Oil on canvas , 90 x 120 cm.

Evolution of Linus Clawing at the Door in Peanuts (1957 - 2014)

Living room

Olafur Eliasson 'Solar Compression' 2016

logan roy - rolling with the LGBT

My eyes shine like two pound coins I found upon the pool table rail (heart swells) You’re so beautiful, the sky is blue, but we both know too well, it’s All Hell  

"We make a lot of period action films in Hong Kong, and we generally use hard light and a full range of colors. We control them very carefully, often using extreme blacks and pure whites and mixing deep reds and blues with lots of fog and smoke effects. But that dynamic approach did not work for Crouching Tiger, because the storytelling approach was very dramatic; using those techniques would have overdramatized the film and taken the audience out of the story and away from the characters. Instead, we wanted a look that was realistic and comfortable, so the first thing I discussed with Ang was using a low-contrast visual approach with desaturated colors."— Peter Pau for The American Society of Cinematographers, January 2001

(Phoenix design inspired by @/kalanha <33 )

Break my legs so I won't walk to you Cut my tongue so I can't talk to you Burn my skin so I can't feel you Stab my eyes so I can't see You like it when I let you walk over me You tell me that you like it Your love is killing me

5. the one where howard sets up a baby gate to stop them from going upstairs, and kim figures out instantly how to leap over it, but jimmy never does

This fucking rocks actually