Takashi Miike, from the Sukiyaki Western Django making of featurette.
RMH
Jules of Nature

⁂
Cosmic Funnies

hello vonnie

Andulka
will byers stan first human second
Mike Driver
NASA

ellievsbear
wallacepolsom

#extradirty


tannertan36
Fai_Ryy

roma★

shark vs the universe
let's talk about Bridgerton tea, my ask is open
Show & Tell
seen from Libya
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seen from United States
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seen from Malaysia

seen from Hungary
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seen from United States

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@cronenbitch
Takashi Miike, from the Sukiyaki Western Django making of featurette.

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A book crystallized in the ocean
oh mood
NO NO NO.
This was not crystallized by the ocean. People. No. This is why artist credit is SO DAMN IMPORTANT THERE ARE SO MANY PEOPLE MISINFORMED HERE.
Alexis Arnold is an artist who creates crystallized books. Her work is amazing and beautiful, she’s made dozens of these.
This particular one was not made by her, however, it was actually created by Catherine McEver - who was inspired to try it after seeing a show of Alexis Arnold’s work. It’s literally the first picture on Google image results if you search for “crystallized books” and she posted about it on her blog showing other process shots as she made it.
TWO DIFFERENT WOMEN ARE BEING DEPRIVED OF CREDIT FOR THEIR CREATIVITY BECAUSE THIS FALSE INFORMATION IS BEING SPREAD. FUCK THAT.
Considering how many times I’ve seen the uncredited post on my dash I’m finally going to reblog it, with the proper credits.
I looked her up and these sculptures are really cool like look at these,
Like they’re so cool!
In the club
who animated this??? its really great fluid replacement animation w these artifacts, i wanna know who animated it but I cant find any source
Nina Paley
“All Creative Work is Derivative”
bike

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ana mendieta “people looking at blood, moffit, iowa” 1973
“In this piece, Mendieta spilled a large amount of what appeared to be chunky blood over a doorway and sidewalk on an Iowa City street. Then she removed herself from the scene and, from a distance, photographed the reactions of various passersby. […] It intimates to passersby that a grievous and dramatic injury has taken place, but it gives no explanation and, more important, no recourse to action. It may incite horror, concern, compassion, and revulsion—in short, pity and fear—but it doesn’t offer anywhere for these feelings to go. […] Each pedestrian’s only real choice is to walk on by, which looks from the outside—and likely felt, on the inside—like an uncaring abandonment, even if of an indeterminate or imaginary entity. […] And somewhere out of sight lurks Mendieta, a voyeur of each passerby’s involuntary voyeurism. […] People Looking at Blood says, Look at this pile of carnage, with no clear story, source, assailant, or victim. Just look at it. Now look at others looking at it. (And I will be looking at you looking.)”
— The Art of Cruelty, Maggie Nelson
Ana Mendieta was murdered by her husband and fellow artist Carl Andre. This work became a self fulfilling prophecy and meditation on tragedy, the nature of violence, and peoples unwillingness to help.
And no I will not shut up about this.
By the way, her husband never went to prison for what he did.
Medusa with the head of Perseus, Luciano Garbati.
Vasko Taskovski
the apothecary cats
Duomo Portal, Milan, Italy by dionisioemidio

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Duomo Portal, Milan, Italy by dionisioemidio
star kiss

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Backflip Bar, San Francisco - by design firm ’Fun Display’ (1997)