man says as he stops in front of the two of you. He looks unamused to say the least.
âMycroft,â Sherlock greets. You remember now, Sherlock mentioning his brother the first time youâd met. He had been reluctant to say more than just that he existed and worked at the school. Now, seeing him in person, you somewhat understand.
âYour brother?â You query to Sherlock, an amused smile tugging at your lips at the clear distaste on both menâs faces.
âUnfortunately,â Mycroft responds for Sherlock, who, in return, ignores him. âItâs a pleasure to meet you, Mycroft Holmes.â Mycroft Holmes bows just slightly, you do as well, followed by your name and a polite greeting. âWell, shall we make our way inside?â He continues, but Sherlock shakes his head.
âWeâre waiting for James.â Sherlock informs, now turning to you before you can ask what he suspects you will. âA friend of mine, James, we were also one of the last people reported to be seen going into the library.â
âSo weâre all suspects, and weâre all going back to the place of the crime, for what exactly?â You ask, face riddled with confusion.Â
âAnother answer I would like.â Mycroft scoffs, stepping closer to Sherlock.Â
âTo prove our innocence.â Sherlock smiles, trying to sound reassuring but failing quite amazingly.
âI donât know if this will help our case. May only hurt it.â You remark. Mycroft hums in agreement. You arenât sure why youâre still standing here, or if following along with this, practically, strangers' ideas is even safe. But you somehow find yourself intrigued by the idea of solving a crime, of the thrill of a chase. So you say no more.
âMight I point out,â Sherlock starts, his eyes gleaming slightly, âthat you donât seem to be leaving. So maybe you know that it isnât such a bad idea.â Sherlock states with a sort of smug look on his face. As if he can read your every thought running through your head just by watching your face. You tilt your head at him, quirk a brow, and bite back an amused smile, but say nothing.
âHmm, as I suspected.â Sherlock bows his head with a smile.
âEnough with the flirting, Sherlock, we donât have all day.â Mycroft distrusts the moment, stepping in front of Sherlock. âWhereâs your friend?â
âI'm here!â A voice calls just as another man rounds the corner. You turn to put a name to a face. Just as you turn to see him, his eyes catch yours. You take him in curiously, the curls adorning his head, his thick dark eyebrows, and deep brown eyes. Heâs wearing a brown striped lounge suit, with a matching vest and a brown tie with gold accents. He looks irritable, though of course you understand. The school must not be taking this lightly. Not wanting to be caught staring, you glance at Sherlock.
âYou must be James. Sherlockâs told us about you.â You clear your throat and look back at him. His expression shifts as you acknowledge him by name. He pulls his charm out of his back pocket and slabs it onto his expression. Making sure his next few words will swoon the pretty girl he just met. Â
âI am,â He smiles, âThough Sherlock hasnât graced me with the pleasure of your name.â Jamesâ head tilts downward as if to draw you in closer with just a look. Yet as attractive and enticing as it is, you know better than to fall for it. No man in the history of the human race has ever been so charming without having alternative motives.
Sherlock is quick to save you from him and tells James your name. âShe is also a suspect. Now, if you please, go into the library; we have no time to waste.â Sherlock gestures to the tall burgundy door.
You donât protest and follow as the three men walk into the library. Mycroft lingers by the door and lets the three of you walk on. âYou got ten minutes. Donât embarrass me again.â Mycroft calls as you all walk. Sherlock ignores him again, so you and James do too.
You glance around, not even sure what you're looking for. Sherlock and James walk quickly down the rows and shelves of books, only stopping a couple of times to get a better look at something before deciding it was nothing and moving on.
âYou know what weâre looking for?â James asks, shifting his glance over the room.
âNot really, no.â Sherlock quickly answers.Â
âHow wonderful.â You think aloud, sarcasm weighing your words down. James huffs out a laugh before looking over at you with amusement.
Sherlock abruptly stops at the edge of the row. You, not looking, nearly bump right into him. Sherlock's mind is clearly elsewhere because he moves down the row. You look up to where he and James have set their attention. A broken window.Â
âA hole in the window. Wonder what thatâs for?â Sherlock says flatly. He is quick to begin climbing the shelf to get a closer look.
