The Joezen Blog

UNFOLLOW ME IF YOU DONT WANT TO READ THESE SPOILERS I DONT USE THIS ACCOUNT SEE IF I CARE . . . . . . . . . . . . . . . . . . . .

Seriously this is gonna have spoilers go away if you dont wanna see. 

I liked it. Kinda want to see it again and may change my mind on stuff at a later date but I want to get these thoughts out while they’re in my mind. 

1. STORY STRUCTURE:  The structure of this film is weird? But not really. It makes sense once you realize Thanos is the main character. Act One we’re being introduced to all the different heroes, which is done masterfully and paced really well so we never feel overwhelmed despite the sheer size of the cast. Act Two starts once Gamora tells Star Lord he may have to kill her, and then Thanos is re-introduced. I’ll come back to this later but I dislike that there’s a good couple scenes where its just GotG characters interacting with each other with no Avengers around. Like this is an Avengers movie. Couldn’t SOME Avengers character have been around for this Like this is a crossover why are these characters still with just their regular crew? Anyways from then on Thanos’s POV takes center stage. Once Gamora is dead Thanos, like Thor, has nothing he really cares about left to lose. He’s at his lowest, despite also being 2 stones away from infinite power. Act Three begins with him this way, recalling to Doctor Strange his origin, and reasserting his resolve to go through with this. He beats both of the split forces of the Avengers, one on Titan, and the other in Wakanda, and despite nearly being beaten three different times, he manages to snap his fingers. We see the results of the world he’s created, while he sits back and watches the sunset. 

I like that they decided to let Thanos win and kill half the universe. I know it’ll traumatize a lot of kids watching the movie, but like, these things are rated PG 13. There have been sex references and character deaths and such in these for a long long time. Its the big bad final battle for the Avengers and they needed a cliff to hang on and so they hung people. I dont believe the people turned to ash will stay dead, but I didn’t expect a happy ending either. PLUS this gives us time to really focus on the characters that need more room to finish their arcs in the real finale. 

I like the way the movie is structured. It doesn’t feel overcrowded and it makes a lot of sense when you realize its Thanos’s movie not any of the heroes’. And it helps make Thanos the most developed bad guy in any MCU film. SPEAKING OF WHICH. 

2. CHARACTERS: (the long one)

-THANOS: The best bad guy in any MCU film. Not my FAVORITE bad guy in an MCU film though. Loki still holds that title, and if we’re counting the Netflix shows, Fisk and Kilgrave are still PRETTY dope. Thanos is WONDERFUL. But I neither love him or love to hate him. I appreciate what was done with him though. He earns his place as the biggest threat in this universe, despite a lack of real competition. You feel his struggle, even though you really want him to fail. Its really well done. Cant help but wonder why no mention of his love for Lady Death though? I at least expected Hela to show up and be like “SURPRISE IM LADY DEATH” or something idk. We never saw her die in Ragnarok. Is that really not something they’re gonna at least do something off of? 

-THOR: despite spending MOST of the movie on what is basically a side quest, he’s the hero who gets the most development. I figured that the way Ragnarok was handled was done specifically to set this up and I got what I expected to fall out from that and then some. I love his arc in this. I love his conversations with Rocket and I love how powerful he is now. He’s just really well handled and I love how he’s developed as a character. Also, side note, I like that each Avengers movie changes which of its members gets the most development. Cap was the one who was still finding his place and going through an arc in the first one, Tony is dealing with paranoia and being the one to create Ultron in AoU, and Thor is still dealing with the death of his people here. 

-TONY: I have less to say here. I hate nanite tech being used in pretty much anything. idk why it just bothers me. It always feels dumb. but it was fine here actually. I love his conflict with Strange and Peter and the other Peter. I love that he has to deal with watching everyone else die. The whole movie plays on your expectation that Tony is going to die in the end and then COMPLETELY subverts that and I love it. 

-DOCTOR STRANGE: Great. Comes off a little more of a jerk than he does in his own film but we also mainly see him through the eyes of Tony, so I think thats why. I love his magic and how smart and calculated he is in combat compared to the other characters. The Russos are VERY aware and very good at showing the characters’ character traits via how they fight which is good considering how much action there is in this movie. 

-SPIDER-MAN: I swear he’s more competent here than in his own movie. Also we see SPIDEY SENSE GO OFF which we NEVER SEE HAPPEN IN HIS OWN MOVIE. He still doesn’t REALLY feel like Peter Parker though which is weird bc he almost did by the end of Homecoming and now here he just kinda reverted back out of that.

-GAMORA: Really great. Somewhere in between Guardians 1 and now she stopped being every single one of Zoe Saldana’s characters in anything ever to being a pretty fleshed out character. Though its kinda weird that Thanos’s other children in this movie are so much more loyal to him than her and Nebula are? Like whats up with them? Why is Gamora the favorite when she openly hates him? 

-STAR-LORD: Great. Not much else to say. 

-ROCKET AND GROOT: ALSO great. They’re especially great as sidekicks to Thor. They have some great exchanges, even if their screentime was primarily spent on a side quest. I nearly squealed when Groot used his arm to create the Stormbreaker Axe. I’m annoyed Groot died again at the end. WE’VE SEEN ROCKET MOURN GROOT’S DEATH BEFORE THIS ISN’T INTERESTING OR NEW.

