Pearlie pop as a beast witch aka a lycanthrope. She has a whole pack of dog familiars.
hello vonnie
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almost home

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shark vs the universe
Jules of Nature
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trying on a metaphor

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@eeeeeeeeee999
Pearlie pop as a beast witch aka a lycanthrope. She has a whole pack of dog familiars.

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I've joked in the past about how I want an Arthurian adaptation set in one of those bits of the Middle Ages where nobody has any working infrastructure and all the kings and lords are flat broke but they're still trying to make it work, but it occurs to me that a high fantasy version of that would also be kind of awesome. The High King in his grand palace (shitty hill fort) sending his Holy Knights (a dozen guys and a donkey) on a perilous journey (a half-day's march) to face the Dread Necromancer's undead scourge (exactly six zombies). The Necromancer's immortal death-knight champion (a skeleton in a hat) comes out to meet them astride a terrible hornèd beast (a reanimated cow because they couldn't find a dead horse).
#They are aided in their quest by an Unknowable Enchantress (That lady up the hill) (via @thedupshadove)
She actually is a legit enchantress, but she only knows three spells, and two of them have to do with raising sheep.
Cold take but all languages are beautiful actually. Every single one. Every single human language on earth is a collection of stories interwoven into the very fabric of the words that are spoken.
âOh but this language sounds scary-â have you heard a child speak it while pointing at a butterfly?
âOh but this language sounds silly-â have you heard someoneâs grandma recite a recipe with such practiced ease it comes off as poetry?
âOh but this language is really weird-â and yours isnât? Everyoneâs language is weird, dumbass, it came free with your fucking humanity.
Every tongue that is spoken is a work of art. Every language a unique window into the world.
Isnât it wonderful?
@aperturedlens
I reblogged one of these but this one is even better.
Hereâs your reminder that the US doesnât have an official language.
this is still true. executive orders only apply to the executive branch
How to make leaf bouquet for spring