âYou should be a detective,â James chimes in, just as dry, hand slipping into his pocket as he watches Sherlock from the edge of the aisle. Now, on the stone ledge of the window, Sherlock leans on his knees to analyze it more closely.
âHard to escape my powers of observation.â Sherlock again replies sarcastically with little emotion, but you know heâs amused by where the conversation is going. So you continue it.
âAnd what might these powers of observation be telling you now?â You shift your weight to one foot and fold your arms over your chest. James and Sherlockâs heads both whip around to you, surprised that you had said anything at all to play along with them. Sherlock gives you a smile before turning back towards the broken window to formulate a response.Â
âThere has been, wait for it, a break-in.â He glances over his shoulder to consider your reaction. How easy it is to amuse them, you think. They let you speak freely without feeling the need to mediate your words, as many others you meet have. You canât count on the number of times a man at this institution has told you or another woman to stop speaking because you said something smarter or funnier than them, and they got embarrassed. But these two didnât seem at all concerned.Â
âAstounding.â You shake your head.
âHow did you develop these skills of penetrating deduction?â James is back to his flat tone, but now his eyes also fall toward you.Â
âWeâve been gifted a couple of paw prints,â Sherlock notes, standing straight and backing from the window.Â
âThere's a hook there, whoâs missing his guest,â James notes, pointing to the hook on the wall where a clock should be but isnât.
âThink Iâve clocked the guest,â Sherlock jokes with a close-lipped smile, but before you can add anything, Mycroft calls you all back to the entrance of the library. Reluctantly, you all slowly make your way back, but not before making a few more clock jokes.
Itâs when you return to Mycroft that you see the source of his anxious posture. Sir Bucephalus Hodge, his assistant, Constable Lestrade, and Princess Shouâan. Hodge looks far from pleased, and you canât help but get nervous yourself. He glares daggers at all four of you.
âMycroft, would you mind telling me why your brother, the prime suspect, is standing at the scene of the crime?â Hodge asks, as you predicted would happen.
For the next couple of minutes, both groups go back and forth. The Princess and Sherlock have a conversation in Mandarin, and it seems, with the princess at the very least, to have solved some issues. You stand beside James as the conversation goes on, and you glance over to him as if to ask whatâs happening. And he simply shrugs, smiling, but you can feel sadness from him. Dejectedness after Hodges' assistant said she did not know him. Somehow, you knew she did. You could feel it in the way James stood, less tall, less sure of himself. Yet you notice that there is no surprise. Heâs not shocked at the blatant cruelty of her words. Heâs used to it.
âI can help you find your fatherâs scrolls,â Sherlock says to the Princess.
âWe.â You correct him. Everyone turns to you, as if they are only now realizing you exist. You shift uncomfortably under their gazes. âWe can help.â
âThereâs a very good reason why you can help find them. One of you stole them.â Hodge seethes, voice flaring with anger.Â
You regret only for a moment speaking up. Though soon your regret quells when the Princess convinces him. But only after she practically threatens him and his assistant politely suggests they leave. Constable Lestraude, Hodge, and his assistant all take their leave, but the Princess stays behind. Mycroft also leaves, having more pressing business to attend to.
âIâm coming with you.â You state firmly, after Mycroft leaves.
âNow, you donât have to.â Sherlock clarifies, thoughtful as ever. âI only called you down here to inform you of the situation at hand.âÂ
âIâm coming.â You stand firm in your decision. This time, James steps forward, hands in his pockets.
âReally,â He says your name, and it sounds so nice, so careful.Â
âI want to.â You say again, annoyance creeping in.
âThereâs no shame in staying back.â You assume James only means it to be reassuring, but it simply makes you irritated. He says it like you're breakable.
âWhat would be a shame is me kicking you in the balls. But I'm not opposed to being shameful.â A silence falls over the four of you as the words leave your mouth. You're unamused. The annoyance of being questioned one too many times is clear on your face and in your posture.
