Periodic reminder that I am generally happy to tag things on request, to the best of my ability, but I do not preemptively tag things other than autoplaying videos, flashing gifs, spiders, and nsfw content, for which my âthis is too much and needs a tagâ bar is fairly high.
Blood/gore, religion, nudity (real or art), explicit fic/words, politics, and kink content are common enough that i will *probably* tag but you shouldnât expect it.
This has been a PSA.
Edited to add: Iâm queer and jewish and hate terfs. Just in case you were going to ask for that kind of nonsense.
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This is the greatest map I have ever seen. I want an interactive version where you can click on any city in the world and get a pop-up list of all the climate-equivalent cities.
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Every part of Vegas feels like it's pulled out of fiction and is Incredibly off-putting. It's a major city in the middle of one of the world's most inhospitable deserts
Its famous for recreating other world landmarks on a small scale. It uses this as a trap to bait people into making life ruining decisions. It's motto is essentially "never speak of what happened here". Fucked up
did you know that ever since the united healthcare CEO got united healthcare CEO'd, other CEOs in silicon valley and conservative toadies in DC have started wearing these super tight little suits with useless hidden weapons and intentionally flammable magnesium buttons so they can feel like john wick? and the photos from the tailor's website look like something out of a gay porno with a weirdly high budget and elaborate plot
they have to destroy al qaeda with their bare hands to prevent turbo 9/11 or something but to find the strength to do it they have to suck each other's dicks
cmon. this is what the ancient greeks did. it's not gay if the spartans did it. we have to suck each other's dicks right now. for america. or the terrorists win
the tailor's website is wild btw:
they even got this guy doing cute little shadowboxing moves, so I made a gif out of him
I see how it is. When itâs one of your favs like Daniel Radcliffe, or RDJ, or Maya Rudolph, or Elizabeth Taylor, theyâre not really Jewishâ˘, because theyâre also an atheist, or have mixed lineage, or arenât âthe right half,â or they converted.Â
Nevermind that there are articles, videos, etc. where these celebs directly say âI consider myself to be Jewish.â Nevermind that theyâve had Jewish weddings or funerals, nevermind that they have publicly claimed Jewish identities. You donât want them to be Jewish, so theyâre not.Â
But then when Jews are upset because somebody who describes their relationship to Jewishness as âhaving a half-Jewish parentâ rather than being Jewish themselves, and writes with a narrative voice that suggests they are completely disconnected from any Jewish identity at all, makes offensive, antisemitic jokes, suddenly yâall are Wikipedia detectives coming at me with âOh no, you canât be mad at Trevor Noah for his comments; he has a jewish grandparent, so heâs Jewish too!âÂ
Goyim, Iâm sorry to burst your bubble, but you donât actually get to define somebodyâs Jewishness based on how convenient that Jewishness might be for you in a given situation. Our identities are not here for you to cherry pick, especially not when you want to do so in order to invalidate our feelings and experiences. Or at the very least, you could try not to be so damn obvious about it.Â
Jane Yolen was a Jewish-American childrenâs author, poet, and young adult novelist. Yolen wrote more than 400 books for children and adults,
If you didnât become acquainted with the work of Jane Yolen as a student being assigned her famous, award-winning Holocaust time travel nove
If you didnât become acquainted with the work of Jane Yolen as a student being assigned her famous, award-winning Holocaust time travel novella âThe Devilâs Arithmetic,â itâs likely you will once you become a parent, reading one of her many, many, many books for kids. My young boys are especially partial to her âHow Do Dinosaurs?â series with its captivating, realistic dinosaur illustrations and snappy, funny text (and yes, thereâs a Hanukkah âHow Do Dinosaursâ book).
The prolific childrenâs book author, who was the recipient of multiple childrenâs book awards and six honorary doctorates, passed away this week at age 87. She was just about to release her 450th book. âMonsters of Fife: Terror Birdsâ will come out posthumously on July 14.
Yolen wasnât raised particularly Jewish, and her exposure to religion was mostly at relativesâ homes, she recounted in a piece for the Jewish Book Council. As a teen, she did become fascinated with Jewish texts and traditions, getting confirmed at her local Reform synagogue; she was one of the first girls to read from the Torah on the bimah at that temple. And she minored in religious studies at Smith College.
But it took a while for Judaism to become part of her childrenâs book-writing career. In fact, she was two decades into her career when she got ânoodgedâ into writing Jewish tales.
It all happened in the 1980s, she wrote in her essay for the Jewish Book Council: âOne of my ediÂtors, who hapÂpened to be a rabbiâs wife, asked me why I had nevÂer writÂten a JewÂish book. And I had to think long and hard about that. And she noodged. Boy! Was she an expert noodge. The result was âThe Devilâs ArithÂmetic.â And then the JewÂish stoÂries began to tumÂble out.â
The books that came tumbling out were as gripping and wonderful and magical as the rest of her oeuvre.
There came magical stories about Jews and dragons and golems (co-written with her son, Adam Stemple).
She published illustrated books about Miriam and other biblical women (and even the childrenâs book adaptation of the famous âPrince of Egyptâ).
She came up with her own twist on the tales of the Wise Men of Chelm.