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The pronghorn antelope is basically a shitty deviantart adoptable species send post
Like. Look at it. Look at this ridiculous thing. This is someoneâs Mary Sue adoptable species.
âSo itâs the second fastest animal on land and itâs SO fast that it outran the cheetah that used to hunt it. It can keep up with cars while running on rough ground. Its closest living relatives are giraffes and okapi! 200$ per adoptable and no changing the patterns.â
goat fight. non-negotiable.
#LISTEn listen most marvel fights feel so contrived and fake and like la-dee-da-superhero#but this one was REAL and had me on the edge of my seat and still does#partially bc of the street clothes not costumes#partially because steve is fighting 1 on 1 and gets stripped of his shield quick#and he has to show like his physical combat skills#and the ACTING on both their parts.. fucking ace#esp chris evans tho like his face looks PANICKED how often do u see captain fucking america panicked??#anyway in this essay i will (tags via @asterlark)
I think itâs also very important that this is a fight in which the characters *actually interact with their environment* in a way that feels real. Like, yes, have superpowers but thereâs no cartoon physics involved, no obvious sense that this was filmed on an empty set with a greenscreen and the background was added later, or that theyâre filming without even the people theyâre fighting being present, just âlook over here and make a hand gestureâ. The shield gets stuck in a car, thereâs that awful moment of the knife sliding along the side of the van that cues up with the mounting tension in the soundtrack. Buckyâs arm impacts the pavement and actually dents it, etc. Theyâre jumping over/behind the cars and getting thrown into them/into the pavement in a way that feels more visceral than just âwhoosh there was a wire & we CGIâd in the restâ. t has a sense of real world space to it, and that adds to the feeling of real world stakes.
This is one of the few fight scenes I can recall seeing that makes a little knife look like a real threat. Like I am legit scared for Steve when that thing darts in, because heâs not wearing armor and it really feels like the WS could open him up like a can. I feel like movie fight scenes donât usually hit that note with knives.
Itâs worth pointing out that this scene WAS filmed on a actual set with actual asphalt and cars (with fall pads and stuff, but still). They really were interacting with their environment.
But as a fight nerd, thereâs one other thing I want to point out about this fight, and it goes back to @mikkenekoâs point about the knife:
This isnât a magic fight.
Yes, theyâre both super soldiers. Yes, WS has a vibranium arm. Yes, Steve has a vibranium shield. But there are no magic blasts going on here. Thereâs no wuxia and minimal wire-work (mostly protective for the actors).
WS shoots at Steve until he runs out of bullets because thatâs the most efficient way to murder him. Steve either dodges or hides his whole body behind his shield because thatâs the most efficient way to not get murdered. The shield gets thrown, caught, thrown back, wedged in a car. Then itâs a knife fight. Throughout, itâs really obvious that neither of them are fucking around. WS is trying to just straight-up kill Steve, Steve is trying to not die. No banter. No dick-measuring. No quips.
This fight is brutal, efficient, and not flashy. Steveâs knife defense is textbook, and aside from that cool little flip that was almost too fast to clock, WSâs attacks are textbook. Heâs doing his best to control Steveâs defense and open a hole to wedge that knife in. Steveâs doing his best to control that knife hand and keep just enough space between them that he can close those holes before WS can get to them. Itâs telling that heâs paying so much attention to the knife that when WS finally gets through his guard, itâs with his empty, vibranium hand. (Still no idea why he tosses him instead of crushing his windpipe though, that was 100% movie logic.)
When Steve does that flying knee at WS, thatâs not about flashy martial arts moves, thatâs about brutal efficiency. Your knees and elbows are the hardest points on your body. Steve can engage in fisticuffs with normal people; he can knock out hitler over 200 times. He could also break his knuckles on WSâs face before doing any appreciable damage, and we watch him figure that out. So itâs not kung fu, itâs muay thai. Itâs krav maga. Those flips arenât for show - thatâs pure Jiujitsu, the ruthless throws that are supposed to segue into joint locks and dislocations. That is the way to take your opponent apart, literally. He was trying to rip WSâs non-vibranium arm out of its socket.
That pile-driver? That was meant to break WSâs neck. A normal person would die instantly if Captain America pulled that WWE shit on them. We are into the gritty shit now. We have two extremely strong, extremely skilled men who are just trying to kill each other because the only way to win this fight is to die last, and it shows.
They scramble for position through the fight. When one move fails, they donât bother breaking apart before finding the next-most-efficient killing move and trying that. This is what two people who are actually trying to murder each other look like - most street scuffles stay on the ground once they get there and donât involve this much skill, but we can excuse that because itâs Captain America and the Winter Fucking Soldier. I still recognize the blocking of this fight as a real fight, not a spar. The urgency, breathlessness, the pragmatism, the messy transitions between moves as you just keep trying to improvise faster than the other guy⌠thatâs all correct.
Thereâs no magic. There are fists, feet, elbows. Thereâs a shield and thereâs a knife - the first and oldest human-made tools of war. There are chokes. There are joint locks. Not a word spoken. And it helps that they are really there - landing on cars, landing on asphalt.
No other MCU fight even comes close unless youâre including the tv shows, because that Daredevil long-shot hallway fight was pretty fucking badass too.
I thought for a moment there were actually gonna be goats fighting..
F2U character sheet templates
A friend of mine was having trouble making reference sheets for her characters, so I made quite a few!
I figure these could be really useful if anyone else was struggling too, so these are all F2U
They could be really useful for Artfight, so keep that in mind :)
gigs dnd :3
I want more chronic pain whump. Give me a cocky, independent character who suddenly canât walk because a sudden rain storm aggravated their old leg wounds and now they have to lean on a friend to get home. Give me a usually stoic character shaking with pain during a flare up. Give me a character whoâs finally healed having their first bad pain day and abruptly feeling like theyâre back at square one.