James stands there, somewhat stunned, his eyes frozen wide open and mouth slightly ajar, no witty response in sight. Sherlock, on the other hand, is biting back his laugh; his closed fist presses to his mouth to cover his shit-eating grin. The Princess chuckles and starts for the exit of the library.Â
Without looking back, she says, âYou heard her, off we go.â
ââ
âAccording to Lestrade, the thief scaled down the side of the building and into a boat. Lestade told me thereâs a river in the woods where the thief towed from Candlin College. Then they disappeared.â The princess informs.Â
Princess Shouâan has taken the four of you to a riverside, one quite a ways from the school. There is an abandoned boat sitting on the damp sand that looks like it was hastily abandoned by whoever had been there before you. The boat's oars are haphazardly thrown into the boat's keel.Â
Thoughtfully, you hum as you step around the boat, looking for anything that may help the search. But you hardly feel useful; thereâs not much to really look at after all. All you see is a boat, some rocks and sand, ropes, and water. You spin around on your heel to see if Sherlock or James got any farther in their investigations.
âFootprints?â James points towards Sherlockâs shoes. Sherlock turns to get a look.
âThereâs only one set of tracks, only one thief.â Sherlock smiles just slightly as his eyes meet yours from his position leaning over the sand.
âHeaded off this way,â James adds almost absentmindedly as he quickly darts up a small trail leading away from the riverside. Sherlock is right on his tail, following him up mossy rocks and onto the grassy ground. Such boys, the two of them. You roll your eyes at the thought before following after. The trail from the river leads past a stone wall and wooden gate to a dirt road. The footprints that James was following disappeared at the edge of a pair of carriage tracks. The impressions of the carriageâs wheels continue down the muddy road. One of the prints left by the wheel is askew, having left a crooked mark in the dirt.
âFootprints end here,â James utters as he tilts his head toward the long road ahead. You move to stand next to him and lean to peer around his body.Â
âSo the thief got into a carriage?â Your head tilts while watching the road. Sensing you next to him, James turns to look down at you over his shoulder. James bites back his grin, and Sherlock, seeing it, rushes over to your other side, quickly grabbing your attention.
âNow thereâs no need to deprecate. Next time, say it, don't ask.â Sherlock advises with a smile on his face. James sighs out his annoyance and turns back to the road.
âThe thief got in a carriage." You try again, this time not questioning it.
âThatâs the spirit!â Sherlock smiles now, fixing his eyes on the road as well.
âAye aye. Looks like one of them wheels was a little drunk.â James notes as he points to the crooked wheel track.
âAnd a drunk wheel would need to sober up,â Sherlock adds, beginning down the road. The princess follows close behind him.
The trek ahead seems to go on forever. You attribute it to the fact that Sherlock and the Princess are up ahead of you and James chatting away in Mandarin while you and James shuffle after in relative silence, aside from passing comments about the scenery. You wonder now, walking beside him, if his concern before was sincere or if he really thought you incapable. You wonder if the charm he put on before you insulted him was for show. Either way, on both fronts, you havenât known him for long enough to rule out either.Â
It doesnât take long for the quiet to be inevitably broken by him. He clears his throat, and you turn your gaze to him expectantly. When his eyes meet yours, he smiles. But not like all the smiles before. This one is less showy, more real. You think it might be the most of him youâve seen all day.
âYouâre pretty quick,â James says, officially breaking any peace that was previously established.Â
âIs this going to be another one of your compliment-painted insults?â You question, only sparing him a fleeting glance before securing your vision ahead.
âNo, no, nothing like that.â James dismisses with a wave of his hand.
âOh? Then what is this?âÂ
âItâs a truce.â It takes a second for him to settle on something to say. âI wanna recruit yaââ
âAlright, for what?â You laugh. A smile grows on his face as the sound fills the air. A weird feeling of warmth fills your chest as he smiles at you.
âYou're fast, smart, weâd have fun with someone like you.â It catches you off guard how easily he says it. Like it hadnât been something he thought hard about because it was simply a fact, something he could look at you and notice over and over again.
âWe?â You say before you can let that thought go on any longer.
âSherlock and I. He may be smart, but Sherlock hasnât even half the wit youâve got. He could use the teacher, and I could use the accomplice." Jamesâ walk slows to a stop. He shifts to face you, wanting your undivided attention. It startles you, the way heâs looking at you. It's a welcome, and almost its own initiation ritual. You arenât sure if you should be intimidated or impressed. And you arenât sure what to say.
