Doodle Fae

Last Witch Hat Monday I drew Biblically Accurate Brushbuddy, this Monday I bring you Biblically Accurate Brushbully!!!

I can't wait to see this angry void noodle animated in a future episode one day!

#witchhatatelier #Δ帽子 #WHA The other half

Painting process

And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.

So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years.  These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.  They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it.  It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face.  Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing.  And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc.  NOT beginner friendly, is what I’m saying.

Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres.  What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female.  I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one.  They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO.  If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone.  Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered.   I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.  

I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all.  I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole.  That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three.  And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.

And it changed the face of costuming.  People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries.  And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.  

So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart.  This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.  

Now, through the efforts of so many wonderful people, Renegade Bookbinding Guild has developed out of the Discord server I originally created just to answer questions about paper, fonts, printers and such. I figured there would be no more than 15 people joining. We have surpassed 3000.

I hope in another 20 years time my little tutorial still be kicking along out here, my bad photography and potty mouth sitting forever at the foundational level of an exploding practice of radical generosity and community, preserving the best of fanfiction from the ravages of time and digital threats and censorship, and giving authors the best thank you I know how to give.

here is a master list of great art tools that can make your workflow easier! 👇 (updating, please consider supporting me on kofi or check out my other works)

😈 You are allowed to have evil characters who are not punished by the narrative by the end of the story.

😈 You are allowed to have evil characters who win.

😈 You are allowed to have evil characters who make evil look fun and cool.

😈 You are allowed to make your fun, cool evil character the protagonist.

😈 You are allowed to glorify, romanticize and eroticize evil characters and villainous acts.

Of course, Aziraphale breaks out the Mari Lwyd in 2021.

ALI IMMEDIATELY LIVING UP TO THE BALLDS SUNG ABOUT HER.

Secondly, it cures in air alone, no oven or kiln required, and unlike clay it has microscopic shrinkage between wet and dry, so you can pack it around glass or whatever. When she says you can stand on this stuff, yes, you can (though for very large sculptures or very narrow sections of a sculpture, she recommends adding a metal armature for extra strength). It is impervious to water, so it can go outside in any weather, and any metal armature encased inside it won't rust

Additionally, Pal Tiya Premium can be added to at any point in the curing process, even weeks or months later, so you can make a sculpture in several pieces and, like with a mold, remove the foil core you sculpted on so you can use it again and again (though you have to add a sacrificial layer of foil between the core foil-sculpture and the Pal Tiya (see the videos on the youtube channel about it). You can color it with oxides, concrete stain, inks, or acrylics, including exterior-grade house paint so your sculptures can go outside.

"I'm in the way," "I can't fit," and "I can't go there," is becoming "there's not enough space," "the walkway is too narrow," and "that place isn't accessible."

The Hyperactivity in Attention-Deficit Hyperactivity Disorder is NOT about being physically hyperactive, it's about having a "hyperactive central nervous system" because it's a form of inheritable dysautonomia. The problem with disautonomia, especially the ADHD kind, is that it makes boredom flag to your nervous system as a THREAT, triggering hyperactive and maladaptive central nervous system processes like fight or flight.

But dysautonomia kills you that way. Literally, part of the reason our average life spand increase on stimulents is that it helps manage risk-taking impulsivity that can get us killed by accident, but the other part is that stimulents can regulate a hyperactive CNS such that it is functionally (while impacted by the stimulent) NOT dysregulated anymore. And PHYSIOLOGICALLY that is essential because the physical outcomes of dysautonomia can reduce your life span by YEARS if not decades through self-perpetuating hypervigelence, endocrine disruption, and adrenal fatigue.

So when the ADHD brain goes stimulation-seeking and a doctor tells you to practice mindfulness, it feels like being told "hey go stand in a functioning boiler until you can stop thinking" rather than WHAT IT IS which is the process of re-teaching your body what is and isn't safe.

Standing outside making mindful, non-interpretive/moralized observation of the world helps your brain and body re-acclimate to the idea that absence of that frantic "busy" feeling isn't a threat or a risk to your safety, and gradually reduces the level of distress that just hanging out somewhere triggers for you.

Learning WHY this stuff was being suggested and understanding what it was actually supposed to do went a long way towards changing my relationship with my ADHD. I am FAR more functional now, far less prone to shame spirals and rejection sensitivity, hell, I can **sit physically still for near on an hour at a time** now without feeling like I'm going to crawl out of my skin.

So yeah. Go outside. Let the world narrow around you and take deep breaths until it stops feeling claustrophobic or like you need to climb walls. Learn how to let little sensations become big ones like the way the heat of the sun on your skin starts as a gentle warming and be omes a unique collection of sensory moments depending on how it lands on you. Listen for sounds under sounds and let them fade in and out as you move your focus from one sound to the next. Enjoy. Move on. Rinse and repeat.