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@demiiboy
Other blogs, from least to most nsft
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If you adamantly refuse to even hear an opinion or point of view that differs from the one you've been taught to believe, you don't actually believe the one you've been taught. A genuine conviction doesn't waver from something as flimsy as mere exposure to disagreeing ideas. If you fear that hearing an idea that deviates from the "right" ones might make you accidentally adapt it, get the two confused and forget which one was the "right" and which one was the "wrong" idea, and get rejected by your peers by accidentally echoing the wrong kind of thoughts, you don't actually truly think that the things you've been taught as right are right.
Not because you would somehow deep down secretly think that the "wrong" ideas are "right" and the "right" ideas are "wrong", but because you simply do not actually think at all.
So a couple days ago, some folks braved my long-dormant social media accounts to make sure I’d seen this tweet:
And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.
So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years. These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing. They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it. It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face. Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing. And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc. NOT beginner friendly, is what I’m saying.
Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres. What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female. I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one. They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO. If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone. Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered. I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.
I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all. I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole. That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three. And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.
And it changed the face of costuming. People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries. And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.
So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart. This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.
(Oh, and for anyone wondering: yes, I’m over 40 now, and yes, I’m still making costumes. And that armor is still in great shape after 17 years in a hot attic!)
Hang on a minute. I recognize the name “penwiper”. Let me check– Ok, yeah, I’ve heard of this person.
OP also invented armsocks.
Y'all might have noticed that your friendly community moderator has been slacking a bit lately. No updates. No organizing. What the heck was
OP I have been thinking about YOUR IMPACT since 2011. Do you know what you did for Homestuck lmao
Another example of a foundational internet text that millions of people don’t know was so influential.
One of the most fucked up parts of America’s for-profit medical system and insurance often being tied to your work is that you cannot work if you are sick and if you are not working, you have no insurance. People are fired in the middle of cancer treatment or a severe mental health episode and suddenly there is no way to pay the hospital and buy the medicine you need. Republicans will outright say “You don’t deserve free healthcare if you’re lazy and unemployed.” anytime someone mentions this, actively ignoring the fact that you often cannot work when you are sick and shouldn’t be forced to work when you’re sick to be able to afford to get better.
For millions of people managing type 2 diabetes, mornings begin the same way — a needle, a dose, and a quiet mental note to do it all again
"For millions of people managing type 2 diabetes, mornings begin the same way — a needle, a dose, and a quiet mental note to do it all again tomorrow.
That routine just changed.
On March 26, 2026, the U.S. Food and Drug Administration approved Awiqli (insulin icodec-abae), developed by Novo Nordisk, as the first and only once-weekly basal insulin ever approved for adults with type 2 diabetes in the United States.
This is not a minor update to an existing drug.
It is the first entirely new class of basal insulin to reach U.S. patients in more than two decades.
Instead of injecting insulin every single day, people with type 2 diabetes using Awiqli will only need one shot per week, on the same day, every week.
That means reducing from 365 injections a year down to just 52.
For anyone who has ever felt the weight of that daily ritual — the anxiety of forgetting, the physical discomfort, the constant reminder that their body needs help — this approval represents something much bigger than a dosing schedule.
It represents relief.
How the Drug Actually Works
Understanding why this injection lasts a full week requires a quick look inside the body.
Most traditional basal insulins are absorbed into the bloodstream and begin breaking down within 24 hours, which is why patients need a fresh dose every day to maintain stable blood sugar levels.
Awiqli works differently.
Its active ingredient, insulin icodec-abae, is engineered to loosely attach to a blood protein called albumin, which is found naturally and abundantly in the bloodstream.
This attachment creates a slow-release reservoir.
Instead of flooding the system and fading fast, the insulin releases gradually and consistently over an entire seven-day period, keeping blood sugar in a healthy range around the clock...
The FDA reviewed and ultimately declined to approve it for people with type 1 diabetes, citing concerns about a modestly increased risk of hypoglycemia in that population specifically.
Some regulatory agencies in other countries, including the European Union, Canada, Australia, and Japan, have approved Awiqli for both type 1 and type 2 diabetes, but for now the U.S. approval is limited to type 2...
What Comes Next
Awiqli is not standing alone in this space for long.
Eli Lilly is developing its own once-weekly basal insulin, called efsitora alfa, which is currently in late-stage clinical trials.
If that drug also earns FDA approval, it would give patients and doctors two once-weekly options to choose from, allowing for personalized decisions based on a patient’s health profile, insurance coverage, and individual response.