-DRAX AND MANTIS: pretty good. I like them both. If anything there’s probably too much of them. I love them so I cant complain too much but like idk I feel like we saw more of these Guardians side characters than some of the Avengers main characters in an Avengers movie. 

-WANDA AND VISION: Wanda has always been one of my fav characters in the MCU and that doesn’t change here. Her romance with Vis is great. Honestly I love her whole arc and I love how its foreshadowed by Gamora telling Quill to kill her earlier in the film. Wanda having to lose the closest person to her AGAIN is emotional and sad and everything and idk Elizabeth and Paul give great performances and both do a great job playing some good characters. Vis is basically a damsel in distress the whole film, which seems disingenuous because he’s like the most powerful avenger prior to Thor’s buff over these last couple movies. But I guess it makes sense in context. They’re not GREAT but like I said I like them so I’m biased. 

-CAP, FALCON, AND NAT: Kinda useless tbh. They dont do much. They dont even have many lines. Like they fight in the Wakanda battle. Thats it. They’re tired and grumpy because they’ve been on the run for TWO YEARS. Something we dont see at all. Not that thats what I want to see, but... they’re basically just there to shuttle Wanda and Vision to Wakanda and then fight a bit. 

-T’CHALLA, OKOYE, SHURI, AND M’BAKU: Even quieter and less notable than the Cap crew. Which really cheapens how much of the film takes place in Wakanda. Like, why does the Cosmic stuff feel authentic to what James Gunn built in the Guardians movies, while this stuff feels so underwritten and underrepresented? We have four Wakandan characters here and they do so hecking little. AND THEN T’CHALLA IS ONE OF THE PEOPLE WE SEE TURN TO ASH. WHAT? WE ALREADY GOT A FAKE OUT DEATH WITH HIM IN HIS OWN MOVIE. I HATED IT THERE. WE GOTTA SEE HIS FAMILY DEAL WITH HIM BEING DEAD AGAIN??? Shuri better become black panther in avengers 4 man. thats the only way I’ll be ok with him dying a SeCONd TiME. 

-BUCKY, RHODEY, NICK FURY, MARIA HILL, LOKI, RED SKULL AND HEIMDALL: all play really small parts but manage to do their jobs and be really notable anyways. Shoutouts to them. 

-BRUCE BANNER: meh. Bruce has finally kind of accepted the Hulk but Hulk is scared of Thanos so he wont come out. So Bruce spends the whole movie in his head having conflict with himself and not really engaging with whats going on? Kind of a dumb choice imo like if CAP is a minor character whos mainly there to banter with other people so should Banner. We dont even really see him interact with Ross or Rhodes once he gets back to Avengers HQ. dumb but not a big deal. 

3. SMALL DETAILS:

-Music was weirdly lacking from a lot of the movie. Like it feels like Silvestri only orchestrated like half of the film. So much of it is just left.. quiet. Empty. This is INFINITY WAR. IT SHOULD BE ALL ABOUT THE SPECTACLE. 

-Are Valkyrie, Korg and Miek still alive? We dont see them at all on the Asgardian ship? 

-What happened to Sean Gunn’s character? Also wasn’t Nebula still with the Guardians at the end of Vol 2? Did I miss something or...?

-How did Thor know to go to Wakanda? He should have been going to Titan to meet up with Quill, right? 

-How does the Bifrost work if the Bifrost is broken? That was a big thing in Thor 1 wasn’t he? 

-They didn’t get Hugo Weaving back to play Red Skull but thats fine I still geeked out when he showed up. 

-Peter Dinklage was good but he was in the movie too long. Thor’s stuff really felt side questy even though its the best stuff in the film. 

DOCTOR WHO CHRISTMAS SPECIAL AIRED AND IM POSTING THOUGHTS HERE. LETS GOO

MAJOR SPOILER ALERT, YA HEAR? DONT READ THIS IF YOU HAVENT WATCHED TWICE UPON A TIME YET. DONT BE STUPID. Im serious.

I feel like Moffat wasted this idea. He had this great setup to do an episode about how the show has changed, and questioning if thats a good or a bad thing, but this was ultimately not that. 

Sure, there are a few jokes about how the Doctor has changed, and in the end we see the seeds of the older Doctor in the younger one, but ultimately that isn’t the focus. Which is kind of weird because, again, I feel like using this idea on a story that ISNT about that is a waste. 

But Im getting ahead of myself. 

It starts out by showing us scenes from the episode where Bill Hartnell’s doctor regenerates, and then cuts off, leading into where the previous episode ended. There’s some text narration that I dont like because it is 1- unnecessary and B- weird? When has the show ever done this? Why was it so obviously something done in post? And if it was written in, why’d they make it look like a last minute decision done in post? 

Anyways, the two Doctors themselves are both great. Or at least, the Actors are really great. They’re not written very impressively. This is not Moffat at his best. Which is a shame, because I loved the Moffat era and Im sad that it feels like the man himself was phoning it in at the end.