âSherlock's got wit. He has to, otherwise I wouldnât have spoken to him.â You find a loophole out of this uncomfortable corner James backed you into. And it seems to work.
âOkay, so maybe Iâve exaggerated to sway you,â James smirks playfully, this signature look you are now recognizing as such plastered on his face.
âOh, alright, I see.â You nod back, your own fondness protruding on your expression.
âWell, have I? Swayed ya?â James eyes trail over your face, waiting for your response. You feel exposed, vulnerable to his prying eyes. Yet sitting at the center of his gaze, you feel a strange security. As though, now that you're in his radius of awareness, youâll always be there, and heâll be there always.
âHurry up, you two! We havenât got all day.â The princess calls from up ahead, where he and Sherlock have stopped to glare back at you and James. Sherlock's calls after you both before you get the chance to respond. You and James are quick to hurry along after them.
After what feels like an hour of walking, you see a house in the distance. It looks like an Inn just a ways down the dirt road. Itâs a bit run-down, but it looks quaint; itâs surely a nice change of pace from Oxford's old money dining halls and lecture rooms. It vaguely reminds you of the houses youâd pass in uptown Manhattan on your way to Connecticut for long weekend vacations.Â
âOh, hello. A coaching inn.â Sherlock confirms, slowing his pace to your left.
âWhere one might get a wheel fixed,â James adds, moving to stand to your right.
âI wanted to ask.â The Princess begins, her attention moving to Sherlock as she walks beside him. âWere you trying to impress me?â Your interest piques, and you glance at James to see that he has too. You share a smirk of curiosity before pretending you're only half listening.
âImpress you?â The sheer confusion lacing Sherlock's voice is enough to force you to suppress a laugh.
âAt the maths lecture.â She continues, âWhen you corrected Professor Thompson.â You can feel the amusement radiating from James.
âThe professor 's calculations were incorrect. That was all.â Sherlock states, as if the mere concept of that interaction being anything more is absurd.
âDisappointing.â Is all she says in response. You arenât sure if sheâs gotten the hint, but you guess she will in due time.
âWell, frankly, I donât know what you see in him.â James, ever the hero, swoops in and saves the impending awkward silence. âI mean, yes, he is handsome in a sort of obvious, clumsy kind of way.â You laugh, and it spurs him on. Sherlock, on the other hand, his head whips around and glares daggers into Jamesâ head. âBut if anyone here were ever looking for something a bit more niche. A bit more bespoke, more mysterious, wellââ
âWhere might someone find a man like that?â Sherlock interjects, hands moving to adjust his cap, before his pride is completely ripped out from under him.
âAs stimulating as this is, chaps, I need to return to my carriage.â The princess stops any further teasing, as she comes to a halt just short of the gate to the inn.
âWhy? We were just beginning to have some fun.â You smile, turning to face her. You really didnât want the only other woman to leave you this far into the journey.
âThe gala opening. Hodges new science building. I promised him I would be there.â You meet her eyes and nod in understanding. âThank you for your help. All of you.âÂ
She turns to walk back the way you all came from before any formal goodbyes can commence. But Sherlock takes that as a sign to keep going. James bows sarcastically in her wake; you donât catch what he says, just that itâs unserious nonsense, maybe a way to shield the disappointment at the princess's clear lack of interest in him. You move to catch up with Sherlock.
âA welcome oasis in the parched deserts of this rural wasteland,â Sherlock notes to you as you jog to his side.
âI was just thinking the same thing.â You smile.
A plaque of wood above the entrance of the Inn reads The Hare & Hounds. Sherlock walks in first, youâre quick to follow after, James steps in last, and closes the door. As you walk in, you notice a gentleman with a graying beard playing the fiddle at the far end of the room. Heâs wearing a black hat and dusty gray coat, one that looks like it has seen a lot of hard days of work. Beside him is an open door to a back room.
To the left of the room is a bar, with stools lining the countertop. Behind the bar stands a lady, a bottle of liquor in hand. âWhat can I do for you lot?â She inquires, attention shifting between pouring a drink and you three.Â
âThree whiskeys, my good lady, and whatever youâd like for your fine self.â James leans against the counter with a charming smile.
