this is huge… a three chair event
Cosimo Galluzzi
noise dept.
he wasn't even looking at me and he found me
Misplaced Lens Cap
will byers stan first human second
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I'd rather be in outer space 🛸

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Not today Justin
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@daemongabe
this is huge… a three chair event

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The cards see all.
As a Greek, in response to the current controversy about Matt Damon being cast as Odysseus, I'd just like to share that one of the moments that changed my brain chemistry as a kid was reading a novelized version of the Odyssey and coming across the following description of Odysseus when Circe sees him for the first time and thinks he's hot: "his hair curled like a clematis and his eyes were very brown".
So may I present my own casting choice for Odysseus:
Excuse me???
#I do not know who this man is but yeah he looks like great odysseus material #(i'd say better than matt damon but that's putting the bar on the ground tbh)
I will also say that I think the problems with the movie's casting, costuming, and color grading are all related. Like, Nolan went with the Hollywood Viking aesthetic because he thought Odysseus would look silly in a slutty little bedsheet. And it's like, no, you don't understand: Matt Damon would look silly in a slutty little bedsheet. 40ish Jason Mantzoukas in a thigh-length, rust-colored chiton, olive limbs shining in the Mediterranean sun, would send male-attracted folks everywhere into the stratosphere.
Evening Dress (Costume)
Travis Banton
1934
An evocative and glamorous example of the work of Paramount Studios costume designer Travis Banton, who, during the 1930s, also dressed Marlene Dietrich, Carole Lombard, and Mae West, this dress was worn by Chinese-American actress Anna May Wong. While the dress may evoke the “cheongsam”, a from-fitting traditional Chinese dress style, its construction is along the lines of high-necked form-fitting Western gowns from the Belle-Epoque period, but the dragon motif adds a distinct Asian influence, dazzling in its execution in gold and silver sequins on luxurious satin. It was designed by Banton for Wong’s role of Tu Tuan in the 1934 film “Limehouse Blues.” Wong was a pioneer for Asian-American actors and one of the few actors in general to transition from silent to talking films. (MET)
MET

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Be a hero: Meet the pressing public health threat with common sense protections and mitigations.
Tarnished, before thou continueth upon this journey, I must take the time to send hate anon to Marika’s blog.
dying at this star wars reddit thread
i'm like a fujoshi but for dead people
if you could see the thread i'm hanging on by you would not say these things to me

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"what yaoi, question?"
When Tess Morgan's son came home with a tattoo, she was griefstricken. She knew her reaction was OTT (he's 21) but it signalled a change in their relationship
This is gold this, absolute gold, the most over the top melodramatic hysterical ridiculous thing I’ve ever read
This is actually so interesting to read- it’s from 2012 but its full of the same anxieties, even some of the same phrasing that many of the guardian’s later pieces on transness use. really hammers home how much of the terfism that emerged in the late 10s was middle class mothers angry at a loss of control over their adult children- whether that be their bodies or their friends or their opinions- and making that everyone’s problem because they have the power to do so
He says, “I’m still the same person.”
I look at him, sitting there, my 21-year-old son. I feel I’m being interviewed for a job I don’t even want. I say, “But you’re not. You’re different. I will never look at you in the same way again. It’s a visceral feeling. Maybe because I’m your mother. All those years of looking after your body – taking you to the dentist and making you drink milk and worrying about green leafy vegetables and sunscreen and cancer from mobile phones. And then you let some stranger inject ink under your skin. To me, it seems like self-mutilation. If you’d lost your arm in a car accident, I would have understood. I would have done everything to make you feel better. But this – this is desecration. And I hate it.”
Also just the classism of her associating tattoos with “vest tops, dogs on chains, broken beer glasses”; like, just say you hate poor people
Let's dance with the dead.
alright I've got to do some quick math to explain attitudes towards AI to my boss.
we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)
please rb for larger sample size!
Question 1/3
What is your age, and do you feel AI is a net positive or net negative in our lives today?
under 18, AI is a net positive
under 18, AI is a net negative
18-29, AI is a net positive
18-29, AI is a net negative
30-45, AI is a net positive
30-45, AI is a net negative
46-60, AI is a net positive
46-60, AI is a net negative
over 60, AI is a net postive
over 60, AI is a net negative
Question 2/3
How often do you visit or interact with museums/archives (whether in person or online)?
Frequently (multiple times per month)
Often (multiple times per year)
Occasionally (a couple times per year)
Rarely (once every couple of years)
Never :(
Question 3/3
If you saw a museum was using AI in exhibits, marketing, research, etc., would you be more or less inclined to visit that museum?
under 18, more inclined
under 18, less inclined
18-29, more inclined
18-29, less inclined
30-45, more inclined
30-45, less inclined
46-60, more inclined
46-60, less inclined
over 60, more inclined
over 60, less inclined
Thank you for helping with this data collection. Please rb for as big a sample as possible!
🫶
It has already happened that I have said out loud "Ooh, we could go to [local art museum], let's see what they have right now! Oh, never mind, it's an AI thing. Let's go to the park." Unanimous agreement between early 40s, mid-40s, and mid-20s, with confused assent from early 70s and mid-70s.

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Padmé Amidala - Redesign
Lessons from the 90s that children today need