Posts from CrushingKrisis.com, the longest-running blog in Philadelphia - plus, occasional reblogs from my favorite Tumblrs.
You may be looking for my guide to collecting comics (especially X-Men).
RuPaulâs Drag Race All Stars Power Rankings, S2E1
Wow. Just⊠wow. The first episode of RuPaulâs Drag Race All Stars Season 2 was like the summer blockbuster movie of drag: it had tons of flashy effects and big twists, but the ending wasnât much of a surprise. The blockbuster status isnât just because of a cast of 10 mostly-flawless queens, but because the show finally letâŠ
RuPaulâs Drag Race All Stars Power Rankings, S2E1 was originally published on Crushing Krisis
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RuPaulâs Drag Race All Stars Power Rankings, S2 Pre-Season
The second season of RuPaulâs Drag Race All-Stars starts tonight on both Logo and VH1! That means we all get a second glorious run of weekly drag queens this year, only this time its starring 10 season queens we already know and who I largely love. However, not ever All-Star can enter the Hall of Fame.âŠ
RuPaulâs Drag Race All Stars Power Rankings, S2 Pre-Season was originally published on Crushing Krisis
two zoos in two days (and one terrifying capybara)
Eâs sister Jenny has stayed with us many times since weâve lived in this house and theyâve all been pretty boring. This is completely paradoxical, as Jenny is a professional museumologist (I should probably ask her what the real word is) and world traveller who loves nothing more than a zoo â or, even aâŠ
two zoos in two days (and one terrifying capybara) was originally published on Crushing Krisis
As with the release of any of Netflixâs âbing it all at onceâ television seasons, this weekend my social feed went from a stray mention of Stranger Things on Friday to a steady stream on Saturday as more and more people began to sample the eight-episode thriller. I didnât want to be a late adopter thisâŠ
Review: Netflixâs Stranger Things, Season One was originally published on Crushing Krisis
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This is not a review of Ghostbusters and I don't like things that are funny
Last night Jake, Ashley, and I enjoyed an acoustic rehearsal on Ashleyâs roof deck (sans Zina, whose drums would never make it up the four flights of stairs) followed by a band trip to see Ghostbusters! Long story short: Ghostbusters was a slightly better-than-average summer blockbuster. Almost entire unrelated to that fact: I loved it. I thinkâŠ
This is not a review of Ghostbusters and I donât like things that are funny was originally published on Crushing Krisis
New Collecting Guide: Marvel's Cloak & Dagger (and an explanation of who they are)
Iâm happy to share The Definitive Cloak & Dagger Collecting Guide and Reading Order! It includes every Cloak & Dagger appearance ever published â both together and apart â with notes on trade-reading order and the importance of guest appearances. I know what most of your reactions will be â âWho the hell are Cloak & Dagger?â Theyâre notâŠ
New Collecting Guide: Marvelâs Cloak & Dagger (and an explanation of who they are) was originally published on Crushing Krisis
Cover songs or originals - which are easier to play?
We held an unusual rehearsal in our dining room today â three hours of running through the Smash Fantastic cover song repertoire, but as fronted by my Arcati Crisis co-writer and BFF Gina.
An incredibly rare, one-of-a-kind shot of the first time Gina and I performed music together on stage (also the first time I sang solo in public!) This was in 1997 at Masterman, peforming âSharks Canât Sleepâ by Tracy Bonham. From left to right: me, Joanna, Lucy, and Gina.
The strange arrangement is the result of being asked to play a big benefit show during a week where Ashley will be on vacation. Itâs a fun show and we love donating our time to it, so Ashley gave her blessing for us to play it with a fill-in vocalist.
Despite you all knowing Gina primarily for her amazing songwriting and intuitive harmony vocals, she is an awesome interpreter and karaoke veteran. It helps that the rest of the band â Jake, Zina, and I â is the same for both Smash Fantastic and Arcati Crisis.
It was a rollicking rehearsal full of surprises â for example, after over 20 years of friendship I found out that Gina loves âBecause The Nightâ as much as I do, but she does not quite know how to sing Queenâs âSomebody To Love.â We also played a rare pair of our own âHoly Grailâ and âBetterâ with Gina on vocals but not on guitars!
The most interesting part for me was the conversation while we packed up. As we were coiling wires, Gina mentioned off-handedly that she found getting the cover songs right to be much more challenging than playing in an original band.
That took me by surprise! Gina is a confident, experienced singer â I would never expect she would be stressed by cover songs. In fact, I invited her to fill in because I thought sheâd find singing two hours of covers a relief in comparison to the stress of shredding through our own songs. However, her reasoning resonated: when youâre covering a song, thereâs an existing standard to be held to. As great an interpreter as you may be, youâve got to get the lyrics right and hit the expected high notes before people will even begin to consider if your performance is any good.
I know thatâs the reality, but Iâve never considered it that way. For me, cover songs are a fun vacation from the intense challenge of playing original music.
With cover songs, you simply have to capture the spirit of a song people know well. While Jake tends to hew closely to the real basslines of songs, Zina and I approximate their drum fills and guitar riffs. Itâs about verisimilitude. If you give a crowd a hint of the real thing, they donât notice all the elements you leave out.
That works in our favor on songs for which we canât quite assemble all the elements of a recording, but it also works in our favor â our covers of âBang Bangâ and âUptown Funkâ dress up the more bare originals considerably with additional passing chords, while even on a classic like âThe Way You Make Me Feelâ Jake has installed a more propulsive bassline that is only implied in the original.
The first time Gina and I played guitar together in front of people! This was in 1998 at Masterman, playing U2âs âWith Or Without Youâ for the departing senior class. Psychedelic water damage courtesy of my Sophomore year apartment.
By contrast, playing originals is terrifying! The only context the audience has are the notes coming from the stage. There is no earned good will or existing song that will put a smile on their face. And, even when youâre in top shape with a set of good songs, itâs impossible to know when theyâre good enough.
Itâs like doing yoga â you can always challenge yourself to sink deeper into a pose. I have songs that are nearly 20 years old that I still havenât mastered playing; I found extra harmony on one just a few weeks ago that makes it sound more like itself than it ever has before.
Gina doesnât have that anxiety. To her, an original song is something entirely under her control not only to interpret, but to shape and transform. The entire point of the thing is that it belongs to you and it might continue to evolve. Thatâs nothing to be afraid of â itâs a joy.
I was so intrigued that as best-friends and co-writers Gina and I could differ on this point, but it explains a lot about our relative comfort over the years as performers. Thereâs no disputing that Iâm more vivid and energetically myself on stage in Smash Fantastic, just as Gina is obviously transfixing in Arcati Crisis when she settles into playing an original like âSong for Mrs. Schroeder.â
It will be an interesting eight weeks of getting 30 songs ready for this cover gig, but I think Iâm even more intrigued by what Gina and I will know about ourselves afterward when we turn our attention back to originals for the first time in three years.
Cover songs or originals â which are easier to play? was originally published on Crushing Krisis
You could fit an entire French supermarket into this Wegmanâs photo. Photo by Flickr User Seuss. 2008, some rights reserved.
I know Iâm a little late to coming around to Wegmans â heck, Lindsay grew up shopping at one! Even as I marveled at how Wegmans has every possibly thing (Six different kinds of raw shrimp to choose from! Three different kinds of Tahini! Every single organic vegetable! Liquor and Beer!), I also reflected on the very middle/upper-class American condition of being excited to visit a grocery store thatâs as much about leisure as it is about subsistence.
My grocery situation as a small child was all about subsistence. For deli and packs of cigarettes, we had a tiny Vietnamese bodega on our corner, and for other groceries a smallish Stop and Save and Shop or Something on the next block that accepted our food stamps. I remember being mystified by the cheap brands of frozen foods like waffles or steaks that I had never heard of before â because they didnât advertise on TV.
When an Acme was installed on 80th street it was big news, and the long aisles full of expanded cereal choices and real meat counter seemed like luxuries â likely combined with the fact that we had graduated from welfare with my mom getting her degree and could more readily afford such things.
In college we alternated between a newly-opened Fresh Grocer, which was like a slightly watered-down Whole Foods, and a local Thriftway that Lindsay, Erika and I re-christened âTheftwayâ for its sometimes-shady customers and peculiar aisle arrangement. Theftway was great for getting cheap name brands, but for anything special, fresh, or healthy weâd take the four block walk to Fresh Grocer.
On our honeymoon the tiny Paris apartment E and I were renting had an impossibly small miniature refrigerator, which meant we needed to restock our food options every other day. That wasnât so unusual, and the local grocery store reinforced that â it was no bigger than a suburban Wawa and didnât contain a single super-sized portion of anything. Juices topped out in half gallons, and paper towels came in a max three-rolls-per-pack. When it came to wide varieties, the selection focused on fresh things like cheeses, breads, and juices rather than 100 different kinds of cereal.
We loved it. Bigger doesnât always have to be better.
Now my local haunt is an impossibly large Giant, which has nearly put our local Acme out of business â it looks dismal by comparison. Not coincidentally, itâs now completely devoid of the upper-middle-class suburban shoppers that used to clog its aisles. After all, Giant has not one but two aisles of healthy and gluten-free foods!