The broader direction of travel in diabetes care is unmistakable.
Fewer injections, smarter formulations, and better integration with digital tools like continuous glucose monitors and insulin-tracking apps are all converging toward a future where managing diabetes requires less daily mental effort without becoming any less medically precise...
A Small Shot With Large Implications
It is easy to look at a once-weekly injection and see only a scheduling change.
But the science behind Awiqli, the scale of the ONWARDS trials, and the consistent satisfaction reported by patients all point toward something that matters far more than convenience.
Diabetes management has always asked a lot of people.
It asks for daily vigilance, daily discipline, and a daily willingness to confront one’s own condition, sometimes in uncomfortable or inconvenient circumstances.
Anything that reduces that load, without reducing the quality of care, is worth taking seriously.
For the more than 37 million Americans living with diabetes, and the hundreds of millions more around the world, a simpler weekly routine could mean the difference between a treatment plan that works on paper and one that actually works in a person’s life.
That is the real significance of what the FDA approved on March 26, 2026.
Not just a new drug.
A new way of keeping people healthy, one week at a time."
-via Science Aim, March 29, 2026.

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Every time you go in a public place and something ISN’T disgusting it’s because somebody cleaned it. Every time you feel comfortable using a public bathroom or sitting at a restaurant table or setting something on a gas station counter or playing on a playground it’s because somebody cleaned it.
Thank you to everyone who cleans the world, especially those who are underpaid and under appreciated.
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Come on, fellas. Let's get it together.
It’s incredible how much women do behind the scenes. I know a realtor who relies strongly on his girlfriend’s charisma, beauty and personality to gain clients.
I’ve just been reading The Glass Universe by Dava Sobel, about the Harvard women who supported the bulk of astronomy research there over the late nineteenth and early twentieth centuries. While many of them did receive public and academic credit as well as pay - although the university always resisted making any of them faculty until the 1950s - almost all the male astronomers featured were married to accomplished women in their own right, many of them scientists, and you can bet their husbands weren’t putting them on all their papers.
Which has bled into the modern academic world, where many people are expected to do what was essentially a two-person job (filled by male academic + wife) by themselves, or while married to someone else trying to do the same thing. The lack of acknowledgement of women’s work fucks everybody over.
#people who want a return to the mythical prior era #when women did not work #do not want women to stop working #they want them to stop getting credit and pay for it
This reminds me of how early film history, it was always the male director’s wife who did the editing of the films, because the cutting and connecting of film strips was considered a lot like sewing. Of course, anyone who knows anything about film and editing can tell you it changes how good a movie is very easily.
Don’t believe me? Look at the differences between the famous Jaws as the public’s release of it (insisted upon by the female editor) and spielberg, the male director’s version of it (missing basic suspense methods, shows the phony shark too much, etc). Same goes for almost every tarantino film. Editing makes or breaks a film and even today, you can bet your socks editing “the invisible art” was pioneered and is still pushed by women.
^^^^^^ This is so true! And once film editing began to be recognized as an actual art form, women were shoved out of the editing room so that men could be artistic or whatever.
Also Tarantino referred to his favorite editor as being kind of like his mom or something and I swear to god the more I see of him, the less I like him.
The “female editor” for Jaws was Verna Hellman Fields, who cut many other notable films, including American Graffiti along with Marcia Lucas.
Tarantino’s “favorite editor” was Sally JoAnne Menke who edited all of Tarantino’s films until she died.
Because naming and credit is important, especially when you’re talking about women not getting credit and recognition of their work as named individuals.
If you want to know more about women in early filmmaking (emphasis American) and the sociology of how different roles were divided, gendered, and re-gendered in the first decades, I highly recommend Women Filmmakers in Early Hollywood by Karen Ward Mahar.
There are a number of other books to follow that, but it’s 2am and I’m tired so hit me up later for them.
You know what happens when women type? They EDIT. It is a service they are expected to provide invisibly - not to let a mistake or imperfection show to their husband’s audience, but also not to intrude upon his sense that this is all his ideas and his labor. Wives are the unacknowledged story and script doctors, and often co-authors for so many supposedly male-authored works.
Also, I second Women Filmmakers in Early Hollywood. Mahar was my history prof for three or four courses and she is incredibly knowledgeable and engaging.
