My vision... it is so vivid in my mind.... I cannot focus on my life. I must release it to the world

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noise dept.
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he wasn't even looking at me and he found me

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@echogracebeloved
My vision... it is so vivid in my mind.... I cannot focus on my life. I must release it to the world

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it's midnight and I'm practically in tears at the thought of rocky becoming sort of a patron saint of safety in the dark back on earth
Weighted plushies of Rocky being made. Parents giving them to their children, telling them "It's okay! Rocky's here to watch over you. He'll make sure to keep you safe."
suddenly thinking about the courtroom scene, of Stratt being accused of pirating literally everything, and Grace later having everything in the various computers aboard his ship that he gave a copy to Rocky without issue, and the beetles having such a massive memory capacity and...
Stratt was a historian. She wasn't just pirating for the sake of entertainment for the astronauts, she was doing a full historical backup of the planet. Who knows how much knowledge and communications ability, how much art and culture and history, how much niche knowledge of how to make specific pieces of modern technology or modern medicines, was lost as the wars for resources isolated everyone, as the death tolls led to the deaths of specialized trade workers and scientists, as the power grids failing across the planet (or cut off, potentially) led to all the cloud servers going dark. Stratt was facing methods of combating extinction and she did her best to ensure that if/when the Hail Mary worked, it would send back not just the hope of the future in the solution to the astrophage, but the restoration of history and culture and knowledge.
Just.... she pirated everything, and put it all on the Hail Mary.
I can’t find the post but someone mentioned it and now:
The video diaries aren’t just Grace talking to Earth. They’re Grace talking to Stratt. Doing what he always did for her, explaining the science, breaking it down. It’s not clear how much of the rest of his life he remembers over the course of the movie (and beyond) but he absolutely remembers her, she is what he has left of Earth to hold on to up there.
It’s undeniable that she’s the one he’s addressing in the final entry, when he says goodbye. But I didn’t realize it was all of them. She is the “Grace friend” Rocky asks about. It puts her there on the ship with him, as long as he can communicate to her they’re still connected, he still has a sense of her presence with him. And how much more of a gut punch that makes his memory of the sedation, as he grew to trust her all over again through his flashbacks, as he felt closer and closer to someone who was light-years away. Only to remember that she betrayed him, that he failed her, that the friendship he was still relying on as he pieced himself back together was already gone, and even if he went back it could never be the same.
Insert the gifs here of Grace passing Rocky’s xenonite figurine of himself to Stratt, and the beanbag Earth to Rocky (which Stratt gave him as she told him to get to work), as his goodbyes to each of them, he’s so surrounded by them and passed between them and a conduit for them. I need to watch the movie again.
once a teacher always a teacher

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steve rogers adjusting to technology and using a pen tablet though
I saw this strip years ago and keep pointing to it when people touch on the same subject
STEVE👏🏻IS👏🏻SMART👏🏻
The curse of being a pretty blonde.
Say you break your ankle. You could know everything there is to know intellectually about the injury. Even with this vast knowledge, you will still experience physical pain.
Now take this logic and apply it to things like ADHD, autism, clinical depression, and other less visible/divergent disabilities. You cannot think your way out of feeling.
That is to say: you are not a bad, lazy, or selfish person for struggling, even if you know why you are struggling.
Genuinely, thank you so much for this.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Talking
An important tweet
This is such a "common sense" way of putting it. Everybody memorize this for spitting it back out whenever needed.
Never thought I'd have the opportunity to say this again: Reducing women and girls to their vaginas and then forcing them to show those vaginas to strangers is not a feminist ideal.