Thatâs not meant as a knock on GF stuff, since itâs a requirement in our household â more an acknowledgement of the kind of choices that become important to you when youâre not looking for the foods that your WIC check will cover. Recently EV and I had a long wait behind a couple who were trying to figure out what they could cover with WIC checks and what they needed to pay in cash.
After they were finished, the cashier fixed me with a grimace and apologized for the wait. I responded, âNo worries, I remember what that was like.â
She gave me a puzzled look in return and started ringing my groceries.
These were my thoughts as Lindsay and I wandered through the stadium-sized Wegmanâs. Do we need all of this super-sized choice to be satisfied as consumers? How lucky are we that buying our meals is an act of amusement and convenience? How lucky are we that we can buy them at all?
our supersized supermarkets was originally published on Crushing Krisis
July brings us the October comic solicitations, and thatâs the month Marvel uses each year as their launchpad for a new wave of books. Thatâs the result of an increasingly network television influenced strategy for Marvelâs comic publishing, which sees volumes of books as seasons of a show that it makes sense to renew regularly â sometimes each year.
With their 2016 Marvel Now! initiative, Marvel has so far announced 62 titles, including a stunning 33 new launches or limited series (and thatâs with only one X-Men title so far on the slate!). This post covers every single title, detailing what itâs replacing, the creators, how hyped I am, and what it will be about â plus, it points you to the collection & reading order guides where each title will be recapped.
Basically: this is your one-stop resource for all things Marvel Now! 2016.
If a title isnât on the Now! list, is that a smoking gun that itâs cancelled without a replacement? Thatâs unclear. For example, Moon Knight releases issue #7 in October, but the issue listed for Now! is #10 â so, these new jumping-on points will be staggered. It could be some of the unlisted books are mid-arc and didnât make sense to label as Now, or it could be theyâre due for a relaunch in the new year. Of course, I expect some of them will simply wrap up in the three months of Now launches.
A-Force #10 â It would make sense for this to be cancelled, as Kelly Thompson now has another ongoing, but itâs also Marvelâs marquee all-female team book.
Agents of SHIELDÂ #10 â While this hasnât been selling gangbusters, weâre also coming up on a new season of the show, so it would be awkward to be without a book to accompany it.
All New All Different Avengers #15 â This is splitting into both Avengers and Champions
All New Wolverine #13
All New X-Men #14
Amazing Spider-Man #20 â Confirmed to be continuing for now; could get restarted after Clone Conspiracy
Astonishing Ant-Man #13Â â Final issue; no word yet on where Ant-Man is heading
Carnage #13
Extraordinary X-Men #15
Invincible Iron Man #14 â Restarting in Marvel Now
Mockingbird #8
New Avengers #17 â Cancelled for U.S.Avengers
Nighthawk #6
Old Man Logan #12
Scarlet Witch #11
Spider-Man / Deadpool #10
Spidey #11
Uncanny X-Men #14
Venom Space Knight #13 â While not confirmed, this would appear to be replaced by the new Venom ongoing
Vision #12 â This is the final issue
X-Men 92 #8
And now, onto the 2016 Marvel Now lineup!
Amazing Spider-Man: Renew Your Vows (New!)
Tagline: One More Chance
Hype Factor:
Creators: Written by Gerry Conway with art by Ryan Stegman
Visit the Guide: Spider-Man
This one is intriguing. First, Marvel has been incredibly supportive of classic creator Conway over the past few years . Heâs currently their only writer of that amount longevity aside from Peter David. It speaks volumes to see him paired with one of their marquee, big-title artists like Ryan Stegman.
Then, you have the concept of this title, which extends a Secret Wars What-If scenario that saw Peter Parker and Mary Jane still together and raising a child (who, canonically, was miscarried by MJ).
If it wasnât for Stegman, it would be easy to assume this was a throw-away extension of that What If. However, given that DC just conducted a backdoor relaunch of an old-school, married-to-Lois Superman in exactly the same fashion, I think we need to pay closer attention to this one.
Avengers (replaces All-New, All-Different Avengers)
Tagline: Kang War One!
Hype Factor:
Creators:Â Written by Mark Waid with art by Mike Del Mundo
Visit the Guide: Avengers & New Avengers
Marvel returns to their marquee title after a year-and-a-half break, and itâs back with a vengeance â Waid at the steering wheel, the uncanny art of cover-art star Del Mundo on the interior, and a heavy hitting team that keeps the popular pair of Sam Wilson Cap and Lady Thor. This will be one to watch, especially with a long-teased Kang War front and center.
Weâll also be getting a .1 flashback storyline threaded into these issues that addresses the already heavily re-addressed period where Quicksilver, Scarlet Witch, and Hawkeye joined the team, written by Waid and with art by Barry Kitson (tagline: Earthâs Mightiest Shoes To Fill).
Black Panther (returning with #7)
Tagline: The Crew: Come At The King, Best Not Miss
Hype Factor:
Creators:Â Written by Ta-Nehisi Coates with art by Chris Sprouse
The first few issues of Coatesâs thoughtful epic have been largely well-received by fans and we know heâs already turned in scripts through issue #11. Sprouse isnât a terrible fit to try to keep some continuity with launch artist Brian Stelfreeze, although it was certainly thrilling to have an all-black creative team on this character â it paid off in Stelfreezeâs carefully cultivated character, costume, and architecture designs.
Black Widow (returning with #7)
Tagline: No More Secrets
Hype Factor:
Creators: Written by Mark Waid & Chris Samnee with art by Samnee.
This title only has a few issues out but has already been a major hit with fans, and Marvel is now being quite explicit that Samnee is behind the wheel as the plotter with Waid simply along for polish.
Bullseye (New!)
Tagline: Man Without Hope
Hype Factor:
Creators: Written by Ed Brisson with art by Guillermo Sanna
The first of many villain-centric titles on this list, though Bullseye can fairly be called the highest-profile and most well-developed of them all. Perhaps this telegraphs a Bullseye appearance in Season 3 of Daredevil on Netflix? If you recognize Brissonâs name, it may be as a longtime letterer â heâs newer as a writer. He mostly been on creator-owned and licensed titles to date with nothing by Marvel.
Cage! (Limited Series)
Tagline: Christmas Comes Early
Hype Factor:
Creators:Â Written and drawn by Genndy Tartakovsky
Visit the Guide: Luke Cage
The creator of Dexterâs Laboratory, Samurai Jack and Star Wars: Clone Wars has long flirted with this out-of-continuity Cage series, and finally finished it up on his own so Marvel can get it on the racks. While thatâs excited a mass of fans who thought this series was destined to be a mere rumor, some have taken umbrage with the white, Russian-American Tartakovsky focusing on Cageâs blaxploitation roots (and on how heâs illustrated that).
I see the issue clearly, but can also appreciate a creator wanting to return to the essentials of a character who has since evolved significantly. That said, as a cartoony, out-of-continuity series, this isnât for me.
Captain America: Sam Wilson (returning with #14)
Tagline: #TakeBackTheShield
Hype Factor:
Creators:Â Written by Nick Spencer with art by Daniel Acuna
Visit the Guide: Captain America
While Spencerâs profile has exploded with attention on his Hydra-Cap storyline in the other Cap title, his Sam Wilson has been an incredibly solid effort. With Acuna still on board for art, this is a run where Spencerâs strong long-term plotting can really blossom.
Captain America: Steve Rogers (returning with #7)
Tagline: Hail Hydra!
Hype Factor:
Creators: Written by Nick Spencer with art by Jesus Saiz
Visit the Guide: Captain America
This is a second arc of Spencerâs controversial Hydra Cap, and given the preview art and tagline it doesnât look like heâs ready to let up on the mystery quite yet!
Captain Marvel (replaces Captain Marvel (2015))
Tagline: Divided We Stand
Hype Factor:
Creators: Written by Margaret Stohl with art by Ramon Rosanas
Visit the Guide: Captain & Ms. Marvel
Marvel has lost the plot with Captain Marvel in a post-DeConnick world, despite featuring her as the lead character in Civil War. Can novelist Stohl bring a magic touch to the character as she did on her well-received Black Widow novel? She seems like the kind of writer that Marvel would allow to steer Carol up to her movie debut, but so did the last team they assigned to Danvers and theyâre gone now!
An interesting aspect of this relaunch is that Captain Marvel is now exactly where she saw herself in the House of M reality a decade ago that brought her back into the limelight â a hero known to all. Is she ready to deal with that as her actual reality?
Champions (replaces All-New, All-Different Avengers)
Tagline: Change The World
Hype Factor:
Creators:Â Written by Mark Waid with art by Humberto Ramos
Visit the Guide: Avengers & New Avengers
In the wake of Civil War II, Marvel is collapsing many of its younger heroes down to this team â the first to revive the Champions name since the 1970s! Fan reaction to Waidâs Avengers has been lukewarm, and with the addition of characters like Teen Cyclops and Teen Vision this team is even more watered-down than that one was.
Adding the disfigured drawing of Ramos and the WTF name and this would be a total flatline with fans â except, Waid and Ramos were the team behind the celebrated DC teen hero book Impulse. Still, those sorts of ârecapure the magicâ combos from Marvel havenât always been successful (see the J.M. DeMatteis & Keith Ian Giffen 2005 Defenders series).