âEver the gentleman.â You roll your eyes. âAnd only two whiskeys for us.â You smile at her.
âSure, love.â The lady nods before turning to James and thanking him. Sherlock begins to dig in his pockets for change.
âAye now, Iâm getting this. Your money's no good here.â James is quick to slide his money over to the lady.
âIâll get the drinks, you get the tip,â Sherlock says, flicking a coin, catching it, and pushing it in front of Jamesâ money with a sly look. âSure, you donât want anything?â Sherlock asks over his shoulder, and you nod.
ââAnd out of his pocket he pulled the sovereign brightâŚââ James begins, quoting someone you are sure youâve never heard of before. As you go to question it, Sherlock steps in and finishes the line.
ââAnd the landladyâs eyes open wide with delight.â Sherlock's smile is subtle but there as he leans against the bar top.
âWhat was all that about needing me earlier? You two seem like youâve got everything under control all on your own.â You smirk brazenly.Â
âOh, I donât know about that; a couple of quotes donât mean anything.â James chuckles, his arm resting so casually against the bar. He knows exactly what heâs doing, but you arenât that easy, and you figure now is as good a time as any for him to learn. Sherlock lifts the glass of whiskey to his nose with a smile as he watches you scoff.
Unfazed, James turns his attention back to the lady. âExcuse me. Our carriage is in need of a bit of repair. You see, weâve been traveling for a couple of days now. My brother-in-law, my wifeââ
âHis sister.â You correct, before James can finish his sentence. You take hold of Sherlock's arm without thinking twice and lean against him with a big phony smile. âWeâre on the way to our parents' home,âÂ
A flush takes over Sherlock's face as his body is pulled up against yours. Heâs not angry, just caught off guard. He wasnât expecting you to be such a quick and easy liar. He also wasnât expecting your lies to piss off James this much. James is standing there with his jaw drawn up tight. His lips are pulled into a thin line as he watches you paint this story that was supposed to be his. You think about stopping it there, but you canât help the amusement you are getting from that look on Jamesâ face, or the feeling of Sherlock beginning to play along as he wraps an arm around your waist.Â
âMy motherâs been wanting to see us everâwell, the baby.â You whisper coyly, drawing out this narrative just to see the irritation in Jamesâ expression grow with each passing second. You put on this persona so easily that it impresses Sherlock.Â
âSheâs been going on and on about it in her letters. So you understand the urgency.â You say. Now completely immersed in the story, Sherlock adds something of his own.
âAnd my dear brother-in-law has a horrible sickness in rocky carriages, his stomach is so very weakââ
âThatâs enough.â James cuts him off before he can say anything more. âItâs the wheelwright around, and might we have a word with him?â The withheld anger in his tone forms a laugh in your lungs, and you have to suppress it by turning your face toward Sherlock and into his side. There, you bite down on your lip to stifle your explosive giggles. Sherlock, also near laughter, clears his throat to stop himself.
âHeâs done at the village, but heâll be back shortly.â The lady, clearly confused at the whole situation, says with a sigh and then turns to get back to whatever work she was previously doing.
âWeâll wait then,â James grumbles out, taking his whiskey and stomping off to a table at the opposite wall.
You pull away from Sherlock with a smile. âIs he mad?â You ask, still biting back a smile.
âOh, extremely," Sherlock smirks down at you before he begins moving too to the table. He sets his drink down and takes a seat next to a still unimpressed James. You sit to Jamesâ left, across from Sherlock, around the small table.Â
James finishes his shot of whiskey and leans back in quiet annoyance. You, feeling the tension, lean towards him with a smile as a peaceful gesture.
âYou wanted fun.â You say. âHereâs my fun.â Thereâs a moment of contemplation before James lets out a big sigh,Â
âFun.â He shakes his head, a grin growing on his lips. âYouâre something else, Iâll tell you that, Msââ
âWillborn.â Sherlock finishes with lifted brows.
