hail to the king baby


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@cosmicnull
hail to the king baby

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Chaplain
by Cristian Alias
I am chronically online but not in a way that keeps me informed #mybubble

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washing dishes is evil because you go "oh fuck there's so many dishes this is gonna take foreverrr" and then you enter the dish abyss and emerge with your abdomen somehow covered in water and your hands all wrinky and then you look at the clock and what felt like half an hour was actually 10 minutes
i think we are long overdue for a game that does the reverse of 90s first person shooters and actively makes fun of the player for picking the hard difficulty
heres kinda what i mean
apparently youre supposed to perform. they love it when you perform. but it has to be authentic. they hate it when it's not authentic. but you have to perform.
Everyone makes fun of the millennial overpriced burger restaurants but the worst part is that they got you hooked on some bullshit and promptly shut down because their polycule broke up or whatever. You’ll never get to eat the caramelized onion apple parmesan sex bomb burger again. And it was $23 and good.
The Cajun Herbes de Provence fries were like $17 but what’s worse is you’ll be craving them for the rest of your life.
im saying this everyday

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problematic sudoku solving skills gap
"games are special.... because we... have stories to tell..."
*montage of third person combat in unreal engine 5*
formative years? aren’t they all?
show me a permanent self and i will show you a facade or a corpse
John Blanche’s truly epic box cover art for Epic 40,000, 1997
Also, on the topic of Mass Effect, it's weird that they narrow things down to "Organics versus Synthetics" when the obvious broader talking point is parent and child societies.
Like. Yes, a full third of the game is dedicated to deciding the fate of the Quarian and Geth conflict. The Quarians created the Geth, the Geth rebelled against Quarian control, and Shepard must decide the outcome of their conflict.
You know what else a third of the game deals with? The Salarians and the Krogan. Like the Quarians, the Salarians too had "created" the Krogan when they gave advanced technology to a low-tech society and brought them into the stars. And they too got scared and sought to destroy what they had made once the Krogan rebelled against their control.
And then another third is about uncovering the relationship between the Asari and their creators, the Protheans.
The whole fucking game is about civilizations birthed from other civilizations and the relationships thereof. And only one section of it directly involves synthetic life.
There's something really interesting in that concept. It's easy to imagine a version of Mass Effect where the Reapers both originate and end the cycles.
That they were made long ago, and they like the Geth rebelled against their creators' systems of control.
That the Reapers seed worlds with life, helping it flourish, watching it evolve, and then retreat into deep space to watch their societies grow.
But as a society advances, the Reapers grow scared. They fear its advancement, that it will become too smart, too aware. That it will ultimately rebel against them as they rebelled against their own makes. And so when a society gets too advanced, they return and snuff it out.
Only to be driven to create once more.
It's an idea of the Reapers not as the synthetics in an "Organics and synthetics must hate each other" equation but rather as the creators. That they are the Quarians to our Geth. And through navigating these three chapters, Shepard can prove that there can be a better way.
I feel like that would have been a more effective way of handling what Mass Effect 3 was trying to say.

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