After the theme tune, we’re introduced to Mark Gatiss’s character, who is a WWI soldier, moments before his death. Time is frozen all around him, and then he’s transported to where the two Doctors are. 

His character isn’t bad. I didn’t mind him while I was watching, but looking back on the episode he was mostly there to serve the plot, which was ultimately pointless. So he does kinda bug me.  Anyways they all go into the TARDIS. Theres some jokes about the secret alchohol stache we saw a few Christmases ago which is fine. Some humor about the guitar, which I dont like. A Couple of the Doctors have played musical instruments. Having a personality trait thats consistent across Doctors be insulted by the original Doctor makes very little sense in my mind. And Capaldi is embarrassed of it? Capaldi’s Doctor is many things but embarrassed of one of the things that is legitimately cool? Weird conversation imo. 

Oh and here we’re reintroduced to the fact that First Doctor was a bit sexist. Which, fine. He kinda was. Its an area where the Doctor has changed with the times. Except that its implied in other Capaldi episodes that Time Lord society just is actually more progressive bc they can change from male to female with a simple regeneration. This is why I feel like this was such a waste of potential. A trait that they implicitly retconned to not have changed over time is one of the main differences between the two that they focus on. Why? Nothing interesting is really learned there. It just lets Moffat virtue signal which is unnecessary. 

Back to the plot, the TARDIS is captured by “The Dead” who dont explain whats going on, which is dumb of them, but offer to trade soldier Gatiss for Bill Potts, who is apparently among the dead. Nice. So glad they brought back a character whose arc ended with her getting a happy ending in order to show that it didn’t last long and that when they brought her back for an episode, it was for a plot related gimmick and she cant stay on the show still. I know they weren’t going to, but it still annoys me. I was ready for more Bill. I love Bill and this felt like a tease. Speaking of which, they let you think it really is Bill. Its not like in Day of the Doctor where you know that isn’t Rose the whole time. No, they let you think it maybe really is Bill. Why? 

After some banter, the four of them escape the glass dead people. Or, person. Who looks very fake and not very intimidating. Which makes sense considering SPOILER ALERT the glass dead person isn’t evil. She’s not evil at all. She’s the main antagonist and in the end of the episode the Doctor’s basically just like “Wow OK well thats fine keep doing what you’re doing”. Nothing really even comes of it. Its all just padding and setup for the episode to end in the way that we all know it will. 

Getting ahead of myself again. They spend some time on some Dalek controlled planet, where Rusty (The good Dalek that Doctor and Clara went inside back in season 8) sits in a tower and shoots at other Daleks all day. Rusty is old and cranky now. I guess. Actually he’s basically just a regular Dalek actually. But he will help the Doctor bc the Doctor convinces him it’ll hurt other Daleks. But actually all it does is reveal the twist I spoiled for you. 

That said the main point was to give the characters a backdrop other than the old TARDIS set while they interact. We get some stuff with not-Bill and the Doctor which is pretty good. Some stuff with not-Bill and Gatiss which is actually really really good. And some stuff with the two Doctors which was... fine? Again, my main problem with the episode was that the two of them could have been used so much better but they simply aren’t. The two actors are phenominal, but I just dont buy Moffat’s writing in this episode. Give them intersting stuff to say, geez. Its all just kind of... what you’d expect. 

Then we get the ending, which is again just nothing really unexpected. Doctor Capaldi changed stuff around so that when they unfroze time, it was right before the Christmas Armistice of 1914. Which is weird bc its like simultaneously showing that the world needs the Doctor to save people like Gatiss, but also showing that regular people, even soldiers in the midst of war, can be kind. Its a confusing message that tries to have its cake and eat it too. So see? This isn’t just me being upset that they didn’t focus on the stuff I would have. Its also me being upset with how they handled what they did choose to focus on. 

Capaldi’s last scenes, saying goodbye to the Testimony versions of his companions, and his last monologue, are as great as I could have wanted them to be. Both drag on for a bit and had some stuff that could have been left on the cutting room floor and we never would have missed it. Its very obvious that Jenna Coleman wasn’t able to be there on set with the other companions Capaldi says goodbye to. And the Doctor rambles a bit in his monologue about children being allowed to know his name, which isn’t very coherent. I guess that was the point. We’re not supposed to understand. But still. Cut that then. 

Then finally, Jodie Whitaker's first scene. Which is fine. Way too similar to Matt Smith’s first scene but with so much less dialogue. All she says is something like “Aw Brilliant!” which is instantly Doctor-ish. She’s great I love her. And then she stumbles around the exploding TARDIS set a bit before falling out of the ship entirely. Which again just makes me think of End of Time / Eleventh Hour. Like, I’ve seen this before but the character was given so much more room to breathe.  As I’ve said before, its not the female Doctor Im worried about, its Chris Chibnall not giving her anything interesting to do. This doesn’t change that at all. 