Daredevil (returning with #15)
Tagline: Man Without Faith
Hype Factor:
Creators: Written by Charles Soule with art by Ron Garney
Visit the Guide: Daredevil
Same as it was last fall â Soule on Daredevil is a dream come true, and Garney is one of the best artists working today. That heâs still around a year into the story says that Marvel is really putting weight (and dollars) behind this title.
Doctor Strange (returns with #12)
Tagline: Bloody Reunions
Hype Factor:
Creators: Written by Jason Aaron with art by Chris Bachalo
Visit the Guide: Doctor Strange
Marvel keeps this A-list team intact on a book that will have all eyes on it with Doctor Strange making his film debut â but, this isnât the only place to get your Strange fix, as Marvel is planning to explode him into a new multi-title franchise!
Doctor Strange: Mystic Apprentice (New!)
Hype Factor:
Visit the Guide: Doctor Strange
Supposedly an origins-type series for Doctor Strange; heâs already had two in the past decade.
Doctor Strange: Sorcerers Supreme (New!)
Tagline: Ripped From Their Time to Save Ours
Hype Factor:
Creators: Written by Robbie Thompson with art by Javier Rodriguez
Visit the Guide: Doctor Strange
I have no interest in a book predicated on a time travel plot, especially when there are so many present day magic users being neglected in the Marvel Universe. My attention perks up a bit when I see Thompsonâs name (heâs been solid on Silk) plus Rodriguez (great on Spider-Woman). Despite that, it feels like Marvel simply took the next best Doctor Strange pitch after Aaronâs whose creators were free and promoted it to series to take advantage of the movie â it doesnât sound essential.
Deadpool (returns with #21)
Tagline: Madcap Recall
Hype Factor:
Creators: Written by Gerry Duggan with art by Mike Hawthorne
Visit the Guide: Cable & Deadpool
With the Total Recall shout-out on the cover, who knows where this is headed!
Deadpool & The Mercs For The Money (returns with #4)
Tagline: Moâ Mercs Moâ Monkeys
Hype Factor:
Creators: Written by Cullen Bunn with art by Iban Coello
Visit the Guide: Cable & Deadpool
This is actually a second volume of a 2016 series of this name, relaunched to ongoing after an initial mini-series. With a mega-successful film under his belt, it seems Deadpool has earned back the sideline series he had in the early 10s before their sales flagged. Bunn is a longtime expert at tossaway sideline Deadpool, and I can hardly argue with Domino in a starring role.
Deadpool: Back in Black (Limited Series)
Hype Factor:
Creators: Written by Cullen Bunn wirth art by Salva Espin
Visit the Guide: Cable & Deadpool
With the success of Dugganâs Deadpool flashback issues and the characterâs general penchant for parody, Marvel keeps going back to the well with more retcon series to insert Deadpool into events that predate his debut. This time weâll see him donning the symbiote suit after Peter Parker manages to rid himself of it after Secret Wars.
Death of X (Limited Series)
Hype Factor:
Creators: Written by Jeff Lemire and Charles Soule with art by Aaron Kuder
Marvel has been progressively doing a worse and worse job handling X-Men since 2012, and I donât think this will be the book to change that. However, Marvel wouldnât be wasting time (and two headline writers) on this flashback to the time directly after Secret Wars if there wasnât something revelatory to be shown by depicting it. Is there a blockbuster reveal for the X-Men here other than Cyclopsâs fate? Or, is Marvel simply hoping to further cross-pollenate X-Fans into Inhumans territory?
Foolkiller (New!)
Tagline: The Doctor is [In]Sane
Hype Factor:
Creators: Written by Max Bemis with art by Dalibor Talajic
One of many villain books Marvel is throwing at the wall to try to make stick this go round. As a lifelong Marvel reader, I had to look up this character to remind myself of who he was â not a great sign. Say Anything frontman Bemis has yet to write anything that has stuck out to me, though some liked his out-of-continuity Worst X-Man Ever.
Gamora (New!)
Tagline: Deadliest Woman In The Galaxy
Hype Factor:
Creators: Written by Nicole Perlman with art by Marco Checchetto
Visit the Guide: Guardians of the Galaxy
Finally, after years of stewing, the Perlman Gamora series is here â and itâs with perhaps my favorite current Marvel artist, Checchetto! The likelihood that this series was being held back was due to it being a potential dud seems pretty low given Checchetto returning from Star Wars work to illustrate it.
Guardians of the Galaxy (returning)
Tagline: The Epic Final Arc
Hype Factor:
Creators: Written by Brian Bendis with art by Valerior Schiti
Visit the Guide: Guardians of the Galaxy
Weâve seen plenty (perhaps TOO MUCH) of the Guardians on Earth in the past few years. I think the bigger story here is the tagline â Bendisâs run is almost over, so who will be writing Guardians when their second movie hits next year?!
Hawkeye (replaces All-New Hawkeye)
Tagline: West Coast Avengers
Hype Factor:
Creators:Â Written by Kelly Thompson with art by Leonardo Romera
Visit the Guide: Hawkeye
I adore Kelly Thompson, and it seems like Marvel editorial understands completely the types of titles she was born to writer. Handing her Kate Bishop in her first solo title is perfect â not just because Thompson can handle Bishopâs sass, but because sheâll also be willing to burst the bubble of perfectionism the character usually floats within.
Invincible Iron Man (replaces Invincible Iron Man)
Tagline: I.M. Woman
Hype Factor:
Creators: Written by Brian Bendis with art by Stefano Caselli
Visit the Guide: Iron Man
Iâve already covered this one in depth. There are a lot of challenges inherent in Bendis writing this character â chief amongst them his repeatedly failure to write compellingly about identity on his similarly race-bent Spider-Man. However, the net positives â and possibilities â are positive.
Infamous Iron Man (replaces International Iron Man)
Tagline: Iron Doom
Hype Factor:
Creators: Written by Brian Bendis with Alex Maleev
Visit the Guide: Iron Man
Of all Bendis-plus-artist team-ups, his work with Maleev is consistently the most-inspired despite it never being a surefire hit (see Spider-Woman, Moon Knight). However, the villains-turned-heroes formula from Bendis is a known winner with fans based on the gangbuster sales of Dark Avengers. The fascination of seeing Doctor Doom playing hero â and detangled from Fantastic Four â should draw tons of fans.
Iron Fists (New!)
Tagline: A double dose of living weapons!
Hype Factor:
Creators:Â Written by Kaare Andrews with art by Afu Chan
Visit the Guide: Iron Fist
After completely ruining Iron Fistâs mythology in an unattractive series rife with nonsense and then swearing off Marvel due to his rude treatment by editorial, Kaare Andrews is back for more and heâs introducing a pint-sized sidekick to Iron Fist!
Sorry, I couldnât resist. Iâve loved Andrewsâ bizarro take on superheroes before and Iâm sure there are some people out there delighted by this development (especially due to Afu Chanâs marvelous art). I canât help but see this as a massive missed opportunity as Iron Fist is about to explode into prominence by appearing on Netflixâs Luke Cage series. This should be helmed by a creator with the track record of Duggan, Hopeless, or Pak.
Jessica Jones (New!)
Tagline: Alias: Jessica Jones
Hype Factor:
Creators: Written by Brian Bendis with art by Michael Gaydos and covers by David Mack
Sheâs finally back â Jessica Jones returns to a starring role for the first time in a decade, helmed by the team that created her back in 2001. This is quite the high-wire to walk in the wake of a Netflix Jessica Jones series that squandered all of Bendisâs deft character work in favor of playing out a handful of issues of Purple Manâs torture at length.
Will Bendis bring back Purple Man to center this book? How will he write our previously unstable, unreliable hero now that sheâs married with a child and is an occasional guest Avenger? I look forward to finding out.
Kingpin (New!)
Tagline: Man Without Flaw
Hype Factor:
Creators:Â Written by Matthew Rosenberg with art by Ben Torres
The recent history of Marvelâs villain-centric series tells us this will likely wind up as a limited series or âmaxi-seriesâ with a finite shelf-life of 6-12 issues. Rosenberg is a relatively new comic writer who penned a Quake one-shot and some Secret Wars tie-ins for Marvel in the past year. This could be a great, noirish, non-superhero-y crime book if Rosenberg gets things right, and thatâs something Marvel is lacking at the moment.
The Mighty Thor (returns with #15)
Tagline: The Asgard / Shiâar War
Hype Factor:
Creators: Written by Jason Aaron with art by Russell Dauterman
Visit the Guide: Thor
This represents a major branch-out by Lady Thor into the wider universe of Marvel, both figuratively and literally. The Shiâar have been mostly out of the spotlight since the end of the War of Kings saga despite a few pokes from the X-Men titles. This should be thrilling, unless itâs just Aaronâs way of biding time â so far ever chapter of his epic has felt pretty essential.
