what character(s) do you associate with the person you reblogged this from?
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Keni

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Love Begins
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TVSTRANGERTHINGS

#extradirty

he wasn't even looking at me and he found me

Andulka

oozey mess

if i look back, i am lost
KIROKAZE
untitled
Not today Justin

@theartofmadeline

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@chonaku-things
what character(s) do you associate with the person you reblogged this from?

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Book recs: great, unique and creative worldbuilding in fantasy books
A note: this is very much a subjective list. I typically do not care much for historical medieval-esque settings (though seeing as I'm a big critical role fan, obviously there are exceptions), but rather prefer settings that mix up historical and modern, fantastical and scientific, and make up entirely new things and societal structures not based on our world.
Other book rec posts:
Really cool sci-fi worldbuilding
Mermaid books
Dark sapphic romances
Vampire books
Without further ado, let’s go!
The Unspoken name by A.K. Larkwood
Honestly there's so much going on in this one worldbuilding-wise that it's kind of hard to explain. Portals, flying ships, orcs, elves, creepy snake gods, cults, immortal evil mages who traumatize teens as their hobby. It's also very queer!
A Master of Djinn by P. Djèli Clark
Set in an alternate 1910's steampunk Cairo, where djinn and other creatures (among other things, creepy steampunk angels) live alongside humans. We get to follow an investigator as she races to catch a criminal using a powerful object to control djinn and stir unrest. Fantastically creative and fresh, and also features a buddy cop dynamic between two female leads as well as a sapphic romance.
Sunshine by Robin McKinley
Urban fantasy on a level of its own, where dangerous magic exists alongside humans. It keeps you guessing and much is left unexplained; if you want clear answers and explanations to everything you might be disappointed, but if you want a world that feels mysterious and dangerous and lived in you'll probably like it. It follows a baker who, after getting kidnapped by vampires, gets embroiled in a dangerous struggle.
Radiant (Towers Trilogy) by Karina Sumner-Smith
A strange mix of fantasy, sci-fi and post apocalyptic, Radiant follows a girl without magic in a world where magic is currency. Those with much of it live in magically floating towers, while everyone else scrambles to survive in the ruins of an old city left devastated from an unknown cataclysm. The setting is creepy and mysterious and leaves me itching as I want to dig for more. Also there are ghosts.
Three Parts Dead (Craft Sequence) by Max Gladstone
This is one of those books where you just kind of have to let go and go along as it throws you all over the place. I started reading it expecting an urban fantasy, but it is much more and wholly unique. It features a world where gods and magic are deeply enmeshed with society at large, and a base of much of its technology and progress. It doesn't quite feel historical, but also not modern, but rather like you took a fantastical world and let it develop naturally into its own contemporary era.
Strange the Dreamer (Strange the Dreamer duology) by Laini Taylor
One of my favorite things is when the mysteries of the world and how it works become part of the plot, with characters trying to figure out their own world. Strange the Dreamer is beautiful and complex and will hurt your heart. Personally I didn't care much for the central romance, but the wonderful characters, themes, mysteries and world make up for it.
The Dawnhounds by Sascha Stronach
Like Three Parts Dead, The Dawnhounds is a book where you just kind of have to let the story and the world wash over you. It skirts the line of scifi and fantasy, with a futuristic world of environmentally friendly mushroom houses and deadly fungi bio weapons next to literally god-given superpowers and near-immortality. It's really cool and unlike anything else I've ever read. Bonus: it’s also sapphic!
The Hundred Thousand Kingdoms (Inheritance Trilogy) by N.K. Jemisin
Another example of a world that feels wholly like its own organically developed thing, with societal structures developed around the magical aspects and a presence of gods and demi-gods, many of whom walk the streets and will smite you if you piss them off.
Dead Witch Walking (The Hollows series) by Kim Harrison
Okay, here we have an actual urban fantasy. While I got a bit worn out by the many, many love interests throughout the series, the worldbuilding is simply phenomenal and relies heavily on a well-developed alternate history. Basically, magical beings such as vampires, werewolves, elves, fairies, witches, etc, used to exist secretly alongside us, but when humanity delved into genetic research instead of the space race during the cold war, an engineered virus ended up wiping a good chunk of us out and the magical beings stepped in to stop us from going extinct. Now in the modern day, we co-exist but tensions remain. Our main character is a witch who, alongside her roommates (a vampire and a fairy) solve mysteries and crime and end up unveiling secrets about their world centuries in the making.
Elatsoe by Darcie Little Badger
Another urban fantasy, this one aimed at young adults and featuring indigenous mythology alongside creatures such as vampires and ghosts. We follow a young apache girl with the ability to raise ghosts as she works to solve the murder of her cousin.
