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One said, āAt least itās clean this way. No blood.ā
āAnd it would be for the good of the city, of course.ā
They nodded gravely. No one needed to say that what was good for them was good for Ankh-Morpork.
āAnd he wonāt die?ā
āApparently he can be kept merely ⦠unwell. The dosage can be varied, Iām told.ā
āGood. Iād rather have him unwell than dead. I wouldnāt trust Vetinari to stay in a grave.ā (Feet of Clay, Terry Pratchett)
so i guess you could say he's being... lightly poisoned? šÆļø
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tumblr users being generally knowledgeable about phishing attempts and scams and yet not hesitating to click various links from unknown users because they say such things as "spin the wheel to determine your alvin and the chipmunks band persona based on my favorite italian desserts" and we go "heck yeah."
I love getting comments on really old fics. It's like a little tap on the shoulder that says, "hey the art you create is going to last forever even if you don't think it matters anymore"
Some people make plans by having a handful of gambles they are fairly likely to win. You pick three things you'd like that you have 60% chance of succeeding with, and just see what you'll get - if you luck out on more than one, nice, that means you get to choose which one you like better. And if none of them pan out, then well, it's time to do something completely different. The basic principle is that you can never be 100% sure about anything, so if you only try when you're sure you'll succeed, you never end up doing anything.
Then there's the people who make solid, specific, exact plans. You have one plan that's got 95% chance of succeeding, and if it doesn't, you'll just have to kill everyone in this room including yourself. Day ruined, week ruined, entire life ruined. Scrap everything and hope you get reincarnated into better circumstances.
When you start dating someone, it's pretty important to find out early on which type either of you is. It's rough to learn on the fly when you're already on the way that the one who suggested this activity has no idea whether it's going to work and there is no plan beyond "let's get over there and see what's there." Or that your partner bet absolutely everything on this specific plan working out, and you've got no secondary plan if this one doesn't pan out.
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I'm gonna say this, and it's gonna spark a defensive reaction within some of you, but I need you to listen to me and let it sit for a moment before I explain further. It is not a personal stain against your morality.
From both my experience reading works by white writers, and my experience running this blog, I have come to the conclusion that many white writers are too used to relying on Whiteness being understood as the default experience of both your characters and your readers, and it makes you weaker writers with weaker technique overall.
One thought I find myself having often is "well, what do you do for your white characters?" I've grown to understand... Many of you don't š you don't actually understand or apply character design techniques because it is Assumed⢠that the reader understands- that the reader has the white gaze. It doesn't need to be Said that your character is white, and will do familiar white things. It is Assumed⢠that white characters fall under the Magicking It Away rules automatically, while Black characters have to have reality applied to them first. You don't actually have to... Well, write.
The brilliant Toni Morrison explained this in an interview of hers (here's another; watch her doc!!!) that there's this assumption that one's readers are white. So when she would purposefully- and there's a difference!- write stories for the Black gaze, that certain things didn't have to be explained because we Understood, it would get frustrating for white readers. They felt left out, unappealed to, hurt.
And yet, that's standard fare- and everyone's not writing such specific stories like Toni! To be "fair", we did understand y'all. We had to. But those same techniques, both in writing and in media consumption, I believe are atrophied from white viewers ("I don't watch this because I don't relate!" Or projection of ones own identity into Black characters to be "relatable") because it's not Socially Required for you to apply them.
It's why I'm always telling y'all to study Black creations about Black people. Writing is a craft, and a craft has to be honed!! You have to practice!! I had a whole lesson on this and I feel like everyone glossed over it lmao. I promise it'll make your writing of EVERY character better overall. šš¾
Peeling off the broken breastplate of a stoic knight who only fights and never speaks, just to realize thereās nothing in there. Not metaphoricallyāthe armor is literally empty. It doesnāt appear to affect him. If the armor stays mostly in the shape of a knight, he just gets back up to keep fighting. But with the chest plate off he just sits there, equally impervious to curiosity as I reach up into the cavity where his body mightāve gone. Stubbornly, no answers are found anywhere in there.
So I forge him a new breastplate and on the inside, because I know he has plenty of room, I put a little pocket. Not big enough to hold anything functional of course. Just a little extra piece to see what heāll do with it.
He comes back next time with some grievous injury to his nothing, presumably from the massive shredded gash across his thigh plates. He sits and waits. I fix it for him. He is still nothing in there. I decide to add a drawing on the inside, of the type of beast I imagine could rend metal into scraps with a single blow. He puts it back on. He no longer moves as if he is injured.
Over time the interior of the knight becomes decorated with whatever odds and ends I could think to attach to the inside of a guy whoās got room to carry it. What really gets me is that he never removes any of it. Never requests a change. Not even when I installed a curtain rod for a small tapestry, or a bud vase to carry roses for his beloved, or an accordion folder for letters. He didnāt say a word for any of the many, many drawings of mythical beasts that now fight forever inside of his shell.
There are plenty of other forges. Iām not entirely sure why he keeps coming back here anyway. Weāre pretty popular, but he could get his armor fixed a lot quicker (and with fewer ridiculous modifications) literally anywhere else. I asked him if I could get a look at his nothing again. He flipped up his visor and nodded his head so I could take a look. It was the same as it had been, filled with drawings and trinkets and weird little fixtures Iād put in there. I asked if he was annoyed by it, or liked it, or felt anything at all, but he literally only ever says nothing, so Iām not sure why I asked.