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It was very powerfull to see this in MCCI Parkour Dojo Cource 5 chat, while I was trying to cheer my friend up about the fact that with practice everything gets better.
Shoutout Etho who I have now caught multiple times helping people figure out jumps on parkour dojo. Hes trully a cool guy.
Technically a quote so this is going here, guys remember practice leads to perfection, don't give up doesn't matter what the hoby is.
im gods weakest faggot
iâm gods strongest tranny letâs team up. what if we called ourselves team rocket
im gods most literate cat can i join
Iâm a straight up mob boss with a lioness for a pet, youâre all hired.
my yellow rat and I find this really offensive and problematic
wobbuffet
âViciousâ Leopard seal tries to keep national geographic photographer alive by feeding him penguins.
@maculategiraffe tags
Magical girl who had wanted to be one so badly but never had that magical mascot/mentor encounter so she summoned a demon to contract with instead.
It's not a dark story or anything, the magical girl is just as cute and cheery and friendly as factory standard and never loses that faith and optimism, she's just Pact-bound to a frightening demon from the underworld instead of a cute teddy bear mouse.
âWhat if heâs manipulating her to evil-â No.
âWhat if she needs to eat souls to survive-â No.
âWhat if she becomes horrified with what sheâs becoming-â No.
Demon being viewed as weird for making a pact with a cute, cheery schoolgirl.
At every demon party where they show off their pacted there's evil, terrible, and frighteningly beautiful and then there's this teenager in a cute magical girl dress.
"I don't get you Goragog." "Listen, it's nice. Just nice! Can't things be nice? Is it a sin for things to be nice?" "No and that's part of the problem..." "You're just jealous Samantha created a "bffs forever" blingee with me. When was the last time one of your warlocks did something like that for you?" "*on the verge of tears* it's been DECADES!"
Meanwhile on the other side of the room...
"So what do you get in exchange? I get eternal youth and beauty."
"Yeah, and I get all my enemies smited."
"And my guy gave me immeasurable wealth. What'chu got, kid?"
"This super cute compact! Isn't it pretty? The heart-shaped jewels are so sparkly, and the mirror is always spotless!"
"...."
"And since we're pactbound, we're basically roomies now, so I also get a cool best friend and sleepovers on weekends!"
"...."
"Oh, and I also got my magical powers, of course."
Er'trian, Harbinger of Eternal Night, Defender of the Shrieking Chasm, and Lord of Eight Furies stared at eir favorite rival in confusion.
"But it's a pact," ey said. "A deal. An exchange is built in! You can't just Bestow Magical Powers for nothing in return. So what are you getting out of this, Goragog???"
Goragog's dark eyes wept their endless ichor. A halo of eldritch nightmares flickered around his head. With deliberate slowness he turned to meet Er'trian's accursed gaze.
"The power of friendship."
Fucking hate how so many of my good posts go to waste because they would dox me. Fuck you what IF I want my mutuals to know my home address???

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Metahuman with super healing powers whose entire job is that once a week they go to a nearby hospital and are put into a medically induced coma for 24 hours while all their organs and blood are harvested, and kept there until they've healed up again.
They get paid a small stipend by the Heroes Council for this, and they live off that.
No crime fighting, no obvious heroics, and they only took a Super Identity because it's technically hero's council policy. Nobody's ever seen them in a cape.
Every so often the Heroes council will release an official report to the public, and there'll be another bunch of news articles wondering how some unknown super calling themselves 'Meat Factory' somehow consistently holds the record for most lives saved across the city.
It is essential to my vision that they are not at all sanctimonious about this.
Like, they regularly act like they're getting away with something. They joke about how they get to earn money in their sleep. They show up to their hospital visits in deliberately ridiculous disguises, on the excuse that they need to 'protect their identity'.
Part of their employment contract is that they get served the same post-operation vanilla ice cream that they normally hand out on the childrens' ward. Also a sticker. Their overnight bag is covered in stickers.
A/N: Little teaser for a past life Pearl-centric Villies thing Iâve been working on. No content warnings, all canon dialogue (with some edits and cuts for story flow). - Aqua
~
Pearl is knee deep in a sand pit, digging out a spider spawner dungeon, when her ears prick at the sound of distant footsteps.
She falls still, turning her face to the wind. Two familiar scents nip at her. One is a strong, earthy sort of musk with a sharp-sweet tinge, like freshly stripped birch wood- which can only be Gem. The second one is milder and a little dusty- that âold jumper mixed with feathersâ smell sheâs come to associate with Grian.
âHello? Hello!â she calls, quickly climbing out of the sand pit and glancing around.
Gem and Grianâs arrival brings mixed feelings. Sheâs known them both a long time, and theyâve generally maintained a good friendship. If this were Hermitcraft, sheâd be anticipating some light-hearted shenanigans or a consultation about a new build, maybe even some playful combat that ultimately has no consequence. But these worlds are different. Sheâs ended up on the opposite side of a battlefield from them before, and theyâre both formidable foes in their own right. This early in the game, itâs impossible to know their intentions.
Grian hops off the overlooking hilltop, fluttering to an abrupt landing in front of Pearl. âWho are you talking to?â he asks urgently.
âWho are you with?â Gem asks from the top of the hill. Her ears rove in every direction, nose wrinkling as she scents the wind; gathering information about her surroundings while she keeps her eyes on Pearl.
Itâs the most natural thing in the world for Gem to keep Pearl in her direct line of vision. Her species is technically prey to Pearlâs- a deeply buried piece of data theyâre both aware of but pay little mind to. Pearl doesnât take any offense by the way Gem sometimes stomps the ground and snorts in challenge, no more than Gem takes offense to the way Pearlâs eyes dilate when she breathes in her scent. Thereâs no easy prey here and they both know it.