Here To Take Up Space

kingpin: ...this changes nothing.

electro: [very clearly uncomfortable but not willing to interrogate what that says about himself] so is this, like, a permanent thing?

rhino: you are...AH!! [drops the bags of money he's holding and gives spider-woman a bone-crushing hug] MY FRIEND!!! YES!!! my cousin's wife, she is like you as well! beautiful woman. maybe you know her? you do not? is not how that works? i see. you two must meet. we will arrange dinner after i break out from raft again. uhp--no arguments. i have decided.

vulture: this is exactly what fox news warned me about...

green goblin: good for you, bug! though don't think i'll go easy on you because of this. after all, you and i both know i don't have a problem killing girls! AHAHAHAHAHAHAHAHAHAHA!!!

sandman: [after five minutes of failed explanations] oh, like the thing rhino's cousin's wife has

white rabbit: girl!!! me too!!! no way!!! you know, this is perfect timing actually, beetle and i have been looking for a third, if you're interested...

lizard: [really not getting it] ssssso you have to inject yoursssself with girl DNA how often? seemssssss inefficient. you know, connorsssss only injected himself with lizard DNA the once. maybe you ssshould assssk him to make girl DNA for you.

doc ock: [known the whole time] so...you finally figured it out.

mysterio: [trying to fuck with her] so...you finally figured it out.

mr. negative: [gives a single, curt nod and doesn't say anything but makes sure to gender her correctly during their fight]

morbius: HISSSSSSSS!! spider-man!! vhat brings you to zhis dark corner of the city, at so late an--vhat? spider...woman now? [drops the accent] oh hey that's sick. listen if you need an endocrinologist i know a guy. he's over in brooklyn so it's a bit out of the way--oh you're going to diy? no that makes sense. hey, i really appreciate you telling me. no it's no problem at all. thanks! [starts doing the accent again] NOW BEGONE!!! FROM MY LAIR!!!!

electro again: [still really uncomfortable] i just don't think it's an unfair question to ask. remember that time you were like all mean and had the four extra arms and you said shit like "the die is cast?" how do i know this isn't another one of your phases?

carnage: [sprinting down the street on all fours holding the first syllable of a slur like piccolo charging his special beam cannon] fffffffffffffffffffffffffffffffffffffffffffffffFFFFFFFAGGOTTTTTTTTTTT!!!!

Yeah, you could definitely play a scenario where violence is the morally correct answer for laughs, but you don't have to.

If you wanted to play it straight, one might imagine a game about fighting a fascist state where all of the bosses are The One Good Nazi types with very sympathetic, human reasons for collaborating with the regime – there's the Sad Dad who's only committing mass murder because they're holding his kid hostage, the idealist who genuinely believes they can reform the system from the inside, the moral coward who rationalises their atrocities as harm reduction because if they quit, whoever replaced them would be even worse, etc. – and all of the talky nonviolent options for dealing with them involve compromising the player character's principles.

The final boss is naturally a totally unsympathetic Hitler 2.0 type, but before you can fight him he hits you with the old Mustapha Mond monologue, and if you've let even one of his buddies off the hook, he turns the tables on the conversation-fu trope and persuades the player character to stand down.

And GLaDOS interjects like, "You didn't do this. She did all the work!"

I find that interjection fascinating because. Like.

GLaDOS doesn't actually know anything about what happened behind the scenes. She lost track of Chell and Wheatley after Wheatley opened up a wall panel and they bolted off together into the facility's inner workings. She doesn't see them again until Chell falls for her fake door trap, at which point GLaDOS is unpleasantly surprised to discover that Chell's disabled the turrets and neurotoxin in the meantime.

She has no evidentiary foundation to base that accusation on.

This is also before GLaDOS recognizes Wheatley as the Dumbass Core, so it's not based on an assessment of him.

The only explanation it leaves is that it's based on her assessment of Chell. Despite GLaDOS's enmity towards Chell, the one thing she rarely goes after Chell for is her intelligence.

When she does, it's an admission of her high standards for Chell; Like when the fake door trap works and GLaDOS concedes, "I didn't actually think that would work. I already built a much better, smarter trap up ahead for when this one fails." That's a backhanded insult. It's calling her dumb, but in a disappointed way rather than an affirming way.

Chell tests very well. Between the two games, GLaDOS has developed a strong understanding of Chell's aptitude for critical thinking and problem-solving in stressful situations.