Azukime chair.

Kiana Khansmith
Claire Keane

Love Begins
hello vonnie
Xuebing Du
Misplaced Lens Cap
we're not kids anymore.

shark vs the universe

Monterey Bay Aquarium
trying on a metaphor
Cosmic Funnies
Cosimo Galluzzi
Lint Roller? I Barely Know Her
One Nice Bug Per Day
cherry valley forever

★
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@dromik
Azukime chair.

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Stout Memorial Hospital Wuzhou, China

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Acne Studios S/S 2014 | © Viviane Sassen
Fire Bowl. 19th century. Credit line: Gift of Mr. and Mrs. Samuel Colman, 1893 https://www.metmuseum.org/art/collection/search/47079
If we take Heidegger seriously, people can adopt attitudes toward modern technology that avoid dehumanization. In the Heideggerian context, "dehumanization" means for people to lose their understanding of human Dasein's world-disclosive capacity and thus to become nothing but clever animals, that is, particularly flexible raw material useful for increasing the power of the self-sustaining technological system . . . Successful coping with the new technological opportunities and requirements would involve learning how to be attuned to oneself as a flexible resource, while not understanding oneself as such a resource at all times and places.
Michael E. Zimmerman, "The End of Authentic Selfhood in the Postmodern Age?” in Heidegger, Authenticity, and Modernity: Essays in Honor of Hubert L. Dreyfus, Vol. 1 (2001)
Weiran.
Natalia Vodianova | © Patrizio Direnzo

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publishingforone
1804
For Giustini/Stagetti, Marie-Anne Derville produces the Serena Chair in hand-forged burnished stainless steel — a piece that holds the legacies of Jean-Michel Frank and Donald Judd in productive tension. → https://www.thisispaper.com/mag/serena-chair-marie-anne-derville
萩原 卓哉/Hagihara Takuya
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Boris Magaš architecture.
Jessica Miller Numéro Fr. #124 ph. Sean & Seng