Red Sister (Book of the Ancestor trilogy) by Mark Lawrence
Honestly, most of what I've read by Mark Lawrence so far could be featured on this list (special shoutout to his Broken Empire trilogy!). We follow a young girl training to become an assassin in a slowly dying world, where ice is overtaking the land and only a small band along its middle is habitable, kept alive by a mirror in the sky sharpening the dying sun's light. Question is, how long will this machine last, and what even is it? Very dark but very good.
The Fifth Season (The Broken Earth trilogy) by N.K. Jemisin
Listen, N.K. Jemisin gets to have two books on this list, okay, she is very good at what she does. In a world regularly torn apart by natural disasters, a big one finally strikes and society as we know it falls, leaving people floundering to survive in a post apocalyptic world, its secrets and past to be slowly revealed. We get to follow a mother as she races through this world to find and save her missing daughter.
The Spear Cuts Through Water by Simon Jimenez
AKA the book the killed me. Two boys travel throughout their land with the body of a god as her horrible, horrible children try to hunt them down. It's hard to explain more than that, but trust me when I say the narrative voice and literary techniques are incredibly unique in how they blend past and present, reality and story, lead and bystander. Truly an experience. Bonus: gay romance!
Wild Seed by Octavia Butler
Master of slightly fucked up romance, Octavia Butler knocks it out of the park in this story featuring two immortals struggling throughout the centuries. What do you do when there is only one other person remotely like you, and you simultaneously can't stand them and can't live without them? Apparently, you turn yourself into a dolphin for a while.
Birth of the Fire Bringer by Meredith Ann Pierce
Cards on the table, it has been a great many years since I actually read this, and just as many years spent meaning to read the sequels (I have a lot of stuff on my tbr okay, don’t judge me), but I do remember it making a great impact on me back in the day. Our main character is a unicorn! Fighting wyverns and gryphons! How cool is that!
Bonus AKA I haven’t read these yet but they seem really cool
The Surviving Sky by Kritika H. Rao
From Goodreads: This Hindu philosophy-inspired debut science fantasy follows a husband and wife racing to save their living city—and their troubled marriage—high above a jungle world besieged by cataclysmic storms.
High above a jungle-planet float the last refuges of humanity—plant-made civilizations held together by tradition, technology, and arcane science. In these living cities, architects are revered above anyone else. If not for their ability to psychically manipulate the architecture, the cities would plunge into the devastating earthrage storms below.
Clean Sweep by Ilona Andrews
Urban fantasy but the vampires are aliens? Sign me the fuck up
The Gaslight Dogs by Karin Lowachee
From Goodreads: At the edge of the known world, an ancient nomadic tribe faces a new enemy-an Empire fueled by technology and war.
Book recs: Queer horror, part 1
We all like a good horror story, right? You know what's even better? A queer horror story!
A note: queer here does not necessarily mean “guarantee of an f/f or m/m ship with a happy ending”, but rather simply a significant presence of queerness. Some of the books feature no romance but has a same gender attracted/trans/ace spectrum lead, or features an m/f relationship with bisexual, trans or aro/ace characters, or simply features a world-building which is heavily queer inclusive in ways that don’t always compare to our own ideas of sexuality and gender. I have however disqualified works where the only queer presence is along the lines of “gay best friend” or a blink and you’ll miss it confirmation that never comes up again.
For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!
If you want more book recs, check out my masterpost of rec lists!
Book recs: vampires
Listen, vampires are a classic for a reason, but they have also been done to death (pardon the pun) to the point that finding books that are creative with the premise can be a bit of a slog through tired old tropes. Hopefully this rec list can be to a bit of help for all vampire fans out there wanting something fresh!
For details on the books, continue under the readmore
Previous rec posts:
Really cool fantasy worldbuilding
Really cool sci-fi worldbuilding
Dark sapphic romances
Mermaid books
I think about love on a scale from 1 to 10. Most of us find a 6 or a 7, and that’s why we have divorce. It’s the truth. We settle for that 6 or 7. But I like to think Kevin is Chiron’s 10. He’s found that and he realizes that there’s no reason to settle for a 6 or a 7 because, “I know this person is my 10. Whether or not this person believes I’m his 10, I’m going to devote my life to this person entirely.” That’s why the line where he says, “You’re the only man that’s ever touched me,” for me, was the most amazing, most beautiful thing I’ve seen in cinema, period. Because that’s what we strive for as people, to find that one person because they’re there. If Kevin doesn’t feel that they should be together, Chiron is just going to die a miserable person because that’s his person and he won’t settle for anything else. But I like to think they’re together, walking in Central Park hand-in-hand when they’re 90 years old. - Trevante Rhodes

