the one addition that truly makes this clip even more powerful is knowing that Mr Sterling is this guy:
I am in awe trying to imagine the sheer levels of non sequiturs they would be able to produce together.
New reaction meme just dropped
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the one addition that truly makes this clip even more powerful is knowing that Mr Sterling is this guy:
I am in awe trying to imagine the sheer levels of non sequiturs they would be able to produce together.
New reaction meme just dropped

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Two years ago, you could eat bagged lettuce without worrying about diarrhea. Two years ago, ICE wasn’t regularly shooting people on the street. Two years ago, the Strait of Hormuz was open and America’s economy was the strongest in the world.
What changed from two years ago to today?
Why is there a diarrhea parasite outbreak in America?
Because Donald Trump and his Republican allies cut funding to disease prevention and control.
Why is measles back in America?
Because Donald Trump and his Republican allies, including RFK Jr, cut vaccine and measles prevention funding and programs.
Why is the New World Screwworm infecting cattle in Texas, when it had previously been eliminated from the area?
Because Donald Trump and his Republican allies, including Elon Musk, cut USAID funding, which in part worked to monitor and prevent screwworm outbreaks.
Why was there a flu outbreak in our armed forces?
Because Donald Trump and his Republican allies, including Pete Hegseth, cut vaccination requirements for our armed forces, putting all of them at risk alongside our military readiness.
What contributed to the Covid outbreak?
Donald Trump and his Republican allies cut funding to a pandemic prevention program in his first term because Barack Obama had created it.
“America first” sends its regards. Trump voters, please learn your lesson. And if you don’t, it’ll be taught to you again with yet another diarrhea outbreak.
HOUSE OF THE DRAGON (2022-?) 3.05 | Unbowed and Unbent
HOUSE OF THE DRAGON (2022-?) 3.05 | Unbowed and Unbent

