"Annotations on an Implicit Text": the work of NicolĂĄs GĂłmez DĂĄvila

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"Annotations on an Implicit Text": the work of NicolĂĄs GĂłmez DĂĄvila

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Agrigento, tempio di Eracle - Viandante che qui nella calura del giorno e tra il canto delle cicale, sei giunto a vedere queste colonne, sappi che qui, allâinizio dei tempi, noi creammo questo tempio dedicato al divino Eracle, che in Sicilia giunse con i potenti buoi rubati a Gerione e lâisola visitò lottando contro il potente Re Erice e riposando in Eraclea Mionoa ed Agira. Noi in lui confidammo e questo tempio antichissimo a lui dedicammo, non per la sua forza nĂŠ per la sua possanza: Eracle era lâuomo che combatteva per lâimmortalitĂ , per lâessenza del divino, ma fu anche lâuomo che combattĂŠ la morte perchĂŠ in Ade egli discese a rubare Cerbero e lottò contro il terribile ThĂ natos dalle nere ali, il signore della morte, il figlio della notte, possente nella rabbia e nella violenza. Lui, uomo combatte contro lâeterno rivale della vita e soffrendo come ogni uomo e accettando la sofferenza come chi il fato a destinato a grandi cose, divenne immortale ed eterno. A lui noi dedicammo il primo tempio di questa terra, a ricordo della sua umanitĂ vittoriosa, della sua capacitĂ a soffrire e lottare che lo fece diventare un Dio. In ogni momento in cui il tuo animo è prossimo alla sconfitta, e tutto il tuo destino è racchiuso nellâultimo imponente sforzo, ricordati di lui e a lui dedica il tuo sudore e le tue lacrime.
Traveler that in the heat of the day and among the chanting of the cicadas, you have come to see these columns, knowing that here at the beginning of time we created this temple devoted to divine Heracles, who arrived in Sicily with the herd stolen to Gerione and the island visited struggling against the mighty King Erice and resting in Eraclea Mionoa and Agira. We confided in him and this ancient temple dedicated to him, not due to his strength or by his power: Heracles was the man who fought for immortality, for the essence of the divine, but was also the man who fought Death because he went to Hades to steal Cerberus and fought against the terrible ThĂ natos tha god with the black wings, the lord of death, the son of the night, powerful in rage and violence. He, man, fights against the eternal rival of life and suffers like every man and accepts suffering as those who destined to great things became immortal and eternal. To him we dedicated the first temple of this land, in memory of his victorious humanity, of his ability to suffer and to fight that made him a God. Every time your soul is near to defeat, and all your fate Is enclosed in the last impressive effort, remember him and to him dedicate your sweat and tears.
Not to be reproduced, 1937, Rene Magritte
Size: 65x81.3 cm Medium: oil, canvas
I have never seen a greater monster or miracle than myself.
Michel de Montaigne
For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from oneâs suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.
Herman Hesse. (via vulturehooligan)

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Iâm scared that in twenty years Iâll wake up one day and realize Iâve only been pretending that I was happy.
kittydragons (via wnq-writers)
How to write a half-decent poem that doesn't suck camel balls...
Lie down or sit in a chair for a few minutes, stare at the ceiling or out a window or at a plant or household pet if you have one This is the hard part: Try to empty yourself of all brain chatter, cookie cutter maxims from half forgotten posts on social media divest yourself of all crude psychic pretensions accumulated throughout the day Other ways include taking walks, think of nothing, cry, doodle in a notebook etc. Don't do live streams Don't make youtube videos For fuck sakes don't rhyme Be weary of empty flattery if you get it Its okay if your poem is a run on sentence or turns into prose. Write messy especially when you have a block Don't do stupid line breaks or make funky shapes with your words unless it actually says something, which is too rare to ever be the case Write drunk, sometimes Recognize just how susceptible you are to enormous feats of emotional and intellectual falsity and error. Do not type a word until you've admitted this to yourself Don't write about petty self-doubts or politics Don't go to open mics or slam poetry shows And finally, Read some Bukowski, Vallejo, T.S Eliot and Baudelaire at least before writing anything. That is all.
by Wilhelm von Gegerfelt
No words

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No man chooses evil because it is evil; he only mistakes it for happiness, the good he seeks.
Mary Wollstonecraft, A Vindication of the Rights of Men (via philosophybits)
Maybe thatâs worse, not letting ourselves be loved. Because weâre too afraid of giving ourselves to someone we might lose.
Mitch Albom, Tuesdays with Morrie (via wnq-writers)
All I want is to find someone who makes me want to live - really live. Instead, I seem to find people who make me barely want to exist.
deshoda177 (via wnq-writers)
Francois Pages, Louis Ferdinand CĂŠline and Toto, Meudon, 1957
The incurable loneliness of the world

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In the wake of a perishable God, and all things considered therein, we seek destruction over nothingness.
MUST READ:
Memories, Dreams, Reflections by Carl Jung
âI am astonished, disappointed, pleased with myself. I am distressed, depressed, rapturous. I am all these things at once, and cannot add up the sum. I am incapable of determining ultimate worth or worthlessness; I have no judgment about myself and my life. There is nothing I am quite sure about. I have no definite convictionsânot about anything, really. I know only that I was born and exist, and it seems to me that I have been carried along.â
At age of eighty-one, the legendary psychiatrist Carl Jung decided that he will immortalize his life story on paper. The record of profound conversations with his colleague and friend Aniela JaffĂŠ became the text and basis of Jungâs memoir, Memories, Dreams, Reflections. Any reader and admirer of Jungâs work, especially to those who posses an introverted personality type, which falls under the Myers Briggs Test, will enrich themselves with a wisdom cultivated by Jungâs psychic life from childhood to old age. He discusses his failed friendship with Sigmund Freud, his travels to India, Africa, and other countries as well as his deep interest for symbolism.
Before picking up the book, we recommend brushing up on Jungâs work and obtaining basic basic knowledge of philosophy, literature and mythology. Jung was moved to write entire chapters of the book by hand and continued working on the final pages of the manuscript until his death on June 6, 1961. Ultimately Memories, Dreams, Reflections is a privilege to read because we have an opportunity to acquaint ourselves with one of the greatest minds of the world and their inner life. We are welcomed to witness a human beingâs introspection and self-realization profoundly and articulately. This is not a detached account on Jungâs work, this is an implementation of his work through the process of pushing himself to near psychosis to decipher his soul.
Note: We highly recommend viewing the full size image of this genius illustration by Austin Kleon, which summarizes Jungâs memoir Memories, Dreams, Reflections here!
Get the book here!
Read excerpts from the book here!