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Still the biggest iceberg in this field.
yall gotta be nicer about m/f bc sometimes u guys like the blandest gay sutff ive ever seen in my life
gonna add onto this you all gotta stop acting like m/f is just cishet when bisexual people exist and straight trans people exist.
last add on alot of m/f ships of poc or white/poc ship are constantly downplayed for bland white m/m or f/f ships
#also sometimes u guys r just fuckig misogynist. abt the women in m/f ships. sorry
A city where necromancy is legal and actually a part of every day society. So long as you follow a specific set of laws to make it seem a bit more ethical, you’re allowed to use it to do anything from helping you in a fight, to helping you run your business. In fact, there are entire shops or restaurants where the staff are undead. Laws to handle the undead could be things like:
• The corpses used cannot have flesh on them for sanitary reasons, especially in the case of businesses. Those who raise undead who are more than just bone will face a fine dependent on their situation.
• Similar to how people can donate their bodies to science, or donate their organs to those in need, people can choose to donate their bodies to necromancers before their death.
• If it is unknown if a person wished for their body to be donated after death, and they have been dead for 150+ years, you’re allowed to raise them. If next of kin is still alive, you must get permission from them first.
• You must take care of the undead in your charge. Keep them clean and unbroken. If one of them starts to get too much wear and tear, you are required by law to respectfully lay them back down to rest. Failure to do this will get you a hefty fine.
I’m making a town like this and the tavern will be called the Skelet-Inn
Fucking brilliant
I mean, take it a step further, if you aren’t sure if someone would want their body used after their death, call them up and ask them. It’s less taxing to cast a Commune with Dead spell than to raise an active skeleton, and this way you know for sure whether they mind, so there’s no ethical ambiguity.
Most local dead consider the idea of skeletal labor completely normal, so they tell the necromancer that they waive all rights to the corpse for public work purposes as a formality and then go back to their afterlife.
For private employ however it’s customary to pay a small stipend to either a living relative or a charity of the ghost’s choice in exchange for their corpse’s labor.
Due to the prevalence of public works done by skeletons, Necromancers are seen in much the same light as government functionaries. They’re stereotyped as mild mannered people who do an important service but are also really boring at parties.
Let me tell you something, never has a show made me love all the interpersonal dynamics like Leverage.
The flirty will they/ can they of parker/hardison- oh i am down bad for that.
The unlikely older brother-little brotherhood of hardison/elliot- im cuddled up next to it with a bowl of popcorn.
The grieving king protective knight that is Elliot/nate- you have my sword.
The classic enemies-who-want-to-bang to lovers-who-do-bang that is nate/sophie- its a classic for a reason.
The aunt who has no idea what their nephew does but is proud and supportive anyways and the exasperated nephew who’s trying his best to explain it for the fifth time that is sophie/hardison- rare and under appreciated but not by me
The father figure pushing the child he cares for to be his very best and prove how incredibly brilliant they actually are that is hardison/nate- so freaking sweet.
The protective dad neurodivergent child that is nate/parker-in tears.
The older sister teaching the younger sister how to interact with the world that is parker/sophie-i think a hole in my heart healed.
The growth of a genuine deep friendship between sophie/elliot- im eating it like a five course meal
The exasperated, yet, super protective eldest sibling and rascally poking-you-with-a-stick-for-fun younger sibling that is elliot/parker- i need that stored for rainy days
A Black Sails edit of Hozier's All Things End, inspired by @danishsweetheartmp3's pinned post. I hope y'all will enjoy it!

