Dr. Morose

YES. the way this hasn’t left my mind….Like okay they’re still Victorians. They’re still sexist and homophobic. My thought for this alternate history is third gender people are expected to only marry into already married couples. And they’d probably throw in a lot of Christian Holy Trinity and Mary Joseph God imagery to religiously validate triads.

Or three people (of all different genders of course bc again. They’re Victorian) could marry all at once but the courting situation would be a nightmare.

This is why it was so important for women to marry well: even if you worked as a married woman (and many women did), your money wasn't actually yours. It's one thing to have to live with a drunk asshole; it's worse to have that drunk asshole be the sole person who decides if that paycheck goes towards rent or more booze.

So, having a trinity/three parts of one whole entity would totally fit Victorian ideas of coverture. I think you'd still have it be men > everyone else, because they'd expect some kind of hierarchy, and even within the Trinity, God is still the leader.

Second thought: separate spheres. The Victorian era was very heavily focused on men being involved in the "dirty" business of work/politics/etc., and women being more morally pure and better suited to the domestic sphere (the whole "angel of the house" thing). Obviously this wasn't actually or practically true a lot of the time, but it was the aspired-to standard, the thing you'd measure people against to say if they were acting appropriately as members of their gender or not.

So you'd need a third sphere for Honorables to inhabit that is completely separate from the work/domestic dichotomy, or create an entirely different three-way dichotomy. Basically, you'd need a thing to point to, like "X is very ladylike" or "Y is not manly," but for Honorables.

So, extrapolating:

You'd still have "Mr. and Mrs. Robert Smith," it'd just be, "Mr., Mrs., and Mx. Robert Smith" (differentiating by title, not by first name). I could actually see there being a different title for unmarried vs. married Honorables, like Master vs. Mister or Miss vs. Madam/Missus. Mix vs. Max, maybe?

I think Honorables would definitely need to have some kind of dowry. It actually might be even more necessary, because unless the guy is insanely wealthy on his own, you're going to need enough money to support three people, not just two.

The idea of who should be in charge of household accounting has always waffled between a man’s job and a woman’s job. Is teaching the realm of governesses and school mistresses or lecturers and professors. Academics are too weak and frail to be masculine but too logical and rigorous to be feminine.

Thus, men, even if they're unqualified on whatever area of knowledge they're dealing with, and even if they have no understanding of their or other people's feelings whatsoever, still possess an inherent and intangible quality that makes them the only part truly suited for decision making.

Woman: Caretaker

Honorable: Assistant/Advisor

I think they've done tests on this by getting people to pilot novel bodies in VR. But you don't tend to notice it day to day until something weird happens like just now. I was reading a paper book and it had a line of text blacked out as if redacted. Instinctively I go to move my cursor over the black line to see if I can read any text if I highlight it.

Except it's a book and not my computer screen, so the cursor my brain thinks it's moving across my field of vision in front of me doesn't exist. At the same time, my right hand is making a bunch of small involuntary movements next to me. I didn't intend to move it and didn't even notice it was moving until I saw it with my eyes. What I intended to move was my Cursor, something that my brain had learned to understand that it has, and the way it moves this is by actuating the muscles in my right arm, an action that is entirely disconnected from any intent to move my arm, which is a different thing.

I've been resource gathering for YEARS so now I am going to share my dragons hoard

Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.

Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.

Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.

Smithsonian Open Access. Loads of free images. Free.

SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.

SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.

Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.

Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.

Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.

Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.

Men made decisions to rape with fellow rapists. They decided sexual abuse and torture were bonding experiences.

When the two myth-cycles were fused by later chroniclers to produce the combined Link-Zelda cycle which is familiar to audiences today, the figure of Link assumed the role of overall protagonist. Securing Zelda's freedom from captivity is often inserted as a secondary objective into episodes which were originally Link tales, while Link typically subsumes most or all of Zelda's role in episodes which were originally Zelda tales.

In many cases, the Link-Zelda version is the only iteration of a given episode which survives, so determining which tales were originally part of which precursor cycle is not without controversy; however, the repetitive nature of the perils which preclude Zelda's active participation in many episodes – kidnapped, possessed, sealed in enchanted crystal, etc. – may offer some clues.

For example, it's said that Link is a wanderer from afar who rescues Impa from Moblins but when he arrives in Hyrule, he has to take the place of the unarmed and inexperienced Princess Zelda. And so this allegedly experienced warrior who just killed a bunch of Moblins arrives in Hyrule without so much as a sword in hand.

Similarly, the original myth featured Zelda assembling the Triforce of Wisdom, the only force that could stand against the Triforce of Power in Ganon's possession. Because it was the first to be adapted, there were concerns about disempowering Zelda by replacing her entirely with Link. As a result, a strange compromise was struck; One in which Zelda, after assembling the Triforce, then immediately broke it back down into its component pieces and re-hid them for Link to find.

