Cryptique

These are spam bots flooding tags and the website in general with spam links. They often do not have anything sexually explicit on their blog (although they often have implicit material). Plus, these two reports get very different results. Reporting explicit material gets the bot slapped behind an 18+ wall, so minors can't check if they're a bot or not. Reporting spam gets the bot taken down.

FOR THOSE OF YOU PROTESTING

TAKE NOTES FROM HONG KONG AND USE THE BRICKS THAT THE POLICE ARE PLANTING TO INCITE VIOLENCE TO YOUR ADVANTAGE!!

We need to be smarter and stack them up, glue them to the ground, or place them in large patterns to block Police vans from causing more damage.

PLEASE SPREAD TO GET THIS IDEA ROLLING

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#WakeUp

all these and more are on my redbubble!

see more under the cut!

Ethnically, original greasers were mostly composed of mostly Italian Americans in the Northeastern United States and Chicanos in the Southwest. Since both of these peoples were mostly olive-skinned, the “greaser” label assumed a quasi-racial status that implied an urban lower class masculinity and delinquency. This development led to an ambiguity in the racial distinction between poor Italian Americans and Puerto Ricans in New York City in the 1950s and 1960s.[6] Greasers were also perceived as being predisposed to perpetrating sexual violence, stoking fear among middle class males and arousal among middle class females.[8]

What most people remember is NOT the actual era of the greasers, but instead the 60′s and 70′s “sanitization” of who they were, why they were stereotyped against, and why they were used as villains. 

Hell, before greaser was ever recognized as a “subculture” it was explicitly used as a derogatory term against mexicans. (That link references The Greaser Act, and lots of Hollywood movies which used the word.) 

 so before the 40′s-50′s, greaser was heavily used to portray a racist stereotype of a Mexican/Chicano man as violent/aggressive. (at least in media). This term also got used against some other latinxs in general, as well as Italians and sometimes Greeks. At least in hollywood this “greaser” type promoted mexicans as bad/dangerous and while also promoting latin lover stereotypes:

The Mexican Government soon objected to Hollywood’s portrayal of its citizens as “bandits and sneaks” and threatened to ban all films produced by companies which offended its people. This 1922 threat caused screenwriters to treat their neighbors to the south with more care. The “greaser” swiftly lost his Mexican nationality in the attempt to diffuse potential complaints, but his ghost still haunted new screenplays which concerned Hispanic characters.

Clever subterfuges often placed an unnamed “greaser” in a new locale. Rather than use the name of an actual country and risk offending its inhabitants, screenwriters began to create mythical cities and nations. “The Dove” (1928) provided an obvious example. The film concerned Don Jose Maria y Sandoval (Noah Beery), who considered himself “the bes’ damn caballero in Costa Roja.” Costa Roja, as the title cards explained, was situated in the Mediterranean!

The flimsy guise fooled scarcely anyone. The Times critic commented: “Taken by and large, Jose is perhaps a screen character to which the Mexican government might have objected, for he is greedy, sensuous, boastful, cold-blooded, irritable, and quite a wine-bibber, but he does dress well. He hates to have his luncheon spoiled by the noisy victim of a firing squad.”

(movie image, and its sound remake)

those images don’t look super like what you’d think of as “greaser” subculture, but…when you go forwards a decade or two, and then look at the actual people:

Zoot Suit(er) after arrest during the 1943 Zoot Suit Riots in LA. The Anglo police officer is inspecting his hair.   

Wikipedia mentions that the Mexican American community was then…investigated to see if they had ties to the Nazis. (Yeah.)

On June 21, 1943, the State Un-American Activities Committee, under state senator Jack Tenney, arrived in Los Angeles with orders to “determine whether the present Zoot Suit Riots were sponsored by Nazi agencies attempting to spread disunity between the United States and Latin-American countries.” Although Tenney claimed he had evidence the riots were “[A]xis-sponsored”, no evidence was ever presented to support this claim. […] In late 1944, ignoring the findings of the McGucken committee and the unanimous reversal of the convictions by the appeals court in the Sleepy Lagoon case on October 4, the Tenney Committee announced that the National Lawyers Guild was an “effective communist front.”[15][27]

so that 1940′s look becomes this over time:

three Cholos showing off their outfits (1950′s). why? because zoot suits were deemed horrifically unamerican and “wasteful” during WWII.