Moon Girl and Devil Dinosaur (returning with #13)
Tagline: Smarty-Pants
Hype Factor:
Creators: Written by Amy Reeder & Brandon Montclare with art by Natacha Bustos
This decidedly different superhero title following a black girl scientist and her red dinosaur friend was one of Marvelâs biggest gambles heading into All-New, All-Different Marvel. Readers have been largely positive on the story, and itâs a rare book with both a female writer and illustrator, so itâs really gratifying to see it make it into a second year of storytelling!
Moon Knight (returns with #10)
Tagline: Personalities Disordered
Hype Factor:
Creators: Written by Jeff Lemire with art by Greg Smallwood
Visit the Guide: Moon Knight
Despite my initial misgivings, this Lemire Moon Knight focused on the characterâs craziness has gone over well with readers. Iâm looking forward to reading the first trade!
Mosiac (New!)
Tagline: Hero With a Thousand Faces
Hype Factor:
Creators: Written by Geoffrey Thorne with art by Khary Randolph
Marvel has been hyping this new Inhumanâs book for months now as a sort of heroic Quantum Leap, with Mosiac occupying the bodies of different characters in each issue. That sort of pseudo-anthology isnât a sweet spot in Marvelâs sales and their Inhumans interest is weak.
The x-factor here is Thorne, a black actor turned-writer who has done everything from TV writersâ rooms to novels. Marvel is hit-and-miss in making good use of that kind of blockbuster talent â letâs hope Thorne sticks.
Ms. Marvel (returning with #12)
Tagline: Not So Marvelous
Hype Factor:
Creators:Â Written by G. Willow Wilson with art by Takeshi Miyzawa
Visit the Guide: Captain & Ms. Marvel
Iâve yet to read any post-Secret Wars Ms. Marvel, so I canât say if the quality has sustained.
Nova (???)
Tagline: Coming Soon
Hype Factor:
Creators:Â TBA
Visit the Guide: Nova
Fans are reading this promo as a tease of the return of Richard Rider as Nova. I enjoy Rider and his evolution via the Annihilation era of Marvelâs cosmic books, but Marvel had a much better thing going with the young Sam Alexander as Nova than with a Rider retread.
What could make this successful is keeping it adult and rooted in deep space adventure â as Marvel is really lacking for that right now with the neutering of Guardians of the Galaxy.
Occupy Avengers (New!)
Tagline: Taking Back Justice
Hype Factor:
Creators: Written by David Walker with art by Gabriel Walta
Visit the Guide: TBA, but will likely be referenced in both Avengers & New Avengers and Hawkeye
Itâs hard to know what to expect from this title, which features an odd combo of Hawkeye, Cage, and what seems to be Jessica Jones on the cover. Given the implication of the title and Hawkeyeâs recent in-comic actions, this could represent an insurgent, populist version of The Avengers (which would previously earn it the title of âMightyâ).
While that doesnât sound too thrilling, Walta has become Marvelâs secret weapon on thoughtful, subversive titles â his appearance here indicates there could be more than meets the eye.
Patsy Walker, A.K.A. Hellcat! (returns with #11)
Tagline: Black Cat Scratch Fever!
Hype Factor:
Creators: Written by Kate Leth with art by Britney Williams
Lethâs Hellcat has been a sleeper hit of Marvel Now, especially with the first trade edition now on the shelves and reaching a whole new wave of YA fans who arenât into single issues. I think this title has entered the pantheon of Marvel YA Gold along with Ms. Marvel and Squirrel Girl.
Prowler (New!)
Tagline:
Hype Factor:
Creators: Written by Sean Ryan with art by Jamal Campbell.
A big olâ yawn from me on this one â of Spider-Manâs peripheral rogueâs gallery, there are many characters Iâd rather see with this book â primarily amongst them Wraith. Ryan bopped around several specials and annuals before landing Nova as an ongoing, which didnât garner much attention.
Punisher (returns with #7)
Tagline: Into The Wild
Hype Factor:
Creators: Written by Becky Cloonan with art by Steve Dillon
Visit the Guide: Punisher
Cloonanâs Punisher was one of the latest-breaking Marvel Now series, and so far itâs been positively received. Given that we now have an official green-light for Punisher to return to Marvelâs Netflix Universe, I suspect heâll maintain a marquee team on his book.
Power Man & Iron Fist (returning with #10)
Tagline: Harlem Burns!
Hype Factor:
Creators: Written by David Walker with art by Sanford Greene
Visit the Guide: Luke Cage
The persistent critique of this off-kilter book has been of a nagging Jessica Jones as a supporting character. With her back to her own series, perhaps this can keep the focus on its two heroes and avoid that particular gendered stereotype.
Rocket Racoon (New!)
Tagline: Grounded and Hounded
Hype Factor:
Creators: Written by Matthew Rosenberg
Visit the Guide: Guardians of the Galaxy
Iâm not convinced that Rocket Raccoon has much of a raison dâetre without a proven YA writer like Skottie Young behind the wheel to create cross-generational appeal. While Iâm excited for Rosenberg on Kingpin, Iâm not so sure this will be a great fit for him â I expressly do not want a grounded, tough-as-nails, adult-oriented Rocket book.
Silver Surfer (returns with #9)
Tagline: Every Relationship Needs Space
Hype Factor:
Creators: Written by Dan Slott with art by Mike Allred
Visit the Guide: Silver Surfer
One of the bests comics being created today continues. Every month with a new issue is a gift.
Slapstick (New!)
Tagline: Donât Try This At Home, Kids
Hype Factor:
Creators: Written by Reilly Brown & Fred Van Lente with art by Reilly Brown & Mike Norton
Fans are a blend of agape and aghast that Marvel is launching an ongoing series of this short-lived 90s hero â a living cartoon in the real world. Yet, Van Lente has proven his strength on comedic projects with a hint of pathos. And, Brown is back as a writer (heâs typically a penciller) after an audition on Cable & Deadpool: Split Second. This one might have some surprises in store.
Solo (New!)
Tagline: Alone Again ⊠Naturally
Hype Factor:
Creators: Written by Gerry Duggan & Geoffrey Thorne with art by Paco Diaz
Iâm more than a little annoyed to see the reliable Duggan on this tossaway title rather than Iron Fist revamp, but I love that heâs paired with new Marvel writer Thorne who is creating Mosiac. That gives Solo the best writerly pedigree of all the seemingly throwaway anti-hero titles, and Diaz is usually terrific, but Solo is probably the character with the most anonymity out of all of the upcoming villain books.
Spider-Gwen (returning with #15)
Tagline: Miles and Gwen, sitting in a treeâŠ
Hype Factor:
Creators:Â Written by Jason Latour with art by Robbi Rodriguez
Visit the Guide: Spider-Woman
Spider-Gwen has retained decent sales and hasnât stopped tickling fans thanks to Latourâs deftness with reimagining Spider-Manâs early years through an alternate lens. Itâs amazing that this in-demand team is still intact going on two years with the character â Rodriguez must be having a lot of fun!
Spider-Man (returning with #12)
Tagline: ⊠K-I-S-S-I-N-G
Hype Factor:
Creators: Written by Brian Michael Bendis with art by Sara Pichelli
Visit the Guide: Spider-Man
Iâd typically be tempted to leave you with a âBendis keeps writing Spider-Man,â but I also must point out that Miles has now been aged enough that heâs making out with the still-young alternate timeline original love of the original Peter Parker, Gwen Stacey.
That puts another interracial kiss front-and-center on a Marvel cover after last yearâs between Sam Wilson and Lady Thor, plus the ongoing relationship of Jones and Cage). On one hand, as half of an interracial relationship, I really appreciate that level of visibility and support from Marvel! And yet⊠there are other layers of representation and diversity to show and tell us about.
Spider-Man: The Clone Conspiracy (Limited Series)
Tagline: Dead No More
Hype Factor:
Creators: Written by Dan Slott with Jim Cheung
Visit the Guide: Spider-Man
The thing about Dan Slott, aside from his internet behavior making me want to skip reading his books, is that he plays the best long game of all of Marvelâs current writers. Thatâs because heâs actually playing the long game, considering heâs been writing Spidey for the better part of a decade now. That means Spider-Man stories can have big pay-offs the way comics used to for the past five decades before Marvel started playing creator-go-round every few years. Iâm excited to see what this entails despite myself (and despite Slott).
Star-Lord (replaces Legendary Star-Lord)
Tagline: Grounded and Busted
Hype Factor:
Creators: Written by Chip Zdarsky with art by Kris Anka
Visit the Guide: Guardians of the Galaxy
After two years, Sam Humphries run on Peter Quill has ended â and itâs a major surprise to see who is picking up the reigns of this leading man! Chip Zdarksy is an actual crazy person, and his sardonic world-view comes through loud and clear on the farcical Howard the Duck. If anyone can bring the Chris Pratt voice to Quill, itâs Zdarsky â especially in combination with the increasingly-reliable Kris Anka. PS: Expect some beefcake-y art from this one, Zdarsky and Anka wonât be able to resist.
Thanos (New!)
Tagline: Ongoing Evil
Hype Factor:
Creators:Â Written by Jeff Lemire with art by Mike Deodato
Marvel has had past success with Thanos as an ongoing star and he has the eternal heat of Marvel film fans now behind him. Lemire excels on weird, non-heroic solo series, and heâs paired with the always-spectacular Mike Deodato. Unless Lemireâs concept is a wide miss, this will be a must-read series.