âMs Willborn.â James nods, testing the name out on his tongue. It sounds illegally good coming out of his mouth. âHere comes the fun.â
Just then, the fiddle-holding man sets down his instrument and scurries away through the back door. You hum in interest, and Sherlock and James share a look. Oh, this will be fun.
âLet the games begin,â Sherlock adds, now downing his own drink.
ââ
What followed was nothing short of preposterous. Never in your wildest imagination could you have predicted even relatively accurately. Yet, it had thrilled you in a way you couldnât explain. Not that you would ever want a day like today to ever happen again, you canât rule out that it wasnât magnificently eye-opening.
The man with the fiddle had turned out, as suspected, to know about the missing scrolls. He had, in fact, had a scroll holster fastened over his shoulder. Sherlock followed him out of the back of the Inn and was attacked by the fiddle player and left with a blood-dripping nose. On some odd instinct of Jamesâ, heâd pulled you out of the establishment and around to the back in search of Sherlock. There, you had found him on the ground with the fiddler over him, ready to strike. Before you could cry out, James was on the fiddler, shoving him away from Sherlock. Once he was off, he fled away from the inn down the road.
After some trouble in running after him, you pulled off your healed shoes, had to tell the boys to run ahead, and that you would catch upâthe three of you corner him in a barn house just off the main road. Following James's knocking the fiddler unconscious, the holster was found to be empty.Â
There was, after that, a brief period of reassessment. Sherlock deduced that it had been a decoy to lure you away from the school. He explained to you, after he and James used their so-called overactive imagination, that the scrolls had never left the school. You had then all gone back to the school and into the library, where you had discovered that the break-in was fabricated and that the scrolls were hidden in a pedestal displaying a marble statue of a man's head.
The cabinet that the scrolls had been sitting atop had vanished since you were last in the library, and the three of you were quick to follow the trail of inconsistency. No one could have taken it out of the room since that morning due to the police guarding the entrances. The only way the cabinet could have been moved was through the walls of the old medieval banquet-hall-turned-library. Through a slab of wood paneling on the wall, James was able to remove the paneling to reveal one of the old banquet corridors. Down the corridor halls, you find the cabinet with a bomb ticking inside it.
It had all been because of the gala. Hodges gala for the new science building that was opening. The gala was taking place just on the other side of the chimney, which was in the room where the cabinet sat. With but 90 seconds to spare, the three of you smash through the chimney and successfully warn everyone at the gala about the bomb. Though, of course, not without getting caught on the edges of the bombâs radius.Â
Sherlock had gotten the brunt of it. He had pushed you forward, making sure you got out before him, but ended up with a gash on his left temple. And he, along with James and you, had been thrown to the ground by the impact of the blast and enveloped head to toe in ash. James had been quick to help you up off the soot-covered floors as you stumbled in your heels. Sherlock made swift work of getting the three of you out of the building and to a medical professional. The ringing in your head only stopped after the sun had set two hours later.
ââ
After being held for examination for what felt like days, Sherlock, James, and you are let go. Itâs dark by the time you get out, and on autopilot, you follow James and Sherlock back to Sherlock's room. You end up on his bed, sitting against the headboard as the men take off their jackets. You want to take your corset off and finally breathe and relax, but you know better.
By the time you get comfortable against the headboard, Sherlock has hung his coat next to Jamesâ on the rack by the door and is in only his white undershirt. You have to peel your eyes away from him when he first turns in your direction to sit at his desk. In no world would you be caught staring at him. You try to move your attention to James, hoping for some reprieve, but instead you find James in his obnoxiously tight-fitting vest. Now you really wish your corset were off, or at least looser.
âSo drinks?â You hear James call out, but keep your eyes on your lap, not wanting to know what seeing him from the back in this state will do to you. The contents of your lap are uninteresting, but you find a few specks of debris to keep yourself occupied. You pick them off the fabric of your skirt and rub the debris between your fingers. You actually do get lost in watching it roll unsymmetrically against your skin. That is, until James calls out your name.
âDo you want any?â James asks. And you have to take a breath before looking up to meet his eyes and shake your head.
âWaterâs fine.â Is all you get out. Your eyes flicker to Sherlock, and you have to try to act like this isnât the first man youâve seen without full clothing on. But he certainly, one hundred percent, is. A good first thought, you think.