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I won't publish the ask (they asked me not to), but I thought I'd still answer it publicly!
no, royalties are not a significant source of income for most authors. if you wrote something like Project Hail Mary, then absolutely, the royalties would be substantial! but that's like winning the lottery. Ryan Gosling is not starring in the movie adaption of most books.
when you sell a book to a publisher, you get what's called 'an advance against royalties'. it's usually split into multiple parts, so you might get one third for the initial sale, one third for the final revised manuscript, and one third on the publishing date.
an advance against royalties is the publisher saying "we believe you will eventually make X amount in royalties, so here it is ahead of time." and then you don't actually see any money from royalties until the advance is paid off. most books do not make enough in royalties to pay off the advance (I have two children's books and one fiction book, and have yet to see royalties for any of them).
advances are still great, but you need to make them stretch! for instance, last year my net income was about 30k Canadian (21k USD), which is fantastic when you consider that I mostly made it through writing. but I'm definitely not a millionaire. I can live off my writing (not trying to undersell that!) but I'll probably remain in a low income bracket for the foreseeable future.
this isn't meant to discourage anyone from seeking out writing as a career! however, there is a reason that many authors have alternate jobs with writing on the side. or, you know, rich spouses.
this isn't me making a fuss about pirating (I've pirated way too many shows to run my mouth on that lmao), but there IS actually a financial incentive to having people buy your books!
buying books shows the publisher that they can make money off you, which means they're more likely to give you advances for future books. and advances are what authors live off (if they don't have a side job). that's why I always push pre-orders so hard! you have to be a racehorse worth betting on, or else they send you to the glue factory....
if I can offer one alternative to pirating: asking your library to stock the book also helps authors, and doesn't cost anything. the only downside is the patience required.
OOPS yes, @stjohnstarling makes a good point! everything I'm saying is from the perspective of traditional publishing, but it's a very different game if you're a self-published author
I will also add that this is why pre-orders can make a HUGE difference to authors - because if there's enough hype, publishers can pull more levers to build that momentum and reach more readers to help authors earn out their advance faster.
Trad publishing contracts person here to co-sign everything in this post. If you want to support an author you really like but are broke as hell, then you can buy their book when it's discounted, buy it used, borrow it from a friend, or use the library. The first step as an author is to get your book read, not to get it bought. The important thing for you as a reader is to spread the word about how good the book is so the publisher knows the audience is there even if sales aren't spectacular. Piracy of books, especially books from small/indie publishers, means the publisher will print fewer copies of their next book, and sometimes if it's an ongoing series the next books in the series will be canceled, either to be replaced by a book with a different premise or they'll cancel the contract for the next books entirely. The "hack" where you buy the ebook or audiobook and then return it for a credit also takes money directly out of the author's pocket since those payment/royalty systems are set up differently than if you were to buy a book from a bookstore and return it. In that situation the bookstore absorbs that loss, but returning the ebook means the money gets clawed back from the author's advance or royalties and they'll have to earn that back.
Pre-orders and Amazon/Goodreads reviews are used as a gauge by publishers to predict how many copies they are likely to sell and therefore how many copies they want to print. They want to sell most of what they print rather than print too many and end up with a bunch of copies no one wants that they'll have to pay to store or sell at a huge discount or recycle, which is what happens to unsold books. Most publishers have a limited amount of money and manpower to dedicate to any particular book, so if there's a book building up a lot of buzz, that'll give them reason to put their resources towards promoting that book to get a better return on their investment. If the publisher can't make money off a book or author they'll dump them.
Generally, every aspect of the publishing and book industries, including writers, agents, publishing employees, librarians, and booksellers are overworked and underpaid. Unless you're Stephen King or already famous, you don't make money off of books. We do it for sheer love of the game.
Use your library! Publishers have a whole department dedicated to selling their books to libraries and the author gets part of those sales. Increasing circulation of library resources means the libraries can make a better case to get more money from the government to buy more books that you want to read and they're a place to hang out for free. Libraries are the best gift humanity gave itself, use yours as often as possible.
I won't publish the ask (they asked me not to), but I thought I'd still answer it publicly!
no, royalties are not a significant source of income for most authors. if you wrote something like Project Hail Mary, then absolutely, the royalties would be substantial! but that's like winning the lottery. Ryan Gosling is not starring in the movie adaption of most books.
when you sell a book to a publisher, you get what's called 'an advance against royalties'. it's usually split into multiple parts, so you might get one third for the initial sale, one third for the final revised manuscript, and one third on the publishing date.
an advance against royalties is the publisher saying "we believe you will eventually make X amount in royalties, so here it is ahead of time." and then you don't actually see any money from royalties until the advance is paid off. most books do not make enough in royalties to pay off the advance (I have two children's books and one fiction book, and have yet to see royalties for any of them).
advances are still great, but you need to make them stretch! for instance, last year my net income was about 30k Canadian (21k USD), which is fantastic when you consider that I mostly made it through writing. but I'm definitely not a millionaire. I can live off my writing (not trying to undersell that!) but I'll probably remain in a low income bracket for the foreseeable future.
this isn't meant to discourage anyone from seeking out writing as a career! however, there is a reason that many authors have alternate jobs with writing on the side. or, you know, rich spouses.
this isn't me making a fuss about pirating (I've pirated way too many shows to run my mouth on that lmao), but there IS actually a financial incentive to having people buy your books!
buying books shows the publisher that they can make money off you, which means they're more likely to give you advances for future books. and advances are what authors live off (if they don't have a side job). that's why I always push pre-orders so hard! you have to be a racehorse worth betting on, or else they send you to the glue factory....
if I can offer one alternative to pirating: asking your library to stock the book also helps authors, and doesn't cost anything. the only downside is the patience required.
OOPS yes, @stjohnstarling makes a good point! everything I'm saying is from the perspective of traditional publishing, but it's a very different game if you're a self-published author
I will also add that this is why pre-orders can make a HUGE difference to authors - because if there's enough hype, publishers can pull more levers to build that momentum and reach more readers to help authors earn out their advance faster.
Trad publishing contracts person here to co-sign everything in this post. If you want to support an author you really like but are broke as hell, then you can buy their book when it's discounted, buy it used, borrow it from a friend, or use the library. The first step as an author is to get your book read, not to get it bought. The important thing for you as a reader is to spread the word about how good the book is so the publisher knows the audience is there even if sales aren't spectacular. Piracy of books, especially books from small/indie publishers, means the publisher will print fewer copies of their next book, and sometimes if it's an ongoing series the next books in the series will be canceled, either to be replaced by a book with a different premise or they'll cancel the contract for the next books entirely. The "hack" where you buy the ebook or audiobook and then return it for a credit also takes money directly out of the author's pocket since those payment/royalty systems are set up differently than if you were to buy a book from a bookstore and return it. In that situation the bookstore absorbs that loss, but returning the ebook means the money gets clawed back from the author's advance or royalties and they'll have to earn that back.
Pre-orders and Amazon/Goodreads reviews are used as a gauge by publishers to predict how many copies they are likely to sell and therefore how many copies they want to print. They want to sell most of what they print rather than print too many and end up with a bunch of copies no one wants that they'll have to pay to store or sell at a huge discount or recycle, which is what happens to unsold books. Most publishers have a limited amount of money and manpower to dedicate to any particular book, so if there's a book building up a lot of buzz, that'll give them reason to put their resources towards promoting that book to get a better return on their investment. If the publisher can't make money off a book or author they'll dump them.
Generally, every aspect of the publishing and book industries, including writers, agents, publishing employees, librarians, and booksellers are overworked and underpaid. Unless you're Stephen King or already famous, you don't make money off of books. We do it for sheer love of the game.
Use your library! Publishers have a whole department dedicated to selling their books to libraries and the author gets part of those sales. Increasing circulation of library resources means the libraries can make a better case to get more money from the government to buy more books that you want to read and they're a place to hang out for free. Libraries are the best gift humanity gave itself, use yours as often as possible.
The thing is that sex scenes actually are incredible ways to explore character. People are at their most vulnerable during sex! The way they have sex says a lot of very interesting things about their desires, obviously, but also their psychology, their vulnerabilities, their hopes and fears, etc. It is completely insane to me to think that sex scenes have no value other than to sexually excite the audience. And even if their only value is to sexual excite the audience - SO WHAT?? A movie is supposed to excite and entertain you! Grow up!!!
how it is apparently
re: my last post, I know it seems very impressive that my book is in a lot of stores! but I make less than someone working full-time at McDonalds. I am not a powerful individual, I'm just another trans person online writing niche queer books, and trying to survive off it.

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This boy never had a braincell in his life 😭😭😭😭😭
actually I think you should be normal about ordinary citizens of authoritarian countries and yes that applies even to that country you're thinking of right now
Today's bird is this Australian Magpie
On this day in 1969, the Apollo 11 mission landed on the Moon. 🌙 And back on Earth, an estimated 600 million people watched this historic moment live on television—roughly one-fifth of the world’s population at that time! The mission had three crew members: Neil Armstrong, Buzz Aldrin, and Michael Collins. Collins piloted the craft that would return them to Earth, while Armstrong and Aldrin became the first two people ever to walk the Moon’s surface.
Photo: NASA Image and Video Library, Public Domain, Wikimedia Commons
Pterosaurs: The Field Guide just showed the printed hardcover for the first time. Five years. Twenty illustrators. Over 200 pterosaur genera. Kickstarter launches August 1. https://fossi.ls/Nev1YT

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You're no fool, and yet you choose not to see it.
DAENERYS 'STORMBORN' TARGARYEN ⋆ GAME OF THRONES