She perhaps became most known for her three young adult tomes that tackle the Holocaust in novel ways. She wrote the âSleeping Beautyâ inspired âBriar Roseâ and the âHansel and Gretelâ-esque âMapping the Bones.â And of course, she penned the Nebula Prize Winning âThe Devilâs Arithmetic,â about a Jewish teen who finds herself transported to 1942 Poland, which continues to be taught in schools to this very day, even as one Texas school district pulled it out of the curriculum for AI-detected âDEI content.â The book was famously turned into a 1999 film starring Kirsten Dunst, Brittany Murphy, Paul Freeman and Mimi Rogers.
Yolen also wrote books about Jewish holidays: âMilk and Honey,â and the lovely âJewish Tale Feastsâ (with her daughter, author Heidi Stemple), a book that my Jewish food-loving family adores.
Heidi, Adam and their brother Jason were all by their motherâs side when she âpassed gently with no pain or stress,â Heidi shared on Instagram. Adam was playing his music while Heidi read from her motherâs book âOwl Moon.â
âAs you all probably know, she had one of the most brilliant creative minds of our time,â Heidi wrote of her mother. âShe has mentored, inspired and nurtured so many authors and illustrators through her words both on the page and off. But, beyond that, she was our mother and grandmother.â
May Jane Yolenâs memory be for a blessing; her books will certainly remain part of our lives for a long, long time.
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"London Calling" is a song by the English punk rock band the Clash. It was released as a single from the band's 1979 double album of the same name. This apocalyptic, politically charged rant features the band's post-punk sound, electric guitar and vocals. It was written by Joe Strummer and Mick Jones. The title alludes to the BBC World Service's station identification: "This is London callingâŚ" which was used during World War II, often in broadcasts to occupied countries. The lyrics reflect the concern felt by Strummer about world events with the reference to "a nuclear error" â the incident at Three Mile Island, which occurred earlier in 1979. Joe Strummer has said: "We felt that we were struggling about to slip down a slope or something, grasping with our fingernails. And there was no one there to help us." The line "London is drowning and I live by the river" comes from concerns that if the River Thames flooded, most of central London would drown, something that led to the construction of the Thames Barrier which came into operation three years after the song. "London Calling" fades out with a Morse code signal spelling S-O-S, reiterating the earlier urgent sense of emergency, and further alluding to drowning in the river.
"London Calling" was released as the only single from the album in the UK and reached number 11 on the UK Singles Chart in January 1980, becoming at once the band's highest-charting single until "Should I Stay or Should I Go" hit number 1 ten years later. It was the first Clash song to chart elsewhere in the world, reaching the top 40 in Australia. Over the years, "London Calling" has become regarded by various critics as the band's finest song. It is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2007, it was inducted into the Grammy Hall of Fame.
"London Calling" received a total of 84,6% yes votes!
They Might Be Giants - Istanbul (Not Constantinople)
1990
"Istanbul (Not Constantinople)" is a 1953 novelty song, with lyrics by Jimmy Kennedy and music by Nat Simon. It was written on the 500th anniversary of the fall of Constantinople to the Ottomans. The lyrics humorously refer to the official renaming of the city of Constantinople to Istanbul. The song was originally recorded by Canadian vocal quartet The Four Lads in 1953. (Listen to it here!) It peaked at number 10 on the Billboard magazine charts, and was certified as a gold record.
Numerous cover versions have been recorded over the years, including by Bing Crosby, Ella Fitzgerald, and Bette Midler. One of the best-known versions of "Istanbul (Not Constantinople)" is the cover by American alternative rockband They Might Be Giants, who released it as the second single on their album Flood in 1990. The single reached number 61 on the UK Singles Chart in 1990. They Might Be Giants later recorded an electronic version of the song for their 2011 compilation album, Album Raises New and Troubling Questions.
The song is prominently featured in the 1991 episode "Tiny Toon Music Television", of Tiny Toon Adventures, for a music video segment featuring Plucky Duck trying to find a missing statue. It was used as the theme in the 1992 TV movie Black Magic. It plays as an ending to the 2005 episode "Mobile Homer", of The Simpsons, and it plays during a donut shop fight scene in the 2019 series premiere, "We Only See Each Other at Weddings and Funerals", of The Umbrella Academy.
"Istanbul (Not Constantinople)" received a total of 93,1% yes votes!
I have consulted the court historians, and it has been pointed out that The Illustrious Qin Emperor was in the habit of violently denying historical fact.
I must therefore conclude that the possibility that Bixia was secretly in love with the first Han Emperor exists. We will now proceed to devote some time into historical research on this subject.
In the end, my research was inconclusive, and it was pointed out to me by my advisors that obsessing over love affairs of the past does not adhere to the principles of virtuous rulership.
I think I'll go give all my palace ladies and their husbands paid maternity leave.
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sonce the sports are happening big rn where i live i made a handy chart of all the phrases i use to communicate with my loved ones during these trying times. i thought others might find it useful too
ive discovered you can have whole conversations with people using just these phrases and none will be any the wiser that you dont even know what sport it is theyre talking about
I saw this post recently that implied that âkink is playing toysâ and âkink always has wider, social and cultural implicationsâ are like, opposing statements. I think thatâs so wild. like, have you ever heard of Cowboys and Indians? Cops and robbers? âLittle boysâ, beaten for playing dolls? âLittle girlsâ forced to stay in and clean up after their brothers playing outside? In what universe is playing toys not deeply implicated in. Everything??? This isnât even an argument about harm in kink this is like a very basic observation about the nature of play.