Silk (returning with #13)
Tagline: One Big Happy Family
Hype Factor:
Creators:Â Written by Robbie Thompson with art by Tana Ford
Visit the Guide: Spider-Woman
Of the trio of spider-women, Silk has been on the bubble without the fan heat of Spider-Gwen or the history of Spider-Woman. Itâs positive to see her still running with Thompson behind the wheel.
Spider-Man 2009 (returns with #21)
Tagline: Family Feud
Hype Factor:
Creators: Written by Peter David with art by Will Sliney
Marvel is pleasantly surprising me with their dedication to this David/Sliney jam, which if you add the prior volumeâs issues is now into the 30s and closing in on the length of the original 46-issue run. I havenât read much since Spider-Verse, so I need to catch up!
Spider-Woman (returning with #13)
Tagline: Trick or Treat!
Hype Factor:
Creators: Written by Dennis Hopeless with art by Veronica Fish
Visit the Guide: Spider-Woman
Itâs a pity that launch artist Javier Rodriguez is off to other work, but fantastic that Marvel snagged Fish from Archie after some recent spider-lady work. If Iâm not mistaken, this will mark the first time Hopeless has been paired with a female artist on any of his female-led titles â Iâve very interested to see the resulting tone.
Squadron Supreme (returning with #13)
Tagline: Finding Namor
Hype Factor:
Creators: Written by James Robinson with art by Leonard Kirk
Marvel is really insistent that this one is going to last despite non-existent fan interest. Given the tagline, I suspect Robinson has some final tidying up of Namor to do as a character before Marvel puts this title down for good.
Thunderbolts (returns with #7)
Tagline: Caught In The Act!
Hype Factor:
Creators: Written by Jim Zub with art by Jon Malin
Visit the Guide: Thunderbolts & Dark Avengers
This book has relatively low hype levels thus far despite being a major relaunch on the heels of Winter Soldierâs appearance in the Standoff crossover and the Civil War movie. Bucky Barnes hasnât been able to maintain his own title yet. That could mean this is a final arc.
The Totally Awesome Hulk (returns with #15)
Tagline: Big Apple Showdown
Hype Factor:
Creators: Written by Greg Pak
Visit the Guide: Hulk
Iâm happy this title is still out in the world and will simply note that the promo cover here has collected six superheroes with Asian-continent lineages into one image without even touching X-Men and that is awesome.
U.S.Avengers (replaces New Avengers)
Tagline: America Assemble
Hype Factor:
Creators: Written by Al Ewing with art by Paco Medina
Visit the Guide: Avengers & New Avengers
This is a tongue-in-cheek continuation of New Avengers as an ultra-patriotic title with the same creators and the core of Sunspot and (a newly white-skinned) Sunspot intact, plus Squirrel Girl, a future Cap, and the return of Red Hulk. Fans have found Ewingâs Avengers a little light-weight, but many have enjoyed the personalities.
Ultimates2 (replaces Ultimates)
Tagline: Who Chained The Cosmos?
Hype Factor:
Creators: Written by Al Ewing with art by Travel Foreman.
A direct continuation of Ewingâs hyper-popular, universe-spanning, big-thinking team with seemingly no cast shakeups and the beautiful art of Travel Foreman (who I adore from Animal Man). This will likely continue to be awesome.
The Unbeatable Squirrel Girl (returns with #16)
Tagline: Sheâs here to eat some nuts, kicks some butts ⊠and fly somewhat
Hype Factor:
Creators: Written by Ryan North with art by Erica Henderson
With the recent end of Chip Zdarskyâs run on Howard The Duck I found myself holding my breath while scrolling through these announcements in search of the similarly quirky Squirrel Girl. Luckily, North and Henderson are continuing their hilarious and heartfelt run on the title. Itâs hard to believe weâre up to #16 already on a second volume, and even harder to believe that the joke of a Squirrel Girl ongoing simply has not run its course!
The Unbelievable Gwenpool (returns with #7)
Tagline: G.W.E.N.P.O.O.L.
Hype Factor:
Creators: Written by Christopher Hastings with art by Gurihiru
This improbable parody character continues to have a hold over readers as the combination of two of the hottest things at Marvel â Deadpool and Spider-Gwen. Iâve yet to read her, since she hasnât hit trade yet, so Iâm not sure how hype to be about its return.
Uncanny Avengers (returns with #15)
Tagline: Going Rogue
Hype Factor:
Creators: Written by Gerry Duggan with art by Pepe Larraz
Visit the Guide: Uncanny Avengers
This title has cemented itself as a sort of X-Men Legacy: The Next Generation as a Rogue-headlined mash-up of many B-List characters (aside from Cap and Deadpool). The addition of Cable makes it even more of a lure to X-fans â honestly it could be Marvelâs best X-book at the moment.
Uncanny Inhumans (returns)
Tagline:
Hype Factor:
Creators: Written by Charles Soule with art by Kev Walker.
Letâs get down to it: Marvel has put their all into Inhumans for two years and itâs just not happening. Itâs selling in the range of a tertiary X-Men title and Marvel has quietly slid the Inhumans film off of the schedule. Despite the addition of fan-favorite Kev Walker on art, this is just another background title for Marvel at this point â as evidenced by the crash of its supporting title.
The Unstoppable Wasp (New!)
Tagline: Nothingâs More Unstoppable Than a Teenage Girl
Hype Factor:
Creators:Â Written by Jeremy Whitley with art by Elsa Charretier
While Iâd typically be underwhelmed by a replacement Wasp headlining her own title, this is notable for Whitley, who pens the popular YA title Princeless. Charretier is fresh from DCâs Starfire and has a simple, retro look reminiscent of the late Darwyn Cooke. This could wind up as a monster young-readers title if Marvel markets it well.
The Unworthy Thor (in addition to The Mighty Thor)
Tagline: Ultimate Redemption?
Hype Factor:
Creators: Written by Jason Aaron with art by Olivier Coipel
Visit the Guide: Thor
This book is the biggest bombshell of the Marvel Now announcements â Thor returning to ongoing status after two years as a supporting character in his own title accompanied by returning Thor artist Coipel. This is a canât-miss comic that will likely see Aaron begin to clue us in as to what rendered Thor unworthy at the end of his Original Sin event.
Venom (replaces Venom: Space Knight)
Tagline: Lethal Arrival
Hype Factor:
Creators: Written by Mike Costa with art by Gerardo Sandoval
Between the âLethalâ tagline and the vicious cover art, this doesnât look anything like Flash Thompson! That means weâre getting our first significant return to another character in the symbiote suit since Dark Reign in 2009. This is a decent team, but Iâm a big Flash-as-Venom fan â if itâs not him in the suit, I donât see a lot of value in this relaunch.
I donât think any other comic company in history has published so many titles that start with U! For even more delightful dissection of this line-up of books, I highly recommend the Comics Alliance roundtable â itâs a group of like-minded folks who add a lot of useful context and thoughtful analysis to some of these selections.
Marvel Now! 2016 â a book-by-book break-down was originally published on Crushing Krisis
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Yesterday EV and I visited The Academy of Natural Sciences for the first time together!
A T-Rex skull, as shot by EV!
Despite Phillyâs bevy of museums, The Academy has always been a sentimental favorite of mine due to its dinosaurs. As an adult, I realize that it represents much more than that as our cityâs Science Museum, but as a kid I was less focused on the âscienceâ part and moreso on the part where I could stand next to a full-size T-Rex skeleton. I still get a special thrill every time I visit, although in recent years that been only for trips to the Philly Geek Awards.
The current special exhibit at the museum is called âDinosaurs Unearthed,â and it gave me one of my first âkids these days!â shaking-of-old-man-cane experiences directly related to parenting EV (because, as they relate to kids in general, Iâve been having those moments since I was six). Thatâs because this exhibit presents about a half-dozen animatronic dinosaurs at actual scale, and in some cases kids can direct their sounds and movements via a console of light-up buttons.
As an adult whose love for the museum is rooted in seeing fossils, I wasnât enamored with this brief experience fill with lights and motion. Granted, it was packed with educational content â with more placards to read to EV than appeared with the displays in the rest of the museum. Despite that, I couldnât help feeling that it was more of a theme park feature than a museum exhibit. Maybe thatâs because as an adult I donât need to see moving dinosaurs to pique my interest in the creatures â I would have probably been more interested in information about the science of how the animalectronics were built!
A more lifelike adolescent T-Rex, which EV was not eager to spend too much time standing in front of.
Yet, I canât deny the allure for younger kids who arenât old enough to appreciate the magnitude of seeing casts of million-year-old bones. Maybe this is just anecdotal, but Unearthed seemed to trend pretty heavily towards toddlers through first or second graders compared to the rest of the museum.
I first opened the game during one of EVâs intense dino-button-pushing sessions in the special exhibit (yes, I appreciate the irony)Â to discover that the Benjamin Franklin Parkway was exploding in a rainbow of gyms and lured PokeStops.
While I didnât want to spend our time in the museum catching creatures, I was interested to see how many people were doing so given articles about how the National Holocaust Museum was pleading with visitors to refrain from playing out of respect. While there were a few other parents idly playing while kids interacted with exhibits, I never saw a critical mass of gamers. Maybe thatâs more about the age-range of kids at this museum or its content.