Thereās not much room left in his nothing now. When he comes back for repairs Iāve had to fix my own foolish additions. Some of these pieces are intricate and irritating to repair, but I fix them anyway. It feels wrong to take any of it away from him now, even though Iāve been rudely encroaching on his nothingness to the point where itās barely even there. How he squeezes his nothing back into a body so full, Iāll never understand. But itās a game to me now, finding a spot not yet filled and putting something there. A dark part of me wonders if he ever gets filled up completely, if whatever sorcery holds the nothing-knight together may break, and it will all clatter unceremoniously to the floor.
When he hands me his breastplate yet again, it is so shockingly disfigured that I wonder if being made of nothing has somehow kept him alive. No ordinary knight could sustain such injuries. So I fix it. And he waits, unmoving, in a quiet corner of the forge. Itās like heās watching, even though I know the reading glasses I put inside his helmet were just for fun. Iām careful to put it all back exactly the way it was when he last left. Thereās no room to add more this time.
He examines the breastplate, and pauses before putting it back on, like heās looking for something. Is he worried about the fit? But it suits him just as it always did. He calmly points to a little space, about an inch, between a miniature shelf and one of many pockets. Thereās nothing there. I ask him whatās wrong, and again he points. Itās the most emotion Iāve ever seen from him, and itās barely anything at all. I take it to mean he wants something there.
I spend some time engraving a little snail in the gap. He watches, as much as nothing can watch. When Iām finished he holds the breastplate, but he doesnāt put it on right away. I ask him if somethingās still wrong. He says nothing, and puts it on. I tell him I canāt add anything else. Even if he could ask, thereās no room left.
Next time he comes back, thereās nothing wrong with his armorāhe lets me check to make sure. I ask him what heās doing here. Out from one of many pockets, he retrieves a tiny rusted knife. Itās in miserable condition, barely worth saving. I tell him I could make him a nice new one, but Iāll fix it if he likes. He puts it away and reaches around to find something else, a needle and thread. Better condition, but Iām not a sewist and I tell him as much. He puts them away. He then retrieves a little twisted piece of wax paper. I open it. Itās candy. I ask if I can eat it. He says nothing. I eat it. Itās flavored with cinnamon. Iām surprised he let me take it.
He keeps bringing me candy now. His armor is the most laborious to repair out of every client my forge serves, but itās my own fault so I canāt complain. Sometimes he keeps me company while I work. I wonder if he is trying to tell me something when he hands me mints. I wonder again at the lemon lozenges. He stares at me when I eat, as much as nothing can stare.
One day he brings me a little jar of honey. I thank him, I tell him Iāll save it for dinner. He watches me work, he puts his repaired armor back on, and he stays. My shift passes slowly, and when I finally pack up to leave itās dark outside. He follows me out of the forge. I ask him where heās going. He points to the jar in my hand. I ask him if he wants to watch me eat it. He says nothing, but the nothing-knight clearly wants something, so I open the lid and dunk my finger in the honey. I try not to get any on my chin. He stands there, inches away, watching me try to consume this jar of honey without a utensil. It tastes like clovers. About half the jar is left when Iāve finally had enough of pretending to be a bear, but he doesnāt move to leave.
I ask if heās going to follow me home. He says nothing. I tell him he can if he wants to. Again, nothing. I start walking, and he follows at my side. I know heās not going to say anything ever, so I fill the silence. I tell him Iām grateful for the sweets, I tell him about how his various components are made, I tell him Iāve never met anyone made of nothing before. I tell him itās a rare opportunity for a smith to work so much on the inside of something. He says nothing. I tell him again how much I like the candy.
It occurs to me that maybe filling me with sugar is as close as he can get to filling someone elseās empty armor with trinkets. Iām not sure if thatās really why he does it. I tell him I donāt have room to be filled with anything on the inside, not like him. Iām not a container for much besides food. He offers me another piece of candy. Maybe he likes containing something, the way I like to feel full. Maybe itās nothing at all.
ā
I didnāt edit this even a little bit. Thanks for reading!
"oohohoho there's no expectation of privacy in public ohohowhoho once you go in public you automatically consent to being filmed owohwofhohohoho it's not illegal to film people in public and put them online ohohooohohoo if you don't want to be filmed stay inside your house"
š£ļøYOU ARE THE PATSY OF A SURVEILLANCE STATE š£ļøYOU HAVE NORMALIZED NO EXPECTATION OF PRIVACY AND A CONSTANT EYE ON YOU AT ALL TIMES š£ļø THE GOVERNMENT DOESN'T EVEN FUCKING HAVE TO DO SHIT BECAUSE YOU AND YOUR GODDAMN PHONE ARE DOING IT FOR THEMš£ļø "wow, this person at a protest is so cool, we have to find out who they ar-" SHUT YOUR MOUTH THE FUCK NOW š£ļø STOP FILMING PEOPLE AND PUTTING THEM ONLINE š£ļø PEOPLE DO NOT GO IN PUBLIC TO BE CONTENT š£ļø
in elementary school i figured out how to customize the classroom desktop's autocorrect to make Word change whole sentences. this made it appear almost like the computer was responding to you. you could, for example, type in "where did i put my keys", hit enter, and watch it switch to "you put them under the couch". this was before chatbots, and we were all 9 so i considered it closer to a magic trick than a tech one.
i immediately scripted out a dialogue exchange between me and a girl who had died by the swings (classic). i invited another student over and told them i had found a ghost, then proceeded to type out the pre-scripted exchange. i was immediately pulled into the counselors office. the kicker was that none of the adults could figure out how i did it. i had to show them the menu and everything.
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oooooo what a cool post my mutual just reblogged ! I think I will reblog it as well !!! oooooh who did they reblog it from ? That username seems familiar,,, hohoho it's me ! from an hour ago !
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