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sometimes you see Takes™ that make you go "mmmhmmm okay yeah i see we both interpreted that differently based on what the show gave us, but i see how you arrived at your ideas even if they're different from mine," and then sometimes you see Takes™ that make you go "brother what show did you even fucking watch"
i think the key difference between george lucas’s star wars and disney’s star wars is that lucas is a man with an ideology. someone with a point of view, and all that entails. which comes with ideas of revolution, anti-imperialism, challenging the status quo, cultural appropriation and racist stereotypes. complex and contradictory ideas because that’s how artists are: complex and complicated people. disney is not. disney is a corporation. a corporation can’t have ideology, because ideology defeats the purpose of profit. and when the only thing you do is to turn on the movie manufacturing machine before you sit down and plan what ideas are you trying to convey to the audience, then your results are going to be washed out corporate garbage. and because when you’re a giant corporation who only cares about selling to the widest audience possible, you can’t take sides. you can’t decide on an idea. because you want to sell your product to people who are on the entire political spectrum. which results in movies without ideology, without purpose, without soul.
I have been looking for this post for years after I came across it and it’s finally here and I need to reblog this because it is absolutely and entirely accurate.
#as I always say: lucas was making a samurai film and a ww2 flying ace film and a western film and adding laser swords#because he fundamentally LIKED samurai films and dambusters films and westerns and 40’s adventure serials#but disney are making a ‘star wars film’ and adding nothing because it already had laser swords and they have nothing else to say#xerox of a xerox baybeeeee (via harrietvane)
My Vaporeon, Doll ~
Casually reblogging my pokemon sideblog ~ it's all new. It won't be very active, though I like drawing pokemons so there might be little updates here and there !
It’s them. Always them. I crave seeing them being soft to each other.
ok now for the big post! gotta have one every few chapters at least
from the get-go, Jinshi wasn't a kid who wanted lots of variety or was greedy for a shitton of toys, but was content with only playing with the ones he liked best. And then those were the ones targeted by Suiren and Gaoshun for removal
And the thing that bothers me the most is the "secretly hide them" part. It's one thing to try to tell him that some toys are being taken away for his own good, even if it's still cruel and doesn't convince him, but to just take them away from him is... he'd never even get the chance to object or voice his feelings. and he could never anticipate the moment a beloved toy would be taken, only the growing feeling of dread that it would be taken from him, out of nowhere, now that he likes it
Like i honestly do understand their reasoning (to some extent) but this is expecting him to learn the lesson on his own with brute force, rather than gently guiding him towards why he shouldn't cling too much to things
Also, noting that Jinshi had no friends at that age (until Basen joined him a bit later) makes this even more isolating and devastating. He was incredibly lonely and couldn't even get attached to stuff, no pets either!
I'm speculating here, but I think this toy is when he began to "hide his favorites" because there's no way Suiren or Gaoshun would've let him keep it for long enough to become this dark if they knew about it
Instead of learning not to get attached, like they wanted for him, he learned to hide and keep his feelings all to himself
Maomao's no-speculation rule probably also extends to judging charcater (since she's particularly bad at it, she needs to be extra careful) but she finally had evidence for her suspicions that Jinshi's childish behavior is more his true self
aaaaannd then she pulls back from it:
No, no Master Jinshi isn't a sweet person who was greatly mistreated (and emotionally abused) during his childhood! That's absurd to consider!
He's just the beautiful sleazy Eunuch, of course of course
but then
This makes me think that Suiren asking this AFTER she showed Maomao the toys and Maomao refusing to give an answer is her way of protecting Jinshi. Even if he loves Suiren and Gaoshun, he was repeatedly betrayed by them since childhood, and yet he showed that side of him to Maomao, and she decides to keep it a secret

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Aang and Momo 🍃
sleep a little longer (id in alt)