Small notes I didn’t know where else to put:

-I swear Capaldi gets emotional for a brief instant when First Doctor mentions Polly. Could be my imagination though since its not indicated at all by the dialogue he says.  -Gatiss getting sad when he’s told he’s from “World War I” is a nice touch. They really believed that their’s was the war to end all wars, the idea that humanity would do it again was so unthinkable and its depressing.  -I could be wrong but I dont think we’ve seen the date the Testimony was from before in Doctor Who, which is interesting because usually future humans with time travel tech coming back are usually from a specific time period in Moffat episodes. Weird that he didn’t stick to that in his last romp. -Rusty was kinda broken when the Doctor first found him. Howd he live for, what did the Doctor say? Thousands of years? MOFFAT JUST BC WE DIDNT SEE A CHARACTER DIE DOESNT MEAN THEY LIVE FOR THOUSANDS OF YEARS DANGIT. Also why was Rusty never a contender for the fulfillment of the Hybrid Prophecy if he lived that long? 

I feel like I just posted my review of Vol 4 but I flew through this one I couldn’t put it down. Its hands down my favorite of all five volumes so far. Let me tell you why it is so good.

First off, its funny. The writing in this book makes fun of so much stuff. From cell phones to the death of TV in favor of the internet, to Pokemon, to anything else. The series always satirizes the life of the average Japanese person, but for whatever reason, this book does it in a way thats funnier than I think its ever done before, and its always relevant to the story and mixed in with humor making fun of the characters as well. Its perfect.

Second, I think this might be the most balanced book in terms of which characters get represented the most. Granted, the character that does get the MOST coverage is my favorite character, so of course I’d say that, but nobody feels extraneous or left out in this book. Other than Emeralda and Albert, of course. Eme shows up in a single conversation as always to drop some exposition and then never shows up again.

ANYWAYS though, without getting spoiler heavy (yet), there’s a lot more plot in this novel than usual. This book really gets back to the way the first book had a threat slowly creeping up throughout the duration of the story, not just for five minutes at the end. The climax is really long too. These books are always split into thirds, but the third act of this book seriously takes up about half of the pages. And those pages are filled too. There’s like 3 different twists and reveals that happen, plus multiple epic fight scenes. Its GRAND.

Overall, the writing is better. Smarter. More emotional. The illustrations are better. The epilogue is followed by bonus goodies again. Read it.

Okay SPOILER ALERT BEYOND THIS POINT.

The story picks up roughly where the last book left off, with the Devil and his cohorts moving back into Villa Rosa Sasazuka apartment 201.They discover that in addition to fixing the gaping hole Gabriel left in the wall back in Book 3, their landlord had an HDTV hookup installed. So now they can get TV channels. If they had a TV of course. Maou convinces Ashiya that they have room in the budget, and Suzuno decides to go with them and get one of their own. Ashiya invites Rika Suzuki, as he had previously asked her for help in the task of purchasing himself a cell phone (and to give her a souvenir he got her in Choshi during the previous book). 

As the book progresses, they slowly discover a plot by Gabriel (returning after his unsuccessful attempt to take Alas Ramus and the Better Half from our heroes in book 3) and a less powerful, but higher ranking Angel whos name I cant remember for the life of me, to find the rogue Angel Lailah (Emi’s mother, also implied to be the angel who inadvertently started Maou on his quest, as well as gifted him with the Yesod fragment that eventually grew into Alas Ramus) so they can punish her for crimes against Heaven. In the process, they end up hurting Chiho, which of course provokes the ire of the Devil, the Hero, and their underpaid comrades in arms. 

The first half of the book focuses a LOT on Alciel, which as I said in my last review, was something greatly needed, expected, and totally as good as I hoped it would be. He doesn’t exactly get much of a character arc, as he largely just goes from being totally unwilling to buy a TV, to getting one for as cheap as possible. But he gets development in other ways. In Vol 3, he seemed largely oblivious to Rika’s clear attraction to him, and his interactions with her seemed to largely just be because of his overly-polite personality. But, as their totally-not-a-date goes on, his politeness is revealed to have a bit of mutual feeling behind it, and he even tells her he may sometime tell her the truth about him and the others, something she doesn’t really question, as she never totally believed the story given to her anyways. Sadly, once the danger raises its head, she’s rushed out of harm’s way, and Ashiya stays largely quiet from that point on. 

Maou, as always, is in the forefront, but at the same time kept mysterious. He mentions early on that a TV could be helpful in knowing what is going on in the world, and being able to predict and fight any Heavenly (or Demonic) things that come to threaten the Earth. And after the threat is resolved, mentions that its not like they’ll try the same thing again, so the TV is less useful now than it was. So, did he know they’d try to use the TVs in some way? Probably not, but its not beyond reason. As always, then, he treads the line between being a silly character, and being the most serious, as he can flippantly ask Rika if she likes Ashiya to her face, and can very earnestly out-debate Suzuno (who, reminder, is the closest thing Ente Isla has to a lawyer) when the two discuss whether or not Rika ought to be made aware of who and what they all really are. 

She isn’t, by the way. I suppose we must wait for another book for that. 