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it would suck being a new immortal. like it’d be 2109 and people would go, “what was it like seeing ancient civilizations rise and fall like that? seeing the pyramids being built? watching the expansion and growth of the new world?” and i’d just be like, “no…no i was born in 1991. so like, wow i’m gonna see some cool stuff, but, i mean i’m not that much older than just a really, really old person, you know? phones were big back then. so big. but only for like ten years, then they got like, as good as they are now. uh. rhinos existed. don’t think i ever saw one in person. cool, good talk.”
even worse, imagine being an immortal who keeps missing stuff. “What was it like seeing the pyramids being built?” “Fuck if I know, I was in Madagascar.” “Oh, okay. Well, how was the Renaissance?” “I fell down a hole in Scotland and people thought I was an enchanted well for four hundred years, it was over by the time I convinced someone to get me out.”
And now, a lesson in biases:
We barely know anything about Madagascar pre-500CE. We don’t even know whether the island had a permanent population before then, despite finding a bunch of much older signs of temporary human presence.
Malagasy mythology makes mention of the vazimba, a “precursor” ethnic group that might or might not be distinct from Madagascar’s current population.
The point is, we do not know.
So you were in Madagascar when the pyramids were being built in Egypt, i.e. during one of the most obscure, most undocumented parts of Madagascar’s human history?
Oh, buddy, you better go and make a bunch of anthropologists and archeologists really happy RIGHT NOW instead of feeling bad about missing everyone else’s pet Major Event.
It’s been a decade since we left that comment and you have the best reply anyone’s left to it.
The World
is violent and mercurial
it will have its way with you.
We are saved only by love --
love for each other and the love
that we pour into the art we
feel compelled to share: being a parent,
a writer, being a painter, being a friend.
We live in a perpetually burning
building and what we must save
from it all the time is love.
Tennessee Williams
Project Hail Mary fans after finishing the book and the movie
these are the questions about history that the people really need to ask
I love these sorts of questions, truly I do. I have a bachelor and masters in history, i love history, but I understand that not everybody feels that way! In elementary school we are often only taught about big wars and made to memorize dates and the names of kings and all that, but history is so much more than that!
These are the types of questions that can help people get into history because you get to find out that not only did people do backflips in ancient times, but then I as a historian, get to tell you that there was a whole fun cultural tradition in the Minoan period colloquially referred to as Minoan bull leaping where people ran straight at bulls and did a flying front flip over them!
Which might then lead you to ask why did they stop? And I get to tell you that it didn't! Its still practiced in Spain! And in that moment I have given you at least a 3000 year span of history that you know people did flips in cool ways which might prompt you to want to know more about cool acrobatic traditions!
Anyway I love history, especially the history of the every day, if you ever have a history question no matter how silly you think it is please always either look it up or find someone to ask, our ancestors were a lot more human than we give them credit for.
YOOOOOOOOOOOOOOOOOOO
Movie about a depressed and rather morbid autistic man planning to commit suicide and picking up a number of odd jobs in an effort to raise enough money to meticulously plan and prepay for his funeral so his mother doesn’t have to worry about it after he is gone. He begins to connect with people and enjoy life for the first time while working part time as a greeter in the funeral home, helping an eccentric old lady organize her basement, walking 7 dogs and maintaining a feral cat colony for a guy with a broken foot, playing a number of bit parts in local ads and stocking the shelves at the convenience store at night. In the end, he has befriended many of his neighbors and he decides he does not want to die and goes back to school to become a funeral director instead.
He is popular at his funeral home gig because he keeps accidentally saying things that are very reassuring and death positive. Because he wants to die. He eventually donates his funeral fund to the old lady’s granddaughter after her sudden death so she does not have to sell her grandmother’s prized possessions to pay for her funeral.
The old lady gifts him one of her ceramic cats at the beginning of the film which he reluctantly accepts out of politeness. Near the end of the film, he adopts a friendly cat from the cat colony that looks remarkably like the ceramic cat and names it after her, signaling his commitment to surviving and caring for his cat the way the old woman lived for her ceramic collection.

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Say you break your ankle. You could know everything there is to know intellectually about the injury. Even with this vast knowledge, you will still experience physical pain.
Now take this logic and apply it to things like ADHD, autism, clinical depression, and other less visible/divergent disabilities. You cannot think your way out of feeling.
That is to say: you are not a bad, lazy, or selfish person for struggling, even if you know why you are struggling.
Genuinely, thank you so much for this.
I will stand firm in these designations. Simon is a big sweetheart and people don't talk about that enough.