welp. that went well.

So may I present my own casting choice for Odysseus:

I will also say that I think the problems with the movie's casting, costuming, and color grading are all related. Like, Nolan went with the Hollywood Viking aesthetic because he thought Odysseus would look silly in a slutty little bedsheet. And it's like, no, you don't understand: Matt Damon would look silly in a slutty little bedsheet. 40ish Jason Mantzoukas in a thigh-length, rust-colored chiton, olive limbs shining in the Mediterranean sun, would send male-attracted folks everywhere into the stratosphere.

Evening Dress (Costume)

Travis Banton

1934 

An evocative and glamorous example of the work of Paramount Studios costume designer Travis Banton, who, during the 1930s, also dressed Marlene Dietrich, Carole Lombard, and Mae West, this dress was worn by Chinese-American actress Anna May Wong. While the dress may evoke the “cheongsam”, a from-fitting traditional Chinese dress style, its construction is along the lines of high-necked form-fitting Western gowns from the Belle-Epoque period, but the dragon motif adds a distinct Asian influence, dazzling in its execution in gold and silver sequins on luxurious satin. It was designed by Banton for Wong’s role of Tu Tuan in the 1934 film “Limehouse Blues.” Wong was a pioneer for Asian-American actors and one of the few actors in general to transition from silent to talking films. (MET)

we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)

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