(It did raise some questions for me about how institutions in the physical world have the right to opt in or out of their participation on digital maps. While a museum like The Academy certainly wouldnât have the types of objections to play that the Holocaust Museum does, they might have other requests â like making certain exhibits a PokeStop or Gym, or even having certain creature-types spawn in the museum.)
It was when we stepped out onto the street that the app exploded into constant vibrations signaling new encounters. I could barely make it a half block without the chance to capture another critter. We were absolutely besieged with them when we stopped for lunch at Mamaâs Vegetarian (another EV first!) and a treat at Shake Shack.
(I sorely miss the food options of working in Center City every day, but not the corresponding money expenditure or caloric intake.)
Kickstartered: Steve Lichman by Dave Rapoza & Dan Warren
Given that my to-read pile of graphic novels is currently a nine-month backlog and my to-play pile of new games is at least six boxes deep, I thought it might not be a terrible idea to highlight things I receive from Kickstarter as they roll in, rather than whenever I get around to reviewing them.
Steve Lichman, Vol. 1 arrived a few weeks ago, and I must admit I had completely forgotten it existed since the Kickstarter campaign closed in October.
It only added to my confusion that the padded envelope I opened contained a cloth-bound hardcover book the size and heft of a novel with a skeleton debossed onto the cover in gold foil. Had I pledged to support a horror anthology?
In fact, this tome was a graphic novel â quite literally the nicest graphic novel I think Iâve ever received out of my collection of thousands of books. It has all of the external trappings of a beautiful signed-and-numbered 1st edition novel (mine is #5,518) and the paper and reproduction quality of a professionally produced comic collection â all for less than Marvel charges for a crap-quality six-issue trade paperback.
That means creators Dave Rapoza & Dan Warren self-published a literal 250 pages of comic all in one go. Given that the history of Kickstarter is littered with the failed projects of similarly ambitious creators, the quality of this project (and it hitting 1000% of its funding goal) makes more sense when you learn that Rapoza is a professional illustrator who works with client IP like Bethesda (Fallout, Elder Scrolls), Hasbro, and Blizzard (Warcraft), and on concept art for films like the new Teenage Mutant Ninja Turtles.
Itâs hard to explain exactly what itâs about. I guess itâs Itâs sort of like Seinfeld if Jerry was a Lich and George was Dracula and their apartment was a dungeon? I donât know, Iâm an old, you can probably think of a better sitcom analogy than that after you read a lengthy preview of Steve Lichman on Rapozaâs site. Hereâs their Kickstarter video:
As for how I found about this project or why I pledged⊠Iâll get back to you on that one. It literally doesnât ring a single bell, and I canât find mention of it on any of the comic sites I frequent. This might have literally been a blind pledge from browsing the Kickstarter comics section, and it could not have possibly turned out to be a better choice!
Hereâs another pair of photos of their marvelous book! Iâve loved the humor first few pages and the illustrations are consistently great, so Iâm looking forward to digging into this further when I dig deep enough into my to-read pile.
 Kickstartered: Steve Lichman by Dave Rapoza & Dan Warren was originally published on Crushing Krisis
The last time I ran five miles was NEVER. The longest run Iâve ever been on (even with a generous definition of ârunâ) was The Color Run 5k â and that was with Allie as my personal pace car.
With my route set, I used all three of the short-circuits above for my run. I set a steady pace until I hit my first Stop, and then I all-out sprinted between Stops to elevate my heart rate with the 2.5 minutes of jogging to break it up.
What did I catch? I donât know. Stuff? Honestly, I was so amped with adrenaline and breathing so heavily whenever I caught anything that it barely registered â I was focused on resting for a moment before more running!
New Collecting Guide: Doctor Strange (plus, 5 suggestions for new fans)
Iâm happy to share The Definitive Doctor Strange Collecting Guide and Reading Order! It includes every Doctor Strange issue ever published with notes on trade-reading order and guest appearances.
Agamatto-eyed readers may have spotted it last week, but as of today the guide is officially out of its beta-release phase and ready to help you collect Marvelâs most-famous mystic.
This is the first of several new and revised collection pages Iâll be highlighting over the next few weeks; you can already see several of them in action in Crushing Comics.
Doctor Strange was one of Marvelâs original Silver Age heroes, debuting in 1963 in Strange Tales, a title he split with Nick Fury. He is a brilliant-but-prideful surgeon whose career is ruined when his hands are injured in an accident, and in his quest to repair them he stumbles into the world of mysticism.
Like Fury, he was one of the few freshly-invented Silver Age solo heroes not to be hoovered up by The Avengers. This was exploited by his inclusion in The Defenders, a team of relative outcasts that also included The Hulk, Namor, and Silver Surfer.
Aside from a brief blip at the beginning of the 70s, Strange starred in an ongoing book in continuous publication through 1996, when his third volume was cancelled with no replacement.
Unlike fellow hot-in-the-90s hero Ghost Rider, Strange got no ongoing revival in the 00s, although he was finally absorbed by the Avengers under Brian Bendisâs tenure (partially due to his participation in The Illuminati).
After playing a critical (some may say âstarringâ) role in Jonathan Hickmanâs Avengers mega-story that began in 2013, Doctor Strange finally found his way back into an ongoing title from Jason Aaron and Chris Bachalo in the fall of 2015 in anticipation of his big screen debut in 2016.
Iâve always had affection for the good doctor, but I did some foot-dragging on giving him his own guide due to his relatively low profile in past years. However, with his movie coming up this fall, it was finally time to attack his guide â no small feat, since heâs had over a dozen series and one-shots to call his own plus a starring role in most incarnations of The Defenders.
Doctor Strange: Season One â Marvel produced this modernized Season One retellings for all of their major heroes in 2010. While the movie wonât hew to this exact script, itâs going to give you the gist of what this character is about. It was created by Greg Pak, a very sensitive writer who rarely produces anything uninteresting, and Emma Rios, a brilliant Spanish illustrator who brings a sweep of sketchy lines to the edges of all of her illustrations. This is being re-issued in paperback as Doctor Strange: Strange Origin.
Doctor Strange Epic Collection: A Separate Reality â If you can wait until November, this Epic Collection covers one of the most-reprinted periods of Doctor Strange from the early-70s as written by comics royalty Roy Thomas. Be warned â 70s comics are much wordier than modern ones; they do a lot more tell than show.
Doctor Strange & Doctor Doom: Triumph & Torment â If you want a sampling of Doctor Strange interacting with another Marvel character, the recollection of this 1987 original graphic novel is one of his most highly-acclaimed starring turns as written by Roger Stern and illustrated by Hellboy creator Mike Mignola. Movie watchers might not know that Dr. Doom is typically portrayed as one the most powerful magicians on the planet, which makes this team-up something fans had wanted to see for decades.
Doctor Strange: The Oath â This is a charming series from the super-group of Mark Waid and Marcos Martin. Martinâs art means this is a brighter, more classic-looking comic, and Waid spins an enjoyable and self-contained tale.
Doctor Strange Vol. 1: The Way of the Weird â This is Doctor Strangeâs newest series, penned by super-hot scribe Jason Aaron (he also writes Star Wars and Thor). The art from Chris Bachalo may strike some new readers as slightly cartoonish or hard to follow â itâs definitely not a super-glossy comic attempting to be a film.
Those are just a handful of dozens of Doctor Strange collections Marvel has released over the years â and the Doctor Strange guide lists every one along with the issues they contain.
Just how much of Doctor Strange has been collected as of this post? Here are the stats, not including his current ongoing series (which will be 100% collected, as is the case with all new Marvel comics):
Year Series Total
Collected
In Color
Oversized
  302 214
(70.86%) 197
(65.23%) 48
(15.89%) 1963 Strange Tales, Vol. 1 57 57 57 35 1968 Doctor Strange, Vol. 1 15 15 15 0 1972 Marvel Premiere 12 12 12 0 1974 Doctor Strange, Vol. 2 82 77 60 3 1987 Strange Tales, Vol. 2 19 19 19 0 1988 Doctor Strange: Sorcerer Supreme 93 12 12 10 1989 Doctor Strange OGNs (1989-1997) 3 3 3 0 1999 Dr. Strange: The Flight of Bones 4 4 4 0 2004 Strange 6 6 6 0 2006 Dr. Strange: The Oath 5 5 5 0 2010 Mystic Hands Of Dr. Strange (one-shot) 1 0 0 0 2010 Strange, Vol. 2 4 4 4 0 2010 Doctor Strange: Season 1 OGN 1 1 1 0
Considering the piecemeal assemble of series we have to work with, nearly 71% coverage isnât terrible â but almost all of the missing 29% comes from the massive gap of his 1990s series â which has never had a single collected edition to its name. The start of a Doctor Strange Epic Collection series this November will eventually help to change that.
Want to know how to own the nearly 71% of Doctor Strange that has been recollected from the form of its original release? Head to the Doctor Strange guide for all the details!
