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Tollymore Mourne Mountains, Ireland
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The class war is staggeringly rigged against the working class. The majority of households are living under extreme economic trauma.
End the trauma. Abolish Republicans.
Just out of college I worked as a bank teller. That job was soul crushing, but this isn't about that.
I had a coworker about my age. Her husband worked in a manufacturing position. He claimed (but never confirmed) his coworkers were undocumented immigrants. He swore that they didn't pay taxes and his wife believed him. I tried explaining to her that a few small companies might be able to get away with paying people under the table, but not a large manufacturing business like the one he worked at. I explained payroll taxes to her and how the company would not grossly underreport the number of employees because the first time they got audited they would be shut down, and this place was a major brand. She refused to believe me that those workers paid any taxes, up until one of them came to our branch to open an account. Then she saw his paystub and was really confused that he had taxes withheld, so I explained how IF this man was undocumented, the system had too much to worry about to chase down one guy cashing a check. She was floored by the revelation.
The "illegal immigrants are getting benefits and social security" is one of the oldest and most believed lies from the right.

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Public education is an investment.
State Universities used to be near-free tuition.
Our higher education made America great.
You'll notice Conservatives who long to go back in time also want to defund public schools.
What they truly want are scams like charter schools and vouchers to line their pockets.
Carmilla and Laura ❤️🥀
Source:
Academic Journal Publishers Antitrust Litigation On September 12, 2024, Lieff Cabraser and co-counsel at Justice Catalyst Law filed a federa
This is incredibly important. Each of these three issues are almost universal across academic publishing.

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The Death of Sappho by Charles-Amable Lenoir (1896)
May his memory be a blessing.
Willem Arondéus (22 August 1894 – 1 July 1943) was a Dutch artist and author who joined the Dutch anti-Nazi resistance movement during World War II. He participated in the bombing of the Amsterdam public records office to hinder the Nazi German effort to identify Dutch Jews and others wanted by the Gestapo. Arondéus was caught and executed soon after his arrest. Yad Vashem recognized Arondéus as Righteous Among the Nations.
Their attack, which took place on 27 March 1943, was partially successful, and they managed to destroy 800,000 identity cards, and retrieve 600 blank cards and 50,000 guilders. The building was blown up and no one was caught on the night of the attack. However, due to an unknown betrayer, Arondéus was arrested on 1 April 1943. Arondéus refused to give up the rest of his team.
Arondéus was openly gay before the war and defiantly asserted his sexuality before his execution. His final words were:
"Tell the people that homosexuals are not by definition weak."
From Wikipedia
He was also a pretty great artist
Reblog to include his artwork!
Both parties are not the same. #VoteBlue
Sure, stay home on Election Day. I’m sure it will all be fine!
this is so mean but sometimes i see published writing and suddenly no longer feel insecure about my own writing ability. like well okay that got published so im guessing i dont have much to worry about
I have a friend who is an editor, and gets submissions of mostly poetry and short stories.
I have had a glimpse into her slush pile, and let me tell you, the contents were unbelievable and immediately disabused me of the notion that reading through submissions is in any way glamorous. People have the nerve to submit unhinged paranoid ramblings, fetish porn, and a seemingly endless supply of poems about masturbation.
I no longer feel like my fiction is somehow an imposition on the people who read it. It may be forgettable, but at least it isn't typeset to look like sperm.
Do not be afraid to submit your work. Your competition is not only worse than you think, it's worse than you ever imagined.
Do these three things to get to the top of the slush pile:
The place has a style sheet. Use it. They say they want your MS in 16.5 point Papyrus italic with 0.8 inch margins all around, guess what you're doing before you send it off? Save As, reformat, send it. In the absence of a specific guide: Courier 12 pt (Times New Roman if you must), double spaced, align left, tab 0.5 at each new paragraph.
Check the word count. Don't submit novellas to 2500 word short story venues. BTW, you format the MS in that old style above because the question isn't literal words. Courier 12pt double spaced gives you 250 words per page for typesetting purposes. 2500 words is 10 ms pages, 5000 is 20 pages, etc.
Don't send your romance to Analog or your war story to Harlequin. If it's a cross-genre story, be sure there's enough of what the publication is focused on to interest them, but breaking through is hard if that's not something they usually do.
That's basically what every single editors' panel at every con I've ever been to has boiled down to. And invariably, someone tries to get up and argue with them, not realizing it's not a discussion.
Bonus tip: Don't be in any way cute in your cover letter. Just the facts/Luke Skywalker's message to Jabba the Hut in ROTJ.
Enclosed/attached is my story <Title> for your publication <Magazine>. It is x (rounded to the nearest 500) words. I can be reached at <email> (that you check regularly and isn't likely to dump things into spam) and <phone>.
(If submitting a hard copy: The manuscript is disposable. A SASE is enclosed for your response./A SASE is included for return of the manuscript and your response.)
Thank you for your consideration.
If submitting a novella length piece or greater, a brief and complete summary is appropriate.
In the midst of an interstellar revolt against an evil galactic Empire, vital weapon plans fall into the hands of a farm boy on the edges of the galaxy. With the help of an aging warrior from the Old Republic, and a smuggler with a dark past and his imposing alien copilot, the four set out to deliver them to the rebel forces but are instead flung into a rescue mission to save the beautiful princess who stole the plans as worlds are destroyed by the might of the Empire's weapon, the Death Star.
Captured by the Death Star on route to deliver the plans, they manage to escape the base with the princess, the old warrior sacrificing himself to make this possible. As the Death Star approaches the rebel base, they use the captured plans to stage a desperate final stand. In a fierce space battle of single-pilot ships over the surface of the moon-sized weapon, the farm boy manages to make the critical shot with an unexpected assist from the smuggler, destroying it.
Never under any circumstance put a cliffhanger into a query letter summary. There is no faster way to get the entire MS binned than doing that.
Happy writing.
PS "Top of the slush pile" means into the top 25% of manuscripts received. Three quarters of the submissions don't take the trouble to do even those three basic steps.
Now, that still means 25/100 submissions or 250/1000 submissions, but it still improves your odds and forms the basis for starting a relationship with the publisher for the next piece you send them.
PPS This is obviously about prose. Poetry certainly has its own submission rules, and I know none of them. If you're writing poetry, find out what they are.
@silverhand's reply is right on.
These people now run the GOP. #ignorance

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Hass Idriss | Untitled Creation 2024
Emmett* Till, but yes! The more you know!
His failed attempts to bring the Emmett Till tragedy to television forced him to get creative
The miscarriage of justice proved a galvanizing point in the Civil Rights Movement. Rod Serling, a 30-year-old rising star in a golden age of dramatic television, watched the events play out in the news. He believed firmly in the burgeoning medium’s power for social justice. “The writer’s role is to be a menacer of the public’s conscience,” Serling later said. “He must have a position, a point of view. He must see the arts as a vehicle of social criticism and he must focus the issues of his time.”
Soon after the trial concluded, Serling, riding off the success of his most well-received teleplay to date, felt compelled write a teleplay around the racism that led to Till’s murder. But the censorship that followed by advertisers and networks, fearful of blowback from white, Southern audiences, forced Serling to rethink his approach. His response, ultimately, was “The Twilight Zone,” the iconic anthology series that spoke truth to the era’s social ills and tackled themes of prejudice, bigotry, nuclear fears, war, among so many others.