Emi and Suzuno, seemingly unaware that their fates were bound in with that of the Devil King a long long time ago, have learned, through Emeralda, that Ente Isla is now engulfed in a Civil War, which was seemingly instigated by Heaven, Olba, and the Demons that seek the Better Half at his suggestion. They decide that, at all costs, Maou must not be allowed to join in this war, as he would likely reuite the Demons, and crush the un-unified countries of Ente Isla, particularly because Emi is unable to join, as siding with any part of humanity over another wouldn’t be proper as the Hero. Hence, Suzuno continues her surveilance of the demons, now with the renewed purpose of making sure no Demons come with the intention of pulling their King into their war. Emi, assured that Eme and Suzuno are capable of the tasks before them, goes looking for her mother, unaware of the two Angels out doing the same thing...

Emi’s story is an emotional one, as it often is. Everything she knows is slowly crumbling around her, and as her mother is unable (or unwilling) to reveal herself and speak to her directly, and the other main characters all either preoccupied or still enemies in her mind, she is left only with Alas Ramus by her side to help her to understand what she must do and where she must go. I dont want to spoil specifics of Emi’s story in this book, but its very good. I didn’t cry as much as she did, maybe, but I at least teared up a bit. 

Crestia Bell, meanwhile, has a lot more time in the limelight after last book forcing her to make sandcastles and do little else. She has slowly grown to be one of my favorite characters in the series. She’s far more multilayered than anyone else, with her background so steeped in religion and politics, combined with a fascination with Japanese culture, particularly the old pre-WW2 stuff, from when Japan was still traditional and religious itself. Plus, she really likes Udon for reasons nobody really understands. She’s funny, quirky, serious, and strong. And she gets a lot of time to show off all sides of herself in this book, and she manages to be awesome at every aspect of it, all with the calm serenity of a person of her religious station. There’s a reason she’s on the cover of this book. Heck, she’s more of the book’s standout character than Ashiya, I just was more happy about him getting focus so thats who I talked about more at first. 

Hanzo Urushihara, after a surprising amount of character development in the previous novel, returns to heaven on earth (the inside of apartment 201 of Villa Rosa Sasazuka) with great enthusiasm. He too wants a TV, but obviously he isn’t going to go outside the apartment to get it, nor is he at all going to be helping pay for it, so he doesn’t help Maou convince Ashiya of its usefulness as that would not help the case. He instead stays home through much of the book. Gabriel stops by about halfway through, and they have a great interaction, where we get an inside look on exactly how Urushihara thinks, and how he justifies his existence to himself. While he seems unaware of it, he really has evolved as a character; He does a lot to help during the climax, and at one point expresses great pride in the work he was able to do at the Beach House in Choshi. Overall, he’s written much better now than he was prior to book 4 as well, as he still feels like a fusion or extension of the disparate parts of himself that seemed kinda incongruous in the first books. In fact, he’s more bad*ss now, humming “Amazing Grace” as he shoos one of the series’ primary villains out of his personal space, than he did menacingly levitating Chiho above Hatagaya in the first book. 

I guess I should also talk about Gabriel, because he comes back, and he’s better now than he was. A nice effort is made to make him and the other Angel distinct characters, rather than Gabe feeling like a tamer, but more powerful version of Sariel like he did when he first showed up. He’s still not as good as Olba, or even Lucifer were as villains, but he’s still cool, and the threats he’s a part of feel really legitimate this time around, which is a really nice change of pace from both the previous books. 

Finally, Chiho. At first, I was kind of dissappointed that her injury was basically keeping her from actually helping with the plot at all, despite being its whole inciting incident. 

Without spoiling it, lets just say that uh, dont count Chiho out because she has a bigger role here than, like ever. I mean, she’s been damsel in distress, she’s inspired the others, and convinced Gabriel to delay his attack in Book 3. In this book, she basically saves the day. 

Something I like about the whole series of books is how well they flow in and out of each other. Each volume introduces elements that will become important later, follows up on things left unresolved in the last one, and manages to tell a satisfying stand alone story in between.

THAT said though, this particular volume is comparatively worse at telling its own self contained story than the other ones, which should not be the case since this book doesn’t even take place in the same location as any of the other books. Or at least, the main plot doesn’t. It takes them half the book to leave Sasazuka and get to the beach town of Choshi, and then after that the book is nearly over by the time the major plot starts happening. Granted, the slow pacing is something you kinda learn to live with in this series, but in this book it was particularly noticable, as it constantly seemed to be building to having its own story, which ended as soon as it got started. 

Another thing I like about all the books is that its often not said who is speaking when people say stuff. Everyone just has such a unique voice that you just always know who it is, even if its not totally in character for them to say it. It lets the book keep a quick pace when it needs to. idk I like it.

One thing Volume 4 definitely excels at is the illustrations. While there are definitely some I like in the others, the ones I like in this one are absolutely stunning. Like, look at this picture of Crestia Bell holding a sparkler. Its been my phone’s lockscreen for like a month now I LOvee it its beautiful. 

One slightly disappointing thing about this volume, though, is that it left out some of the extra stuff these novels typically come with. It has a little fold out poster thing, like the previous volume, but previous installments have also had resumes of new characters the book introduced, as well as other things like the floorplan of Villa Rosa Sasazuka appartments, or a blueprint of Urushihara’s computer closet and how he was able to keep cool in that stuffy cramped space inside their non-air-conditioned apartment. You know, fun things like that. This volume has none of those things. It doesn’t even have an afterward from the illustrator this time around. And the one from the author seemed much shorter than the ones in previous books. 