New Collecting Guide: Doctor Strange (plus, 5 suggestions for new fans) was originally published on Crushing Krisis
Even then, I only understand it as an execution of several geeky archetypes â characters who collect things, summoning of creatures, opposing elements in a fighting game, and evolving creatures. I have no concept of how any of the games play or the story behind them.
After idly Googling some playing guides after rehearsal, I learned the sort of exclusivity detail that is frequently the death of my free time and disposable income: you can avoid the typically prescribed trio of starter creatures to grab Pikachu instead. Iâm not sure what Pikachu is (apparently a sort of electric mouse?), but I know heâs was the first and most-enduring mascot of the franchise due to Eâs brotherâs many stuffed iterations of him.
I decided I would install the game and walk around with it just long enough to grab that little yellow bugger so at least I could be informed while everyone talked to me about it. And, if starter Pikachu was ever later removed, I could remain satisfied I hadnât missed out on anything.
(DO YOU HEAR THAT, OCD GODZILLA? I WONâT BE MISSING OUT ON ANYTHING.)
Screenshots from The Vergeâs preview article.
I installed the game, went on an evening walk with EV. After ignoring the normal starter monsters three times, a vibration of my phone announced the proximity of Pikachu. I tapped his sprite on the map and collected Pikachu by tossing a virtual ball at his augmented reality head.
I admit, the augmented reality shock of seeing him sitting in the middle of the street via my camera was thrilling. The gameplay of clumsily lobbing the virtual ball at his head wasnât so exciting. Â After capturing him, I left my phone on, but we apparently didnât encounter any other beasts â nor did we locate the throngs of humanity said to be chasing and battling all across America.
Out I went. I never did find that massive beast supposedly just outside our house despite nearly resorting to beating the bushes to get him to emerge (score one for augmented reality). Frustrated but still eager to see the game in action, I wound up jogging for an hour trying to locate other critters, which has never happened before in my life. (The jogging, not the locating critters.)
(I felt awkward while trying to zero in on my prey, which wasnât entirely the fault of the buggy radar or the darkness. Even while being careful not to cross any property lines, I could easily see how sketchy my behavior would have looked to the eye of an observer. I can entirely understand why Omari Akil called the game âa death sentence if you are a black man.â)
Each creature come with a bevy of stats and bonuses for which the game offers no explanation aside from CP being their power level. Iâve read that thereâs a method for trading in duplicated monsters for candy, but the game never mentioned that when I got my first duplicate. Also, the radar proved close to useless, throwing up many false positives that never got closer despite careful triangulation.
(If they just reskinned the darn thing with Marvel superheroes I could probably qualify for the next Olympics with the amount of running Iâd do to snag a rare Kitty Pryde.)
On the whole, Iâm not quite sure what the point is, other than collecting them all â I get that there is training and fighting, but Iâm not sure why I should care or what kind of time or effort that will require.
However, note that I jogged for several miles just to find one of these damn things. Thatâs more miles than Iâve jogged this entire year so far. I am completed covered in sweat and I feel tired, sore, and awesome. I donât care a damned bit about which creatures I caught, but Iâm looking forward to doing it again tomorrow night if it means another cool, nighttime jog and getting back to my pre-baby, pre-start-up shape.
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Design vs Experience (or: when digital maps rule our physical world)
EV refers to the voice of Google Maps as, âThe Map Lady,â and sometimes The Map Lady and I have a disagreement.
Case and point:Â to get to the zoo from my house, The Map Lady has me turn off of what is effectively the suburban version of Market Street to get onto Chestnut Street â which makes total sense â but then has me turn off of three-laned Chestnut almost a mile before a crucial left turn to return to sluggish one-laned Market.
On those occasions, I turn to EV during a stop at a red light and say, âThe map lady is very confused, today.â
User Design versus User Experience, one of my favorite visual analogies from my time in start-up land. (Walkers have elected to cut through the grass rather than round the corner and walk on the pavers.)Â Photo by felixphs
Is she really? Computerized directions arenât about a route thatâs seemingly more direct or that has a higher speed limit. Theyâre taking into account a quantity and quality of factors that never occur to we humans as navigators ⊠or even to the city planners who designed the streets in the first place!
Even though I call her confused, The Map Lady has found ingenious short-cuts to get me around Delaware County, like skipping a long chain of turn-only lights by cutting a three-quarter circle through a neighborhood with stop signs.
This amplifies the typical tension between User Design vs User Experience not only because of the sheer magnitude users, but also because the reality of their actions can transform the landscape itself.
This was exemplified for me by an article last month in Washington Post, âTraffic-weary homeowners and Waze are at war, again. Guess whoâs winning?â A residential suburban neighborhood suddenly became a busy thoroughfare due to its status as a slightly more-efficient detour to construction than the route that was officially marked. Understandably, home owners who wanted to live in a quiet area arenât too pleased with the increased traffic and noise.
While commenters castigated the home ownersâ sense of entitlement (streets are public, after all), I couldnât help but sympathize with them. Iâve only once lived on a block Iâd consider a âthru-streetâ that delivered regular traffic from one destination to another. I find the noise distracting to everything I do, from recording to sleeping. When we bought this house, part of the search criteria was to find a street that more or less lead nowhere in an enclosed neighborhood. (Not a development; just a neighborhood that has no single street that starts on one side and continues out the other.)
Yet, during recent construction, SEPTA busses were detoured through the street perpendicular to ours; it was the only north-to-south way to avoid the construction for a mile in either direction. I was aghast â I had never in a million years assumed weâd be living adjacent to a bus route. Luckily, the change lasted on a few days. Had it been longer, I would have been legitimately agitating to move.
I ponder these things as The Map Lady steers me through previously unexplored territory to get to familiar places. Sheâs doing more than getting me there faster, or annoying another solitude-loving homeowner: sheâs changing my use of physical infrastructure.
Is a tiny residential street built to handle occasional traffic able to endure the volume of âa vehicle every two seconds,â as was the case in that WaPo article? Are the driveways designed so that residents may safely exit into âa backup dozens of cars deepâ? Should parking rules be changed, permits issued, stop signs turned to lights, or dotted or solid lines added to the road faces? The innards of historical cities like Philadelphia and Boston have long since wrestled with these dilemmas, but computerized mapping has made them relevant to every street in the country.
The rule of digital cartography can have impacts beyond rerouting traffic. Fusion details how a digital mapping company called MaxMindâs act of assigning unplaced IP addresses to the geographic center of the United States made life a nightmare for renters at an isolated Kansas farm. These people made absolute certain their street wouldnât be mistakenly re-purposed as a thoroughfare when they rented their house, but didnât plan for the ire of scores of scammed internet users landing on their front lawn â or for their personal information to be shared across the internet in misplaced retaliation.
Alternately, perhaps you live in a converted church and have suddenly discovered you are a Pokemon Gym courtesy of augmented reality game designer Niantic:
That is terrifying. The nature of our connected world is allowing private companies to effectively create their own geolocated âwatch listsâ that may soon begin to affect property values or put lives at risk without even the basic requirement of an appeals process.
What about the residents of the Kansas farm? They arguably experienced the worst harm, âvisited by FBI agents, federal marshals, IRS collectors, ambulances searching for suicidal veterans, and police officers searching for runaway children,â and having their personal details spewed across the internet in a series of doxxings. Until Ms. Hill found them all they got was a sign posted in their yard by the sheriff that said to leave them alone and call him with questions.
I wonât re-invade that shared personal information to find out their personal demographics, but even if theyâre a third white male in this example the demographics of their location (and of the propertyâs owner, and 82 year old woman) combined with the length of their suffering speaks volumes.
Digital cartography is no longer simply describing or annotating our physical world â itâs having a reciprocal impact that is invisible until itâs unavoidable â and, even when it is unavoidable, its true nature is frequently gated by the technological access and savvy of the afflicted.
For me, that begs the question of which geography represents the truth â the one we can experience solely through the physical, tangible world, or the one that is exclusively digitally accessible? As with history, I think the truth will be determined by the victors, and in many cases that wonât be the unsuspecting residents like the people living in one of the houses in this story.
Design vs Experience (or: when digital maps rule our physical world) was originally published on Crushing Krisis
Below is a list of 28 common racist attitudes and behaviors that indicate a detour or wrong turn into white guilt, denial or defensiveness. Each is followed by a statement that is a reality check and consequence for harboring such attitudes.
1. Iâm Colorblind.
âPeople are just people; I donât see color; weâre all just human.â Or âI donât think of you as Chinese.â Or âWe all bleed red when weâre cut.â Or âCharacter, not color, is what counts with me.â
REALITY CHECK + CONSEQUENCE:
Statements like these assume that people of color are just like you, white; that they have the same dreams, standards, problems, and peeves that you do. âColorblindnessâ negates the cultural values, norms, expectations and life experiences of people of color. Even if an individual white person could ignore a personâs color, society does not. By saying we are not different, that you donât see the color, you are also saying you donât see your whiteness. This denies the people of colorsâ experience of racism and your experience of privilege.
âIâm colorblindâ can also be a defense when afraid to discuss racism, especially if one assumes all conversation about race or color is racist. Speaking of another personâs color or culture is not necessarily racist or offensive. As my friend Rudy says, I donât mind that you notice that Iâm black.â Color consciousness does not equal racism.
