EXPECTATIONS

Janaina Medeiros
YOU ARE THE REASON
Cosmic Funnies
𓃗
cherry valley forever
Monterey Bay Aquarium
sheepfilms
todays bird
Peter Solarz
Today's Document
noise dept.
One Nice Bug Per Day
trying on a metaphor
🩵 avery cochrane 🩵

Kiana Khansmith
Claire Keane
Not today Justin
Misplaced Lens Cap
seen from Brazil

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seen from Argentina
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seen from Malaysia

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@colldragon

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I just had to collect all of these responses together in one place
Edit: And one from my friend, who doesn't have a tumblr (yet)
#i keep waiting for someone to address the '18th century looms were huge' claim#like sure some were#but the fact that textile mills had been invented doesn't mean that all home weaving ceased#indeed people still weave for fun or profit in this the 21st century#smaller looms were still being built and used in the 18th century just as smaller looms are still being built and used today#and that's without considering the existence of inkle/tape/band looms which were/are used for making narrower woven ribbons for trimming etc#small 18th century looms absolutely exist
there are thousands of notes and a few people ABSOLUTELY addressed this xD
I wanna add mine! But it still has some assembling to do before I can move on to the next step
In case you were wondering why Spotify Wrapped sucks balls this year, and more importantly doesn't have any genre data:
Can you hear the sound of bells? That's because they're clowns. 🤡 🛎

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saw an absolutely hilarious animal crossing theory that i now 100% accept and it’s that in the animal crossing world, humans are going extinct, and so all the animals have locked you in an elaborate zoo enclosure and are trying to give you enrichment. and that’s why they give you infinite pointless tasks, hide money in trees and rocks, invented debt that doesnt matter etc. it’s why they always act so happy to see you even after you raze the entire island, relocate their houses twice, and always act so pleased about your choices no matter what. it’s all to keep their little endangered human healthy and enriched. and thinking of it this way has genuinely improved my experience of the game
Like i am just sitting here picturing them all getting together for a meeting like
“Shit. Humans are going extinct. What sorts of things do humans do”
“Uh.. build societies?”
“Fuck you’re so right Coco. Tom Nook, go reinvent capitalism stat”
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)
“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time.
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”
She protects her family.
Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!
HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
I love this
Holy fuck
Oh wow, this was beautiful. Not sure about the twerking skeleton but it did save me from a story-induced ugly cry so it can stay I guess
So I read the story @dragonsateyourtoast wrote and fell in love with it. I’ve been practicing bookbinding lately and made myself a physical copy of Calliope’s Tale. It’s 172 pages total :) I’m stuck on what to do for a cover since I don’t have anything big enough to use, but for now I think it’s lovely without one. I will definitely wear this out reading it over and over again.
OH IT'S A NOSE
That took me way too long. Staring at the unsettling singular eye.

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English added by me :)
flower language has always been an intense source of disappointment for me
like, they all mean really generic things like “love” or “forever” or “i’m sorry”
i thought you could combine flowers
like you could just send someone a bouquet and from the combination of hibiscus and posies and tulips they’d understand “the rebel leader is dead, rendezvous at the docks at 8, bring the dog, you will need lighter fluid and a large tomato”
I really hope no one’s answered this for you yet, I saw this and got so excited that my obscure knowledge base might come into use. I had to stretch a few flowers so to speak but Victorian flower language allows for alteration in meaning depending on colour, fruit, flower, bud, steam, leaves and thorns, so I didn’t feel I was too far out of line. This message would work best as two bouquets bound together. First red Nasturtium with no leaves (red denotes a leader, the nasturtium a patriot) mixed with white or red Mask Flowers (rebellion, red if you want to emphasize fighting, white martyrdom) around Cypress (death). Then Chick weed (rendezvous) and Blue Convolvulus (night) surrounded by eight White Popular Leaves (symbolises the time: eight), Yellow Iris (flame, and a flower that grows by rivers) and Yellow Prarie Dock Flowers (this was closest I could find to docks)and one large Tomato Leaf, all bound in Dogwood Bark. Dogwood represents deceit, but as far as I could find the bark wasn’t used symbolically, and as you referred to the dog instead of a dog, I thought it was likely the pun should be a dead giveaway.
So there’s your rebel message!
This is amazing.
#thank you flower arranging side of tumblr
oh my gods. this is like some Lemony Snicket shit. make this a fucking VFD code. victorian floral dialogue. it totally works
I’m pretty sure that at least once if not more I have used flower language in an ebook cover. And if I had to guess off the top of my head it was almost certainly for Seanan McGuire.
Guilty.

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Me and my mutuals rebloging the same post
Quick, everyone reblog this
Kitchener stitch is used to graft two pieces together with a seamless join. It’s often used for sock toes.
Lay the two pieces against each other, wrong sides facing. Use a tapestry needle and a length of yarn 4 times the length of the pieces you want to join. Enter the first stitch on the front needle purlwise and the first stitch on the back needle knitwise leaving them on their respective knitting needles. Enter the front stitch knitwise and slip it off the needle.
*Enter the stitch on the front needle purlwise. Enter the back stitch purlwise and slip it off the needle. Enter the next stitch on the back needle knitwise. Enter the front stitch knitwise and slip it off the needle.** Repeat from * to **. Think: “purl(wise), purl(wise) off, knit(wise), knit(wise) off”.