dnd is cool

The Carnal Crew

The Sheridan Tapes

Alright so I’ve officially finished season one of the Sheridan Tapes and I think overall it was a great run. I’d say the first half of it was a little bit frustrating for me but that the last 6 episodes or so really started to feel much more consistent and focused. I get why the first 14 episodes are the way they are but for me it just felt like so much build up that never fully satisfied me. It’s probably my editor brain kicking into gear but there was a lot of early episodes that I think could’ve been simplified.

That said, I think there is an art to writing a podcast that can anticipate fandom and can play off its audience and I think The Sheridan Tapes is an incredible example of that. It’s not really my style of audio drama but the fact that it’s been able to sustain a fan base and grow a community around the story and characters is really inspiring. It’s that fandom that makes other people want to listen and it’s always amazing to watch that magic play out via different corners of the internet. And quite honestly I’m sure the things that I was frustrated by in terms of plot and pacing are what avid listeners love about it. Even if I had some issues with it, I’m glad I finished the first season and gave it a shot! The people who make it are lovely and I’ll probably at least start the final season (which got fully crowdfunded!!)

Shipworm

Two-Up Productions has produced some of my favorite fiction podcasts (36 Questions, season 1 of Limetown) and though I'm not sure this is really the "first" feature length audio drama piece, it might be the most memorable. Something that I think Two-Up does really well with their audio projects is that they treat the listener's position with a lot of care. In the case of Shipworm, the space for the listener is claustrophobically intimate and yet alienating, cleverly using spatial audio to put the listener in a liminal space between technology and consciousness. This relationship between the listener, Wallace (the main character) and the voice that may or may not be real is the main crux of this piece, holding all the character development, causing story twists and fueling a tone of paranoia throughout. The music and scoring is cinematic and impressive, the acting is masterful and even though details of the story could get confusing, there was never a point where I stopped trusting the writing to fill in the blanks and hold my hand. I recommend finding time to listen to it in all one go, I think there are some natural pause points where you'd expect an episode to end or an ad break to break up the flow but it was an incredible experience to absorb the whole story in a 116 min sprint. I can imagine relistening to this a couple times just to experience it all again, the immediacy and style was such an entertaining listen.

Joy to the World

This holiday limited series from audio drama vets like @starplanes and @innbetween is so cute and wholesome, a perfect feel good listen written for all ages. It’s a sweet little collection of audio Christmas cards in the form of holiday conversations shared over the radio waves, hosted by a lonely astronaut, Joy. It’s got some Charlie Brown Christmas references mixed with Delilah-esque intimacy and some nuanced discussions about family, vulnerability and queerness. Each episode is a snack sized scene that melted my heart, there’s 7 episodes out that I listened to all today. Really looking forward to the rest leading up to Christmas Eve! My favorite one so far is “Dorothy, Out at Sea”

Also for me, Christmas and radio is such a classic combo and it’s so cool to have holiday audio drama like this to listen to. I’m curious if there are other holiday-themed fiction podcasts out there?

Edit: didn’t realize they have a tumblr! @jttwpod

Burning Gotham

This week I listened to episodes 6-7 as well as a behind the scenes bonus episode and it unfortunately is just not doing it for me. In addition to all the other critiques I've had of the show over the last few weeks, what I realized this week is that the thing preventing me from liking this show is my editor brain flagging missed opportunities. Of course, this is kind of useless and selfish feedback because the underlying mentality is "this is what I would've done." But I think for my own ears there are a lot of choices in terms of pacing, structure and aesthetic that feel more distracting for me as a listener than engaging. And it just takes me out of the experience. Like why was there sound effects and 1835 scene audio all the way through the bonus episode? I understand the cutting into the scenes for reference but why is it present throughout people's interviews if this is the non-fiction part of the show? I can hear and see the shape of influences like 1865 or even something like NPR's Throughline which is why I was excited to listen but there isn't any particularly strong commitment to a recognizable style to get me excited to keep listening. I think there's only one episode left so I'm probably going to listen to that last one but I probably won't write about it.

Honorable Mention: