is this even funny i dont think its funny im not putting it in the tags
NASA
let's talk about Bridgerton tea, my ask is open

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$LAYYYTER
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@eladoobler
is this even funny i dont think its funny im not putting it in the tags

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When the world says, "Stay just the way you are!" but the Backrooms movie said, "If you stay the way you are you will be cannibalized by a messed up reflection of yourself."
Se correr o bicho pega e se ficar o bicho come
finally uploading an actual neocities. everybody say goodbye to this icon

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so true
gentle psa to new comic artists about a problem i also suffered from: slow quiet pacing is totally fine BUT if that's not what you're deliberately going for, you CAN fit more Story Progression on the page. no, more than that. more than that even. i promise if you don't want it to a single action doesn't need to take a whole page to illustrate each of its steps, a lot of connecting magic happens in the gutters i /promise/ if you draw someone pulling up in a car then skip to them walking in the door with groceries we will Understand that they unloaded the car and unlocked the house you feel me
#I am not a comic artist#but I had a similar problem when I was in film school#I call it “the door problem”#in my thesis film I had written that two characters walk out the back of the club into the alley behind the club#and my club location did not have a back alley but did have a side room that we used as the door#but that door opened in#and the location I used for the alley had a back door but that door opened outwards#and I knew it looked weird#I struggled framing the shots#and blocking the actors#and I got really really caught in my own head about how to make this door work#because to me it was really important that you saw every step from club to outside#because even though we had learned in school that you could transition it didn't feel right because it didn't feel like a new scene to me#(this being one of the struggles with a short film. It can all feel like one scene if your script is short!)#AND THEN#when we got into the editing room we just...cut the door transition entirely#initially not on purpose#what happened was that we decided to tighten up the timing by cutting non-linearly to the custom music I had commissioned#which made it much more experimental especially in comparison to my fellow classmates#however it showed me that the story still absolutely worked without needing to show how they got into the alley#the audience can infer the door#so now anytime I can feel myself getting stuck on something when I'm filming I think#“Is this a Door Problem?”#as a storyteller it's always a question of what is the absolute bare minimum you need to convey what you're trying to say#and sometimes that means you just need to already be outside the club
(via @currentlycreating )
Exactly! Film and comics are VERY similar mediums in this way, I love this. We should always be considering Door Problems
It's crazy how humanity invented bicycles and decided to try it with one big wheel and one small wheel BEFORE they tried having two wheels the same size
This is not quite true, though it would be very funny if it was.
The classic "old bicycle" we're all thinking of, which looked like this:
Is actually a technological compromise developed in the early 1870s. The very first bicycle was invented in 1817 and it looked like this:
It had no pedals and the rider would push it along with their feet, the same way toddlers learn to ride bikes today.
In about 1864, a mechanic in france came up with the idea of adding pedals to the front wheel, making the first self-propelled bicycle.
This was a great improvement because it's a lot easier to move and a lot more fun than the Fisher Price version above. It was a big thing for about five years, but there were some drawbacks.
First, because the pedals were directly attached to the front wheel, you couldn't go very fast without moving your legs incredibly quickly, which takes a lot of effort. It also is kind of awkward to steer because your legs are in the way of the wheel.
The other issue was bumps. Roads were not very smooth in the 1870s, most of them were unpaved and full of ruts, potholes, and rocks. And at first there were no rubber tires, just wooden wheels with metal rims. Altogether this made for a very bumpy ride.
The big front wheel, which was made possible by the invention of wire spokes and solid rubber tires, solved all of these problems. A big wheel runs over bumps more easily: think of how rough it is to ride roller skates over bumps in a sidewalk that you would hardly notice on a bike. And the bigger the wheel, the faster you can move with one push of the pedals. Having the seat on top of the wheel, instead of behind, also makes steering less cumbersome.
There are of course drawbacks to this design, in particular being so high up makes it very easy to go over the handlebars if you crash, and more likely to hit your head or break your arm.
Two more inventions helped drive this comical beast into extinction and bring back a more balanced, and safer, bicycle.
The first was the pneumatic tire, which contains a cushion of air, and makes for a much softer ride compared to a solid tire or a metal one. The cushion effect eliminates the need for a big wheel to smooth out the bumps in the road.
The second invention was the sprocket and chain drive. This lets you put the pedals anywhere you want on the bike, and with a big gear at the pedals and a small one at the wheel, you can get more speed out of a small wheel.
The first modern bicycle to combine a sprocket and pneumatic tires was built in 1879. It was an instant hit, not just because it was much less dangerous, but because the low drag profile and the smooth pneumatic tires made for a faster ride, and the trendsetters in cycling, then as now, were the racing community. There have been plenty of innovations and modifications in the years since, from ten-speed gears to carbon fiber frames, but these are all variations on a theme. The basic form of the bicycle has not changed.
Happy riding.
Okay full disclosure I was high as a kite when I made this post, otherwise I might have fact-checked my joke before posting, but this is awesome. Thank you for the bicycle lore.
im only attracted to worthy opponents

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hopemaxxxing
@27thfirefly
does anyone else think about how brave all their friends are and get really emotional about it
I'm glad everyone is alive rn
Bought CSP, now I can post the stuff I made on doodle mode. Here’s Miss Kiki Ash in Angry Tranny Gamer: Boogie. Idk if she has a tumblr but you can find her as Kiki Ash on YouTube or at her website kikiash.neocities.org. Genuinely really funny video series, go check it out.
this fucking sucks. I got soul-bonded to a living weapon who takes the form of a beautiful girl. But she has no fucking joie de vivre about it. I keep trying to do combined dramatic attack cries but she’s all like. “No that’s embarrassing” and “just kill him, don’t waste time.” she won’t even let me name her finishing move. I think she only has a finishing move because it’s just a reliable path of least resistance. This fucking sucks
I CANT FUCKING DRAW I GAVE MYSELF CARPAL TUNNEL WORKING WITH AN AXE TODAY FUCK

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anyway I was having this very vivid and unaccountably funny dream about what I suppose you would call a heist crew, except their MO was less about stealing and more about breaking into rich shitheads' houses to throw absolute ragers and trash the place and then disappear into the night. it was all very sleek and admittedly even sexy but the main thing I remember about this dream is that the leader of the group, who's exactly the kind of smooth young hotshot you think he is, was always in the process of getting spectacularly dumped at these parties. always a different woman. months of planning and stress and then when he should be in his element kicking back, accepting congratulations on all sides, man of the hour, he's getting dumped. again. and his whole crew is watching with a very low amount of sympathy because they love the guy but ooooh they know better than anyone that he deserves this. what the fuck was my subconscious cooking with this.
i wish to use whatever niceness i exude to do acts of genujne affection. i will do it. i will kiss my friends on their foreheads as a goodbye.