Fai_Ryy
noise dept.
tumblr dot com
Jules of Nature
hello vonnie
we're not kids anymore.
Lint Roller? I Barely Know Her

#extradirty
taylor price
Keni

bliss lane
The Stonewall Inn

Product Placement

izzy's playlists!
he wasn't even looking at me and he found me

🪼
trying on a metaphor

Discoholic 🪩

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@dreamingnebula

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My spouse and I were talking last night and the jeans problem came up so I want to talk about it with tumblr here.
The jeans problem was the favorite lecture one of my philosophy professors in college gave about the history of jeans and how it ties into capitalism/mainstream culture absorbing and monetizing any counterculture it encounters. So prior to the 1950s jeans were mostly an item of work-wear that you wore on the job as a farmer or factory worker or miner because they were cheap, durable, and hard-wearing. If you were off the job you'd wear what we'd call now dress pants or slacks. This changes in the 1950s when youth culture start wearing jeans as regular clothing, again because they're cheap, durable, and hard-wearing. But then jeans get absorbed by the culture and we start getting designer jeans, acid-washed jeans, pre-ripped jeans, and now we got people shelling out hundreds of dollars for "povertycore" aesthetic. And now jeans aren't even cheap, durable, and hard-wearing.
This came up because my spouse was talking about thrifting and spooky things (two of her favorite things) and how there was this trend of buying a landscape painting from a thrift store which was probably going to end up in a garbage dump and painting a sheet ghost on it to make it art millennials would like. But now you can go to Michael's or Home Goods or wherever and just buy a landscape painting with a sheet ghost on it, mass-manufactured by a corporation. The counter-culture once again being monetized and absorbed by the culture. It's the jeans problem again.
I want you to write for pleasure—to play. Just listen to the sounds and rhythms of the sentences you write and play with them, like a kid with a kazoo. This isn’t “free writing,” but it’s similar in that you’re relaxing control: you’re encouraging the words themselves—the sounds of them, the beats and echoes—to lead you on. For the moment, forget all the good advice that says good style is invisible, good art conceals art. Show off! Use the whole orchestra our wonderful language offers us! Write it for children, if that’s the way you can give yourself permission to do it. Write it for your ancestors. Use any narrating voice you like. If you’re familiar with a dialect or accent, use it instead of vanilla English. Be very noisy, or be hushed. Try to reproduce the action in the jerky or flowing movement of the words. Make what happens happen in the sounds of the words, the rhythms of the sentences. Have fun, cut loose, play around, repeat, invent, feel free.
Ursula K. Le Guin, Steering The Craft
“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”
— The 40 Most Rage-Inducing Problems in Tech
Everyone should be aware of nitter.net
for any address to twitter you can replace the “x.com” with “nitter.net” and you will be able to browse as if you have an account. Lifesaver.
Similarly, imginn.com works for most Instagram addresses. I still haven’t found one for Facebook.
another option for twitter is xcancel.com. same principle as described for nitter above
Without even thinking about it, I used to be able to fly. Now I'm trying to look inside myself and find out how I did it.

