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sailor moon | endless favorite manga moments

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Reblog if reading someone elseâs fanfiction has helped you get through a hard day
A small PSA to all those new to dealing with the porn bots that Tumblr now has a fresh wave of â I understand that when you go to report them, you want to report them as "[containing] sexually explicit material", but don't do that. Report them as spam instead.
These are spam bots flooding tags and the website in general with spam links. They often do not have anything sexually explicit on their blog (although they often have implicit material). Plus, these two reports get very different results. Reporting explicit material gets the bot slapped behind an 18+ wall, so minors can't check if they're a bot or not. Reporting spam gets the bot taken down.
Remember, folks: when dealing with a bot, report spam, not smut!
Proto!Sailor Moon charm design for summer cons!Â

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FOR THOSE OF YOU PROTESTING
TAKE NOTES FROM HONG KONG AND USE THE BRICKS THAT THE POLICE ARE PLANTING TO INCITE VIOLENCE TO YOUR ADVANTAGE!!
We need to be smarter and stack them up, glue them to the ground, or place them in large patterns to block Police vans from causing more damage.
PLEASE SPREAD TO GET THIS IDEA ROLLING
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Such a beautiful artwork âA World of Your Ownâ by @ethicsgradient2000! I would love to have one of these creatures to look after and feed vegetables đą đ ⣠.⣠.⣠.⣠posted on Instagram - https://instagr.am/p/CAm4fQoA2SA/
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storms in a bottle.

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why are greaser aesthetics still used to depict âbad boysâ in art and media, when it hasnât been that way since the 50s. this is a real mystery, iâm a serious scientist.
thats probs right.Â
itâs a so frustrating because greasers were originally Mexicans or other latinxs, or Italians - either by subculture reclaiming, or slur. âGreasersâ started out as the object of white fear.Â
Ethnically, original greasers were mostly composed of mostly Italian Americans in the Northeastern United States and Chicanos in the Southwest. Since both of these peoples were mostly olive-skinned, the âgreaserâ label assumed a quasi-racial status that implied an urban lower class masculinity and delinquency. This development led to an ambiguity in the racial distinction between poor Italian Americans and Puerto Ricans in New York City in the 1950s and 1960s.[6] Greasers were also perceived as being predisposed to perpetrating sexual violence, stoking fear among middle class males and arousal among middle class females.[8]
What most people remember is NOT the actual era of the greasers, but instead the 60â˛s and 70â˛s âsanitizationâ of who they were, why they were stereotyped against, and why they were used as villains.Â
Hell, before greaser was ever recognized as a âsubcultureâ it was explicitly used as a derogatory term against mexicans. (That link references The Greaser Act, and lots of Hollywood movies which used the word.)Â
 so before the 40â˛s-50â˛s, greaser was heavily used to portray a racist stereotype of a Mexican/Chicano man as violent/aggressive. (at least in media). This term also got used against some other latinxs in general, as well as Italians and sometimes Greeks. At least in hollywood this âgreaserâ type promoted mexicans as bad/dangerous and while also promoting latin lover stereotypes:
The Mexican Government soon objected to Hollywoodâs portrayal of its citizens as âbandits and sneaksâ and threatened to ban all films produced by companies which offended its people. This 1922 threat caused screenwriters to treat their neighbors to the south with more care. The âgreaserâ swiftly lost his Mexican nationality in the attempt to diffuse potential complaints, but his ghost still haunted new screenplays which concerned Hispanic characters.
Clever subterfuges often placed an unnamed âgreaserâ in a new locale. Rather than use the name of an actual country and risk offending its inhabitants, screenwriters began to create mythical cities and nations. âThe Doveâ (1928) provided an obvious example. The film concerned Don Jose Maria y Sandoval (Noah Beery), who considered himself âthe besâ damn caballero in Costa Roja.â Costa Roja, as the title cards explained, was situated in the Mediterranean!
The flimsy guise fooled scarcely anyone. The Times critic commented: âTaken by and large, Jose is perhaps a screen character to which the Mexican government might have objected, for he is greedy, sensuous, boastful, cold-blooded, irritable, and quite a wine-bibber, but he does dress well. He hates to have his luncheon spoiled by the noisy victim of a firing squad.â
(movie image, and its sound remake)
those images donât look super like what youâd think of as âgreaserâ subculture, butâŚwhen you go forwards a decade or two, and then look at the actual people:
Zoot Suit(er) after arrest during the 1943 Zoot Suit Riots in LA. The Anglo police officer is inspecting his hair. Â
Wikipedia mentions that the Mexican American community was thenâŚinvestigated to see if they had ties to the Nazis. (Yeah.)
On June 21, 1943, the State Un-American Activities Committee, under state senator Jack Tenney, arrived in Los Angeles with orders to âdetermine whether the present Zoot Suit Riots were sponsored by Nazi agencies attempting to spread disunity between the United States and Latin-American countries.â Although Tenney claimed he had evidence the riots were â[A]xis-sponsoredâ, no evidence was ever presented to support this claim. [âŚ] In late 1944, ignoring the findings of the McGucken committee and the unanimous reversal of the convictions by the appeals court in the Sleepy Lagoon case on October 4, the Tenney Committee announced that the National Lawyers Guild was an âeffective communist front.â[15][27]
so that 1940â˛s look becomes this over time:
three Cholos showing off their outfits (1950â˛s). why? because zoot suits were deemed horrifically unamerican and âwastefulâ during WWII.Â
 but then ofc bitch ass racist white boys and motorcyles co-opted the look, add in a little bit of Travolta white washing of the radical pushback against racism in the origins of this stuff, and now weâre here.
People are starting to put out hummingbird feeders, yâall know what that means
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