fanboying

'I want more enemies to lovers in media' a lot of you guys couldn't even handle CATRADORA

Still can't get over how Steph said "who's the victim when you shoot me looks" to Pete. That's like two inches away from calling him a vixen. A temptress. A scandalous little minx who seduces all the proper gentlewomen with his beautiful thick-lashed babyboy eyes. Girl get ahold of yourself

You just gotta love how Steph flirts with Pete constantly, asks him out more than once, and then has the gall to say "you're obsessed with me" my sister in christ the call is coming from inside the house

"I love them loving each other" is the best description of shipping I've heard and it came from someone who didn't know what shipping is

Grace Chasity really put a new meaning to "fuck 'em straight to hell"

Starkid is one of the absolute best arguments for supprting independent art. The fact that the shows you're invested in can't get canceled by Big Daddy Streaming, the quality is always amazing, the love of the cast and crew doesn't get squeezed out by surprise budget reductions, the fact that since crowd funding provides almost all costs up front (plus the presence of voluntary digital ticket/in person tickets for additional funding), the fan base can access the full material for whatever cost they can contribute (even if you can give nothing monetarily, you will still get a professionally shot version of the material eventually, without surprise fees or password crackdowns, AND with captions/completely accesible regardless of location). The same goes for Tin Can Bros, Shipwrecked, and all the other associated theater and web series companies loosely connected to Starkid. Like, I cannot believe the amazing content provided to us at the same level as Broadway or streaming services with billion dollars at hand, with almost none of the catches that come with others. Like, I cannot believe that we get all of this right at our hands.

Paul Matthews and Emma Perkins are everything to me. They are soulmates and find each other in every universe but they almost never get past the awkwardly flirting stage before the world ends. They are both losers. They find each other every time an apocalypse commences. They are the only normal people in the whole universe. They are doomed by the narrative. They hate musicals. He tips her 5 dollars and she spits on everyones coffee. They are Orpheus and Eurydice coded. They are a spark that never turns into fire. They are intimate but don't like labels. They are the only constant thing in every timeline. They are what it could have been but never meant to be. They meet in that coffee shop again and again forever. He'll order a black coffee and she'll ask him for his name. And the loop will start all over again.