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These lists include LGBT pieces set in Ireland, LGBT pieces with Irish main characters, LGBT pieces as Gaeilge, and LGBT pieces created by Irish people, often they overlap but not always. Feel free to suggest things I ought to add or offer corrections for mistakes I've made.
Please note that the inclusion on this list does not mean I recommend the piece in question - I am familiar with only a few. This is intended as an archive of Irish LGBT+ pieces, not a recommendation of everything included.
Where possible links lead to RTÉ player, TG4 player, YouTube or official sites. Not all links lead to pieces that are available to watch at the time of posting.
Visual:
Television:
Eipic (2016) [gay, as G]
Derry Girls [lesbian]
Ros na Rún [soap, as G]
Fair City [soap, trans m briefly]
6Degrees [mlm, NI]
Film:
Pigs (1983) [gay]
The Crying Game (1992)
Bent Out of Shape (1995)
The Last Bus Home (1998) [gay]
About Adam (2000)
Cowboys and Angels (2003)
Goldfish Memory (2003)
The Blackwater Lightship (2004) [based off book below]
Breakfast on Pluto (2005) [trans f]
Albert Nobbs (2011) [trans m]
Viva (2015) [mlm, Irish writer/director only, in Spanish]
[ID: ten images of pride flags with the word ‘bród’ (pride) and heart emojis in the flag’s colours written on top. Pride flags are: mlm, wlw, nblm, nblw, genderqueer, polysexual, agender, genderfluid, demigirl and demiboy. End ID.]
[ID as Gaeilge: deich pictiúir faoi bratach bród agus an focail ‘bród’ agus emoji croí sa dathanna seo. Is é mná a mbíonn grá acu do mhná, fir a mbíonn grá acu d’fhir, duine neamh-dhénartha a mbíonn grá acu do mhná, duine neamh-dhénartha a mbíonn grá acu d’fhir, inscne aiteach, il-ghnéasach, gan inscne, inscne-sholúbtha, leath cailín agus leath buachaill na bratach bród.]
They are killing her again.
She said she did it
One year in every ten,
But they do it annually, or weekly,
Some even do it daily,
Carrying her death around in their heads
And practising it. She saves them
The trouble of their own;
They can die through her
Without ever making
The decision. My buried mother
Is up-dug for repeat performances.
Now they want to make a film
For anyone lacking the ability
To imagine the body, head in oven,
Orphaning children. Then
It can be rewound
So they can watch her die
Right from the beginning again.
The peanut eaters, entertained
At my mother’s death, will go home,
Each carrying their memory of her,
Lifeless – a souvenir.
Maybe they’ll buy the video.
Watching someone on TV
Means all they have to do
Is press ‘pause’
If they want to boil a kettle,
While my mother holds her breath on screen
To finish dying after tea.
The filmmakers have collected
The body parts,
They want me to see.
They require dressings to cover the joins
And disguise the prosthetics
In their remake of my mother.
They want to use her poetry
As stitching and sutures
To give it credibility.
They think I should love it –
Having her back again, they think
I should give them my mother’s words
To fill the mouth of their monster,
Their Sylvia Suicide Doll,
Who will walk and talk
And die at will,
And die, and die
And forever be dying.
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Galahad orders himself a single glass of water with no ice because of his ascetic mindset. Sometimes other knights will order him a Shirley Temple and he secretly enjoys that.
1930 A Swedish girl and her teddy bear visit a Rune stone. It states "Sibbe and Tjarve had the stone raised in memory of Torkel, their father". From Awesome Attic, FB.
The most amazing thing to me about Jane Austen is that she staunchly refuses to leave any woman behind. It doesn't matter if a woman is an antagonist, a side character, or what, the reader is assured that they will be okay. This is so different from fiction at the time or even now.