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i think every publisher should have to institute a ban on books that fail what i’m calling the “little life” and “what else?” tests
for reference.
and films and series. it's not... actually a very high bar to clear in terms of apparent "complexity," but it does require deeper honesty than a merely accurate account of a story, emotion, or idea.
i'll take something incredibly "simple" as my example — an anime called Laid-Back Camp. it shows us cute girls that go camping and they're very laid back about it. we feel laid back while watching it and begin yearning to go camping, even if we've never done any camping before. you get it — camp-back laid, back-laid camp, etc. the conflicts are short-lived and absolutely no larger than life. it's cozy. it's cute. fans put it on in the background to rewatch it a million times without actually paying attention to it. it's as simple as simple gets, and possibly, at this point, has been loved all the way down to the state of a very dead horse.
but it's not... about camping. and it's definitely not about living a conflict-free laid back life.
what it might be about is: friendship, community, growth, adventure, meaning, balance, or even a whole life philosophy. perhaps it's even about the medium and stands proudly as a case of "the medium is the message," its every scene one beautifully painted frame after another.
it didn't become popular bc it was simple and cozy. it became popular bc it contained meaningful ideas and touched something intimate in the experiences of its audience.
using the reference anecdotes as guiding stars doesn't mean a book or movie needs more bells and whistles. it doesn't mean a poem about a sister's death has to be reworked to also be about... idk, weather, capitalism, and dating. but there's gotta be something under the shock and grief of that passing that feels even more honest than grief to create an experience that speaks louder to its audience than a diary entry. maybe it's finally admitting to relief, jealousy, self-loathing. or even the opposite — grief is the more honest element that underlies another story or idea about the sister or the author, a truth which would not have been confessed if not for the act of writing the poem.
do more, be more, confess more, desire more, admire more, love more, hate more, lie more, perv more, gorge more, heal more, attack more, see more; feel more
pick up that non-fiction book
not all of us can live in fantasy 100% the time like i see some people on here do and it's refreshing to learn something new. its been philosophy, essays, and history for me and i feel much more at home on planet Earth for it knowing that people have been struggling and wishing similarly for millenia.
its not that fiction doesnt have its place, its important and healthy to exercise the imagination, but non-fiction can do so much to boost and supplement that. if not for yourself, for your art or for the people you're around
"representation matters!" but you wont read or engage with non-fiction works about any demographic outside your own
I hate I when I get an idea for a novel. Like oh no here starts the slow sad slip n’ slide to dissapointment again.
You ever been 30,000 words and hundreds of research hours into a project when you realize hey wait a minute. I don’t like this. This is bad.
Ok adding to this though that even though it is extremely relatable, this is a KNOWN thing with professional writing. 10k is often referred to as "having a pot boiling" or "having a stew" - it's the point where you often see an idea coming together and it's exciting! But THEN... 30k-50k is the point where that fun has to start coming together. In theatre, it's usually week 3 of a 5 week rehearsal period where you have to stop talking about the play and really get it all up on its feet and cohesive. In art, it's committing to what are going to be the final visible layers of colour and texture, in sculpture the moment where you're truly at the point of no return with carving out the shape.
It usually feels really bad. Because this is the point it becomes real craft. It's so, so difficult to really be able to identify if it's truly not going to be anything or you're just in the hardest part of the process, and really the only way to know is to... write through it. Write it badly. Or, if you really can't, put it in a drawer and come back to it after a few months of breathing space. Remember, you can fix so much in the edit, but you can't fix nothing!
(I say, fully looking at my latest draft of my book and considering throwing it in the bin. But my editor said exactly this to me, so I'm passing it along.)
this is 100% true. I've written 6 complete novels at this point and every single time around the 40k mark I feel lost in the woods. Nothing seems to be working. I feel awful; I can't sleep. I keep going even though I'm convinced I'm going to fail. And then... It's like leaving a tunnel and getting back out in the sunshine. Stuff starts coalescing. Things that weren't working have obvious fixes. I "can write" again, except I was writing the whole time. It just felt hopeless in the moment. It's not. You just gotta get out of the woods.
Ah yes the Slough of Desponds. Professional author with 13 books, and this is normal for me as well. (Checking for tension issues usually helps!)
Lmao I literally wrote a whole blog post abt it once.
https://www.patreon.com/posts/writing-advice-1-82451675
Get more from Marie Blanchet on Patreon
Googled something about quick hydration and it suggested big jug of water, couple tbsp pickle juice, dash of lime juice.
Its surprisingly tasty????
Pleased to report that after a day of this i am not longer craving caper brine and my mouth is not dry as usual. There's some good suggestions in the notes too that I want to try.
-ancient roman posca: water, red or white wine vinegar, honey, salt, herbs (coriander, mint, thyme)
-switchel: water, ginger, vinegar, sweetener, lemon, salt
-ayran: yogurt, water, salt, mint
-Agua pepino: water, cucumbers, lime, sugar, optional mint.
I have been reminded of:
-shrub: vinegar, sida water, elderberry (or other berry), sugar.
I have now been informed of
-sekanjabin: honey, vinegar, mint, water.
"Wow, I wonder why this post was popular this week."
-sees the reports of the heatwave in Europe-
"... ah."
Just an fyi, the reason that these recipes feel like they’re more hydrating than plain water is because the additional ingredients are adding electrolytes, which your body desperately needs when you’re dehydrated! Water is great, but water + salts + natural sugars + acid is even better.
As someone with POTS, I cannot stress enough how important it is to replenish your electrolytes when you're sweating a lot!! (Or when you have lost a lot of fluid due to vomiting and/or diarrhoea)
I ALWAYS keep a couple of those big pickles-in-a-bag on hand, because pickle juice is a perfect way to quickly replenish electrolytes in a pinch. Plus, Pickle juice can help alleviate nausea too!
Also, most pharmacies sell sachets of electrolyte powder mix, or concentrated liquid electrolyte drops, that you can add to water, or pretty much any non-carbonated beverage. I keep sachets in my tote bag, my car, and in our household first-aid kit. They are truly a life-saver during summer.
Other fun options:
pedialyte makes otterpops/freezies
many brands (LMNT is sold in stores here) make flavorless electrolytes so you can mix it into your favorite thing
if you use something with sugar in it, like gatorade, it'll freeze in those slushie cups
You can also blend pretty much any of these with ice or get a crushed ice/mini cube tray and just mix up your own
shrub got really hipster-popular and there are a billion good recipes and pre-made syrups and mixes with good blends.
Flavours of unreliable narrator:
Lying to the reader
Lying to themselves
Simply misinformed
Not paying attention
Has weird priorities
Assumed you knew
Hates you personally
Bad at communicating
Easily sidetracked
Will believe anything
Has weird prejudices
Just kind of dumb
*sound of murderbot getting bingo in the distance as it checks off each one*
*immediately followed by sound of ratthi arguing with it about point 12*