By contrast, The Adventure of Link, true to its name, is the first Link legend. The importing of Zelda into it as the sleeping princess that Link awakens from her long slumber proved to be just as clunky as the importing of Link into The Legend of Zelda. Most notably, the confusing questions raised as to whether Zelda is meant to be the princess Link rescued in his previous adventure or the one he is rescuing in this new one.

Similarly, Zelda's nemesis Ganon is roped into Adventure of Link very awkwardly. Link's nemesis is his own dark shadow, with only a scant few mentions of the idea that Link's defeat will somehow result in Ganon returning... just because.

But the largest and most consequential of adaptations made to The Adventure of Link is the revising of the magic scepter Link uses to awaken the Sleeping Princess into the Triforce of Courage, a modern invention meant to tie Link more closely to Zelda and Ganon's mythos.

And there are some distinct quirks to the Gamelon cycle that argue for the presence of syncretic merging of the Zelda in the tales we know with a similar legend from another culture. As does the difference between the Triforce of Wisdom, her sometimes status as a Sage, and the Sacred Power/Light Force/etc power that has different names in different legends.

But it's an interesting pairing of a Celestial legend (Zelda) with a Cthonic one (Link) - after all, how many of the stories that clearly are originally Link tales involve another world? I submit as evidence the presence of stories such as Link to the Past and Majora's Mask; even in the Era of Twlight cycle, we see a previous version of Link resurrected as a shade.

Current research seems to indicate that the oldest extant version of the Link tale is the one labeled Wind Waker, which clearly dates to the Hylians' Seafaring/Exploration period, before they settled in the land which they named Hyrule (the legend-within-a-legend wherein Hyrule is sunk under the sea can be attributed to a later admixture of elements from other versions of the Link cycle, or other mythologies entirely). There is of course a Zelda figure in Wind Waker, but for the first half of the tale she is identified as Tetra, a very different character indeed! There is speculation that most of the "Zeldas" in confirmed Link stories were actually Tetra, his original female companion, before she was overwritten as Zelda when the two mythologies were merged.

As previously noted, descent into a mystical Underworld – often, but not always, explicitly identified with the realm of the dead – is a common element of Link tales. This descent is frequently paired with an encounter and subsequent rivalry or alliance (often one, then the other) with that realm's queen. In particular, the motif of Link forming an early alliance with a mysterious young woman who later proves to be the Underworld realm's queen-in-exile is not found only here; consider, for example, the (admittedly divisive) Twilight saga. Indeed, if we accept the identification of the Skyward saga's desolate surface realm with such an Underworld, the revelation of Link's childhood sweetheart as a mortal incarnation of the goddess Hylia arguably fits this mould!

In The Bride (1985) Frankenstein makes two monsters, The Creature, and the Bride. The Creature escapes and is befriended by a man with dwarfism called Rinaldo who names him "Viktor" for victory, and they travel together to join the nearest circus. Meanwhile, Eva, the Bride, stays with Frankenstein and goes through a Princess Diaries arc where she learns how to be a high-society lady. Everything is going smoothly at her first party until a cat interrupts her conversation, at which point she angry screams at it until it goes away. They promptly leave, and on the carriage ride home Frankenstein is like "Hey, um. What the hell was that?" And I swear to God this is her response:

"It frightened me."

"A housecat frightened you?"

"You didn't tell me about housecats. I thought it was a tiny lion."

AND THEN THEY DON'T ADDRESS IT FURTHER

(With reference to this post there.)

Excluding compilations, remasters, and that one Windows port of the first Super Nintendo game where they inexplicably decided to stuff the complete pilot episode of the animated series into it in spite of the latter having been cancelled four years earlier, there have been six Bubsy titles released to date:

Bubsy in Claws Encounters of the Furred Kind (1993)

Bubsy II (1994)

Bubsy in Fractured Furry Tales (1994)

Bubsy 3D (1996)

Bubsy: The Woolies Strike Back (2017)

Bubsy: Paws on Fire (2019)

It's all part of the "rolling up like your mascot was already a Big Deal" thing, I guess.

You need to understand that the competition for Most Performatively Edgy 90s Platformer Mascot includes shit like this:

Why. Why are we doing this. Why is the bar for "gender nonconformity" on the floor.

Like.

Caracalla.

Whose portraiture and presentation is aggressively masculine and soldierly. Who is one of the most recognizable emperors in sculpture because of the grumpy-ass scowl that he always has making an X clear across his face.

Like there's NO reason to make this fucking guy

look fucking femmed up unless you want to use effeminancy as a visual shorthand (and excuse? I haven't seen the movie) for his tyrannical cruelty. But he was extremely masculine, it was his whole THING. If anything, they should have gone in the opposite direction, a commentary on the excesses of masculinity, if they were going to bring gender presentation into at all.

The two routes somehow converge after a certain point

The Weird Route dead ends in a developer-intended softlock

The planned ending is such a huge non sequitur that it genuinely won't matter what you've done up to that point

The game's final shot is a live-action FMV of Toby Fox waking up and saying "wow, what a weird dream"

Sans shows up and kills everyone