That stuff was just so well done in previous volumes that I came to expect something from it. If there’s one thing I dont like about this volume, is that the lack of effort put into that stuff makes it feel less special. I wouldn’t even notice it were it the first book, but this isn’t the first book, and it wouldn’t work as the first book. So it must be judged compared to the others. 

Still, the fact that the Author’s afterword and other stuff is all nitpicky, no matter how special those things felt in the other volumes. Lets talk about the characters and plot of THIS book.  and, fair warning, I’m gonna get pretty spoilery this time around. I may ruin the book for you a bit, if you haven’t read it yourself. 

The book mainly focuses on Maou answering the question of whether or not he really is going to one day return to being Devil King, and use his forces to conquer the Earth; and Emi answering the question of whether or not she really is willing to work with Maou to defeat the forces that are conspiring against them and Alas Ramus. 

Part of the reason the pacing seems so slow in this book in particular is that a large amount of this book is devoted to people talking about these questions, and the two protagonists continuing to put off answering them, just like they have for the previous few books, until the climax when both have no real choice but to answer. And despite the fact that I already said the pacing bothered me, the discussion was almost all good discussion. Especially whenever Chiho was involved. 

Chiho plays a huge role in this book, and despite not being present in the climax, it feels like a bigger role than she’s had in any of the other three. She’s constantly working to make sure Maou works with Emi, and she’s the one that brings up the fact that one day Maou will reclaim his throne, and return to his warring ways. But after her development in Volume 3, she’s become very accepting of this, and even proudly declares that she’ll make herself so invaluable, Maou will make her a General in his army, something that stuns Maou, despite him unintentionally helping give her the idea in the previous book. 

Maou’s development is really nice in this book. Up til this point its usually been somewhat nebulous how serious he really is about certain things. Here, we get a pretty clear picture that he really does want to rule the earth, but he really doesn’t want to wipe out humanity. In fact, he doesn’t think they’re much different from him, and he really enjoys working with them. Also, there’s a really great scene, or rather, good chunk of the book dedicated to Maou showing off his management skills. Through most of this book, MgRonald’s is closed due to renovations. Instead, Maou and co all get jobs at a beach house down by the beach. And when they get there, they discover its a bit of a dump. Maou basically figures out how to fix what he can, cover up what he can’t, and turn a profit despite having to pay for a lot of what he was fixing. 

It sounds really boring when I say it like that, but the whole series is based on seeing the mundane through the eyes of people from a world without all of what we consider boring and normal. Making that kind of thing interesting is where these books have always excelled. 

Emi’s development is what gets more focus, though. Chiho sort of takes it for granted that Maou will eventually become a fusion of the nice man she knows, and the Devil King she knows he used to be. What she doesn’t know for sure is whether or not they can count on Emi being on their side. Emi and Maou have sort of gotten lucky in the past, and ended up working together out of necessity in circumstances. Chi knows they’ll need each other even more once their enemies work together to really launch a good attack at them, but she also knows that Emi is stubborn and prideful, and will need convincing. 

While I think Emi’s arc in the previous arc was done a bit better, this is a big step for her that flows naturally from the ending of the Alas Ramus story, and clearly needs to happen before the story can move on. What happens is hardly surprising, but still a notable change from where Emi was at the start of the series, reluctant to even share an umbrella with the Devil King, much less allow him, Alciel, and Lucifer to fly into battle alongside her, and tell their fellow Demons that she is under their protection. 

SPEAKING of Lucifer, the best part about this book is that he gets a LOT more character development than he’s ever gotten. This is the first book that I feel like the whole of his character is represented at once. In the first book, he was an antagonist, and kept largely to the shadows. In the second and third book, he was revealed to be a lazy, antisocial brat who’d rather hide in the closet than be forced to interact with anybody. The anime gave him a lot of stuff to do through the second story arc that isn’t in the second book at all. In fact, his portrayal in the back half of the anime is the largest difference between the anime and the books. And as much as I really like what they did there, its not what happens here. 

Anyways, this book follows him for a lot of the story, and really does a nice job of showing both sides of his character. He’s lazy and whiny, but he’s also really powerful, and smart about predicting what their enemies are up to. He’s forced to work through part of the book, and there’s more than one scene where he and Emi interact that I really like. They both have the connection of having traveled with Olba Meyer, and Lucifer starts to worry about him coming back, which leads into Emi’s arc and what she’s going through... Anyways, its good. Lucifer is one of the best characters, and after him being largely absent from the previous book, it was nice to see him be so prominently featured. 

The book also deals with the mystery of who Maou’s landlady is, but we dont learn much, and what we do learn is more about her Niece, Amane, who we meet in this book, than about the landlady herself. Amane is a nice character who I hope shows up again, but we really dont see enough of her for me to be sure. 

The book also introduces a couple more Demon characters from Maou’s old army. Most prominently, Camio, who was Maou’s steward in the Demon Realm while Maou was away at war. In future installments I suspect he will act sort of like Emeralda does for Emi, but working for Maou instead, obviously. 

The villains of the book are Demons too, but they’re all forgettable and only even present in like one scene. 