2. The Rugged Individual, the Level Playing Field and the Bootstrap Theory.
âAmerica is the land of opportunity, built by rugged individuals, where anyone with grit can succeed if they just pull up hard enough on their bootstraps.â
REALITY CHECK + CONSEQUENCE:
These are three of the crown jewels of U.S. social propaganda. They have allowed generation after generation to say, âIf you succeed, you did it, but if you fail, or if youâre poor, thatâs your fault.â Belief in this propaganda is founded on a total denial of the impact of either oppression or privilege on any personâs chance for success.
Attacks on programs like affirmative action find rationalization in the belief that the playing field is now level, i.e., that every individual, regardless of color or gender, or disability, etc., has the same access to the rights, benefits and responsibilities of the society.Â
The rationalization continues: since slavery is ended and people of color have civil rights, the playing field has now been leveled. It follows, then, that there is no reason for a person of color to âfailâ (whether manifested in low SAT scores or small numbers in management positions) EXCEPT individual character flaws or cultural inadequacies. These âfailuresâ could have no roots in racism and internalized racism.
3. Reverse Racism.
A. âPeople of color are just as racist as white people.â
B. âAffirmative action had a role years ago, but today itâs just reverse racism; now itâs discriminating against white men.â
C. âThe civil rights movement, when it began, was appropriate, valuable, needed. But itâs gone to the extreme. The playing field is now level. Now the civil rights movement is no longer working for equality but for revenge.â Or
D. âBlack pride, black power is dangerous. They just want power over white people.â (Include here any reference to pride and empowerment of any people of color.)
REALITY CHECK + CONSEQUENCE:
A. Letâs first define racism with this formula:Â
To say people of color can be racist, denies the power imbalance inherent in racism. Certainly, people of color can be and are prejudiced against white people. That was a part of their societal conditioning. A person of color can act on prejudices to insult or hurt a white person. But there is a difference between being hurt and being oppressed. People of color, as a social group, do not have the societal, institutional power to oppress white people as a group. An individual person of color abusing a white person â while clearly wrong, (no person should be insulted, hurt, etc.) is acting out a personal racial prejudice, not racism.
B. This form of denial is based on the false notion that the playing field is now level. When the people with privilege, historical access and advantage are expected to suddenly (in societal evolution time) share some of that power, it is often perceived as discrimination.
C+D. C is a statement by Rush Limbaugh. Though, clearly he is no anti-racist, both c+d follow closely on the heels of âreverse racismâ and are loaded with white peopleâs fear of people of color and what would happen if they gained âcontrol.â Embedded here is also the assumption that to be âpro-blackâ (or any other color) is to be anti-white. (A similar illogical accusation is directed at women who work for an end to violence against women and girls. Women who work to better the lives of women are regularly accused of being âanti-male.â)
4. Blame the Victim.
âItâs their fault they canât get a job, or be manager.â Or âWe have advertised everywhere, there just arenât any qualified people of color for this job.â Or âIf he only worked harder, applied himself more, or had a stronger work ethic.â Or âIf she just felt better about herself â internalized racism is the real problem here.â OR âShe uses racism as an excuse, to divert us from her incompetence.â Or âIf he didnât go looking for racism everywhereâŠâ (As if racism is so hidden or difficult to uncover that people of color would have to search for it.)
REALITY CHECK + CONSEQUENCE:
All âblame the victimâ behaviors have two things in common. First, they avoid the real problem: racism. Second, they take away from the picture the agents of racism, white people and institutions, who either intentionally perpetuate or unintentionally collude with racism.
This is similar to agent deletion in discussions of rape. Statements referring to a woman being raped, many by focusing on her clothing or behavior at the time of the rape and delete the male rapist from the picture.)
As long as the focus remains on people of color, white people can minimize or dismiss their reactions, and never have to look directly at racism and the whitesâ own responsibility or collusion.
5. The White Knight or White Missionary.
âWe (white people) know just where to build your new community center.â Or âYour young people (read youth of color) would be better served by traveling to our suburban training center.â Or âWe (white people) organized a used clothing drive for you; where do you want us to put the clothes?â
REALITY CHECK + CONSEQUENCE:
It is a racist, paternalistic assumption that well meaning white people know whatâs best for people of color. Decisions by white people, are made on behalf of people of color, as though they were incapable of making their own. This is another version of âblame the victimâ and white is right. It places the problems at the feet of people of color and the only âappropriateâ solutions with white people. Once more the power of self-determination is taken away from people of color. Regardless of motive, it is still about white control.
6. Lighten up. (Lighten? Whiten?)
âBlack people are just too sensitive and thin-skinned.â Or Indians should get a sense of humor. Weâre just kidding around.â Or âI didnât mean anything racist; itâs just a joke.â
REALITY CHECK + CONSEQUENCE:
Here are racism and agent deletion in partnership again. The problem and perpetrators are exonerated, because the rationale declares that humor isnât hurtful. This form of denial serves most to trivialize the pain and reality of daily racism.
7. Donât Blame Me.
âI never owned slaves.â Or âI didnât vote for David Duke.â Or âNone of my family joined the Klan.â Or âI taught my children that racism is wrong.â
REALITY CHECK + CONSEQUENCE:
Often white people hear blame whenever the issue of racism is brought up, whether or not blame has been placed on whites. As beneficiaries of racism and white privilege, you sometimes take a defensive posture even when you are not being individually blamed. You may personalize the remarks, not directed personally at you. It is the arrogance of your privilege that drags
the focus back to whites.
When whites are being blamed or personally accused of racist behavior, this defensiveness and denial further alienate you and may preclude you from examining your possible racist behavior.
8. BWAME.
âBut What About Me. Look how Iâve been hurt, oppressed, exploitedâŠ?
REALITY CHECK + CONSEQUENCE:
This diminishes the experience of people of color by telling our own story of hardship. We lose an opportunity to learn more about the experience of racism from a person of color, while we minimize their experience by trying to make it comparable or less painful than ours.
9. We Have Overcome.
âWe dealt with racism in the 60s with all the marches, sit-ins and speeches by Dr. King. Laws have been changed. Segregation and lynching are ended. We have some details to work out but real racism is pretty much a thing of the past.â
REALITY CHECK + CONSEQUENCE:
The absence of legalized, enforced segregation does not equal the end of racism. This denial of contemporary racism, based on inaccurate assessment of both history and current society, romanticizes the past and diminishes todayâs reality.
10. The End Run, Escapism.
âOf course, racism is terrible, but what about sexism? Or classism or heterosexism?â or âRacism is a result of classism (or any other oppression), so if we just work on that, racism will end, too.â
REALITY CHECK + CONSEQUENCE:
I agree with Audre Lordeâs statement, âThere is no hierarchy of oppression.â I would not establish a rank order for oppressions. At the same time, we cannot attempt to evade recognition and responsibility for any form of oppression.
Statements like the ones above divert attention from racial injustice to focus on some other form of oppression. They are usually said by white people, (women, working class people, lesbians, gay men or others) who experience both white privilege and oppression in some form. Whites are more willing and more comfortable decrying their oppression than scrutinizing their privilege. Oppressions are so inextricably linked that if whites allow their fear, guilt and denial to constantly divert them from confronting racism, even while we work to dismantle other forms, no oppression will ever be dismantled.
11. Due Process.
âLady Justice is color blind.â White parents who tell their children, âThe police are here to protect you. If they ever stop you, just be polite and tell the truth.â Then when a black teen is beaten or killed by police, those same parents say, âHe must have been doing something wrong, to provoke that kind of police response.â
REALITY CHECK + CONSEQUENCE:
White peopleâs belief that the police, courts, the legal system and social services work without bias; that due process, fair trials, juries, judges, police officers and case workers have everyoneâs, including people of color, best interest at heart. Or at least, no less than they do for white people. This belief clouds reality. Whites tend to look at isolated incidents rather than the patterns
of institutionalized oppression.
12. The Innocent by Association.
âIâm not racist, because⊠I have Vietnamese friends, or my lover is black or I marched with Dr. King.â
REALITY CHECK + CONSEQUENCE:
(Perhaps, if all white people who say they marched with Dr. King actually had, the current situation would look different!) This detour into denial wrongly equates personal interactions with people of color, no matter how intimate they may be, with anti- racism. There is an assumption that our personal associations free us magically from our racist conditioning.
13. The Penitent.
âI am so sorry for the way whites have treated your people.â Or âI am sorry for the terrible things that white man just said to you.â
REALITY CHECK + CONSEQUENCE:
While there is probably no harm in the âsorry,â if it is not attached to some action taken against racism, it is most often just another expression of white guilt. Being an ally to people of color is not limited to an apology for other white peopleâs behavior, it must include anti-racist action.
14. The Whitewash.
âHeâs really a very nice guy, heâs just had some bad experiences with Koreans.â Or âThatâs just the way Uncle Adolf jokes. Heâs very polite to the black janitor in his building.â
REALITY CHECK + CONSEQUENCE:
Weâre trapped by another version of white guilt response. Whites attempt to excuse, defend or cover up racist actions of other white people. White people are particularly prone to this if the other person is close, family or friend, and if we feel their actions reflect on us.
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