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i am so so gently asking abled storytellers to try this little exercise: consider that maybe the main character doesn't miraculously get through traumatic event number 8277 with minor injuries. maybe they don't make a full, narratively-convenient recovery. there are tangible, long-term effects on their health. they are disabled. there are lots of ways to be disabled, and you can pick whatever makes the most sense. the point is that because they're the main character, they have to stay at the heart of the narrative. what happens to your story after that? just for the sake of this exercise, you're not allowed to have them spiral into helpless depression, or collapse under self-loathing, or turn their story into a quest for a cure or an uplifting recovery narrative. think it through instead. how can you tell this story with the character's disability? what needs to change? are there any reasons why these changes can't happen?
at the end of it, you might change nothing. but I think this is worth doing, because sometimes you'll find that the reason you didn't want your character to have a limp, or lose a limb or sense, or have some kind of SFF-appropriate fantasy disability is because of internalised biases. those are worth challenging & i truly believe that creators miss out on richer stories when they view disability either as a fate worse than death or as nothing more than a catalyst for tragedy.
I used to delight in non-lasting injury recovery, because I liked the hope therein. And then I realized ... there is still hope in being disabled. And not in the "inspo porn" way. In the ... I am disabled but I still have a life to live and that can be a good life, too. It may not look like what I wanted it to look like, it may not be easy, but it's still a good life.
So now, I delight in following the narrative. What has been done to the character and what, realistically, would happen to them. I've started doing this in fanfic, and it's extended into my OG writing now as well. I've got a chronic pain man (actually wrote the story for the POINT of giving him chronic pain in a magical way) (the Unbreakable series), a spinal cord got hit by a bullet and now he has limited mobility man (Finding Home -- NEW RELEASE), and eventually some other disabilities popping up in my other WIPS.
Anyhow, point is: I second the above. Think about your characters. Think about those of us who are disabled. Remember that we like to see rep in your stories too. And not inspo porn. Let us live our disabled lives!
Hey. Why isn’t the moon landing a national holiday in the US. Isn’t that fucked up? Does anyone else think that’s absurd?
It was a huge milestone of scientific and technological advancement. (Plus, at the time, politically significant). Humanity went to space! We set foot on a celestial body that was not earth for the first time in human history! That’s a big deal! I’ve never thought about it before but now that I have, it’s ridiculous to me that that’s not part of our everyday lives and the public consciousness anymore. Why don’t we have a public holiday and a family barbecue about it. Why have I never seen the original broadcast of the moon landing? It should be all over the news every year!
It’s July 20th. That’s the day of the moon landing. Next year is going to be the 54th anniversary. I’m ordering astronaut shaped cookie cutters on Etsy and I’m going to have a goddamn potluck. You’re all invited.
Hey. Hey. Tumblr. Ides of March ppl. We can do this
Hell yeah moon holiday
Ooh coming up we should celebrate
PITCH: We call it Moon Day, and then every 7 years when it falls on a Monday, that's an even BIGGER deal and we call that Moon Day Monday and go absolutely apeshit about it (the next Moon Day Monday is in 2026 so we have a couple trial runs first)
LOVE THIS!!!
Moon Day’s coming up, lads!
Happy Moon Day, everyone!
IT'S MOON DAY MONDAY LADS
Behind the scenes of PROJECT HAIL MARY (2026)
THE GOOD PLACE (2016—2020) cr. Michael Schur
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.

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at least the colour green exists
Remarkably Bright Creatures dir. Olivia Newman | 2026
“Secrets are everywhere. Some humans are crammed full of them. How do they not explode? It seems to be a hallmark of the human species: abysmal communication skills.” ― Shelby Van Pelt, Remarkably Bright Creatures