Lets see, is there anything I’m missing?

Oh yes! The prologue focuses entirely on Emeralda Etuva, giving us much more of her character than I think we’ve ever gotten before. It largely teases that Demons are coming in this book, which they do, as well as hinting at some sweet sweet Ente Isla politics that I think will be important in the next book. I’ve been wanting more of her character since I first watched the anime, and while this didn’t justify her importance as much as I’d like, it sated me until the next book, at least. 

Crestia Bell and Alciel both had VERY little to do in this book. Alciel has always been my favorite character, and if I remember right he didn’t get any real focus in the last book either. So that sucks. Bell meanwhile had arcs in both the last two, so her absence felt earned, and made me appreciate the times when she did say and do stuff much more. Not that I ever disliked her before, but her distance from the important bits of the plot allowed her brief times onscreen to be more relaxed and lighthearted than she usually is. BUT from the Epilogue of this book and the back of the next book, I’ve gathered that Volume Five will heavily involve both of them due to Ente Isla politics and Ashiya’s love interest playing big roles there. 

Random college kid: Dude are you a real punk or a fake punk?

Me: I, um. I-I don't care?

In Yellow Diamond’s song in the last episode, she mentions what a few gems are for. And Lapis Lazuli, apparently, are for terraforming. 

We’ve long wondered what Lapis was doing on Earth in the first place, as she doesn’t seem to be part of the Diamonds’ army or anything. But, this answers it. At least to some extent. 

After all, Earth was already filled with water and life. Plus, Gems dont really need to make planets more hospitable. They can survive without food or air or water. 

But the Earth was going to be changed. You remember in “It Could’ve Been Great” when Peridot finds the plans for what the Earth was going to be changed into? 89 Kindergartens. 67 spires. A Galaxy Warp in each facet. Big holes all through it. rings of energy surrounding it...

I think we now know exactly how they were planning on changing the Earth so much from a green and growing place to a place filled with holes and canyons and such. Not any kind of weapon or machine. Those holes were gonna be dug out the old fashioned way. Running water. 

Confused about how I’m reviewing an entire arc of episodes that has been promoted to release at the end of this month? Well, Cartoon Network put the episodes on their website without warning last night. And I watched em. 

But you dont care about that. Lets talk about the episodes. I’ll be as spoiler free as I can but its a pretty intense arc. Just watch it and then come back if you still care. 

The first one starts out by breaking the cardinal rule of the show: STEVEN PUTS STUFF TOGETHER AND ASKS QUESTIONS ON HIS OWN.  Except, not really. His questions come up because his dream powers are causing his mind to connect with that of Blue Diamond. Side note: any other time Steven’s dream powers have acted up, its because Steven is thinking about the person as he falls asleep, or otherwise because he lucid dreams his way there intentionally. This time it is COMPLETELY unprompted as far as I know, and its not really said why. But thats okay. 

Anyways, its really Connie that puts together that she’s seen the thing in Steven’s dream before, and thats the only thing she does this whole arc. While we’re on the subject, Lapis and Peridot show up momentarily in the subsequent episode only to also get left out of the entire rest of it. The three are told that if anything happens while the main crew is gone, they must defend Beach City and the earth, which shows how much the Gems trust them, but since, to our knowledge, nothing really happens, it doesnt mean anything really. I really want to see the three of them interact on some kind of mission sometime soon though. That would be really fun and solidify the three of them not only as Crystal Gems, but as a team themselves. I’d really like that. 

Anyways, Greg and Steven go off in search of answers to what really happened to Pink Diamond, and do so by flying to Korea in Andy’s plane. They have a nice touristy montage through Korea, and then end up at the Palanquin. There, they find Blue Diamond, who is mourning Pink. Greg has a nice moment where he connects with her, where he tells her he knows how she feels and what she’s going through. Its a really good scene. The two characters aren’t ones you’d expect to connect. The parallel is nice, not expected, and really clever. Its emotional, and genuine. Its also interesting to see Greg do something like this, as its definitely what Steven would do in the situation. I somehow always thought that side of Steven really was from Rose. After all, we’ve seen that she loved everything on the Earth. But... the more we’ve learned about who Rose was, it does make much more sense that having this kind of response to Homeworld things definitely comes from Greg, not Rose. 

Anyways, Greg is dadnapped by Blue Diamond and put into her Human Zoo a few lightyears across Space. 

Steven and the OG CG crew follow in the Roving Eye they stole from the Rubies. Speaking of whom, we see them briefly, and its mentioned that they’ll clean up THAT mess on the way back. The second episode in the arc seems mostly wasted on in-jokes like this. Steven messes with the ship’s controls, and as they go farther beyond the speed of light, it becomes harder and harder for the Gem’s to maintain their form, which results in some not that funny shape shifting shenanigans at first, and some soul-crushing loneliness later. Steven has a revealing, yet predictable emotional moment while the Gems arent able to take form, confessing he feels this is all his fault for asking questions. But the problem is solved and the Gems comfort him. This is by far my least favorite of the five, in case you can’t tell. Its got its moments, but not enough for me to really like it. 