âWell, alright, more for us, eh, Sherlock?â Sherlock just hums in agreement absently as he watches the dim light filter in through the window above his desk. A flicker of something crosses Jamesâ face, but he says nothing and turns to the small wooden table housing the liquor.
James hums a song as he prepares the two drinks. Unable to place it, you want to call out to him and ask. But the tune sounds almost personal, with a folk twang youâve only truly heard in Irish lullabies mothers in New York sang to their kids when they scraped their knees playing in the streets. You decide to ask about it another time.Â
âSo what exactly are we celebrating? We haven't solved anything. We donât know who planted the bomb. Or why?â Sherlock voices just as James hands him his glass and makes his way over to you. James smiles as he outstretches the glass to you. Heat invades your senses as your fingers graze him. God, that blast must have done something to your head. Youâre not normally this reactive.
âAnd that is not our concern.â James moves now to take a seat on a cushioned chair by the liquor table; he reclines with a glass in his hand and an easy look on his face.
âThat's not our concern?â Sherlock exasperates, sitting up straighter in his chair.
âWe set out to find the scrolls. We found them. I'm not losing my scholarship, and youâre not going to prison.â James starts, rubbing his head as if to scrub the annoyance from his mood. Sherlock, in turn, sighs before turning to look out of the window again. âSo I think thatâs worth raising a glass to.â James raises his glass, you halfheartedly raise yours, your attention still a little stolen by your lap, and reluctantly Sherlock does as well. But he doesnât take a sip, only sets the glass down at his desk.
âWhy arenât you drinking?â James questions, annoyance too far to settle now. You can hear it in his voice, and your attention is pulled. You begin to speak, attempting to quell his frustration.
âJames. Sherlock. Itâs been a long day for all of us. Please, both of you, stop arguing. I thought the ringing was gone, but youâve somehow brought it back.â You complain. Sherlock goes to open his mouth and argue, but James beats him to it.
âSheâs right,â James concludes, now standing in his anger. âAs much as I would love for you to be wrong.â His eyes meet yours with a dash of sympathy. âAll of us are a bit scrambled. I think it would be best if I got going. We could all use a good night's sleep.â James begins to make his way to the door.
âWaitâthat is not what I meantââ You try, now sitting up to start towards him.
âNo, itâs quite all right,â James takes hold of his coat and slowly begins to dress himself. âI know my limits, I believe I'm in need of some hard alcohol and a full 8 hours.â Jameâs smile is as radiant as ever, even in anger. Your brows furrow as you watch him slip his arms through his sleeves, and Sherlock notices the weariness in your expression. Now realizing the effect James disparate is having on you, Sherlock backtracks.
âJamesâletâsââ Heâs hesitant with the next part, not really wanting to do what heâs offering, but he knows youâll be happier. âAt least finish our drinks,â Sherlockâs tone is unenthusiastic, so much so that it almost makes James laugh at him and call him out.
âThatâs alright, Sherlock. Another time, goodnight.â James bows just slightly to you as he backs away towards the door. âParting is such sweet sorrow, that I should say goodnight.â He nods to Sherlock and then to you before opening the door and stepping out. âNow, fair Romeo, donât keep our young Juliet up too late.â Thereâs one sly smile before he shuts the door.
Following the clicking of the door, Sherlock downs his glass. You slump back onto the headboard and let out an exasperated sigh. You could hardly respond to Jamesâ name-calling without embarrassing yourself. Your eyes now land on Sherlock, who's hunched over himself on his desk chair. Consumed by thought, he barely glances over when you shift to set your glass down on his nightstand. By this point, you have pushed past the initial embarrassment of seeing Sherlock in nothing but his undershirt.
âDo you think heâs right?â Sherlock asks suddenly. When you look, his eyes are already on you, his body facing you.Â
âRight about what?â You ask quietly, making sure your eyes donât travel from his.Â
âWould you call this a victory? Even when we are nowhere close to the answers to anything.â The look in Sherlock's eyes melts something in your exterior. The room feels stripped bare of all the playfulness that once disguised the truth. Itâs as if Sherlock ripped all the wallpaper off the walls and left you both standing in a barren room.
