SLEEPYNEGRESS

JACOB ANDERSON and DELAINEY HAYLES The Vampire Lestat premiere and after party

Happy Pride Month

black children get murdered and become victims of hate crimes every fucking day. this is ridiculous

Our survival is a reflection of a reminder, so they go around smashing mirrors.

Part 5

loving her to the point of creation (personified)

Anyway I miss him and hope he's doing better with his mental health 🙏🏾

Hate groups have weaponized that feeling and used it as a recruiting tool, along with mainstreaming the idea, that humanity is debatable.

Laura Aguilar, Grounded #111, 1992

The Tuareg are a distinct Amazigh (Berber) people of the central Sahara and Sahel whose history, language and cultural style mark them as one of North Africa’s most recognizable desert societies: traditionally semi-nomadic pastoralists, they range across parts of modern Mali, Niger, Algeria, Libya, Mauritania and Burkina Faso, moving herds of camels, goats and cattle between dry-season and wet-season grazing, and historically controlling important stretches of the trans-Saharan caravan routes that carried salt, gold and goods between the Mediterranean and West Africa. Linguistically they speak varieties of the Tuareg branch of the Berber languages (often called Tamasheq, Tamahaq or Tamajeq in different regions) and write in a variant of the ancient Tifinagh alphabet; many are also fluent in regional lingua francas such as Arabic and, because of colonial histories, in French. Culturally they are famous for their indigo-dyed textiles and the men’s tagelmust (a long turban/veil) that both protects from sun and sand and, where indigo is used, historically left a blue tint on skin — hence older accounts calling them the “Blue People”; Tuareg women are widely noted for elaborate silver jewelry, distinctive clothing and a social status that in many communities is relatively elevated — descent and inheritance are often organized through the maternal line and women traditionally exercise considerable authority within the household and clan. Traditional Tuareg society was stratified into nobles, vassal groups and artisan castes (including blacksmiths and leatherworkers) with a rich code of customary law and etiquette; religiously most Tuareg identify as Muslim (typically following local Sunni practices) but local beliefs and customary practices persist, producing a syncretic lived Islam adapted to desert life. Their lifeways have generated recognizable arts and expressive forms — the imzad (a single-string bowed instrument) and tende drum music, oral poetry and storytelling, and a finely developed material culture of leather tents, saddlery and silverwork — and their social organization, seasonal mobility and intimate knowledge of desert routes and wells have long shaped regional economies and politics. In the modern era Tuareg communities face intense pressures from state borders, sedentarization policies, climate change and economic change (urban migration, changes in pastoral economies), which have sometimes produced tensions and political movements demanding greater autonomy or recognition; at the same time many Tuareg adapt in diverse ways today, combining pastoralism with farming, trade, artisanal crafts and work in towns while maintaining languages, music, dress and other elements of a distinctive Saharan identity.

Many are indigenous African peoples, and are of both, and either/or Black, and of color in appearance/social designation.

Description: [A video of a woman riding a galloping horse bareback while holding a large rainbow flag.]