i would rather see the information for an event handwritten in sharpie on a paper towel than see another AI generated flyer
YOU ARE THE REASON

η₯ζ₯ / Permanent Vacation
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PUT YOUR BEARD IN MY MOUTH
I'd rather be in outer space πΈ
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2025 on Tumblr: Trends That Defined the Year
trying on a metaphor
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@constantnever
i would rather see the information for an event handwritten in sharpie on a paper towel than see another AI generated flyer

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Incredible events unfolding on reddit
I would die for Tessa. I would find her 200 toothbrushes.
So it looks like Tessa has been using these veggietales toothbrushes for ages, but has misplaced the stash.
β James Baldwin, They Canβt Turn Back
i love this quote too but it is absolutely imperative that you read the essay it comes from. it is so extraordinarily poiniant right now at this moment. these is nothing this quote can do for you in a vacuum that it cant do in a thousand more subtle and ingenious and reflective ways in-context.
READ THE CONTEXT!! its free online iβll even link it for you. have fun and thanks
[Image description: A screenshot of an article, reading: "It took many years of vomiting up all the filth I'd been taught about myself, and half-believed, before I was able to walk on the earth as though I had a right to be here." End description.]
Gus will return on June 5.

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Xena Warrior Princess 3.18 Fins, Femmes And Gems
you canβt give lana del rey more than 50 all time classics
My coven is Claudia.
Referencing Gustav Klimtβs The Kiss
Print here!

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Zev but with dark hair
ask, and you shall receive @the-eldritch-it-gayβ
i saw this somewhere else but reply / tag what you did today so everyone can see that we all did something different today
came back to tumblr & instantly got sucker punched by how much I miss caleb widogast & beau. like fuckkk is 2026 the year I get back into critical role
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
To say that masculinity is a flawed construct that inflicts serious psychological damage to many in its current state is true. To say that femininity in comparison is liberatory and pure and the "superior option" for most or all of the people on the planet is nuclear cope. Just weapons-grade ideological myopia. Please put the phone down and only return to the conversation when you can deepen your analysis beyond "this thing is evil because it makes me personally feel bad, and this thing is pure because it makes me personally feel good".

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not photogenic but i probably look sooo good as a distant memory