Marianne Dashwood, living a plot perfect for a tragic death by illness to preserve the beauty of her first attachment and disappointment? Nope, she lives and loves with her whole heart again. Maria Rushworth, the fallen woman who cheated on her husband does not die for her crimes or even fall into poverty or prostitution, her father and Aunt Norris will provide for her. She is punished, but she's protected. Lydia Bennet? Her two sisters will provide for her for the rest of her life. Her husband's debt will not destroy her. Miss Bates? There is an entire community around her no matter what happens and her newly rich niece will provide. No woman is even left as a governess, Miss Taylor is Mrs. Weston, Jane Fairfax becomes Mrs. Churchill instead. Mrs. Smith is pulled out of her indigent state by Anne and Wentworth.
The only woman Jane Austen allows to suffer a terrible fate is off-page and dead long before the novel begins: Eliza Brandon. Eliza Williams, her mother's affair baby, is ruined by Willoughby. Colonel Brandon could easily have washed his hands of her and her affair child, but he doesn't. Eliza Williams is going to be okay. Her child will be okay.
Antagonist women never fall into poverty or die for their crimes, most of them are even in loving marriages. Fanny Dashwood is cruel to her mother and sisters-in-law, one could imagine her falling low in karmic retribution, but no, she's fine. Lady Susan, the delightful anti-heroine, marries a baronet at the end of her novel. No punishment looms on the horizon for her promiscuity and deception. Caroline Bingley has a loving family that will never turn her away and an independent fortune. Mary Crawford has a loving sister. Isabella Thorpe may have lost the big prize, but she has her mother. Never is a woman thrown to abuse or poverty, even when they have attacked other women. The only punishment would come from their own conscience or regret for the goodness they have thrown away.
Jane Austen somehow imagines a world where even the worst women are safe.
#jane austen#which definitely throws the very common 'caroline gets her comeuppance' trope in fanfic in high relief#the sheer volume of fics where caroline gets completely cut off and sent to live in exile is staggering#it's always struck me as unnecessary and excessive and i think this might be why#this just isn't how austen treats her characters so having it be SO prevalent in fanfic feels weird#all these fanfic authors out here saying that caroline should live in shame and exclusion and poverty forever#for being a little mean to lizzy#when ms austen simply would never (via @irasobrietate)
Yes! This is such a big thing for me I wrote a whole essay about it. Honestly, it's fics that destroy Caroline being so common that made me consider how unique Austen's treatment of women really is! That and the way she protects Miss Bates.
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we gotta get back to torrent distribution, i just watched someone eat eight grand in bandwidth charges because they ran a direct-download piracy site with local file hosting through cloudflare. torrents were invented literally for this exact reason
i have a file or folder on my pc that i want to share with other people. let's call it gayshit.mp3
unfortunately gayshit.mp3 is 750mb and im not paying for discord nitro so i need another way to send it
i put it into qbittorrent and it makes a torrent file. this is essentially a very small file that points to gayshit.mp3 so other computers can find it. kinda like a treasure map
i send this tiny file to my friend, who loads it into qbittorrent. their computer takes a moment to find mine over the vast expanse of cyberspace and then (as long as my pc is running and the file is still where it should be), it gets copied from my hard drive to theirs
this is the cool part: if somebody else loads that tiny file, they can download it from both of us. if i'm offline but my friend is on, the third person can still get it. this also means that if two people have separate halves of the file, they can download the other half from each other. as long as some combination of people have the pieces between them, they can all have the whole thing.
crucially this does not require a server!!! you can just upload the file to a few people and as long as they keep it, it's still accessible. as long as somebody, somewhere is still connected, it's available forever. the only way it goes away is if everybody disconnects from it.
like, the most compelling ships for me always stem out of one thing: the characters have a profound, ongoing effect on each other’s senses of selves. when they are apart, the characters’ actions are still affected by each other. the way they approach the world changes because of the other.
which is this deeply Austenian view of ideal romantic relationships as mechanisms by which we come to know ourselves better and become better versions of ourselves. good romance, for me, is always tied in with a sense of self-actualization, and the way in which a beloved partner allows a person to know themselves better.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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germansingergirl
areudirty
jacobvanloon
2087
blakekathryn
prguitarman
romaincrisis
janainaart
vaporwave