It’s generally held that one of the reasons the Star Wars prequel movies are so frequently stilted and weird is because by the time he made them George Lucas had divorced his first wife, Marcia - a professional film editor who’s also worked with e.g. Martin Scorsese. She won an Oscar for her editing work on the first Star Wars movie. Do most Star Wars fans know her name? Ahaahaaaaha no.
(The other reason, of course, is that Lucas didn’t have Carrie Fisher around to tell him he can’t fucking write dialogue. Though for my first 15 years as a Star Wars fan I thought Harrison Ford had been the one to tell Lucas that, because he’s always mysteriously given credit for it.)
I know a husband-and-wife writing team, where the man (who is well known and respected in the field) writes his first drafts long-hand in fancy bound notebooks, then hands off to his wife to “type it out” - which they both acknowledge as including editing
he sells the original handwritten manuscripts to a private collector - often for as much as the publisher pays in advance for rights to the book! - with the agreement that this mysterious buyer won’t reveal what’s on the page until after the author (we assume that’s the husband - much of the content comes from his own experiences in war) dies
I’ve spoken with them both several times and known them for decades, and the woman half of this creative team prefers the arrangement like this, because she detests the spotlight. even so, pretty much every pro in the field who knows them assumes she’s a significant if not major force in creating the published versions of “his” books
one day in the not-too-distant future - when the private collector can reveal what’s on those handwritten pages - we’ll be able to learn just how much the woman who has guided this man’s career also served not only as editor but as a creative in their writing partnership
my theory includes the possibility that she is at least as much the creative force in many of the books (which only carry his name) as he is
For Mad Max: Fury Road, roughly 480 hours of footage were filmed, which took editor Margaret Sixel 3 months just to watch and must have been an overwhelming amount of work to put together into a coherent 120-minute movie. (Which I enjoyed! Which had a very overt feminist message. ‘We are not things.’ We’re not. And yet…)
Notably, she is married to director George Miller. I think many of these women are happy in their marriages and proud of their work, but wow is this a thing worth discussing.
This phenomenon is known as a ‘Secretary Wife’ and many of my female friends and I have had passionate discussions about how much we want one. Someone smart who loves us and loves our work and throws themselves into the labour of crafting and promoting it? OF COURSE it would make our lives hugely easier and our work better and our chances of success in our careers far higher. I’ve seen it do so for many male authors - who love and appreciate their wives but don’t see how much this is Not an Option for all but a very, very few women.
Women can of course have wives, and men can be Secretary Wives, but few women get Secretary Wives - women are socialised to be helpful to men and respectful of their work.
Someone else devoting their life to my dream? Honestly, I would feel bad about it, if it was actually an option. But it’s not.
For the record, though I’ve said this before it’s worth repeating, my wife is my editor. If you like my books I guarantee their fingerprints are all over whatever you liked about it. I have repeatedly offered them co-writing credit and they declined, being very particular about what they claim as their work, and clear that they are advising, not full on steering. They also look over all of my newsletters.
I don’t ask them to do busywork like typing tho. And when they do proofreading for me it’s on the condition that I then take over the same number of hours of their chores for the duration.
You actually can have this arrangement without being an asshat about it, if you happen to be fortunate enough to be married to a brilliant creative mind who loves books and editing and creative problem solving. And who loves you very much. And hates cleaning.
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also I don't think parents "these days" are uniquely terrible, I just think neglect is showing up in new ways as technology progresses. today's ipad kid would've been wandering around in a ditch alone all day and night before. parents not wanting to have to deal with children is not a new phenomenon.

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paying billions of dollars to the foreign nation we invaded is going to do really weird things to those guys who are politically obsessed with cuckolding
Citations could be so awesome without copyright. Imagine just being able to click on a footnote and it takes you to the exact section of another book being quoted. Imagine how much that would do for stemming misinformation.
Waiter, I'm waiting for that "Iranian strategic victory" on the "2026 Iran war" wiki article
You should loudly boo every Democrat who attacks Trump’s deal with Iran for being too Iran-friendly. Any deal to end this war is a good deal. I do not care that we are returning the assets we stole from them. Cry about it. If you don’t want to make concessions to a country you consider an adversary, don’t start pointless wars with them and kill schools full of their children

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girl you are not sticking it to your landlord by pouring oil down the sink and flushing non-flushable stuff please for the love of god the city infrastructure workers are in physical pain the sewer pipes are full of pycrete fatbergs made from your cooking-oil-soaked makeup wipes ;-;
'It / its is a little dehumanizing, I'm going to call you they / them instead' I'm going to dropkick your computer. If anyone ever says this to you, dropkick their computer.