ERR0R

After sifting through hundreds of photos... I have realized that every time Simon takes a photo in the SM-13, he's pulling up a frame to a stop motion animation.

And it can be played back as video.

So, I took each black box photo and compiled them together. You can now watch Simon's entire journey from the SM-13's camera like found footage.

You can also gain access to Simon's amazing photography portfolio from my master reference project, as well as the video for yourself.

Please, have a watch. It's terrifying. I feel like a C.O.I. lab tech delving into something I really shouldn't, and it's a blast!

FREESCOSTUME

1. Ah Fai was a chief animator for McDull’s animated features. He’s super cool. Ultimate senpai. 

2. Previous post on breakdowns right here 

Some thoughts on acceleration and force

I presented this in the order of how I slowly understood the trick of delivering force - first an abstract concept of impact taught by Ah Fai, then a more complicated discovery on the acceleration pattern, last back to a more abstract concept of breakdowns. 

Like I’ve previously stressed, 2D animation is everything but one single approach. There’s no one rule that rules them all, but interchangeable ideas with math, or physics, or music, etc. There’s no “perfect” animation either, but what is perceived as organic and dynamic. E.g., using the Fibonacci numbers to animate didn’t bring me a perfect animation! On the other hand, a tiny change in the pattern could already make the feeling of force so much more powerful.