The kiss that should have been
AnasAbdin
Mike Driver
Cosimo Galluzzi

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blake kathryn

JVL

Discoholic 🪩

祝日 / Permanent Vacation

Kaledo Art
todays bird

Three Goblin Art
RMH

PR's Tumblrdome
Keni
Not today Justin

Origami Around
dirt enthusiast
"I'm Dorothy Gale from Kansas"
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@edsblanketfort
The kiss that should have been

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I love both of them so much 🥹
reblog if you support unabashedly smutty fanfic
and the beautiful authors who give it to us. you are a treasure.
Thinking about how Ed could totally afford fine fabrics and marmalade on his own but he never even tried for them. So when he meets Stede, yes they have an immediate trust and understanding and laughter, it’s amazing. Nothing they’ve ever got close to before in their lives. But why does Ed actually believe this time he can have Stede and his nice things, even temporarily? I don’t think he does. But he’s decided it’s not so important to protect himself anymore. He can take the risk of trying for Stede and other nice things (Stede is a nice thing) because even if he fails, well, dying, haven’t tried that yet
I love the message that if you’re feeling like you can’t continue with your life, you may as well try for the things you never even considered were possible instead of giving up. After all, Stede did that too

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I don’t post often because my ability to communicate with people is kind of maxed out with stuff I don’t have much of a choice about, so I love being able to contribute by joining in with stuff like @ofmdcraftfair. Thank you to everyone who made it happen!
I am so excited to decide where to stick @tulipseason’s sweet stickers
I can’t wait to see @clairegregoryau’s beautiful pendant in real life
And Gerby!!! Gerby is so good and polite and coming to my house!!!
Thank you @oatmilktruther for creating Gerbys and donating Gerby (2), and being willing to trust a stranger to look after him. Thank you @ourfag for stellar work in the conception of Gerby, I was in love with him as soon as I read “it has a head on one end and some limbs in the middle. possibly a tail but this remains unclear”. And @margaritaville, as bidder 747 I salute you for a battle well fought. I will be understanding if a plague befalls me, and eternally grateful if it doesn’t
I will post photos as proof that Gerby is safe, loved, and probably going camping with me in the New Forest (UK) at some point
So like, fandom has a racism problem, yeah. That's not a surprise. Fandom's just a microcosm of the rest of society, and society's got a racism problem. But the more I look across content, the more I've started to realize people don't seem to understand why racism is.... a problem.
And that makes it harder for people to see racism, when they don't really... understand why and how it's a problem. I've been thinking about this for the last day, and so I'm making this post today because I finally had a chance to sit and put my thoughts together in a way that I hope will make sense.
Because here's the thing. I've been getting... more and more the idea that people think racism is a problem because it makes people feel bad. That Jim stabbed that British officer because calling Frenchie a slave was an insult that hurt Frenchie's feelings. That Ed had the French captain skinned and thrown overboard because calling Ed a donkey hurt his feelings. That the ship full of aristocrats were jerks because they hurt Ed's feelings.
And like. Yeah, I mean, on a very surface level, their feelings were hurt, sure, those were shit things to experience. But it's not about their feelings, first and foremost. Racism isn't about making people feel bad. Those things weren't bad just because they were especially shit insults.
Racism is about making structural oppression. It's about making people less - not making them feel less, but legally, socially, morally, literally, less than. It's about establishing "this is a person, and that is not a person". It's about society wide depersonalization. And in the context of OFMD especially, it's about whiteness and colonization, and the way that racism is the socially created and legally enforced system through which whiteness decides who counts and who doesn't. Who is a person and who is a thing.
Slaves and donkeys? These are things. These are items to be bought and traded and sold and put down and compensated for the loss. They are not people with rights and freedoms and protections, they are line items on someone's accounting sheet, objects with monetary value pre-determined and understood.
Frenchie isn't called a slave because that British officer (yeah, I'm not learning his name, not sorry) felt like being an ass or wanted to make him feel bad. He called Frenchie a slave because he was furious that some thing, some object, some less than creature, was speaking to him as if they could have even the faintest hope of being on the same playing field, let alone equally human. He was declaring Frenchie an object and a tool that should be silent unless spoken to.
That's why Jim throws that knife at him. That's why Jim is pissed enough to blow their cover even with a fuck-off huge warship right next to them.
Because everyone on the ship knows exactly what being a slave would make Frenchie. And Jim especially has reason to be aware of and sensitive to that, given that Jim is in love with a Black man who's already been being demeaned, dismissed, and disdained through this whole encounter.
Those British officers get their shit wrecked because they're declaring people the crew loves to be less than they are, less than human, reminding them all that in the world outside of piracy Frenchie, Oluwande, and Roach aren't people but property. Objects. And that shit's not fucking acceptable.
This logic directly follows through with the French captain Ed has killed - which, let's be clear, that French captain was definitely going to be killed no matter what, because this is a pirate raid and if they massacred what seemed to be a majority of the crew already, there's little chance they'll leave the dickbag captain alive behind them. So this isn't a man who got killed because he was a racist fucking dick.
This is a man who got himself a worse death being a racist fucking dick.
The scene plays out in a very similar way as the previous dickbag racist to get got, except in this case, there's no Jim to to take control of the situation (Stede is not able particularly helpful here because of his own implicit biases that he's yet to unpack), there's just Ed and Fang here to react to this situation.
And the situation is - the French Captain being a racist, and specifically choosing to focus on being a racist to Ed rather than just being generally anti-pirate. I'd thought that was pretty clear until I came across the sentiment that Ed is lashing out here because his "feelings were hurt" rather than because he was responding to racist bigotry, so let's be blunt about that.
Stede starts the interaction with a characteristically bitchy remark about how there's a distinct lack of saucier spoons on this "supposedly first class vessel", but when the French captain throws out, "my apologies... hadn't imagined we'd be hosting your kind", the meaning of that statement goes right over Stede's head. He registers insult, sure, but the way Ed stills there? The way he closes his eyes and then turns and requests clarification in a way that is clearly meant to give this asshole a chance correct his mistake?
That's Ed identifying what Stede missed. That when the French captain says your kind he's not referring to pirates. And that's made clear by the fact that when he continues on, he doesn't direct his response to Ed And Stede, he directs it to Ed specifically.
"A rich donkey is still a donkey."
That's the French captain doing what the British officer did. Naming Ed for an object, a beast of burden, a thing that is not worthy of recognition or respect or acknowledgement. Ed's Blackbeard and yet as far as this asshole is concerned, by the very fact that he's not white nothing he's ever accomplished, not the fear he inspires or the legend he's built, matters in the face of that.
That's what racism is about.
It's about whiteness establishing that the most successful, the most fearsome, the most legendary of all pirates is an indigenous man and that makes him worth less than any white man. He's got this captain's life in his hands, and even that can't make the man treat Ed with a crumb of caution or respect. He's not a person to that French man. He's an upstart, an animal stepping out of line.
And honestly, I think too many people think Stede's reaction was the right one. Because it wasn't. At all.
Stede's not helpful here, I mentioned earlier, because he's got his own implicit bias acting as baggage. When Ed expresses his absolute fury at this man calling him a donkey, a beast of burden, an animal, even though he doesn't know nothing about Ed, Stede's response - is to try and stop the anger, rather than address the source of it. "Don't debase yourself for a man who doesn't have a single tureen on board." @knowlesian has written some great meta on the subject of this response, but to put it simply - Ed also doesn't have a tureen on his ship, Stede, and there's nothing debasing in a natural and normal anger response.
Someone labels you an animal, a beast, a creature, you should get angry. They should get cussed the fuck out. Especially because again, it's not unique. The French captain is very effectively reminding Ed that the greater society, the world, will never see him as a full person, deserving of respect and acknowledgement, no matter what he has or how he carries himself or what he accomplishes. It's foreshadowing how the party will go - to the white world, Ed will always be a novelty at best, a disobedient animal at worst.
Lashing out at that, especially with words, isn't debasing yourself.
And honestly, that guy getting thrown overboard? And skinned? (Though really, it's up in the air as to whether Fang actually bothered with that.) That's a power fantasy for so many of us fans of color, lmao, the idea that god, one of the fucked up assholes out here doing their level to remind us that the world does not see us as full and equal people, gets to suffer and die.
It's not because his feelings were hurt. It's because just like the British officers, this man is reminding Ed and the audience that the structural power of racism is such that you can never win within the system of it, because the system is built to keep us out, keep us down, keep us pinned.
Stede's reaction makes sense, because he's part of that system too - he's been born and raised in it, in the respectability politics, in the genteel illusion that the upperclass way of doing things, where you direct the initial response to the person reacting too loud, too public, showing all that messy, uncouth emotion rather than the person who's actually the problem. You look at the response rather than the source.
And Stede, to his credit, isn't trying to shut Ed up. He's trying, in his own way, to be helpful, actually!
But Stede doesn't know what it's like, to be considered not a person. As a white gay man who everyone has been able to clock as gay his entire life, he's been treated as lesser than and wrong and disgusting his entire life, by his father and his peers, but he's till a rich, land-owning white man. That makes him a person, even if a despised, rejected, undesired one. His society sees him as a person, someone who could even, theoretically, plausibly, be treated with respect if he could just behave according to their rules.
That's not an opportunity you can have, with racism. It's one of the underlying differences in homophobia and racism that I've personally felt, as someone who's experienced both. With homophobia, what you are is wrong but the expectation is that you can, should, and must, act "right", behavior "appropriately" and then you can fit in. At the bottom of the pack, but in. With racism, you're always out. You can't change your race. You can't change what you're identified as on sight. You can't do anything to overcome what you are, and that's why you're treated as and understood to be less than.
And in this time period, that's very much a legal standing, far more overtly than it is in 2022. Black people aren't people, in 1717, they're property or soon to be property or creatures without real intelligence who need to be minded by their betters. Indigenous people aren't people, they're savage animals who need to be minded by their betters, uneducated, uncontrolled.
The response to the British, and the French, and later to those aristocrats, is appropriate in this world, because this is a world that does in fact, cater a bit to that fantasy - what if some people got what they deserved, sometimes? What if it was in fact, the right thing, to fuck up a racist? The internet loves to talk about punching Nazis and TERFs, as they should, but the same goes for a racist too. These guys are reinforcing a corrupt, horrific system of abuse, and they get what they deserve.
I'm sure this won't reach many people. But if you read this post, I hope you think about what racism is, and how it works, and understand that it's not about the individual at all. It's about the system at play and how that system dehumanizes and minimizes and objectifies whole classes of people for the sake of uplifting a single race and making everyone else into objects and novelties and creatures rather than people.
Next time you see someone say Ed "had his feelings hurt" by the French captain, or imply that the British navy were "rude" to Frenchie, Oluwande, and Roach, remind them that they weren't fucking rude, feelings weren't hurt, they were being actively dehumanized in accordance with an overarching system of widespread oppression.
Film Fortnight: Comedy What We Do on the High Seas (a.k.a Interviews With Some Vampirates)
Stede realising that he's fallen in love with Ed 🥹
👻 Happy Halloween! 🎃
~ Attacker Cat Ed & Devil Stede ~