âImâ.â There is hesitancy in your response, not out of fear but out of your lack of answers. âI donât think you have it in you to stop searching here. And I donât think Jamesâ conscience has any reason to keep searching.â
âBut what do you think?â Sherlock urges you, his brows furrowed.
âAre you trying to get me to take a side?â You ask carefully, eyes still locked with him.
âI'm trying to get you to say what you think.âÂ
âBut you hope what I think aligns with what you think.â You note, stepping closer to where heâs sat.
âWell, of course I do.â Sherlock sighs, eyes breaking from yours and settling on the wood of the desk. âDo they?â
âI donât think I agree with either of you. All the way at least.â You say, watching his face for his reaction. You arenât sure what you want to happen. All you know is you donât want this to be a reason you argue.  âI do want to know the truth, but I don't know if I have the ability to fight for it as you can. I wish I did, but I think there is only one you.âÂ
Sherlock says nothing in response, only leaving the cold, naked air between you. You think for a moment that you should go. Maybe this night is not the ideal night to stay for longer than necessary. Slowly, you begin to stand from the bed, you fix your dress as if you moved too quickly or with too much force, it would rip.Â
When you pass by where he sits, you comfortingly rest your hand on his shoulder. You brush your finger over the fabric of it. You, ten minutes ago, would never have imagined getting this close to an underdressed Sherlock, but now you find the proximity reassuring. And as you move forward, Sherlockâs hand darts up and captures yours on his shoulder.Â
âDonât go.â Itâs quick and low. So much so, you almost are not sure if you simply imagined it. You stand like a statue, taking in the feeling of his warm hand against yours. You want so badly to stay. Especially if staying means that the warm feeling in your chest would stay even for a moment longer.
âWell, Iââ
âHowever, you  are free to return to your dormitory.â Sherlock retracts his hand all too soon.Â
âSherlock.â You interject with a scold. âI do enjoy the company.â
âAs do I.â Sherlock is quick to add. You sigh  at the interruption but continue.
âBut are you sure you want me to stay this late? I should be getting  back to my rooms.â You say and glance at the clock sitting on his mantel. âItâs already a quarter past eleven.â
âOh wilt thou leave me so unsatisfied?â Sherlock tries halfheartedly to match the enthusiasm James had earlier, but he only succeeds in sounding like a child attempting to reenact his father. A look of fondness passes over your face.
âWhat satisfaction canst thou have tonight?â You speak the next line of the play and are surprised at how suggestive it comes out. You hold your ground even as the mild embarrassment springs again into your stomach. Sherlocks cocks his head to the side with a grin of amusement.Â
You see the contemplation in his eyes, whether or not to say Romeo's following line. You arenât sure if you want him to say it or not. Unsure if it will serve to increase the dizzying tension or break it into something that can not be put back together. âThe exchange of thy loveâs faithful vow for mine.â Itâs not a line that should have any lasting impact, but somehow, as you stand here, it seems a life-or-death decision.
It never comes. Instead, Sherlock's face softens as he gazes up at you from his seat. Your own resolve fades as you look into his mesmerizing green eyes. Eyes that seem as if you look long enough, you will discover all the secrets of the world. Sherlock Holmes is truly a puzzling character. You hardly know him, yet you feel this indescribable force pulling your mind and soul to him in every way possible.Â
âSo will you stay?â It's a quiet plea that makes everything else in the world stop. Your breath hitches.
âOf courseâ
ââ
That day had caused a chain reaction of events that unraveled your life completely. Soon, you were being dragged into all and every situation the two idiots found themselves in. Murder accusations, police chases, going undercover, break-ins, mystery solving, and, on occasion, lazing about the public spaces of the institution, laughing about one thing or another. Mycroft quite liked you and was in full support of the good influence you had on them.
Over the course of a couple of weeks, the three of you had become practically inseparable. Youâd become very fond of the two dimwits who had slivered their way into your life. Though you werenât mad at their constant presence. It made you feel that even though you were across the ocean from everything youâd ever known, at least you werenât alone.
a/n: This took me way to long. Anyways there will be more parts so strap in and enjoy. Comments feed my motivation!