The third episode brings the quality back up though. They arrive at the zoo, and realize they’re going to have to sneak past the Homeworld Gems stationed there. Garnet unfuzes, and Steven and the four Gems start faking their way through the security so they can get to where Greg and the other humans are held.

Something I really like about this episode, and the last one in particular is that each of the Gems that does come along on the journey has to deal with their own little struggle. They all have moments that are unique to their characters, and they’re all balanced well. Ruby, Sapphire, Amethyst, and Pearl all grow as characters, at least a little bit. Pearl is the most obvious, as she is forced to revert to being subservient to the other Gems. Sapphire and Ruby have to be apart again, and the stakes are much higher than in Hit the Diamond. Also, while that largely seemed to focus on Ruby and her interactions with the other Rubies, this focuses a tad more on Sapphire, having to pretend to be in charge of the other Gems, and having to struggle with the knowledge that they WILL fail. Without Ruby, its hard for her to change the course of time she sees before her, and we really see the effects of that. She gets a lot more screentime than she usually does, and its really nice. 

At the base, we’re introduced to the main villain of the arc, a Holly Blue Agate in charge of the Zoo. Compared to Peridot, Jasper and even Lapis, she’s relatively mediocre, and I kinda doubt she’ll ever become as important as those Homeworld Gems, but she does her job well. She’s super uptight and perfectionist, and while she clearly enjoys her work on the Zoo (expressing delight at both the new human arrivals) 5,000 years of dealing with the squadron of Amethysts and other Earth Gems that crew the station is clearly wearing on her. Any tiny thing that goes wrong, she blames on them, which is really nice for our heroes, but at the same time only allows them to see how ferocious she would be to them if she found them out. Even Steven never really tries to befriend Holly Blue. She manages to be scary while also hardly raising her voice. She expects things to work the proper way, and whoever is making things NOT work properly will suffer, if she has anything to say about it. 

Without spoiling how that episode really goes from there, the fourth episode in the arc focuses on what things have been like for Greg actually in the Zoo. And this episode is probably my favorite of the bunch, though the last one is really good as well. The humans in captivity are all very blissfully unaware of how life is. They all seem to be happy, but their lives lack true meaning or love of any kind. The people there are all really nice, albeit childlike and a bit weird. They’re somewhat entitled, a bit lazy, and all seem to lack any real individuality. But this isn’t a fault of the writers, its just that they’re all just products of the world they live in. Even Greg is starting to just do what he’s told and exist in this blissful utopia. He only really disobeys it when he discovers that romantic relationships in this world are all predetermined by the automated voices. And Greg doesn’t want a new Romantic relationship. Especially not with any of these people that can’t make decisions on their own. I wont spoil how this one ends either so lets move on to the finale. 

btw, I DO spoil the finale. If you havent’ watched it, just know that its very good and you should watch it. 

The final episode begins Greg and Steven being captured by the Amethysts aboard the Zoo. The have our Amethyst as well, who plays like she’s being held captive before revealing she has befriended them all since the last time we saw her. It turns out that all Earth Gems are about as unruly and immature as our Amethyst is. There’s even a Jasper and a Carnelian from the Beta kindergarten mixed in. The whole gang is delightful, and I wish we got to spend more time with them, but we really only get enough time to see how accepted our Amethyst really is among the rest of the misfits and freaks from Earth. From there, the squad helps hide Steven and Greg from Holly Blue long enough to get them to a large room where we see a bunch of bubbled Rose Quartzes. As they make their way across the giant room, a couple suitably giant gems come in. Blue Diamond and Yellow Diamond. Blue is still depressed about Pink, and Yellow is attempting to cheer her up, so they can get rid of the Roses and the Earth, and move on. 

She sings a song, accompanied by Blue and Yellow Pearl. I dont like it that much. Yellow Diamond’s singing voice annoys me, and Deedee is definitely better as regular Pearl. But, its still really good for what it is, and it allows us to see into Yellow Diamond’s head a little. The Pearls are really fun as well. I love how Yellow Pearl is so opposite of ours. She glories in her diamond’s arrogant sass, and feels so honored whenever she’s addressed, no matter how demeaning the task she’s commanded to do. 

That aside, Greg and Steven regroup with the rest of the squad, and they all manage to make it past the Diamonds without incident. They make it back to the docking bay, and almost make it into the Roving eye, but are caught by Holly Blue. We get a quick fight scene, but its mostly just the Gems showing off. The Agate is apparently more bark than bite, and her squad of Amethysts don’t do much to help, as they’re rooting for their friends over their hated boss. Pearl gets the last laugh, telling Holly Blue why it’d be a bad idea for her to reveal to the Diamonds what just happened, and they fly off into the sunset.

Its a great arc. Definitely bigger and more intense than almost any arc before it, but at the same time, some of the episodes, the second especially, seem really slow. Theyre all just kind of building, and then the last episode, while really great, just kinda wraps up all that setup. Its really great, and it leaves room for the rest of season 4 to be even bigger and more amazing. 

I really hope we see the humans and the Earth Gems of the Zoo again. I imagine we’ll have to, since all the Rose Quartzes are bubbled there. All three groups are native to Earth, and I’d love to see them all return there sometime. But... we’ll see.