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the writers really sat down and were like 🤔 ok so roach is the crew’s chef. also the doctor if needed. ALSO, he’s into torture
he also loves a spa day. also, he's a cutie pie
sooo true. he’s also a generous soul who makes sandwiches for crewmates getting kicked off the ship even though they never get eaten
omg wait that makes it worse that frenchie is the only one who appreciated roach's sandwiches and promptly almost died 😭
😭 reason number 847 that ofmd shouldn’t have been cancelled: roach deserves a full circle moment where someone enjoys his sandwich without it being bonked on someone’s head and falling into the water, slapped away to hit someone in the face, OR the cause of a severe allergic reaction
scurvy bilgelicker
Ed + Stede Moments Per Episode: 1x4 - Discomfort in a Married State
It feels easy. It's just like breathing. He understands my idiosyncrasies. Finds them charming, even. We expose each other to new things, new ideas. And we laugh a lot. We just pass the time so well. I'd call those things love. I hope you find that

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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sometimes i wanna make like a post that goes something like "reblog to give ed a baked potato" but i really dont like the idea of having a "reblog if/to" post circulating in any capacity. but . i think i may have discovered a workaround
push the button to give him a baked potato
baked potato
toppings & accessories for baked potato
antacid for after baked potato
I wanna take a minute to talk about the Looks of the entire cast of OFMD S2.
I think we're all pretty familiar with the male gaze. Lots of skin, tits and ass, that sort of thing.
The female gaze has been debated, but it looks something like a sexy college professor or himbo househusband.
What OFMD S2 absolutely nails is the queer gaze.
Look at this man.
An absolutely beautiful man. Who wears crop tops and leather pants. Long hair up in a messy bun. He's wearing eyeliner. And pearls.
And here.
Drawn on facial hair. Spaulders. Bracers. Fishnet sleeves. A MOTHERFUCKING MULLET.
These badasses.
The teeth and chains. SO MUCH MAKEUP. Big fancy coat with nothing underneath. Glam met goth and fucked out these looks.
And THE SWEDE!
Cropped jacket. Ponytail. Asymmetrical button fly. Decorative chains (again).
All of this screams queer. If I saw any of these people in a bar I'd be like "Yep, one of us." The gender fuckery of it all. The feminine and the masculine all thrown in together in perfect combinations. Decoration for its own sake. Jewelry and flashy adornment and gorgeous peacockery.
And we love it. The fandom is going absolutely feral over these looks, these actors, as we very well should. There is not a single member of this cast who has not had beautiful art lovingly made depicting them.
Fuck the male gaze, fuck the female gaze. Give me the queer gaze. Give me queer creators making queer media for queer audiences and absolutely nailing it. These people are not at all what Hollywood usually thinks sexy looks like, yet we want to devour every one of them. This is what queer beauty looks like. What queer sex appeal looks like. What queer desire looks like.
Fuck yes. It's about time.