Azukime chair.
ojovivo
Sade Olutola

blake kathryn
Stranger Things
d e v o n
occasionally subtle
we're not kids anymore.
Three Goblin Art
Acquired Stardust
Cosmic Funnies

⁂

❣ Chile in a Photography ❣

izzy's playlists!

he wasn't even looking at me and he found me

Alisa U Zemlji Chuda
Claire Keane
I'd rather be in outer space 🛸
Lint Roller? I Barely Know Her

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@dromik
Azukime chair.

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Stout Memorial Hospital Wuzhou, China

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Acne Studios S/S 2014 | © Viviane Sassen
Fire Bowl. 19th century. Credit line: Gift of Mr. and Mrs. Samuel Colman, 1893 https://www.metmuseum.org/art/collection/search/47079
If we take Heidegger seriously, people can adopt attitudes toward modern technology that avoid dehumanization. In the Heideggerian context, "dehumanization" means for people to lose their understanding of human Dasein's world-disclosive capacity and thus to become nothing but clever animals, that is, particularly flexible raw material useful for increasing the power of the self-sustaining technological system . . . Successful coping with the new technological opportunities and requirements would involve learning how to be attuned to oneself as a flexible resource, while not understanding oneself as such a resource at all times and places.
Michael E. Zimmerman, "The End of Authentic Selfhood in the Postmodern Age?” in Heidegger, Authenticity, and Modernity: Essays in Honor of Hubert L. Dreyfus, Vol. 1 (2001)
Weiran.
Natalia Vodianova | © Patrizio Direnzo

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publishingforone
1804
For Giustini/Stagetti, Marie-Anne Derville produces the Serena Chair in hand-forged burnished stainless steel — a piece that holds the legacies of Jean-Michel Frank and Donald Judd in productive tension. → https://www.thisispaper.com/mag/serena-chair-marie-anne-derville
萩原 卓哉/Hagihara Takuya
Archive

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Boris Magaš architecture.
Jessica Miller Numéro Fr. #124 ph. Sean & Seng