kayla, 30, she/her, audhd cat lesbian poet n such — the svsss hyper-fixation is three years strong and still chugging so rn my content is 90% gay wizards in fake china sorry
Someday We’ll Learn To Walk Upright (7715 words) by chaoticmitochondria
Chapters: 5/?
Fandom: 人渣反派自救系统 - 墨香铜臭 | The Scum Villain's Self-Saving System - Mòxiāng Tóngxiù
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Shen Yuan | Shen Qingqiu/Yue Qingyuan, Shen Yuan | Shen Qingqiu & Yue Qingyuan, Shen Jiu | Original Shen Qingqiu & Yue Qingyuan, Xuan Su & Yue Qingyuan
A No-Transmigration AU where Shen Yuan, a native of the PIDW world, happens to Cang Qiong by circumstance and it is revealed that he is the true wielder of Xuan Su. As one might expect, what follows is chaos--but also a story about healing from trauma, expanding the SVSSS world sword lore, reconciling the Qing generation of Peak Lords, and giving Yue Qingyuan a happy ending through the power of Shen Yuan's ability to love and nag the world into wholeness.
Please give it a read! 5 chapters are posted so far, I'll post when there are updates from now on!
More tags below:
Characters: Shen Yuan | Shen Qingqiu, Yue Qingyuan, Xuan Su, Cang Qiong Mountain Sect Peak Lords, Wei Qingwei, Shang Qinghua, Mu Qingfang, Liu Qingge
Additional Tags: Shen Jiu | Original Shen Qingqiu and Shen Yuan | Shen Qingqiu are Not the Same Person, sword lore, Xuan Su Sword Reveal (Scum Villain), Cang Qiong Mountain Sect (Scum Villain), Sword Cultivation, PIDW Native Shen Yuan | Shen Qingqiu, Alternate Universe - Scum Villain Cultivation Setting with No Transmigration, Author goes crazy with sword and cultivation lore, Shen Yuan changing the world with his empathy and fierce love of the world around him, like he do, No Character Bashing, Here we psychologically analyze our problematic faves and try to help them out, Angst with a Happy Ending, Body Horror, just a smidge, Disability, Dissociation, Reconciliation, Asexuality Spectrum, Qing Generation of Peak Lords, Cang Qiong Mountain Sect Peak Lords as Family, (eventually—bit of a slowburn reconciliation)
Summary:
“Spiritual weapons do not choose wielders based on talent, or merits. I’ve seen many a fine cultivator make a common sword magnificent, and just as many undeserving of what they wield. Just as your fate fixes you to your body, fate fixes a sword to one destined Heart.”
—
Shen Yuan was an outer disciple of middling talent, hailing from a small sect in a forgotten corner of the Jianghu, that had few resources and fewer living elders. The death of his shifu sends him to Cang Qiong Mountain Sect, hoping perhaps there is where he’ll finally find a spiritual sword of his own.
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Yue Qingyuan/Yue Qi (The Scum Villain’s Self-Saving System)
Maes Hughes (Fullmetal Alchemist)
Voting ended onJun 4
PROPAGANDA:
[Yue Qingyuan]
"The Sect Leader should get pregnant because the Sect Leader should be the picture of fertility and virility both, boost the usage of male child-bearing pills, and because the whole Sect would go crazy trying to find out who's the baby daddy. I think Yue Qingyuan could benefit from having to raise a child of his own instead of managing disciples, because Yue Qingyuan no longer has a family of his own and deserves one, and this way, perhaps he'd be forced to care about another person again. His strong and qi-rich body would also have an easy pregnancy and have a strong and happy child."
[Maes]
"The ultimate family man, the #1 wifeguy, wouldn't it be a joy for him to take some of the burden off his wife when the time comes to grow his family? (And shhh, everything is fine! Canon won't happen if we close our eyes and write fix-it fic instead)."
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I don’t think we ought to normalize or justify bullying as a means to keep people from being annoying — a sentiment that in and of itself could make for a whole article’s worth of conversation — but I do think we should make a habit of politely but directly telling people “hey I didn’t like that”, “that wasn’t funny”, “you are mistaken”, and the like if it’s called for, and more importantly, you should be able to take a “that wasn’t funny” for instance without taking it personally, because protecting a polite harmony where no one can criticize each other, not even politely, is also really, really bad.
Knowing NYY's tendencies to contribute to conversations in the worst ways possible, How much of SJ's "allegations" with NYY came from conversations that went something like:
Peak Lords: "So Ning Shizhi, what do you think of Shen Qingqiu as a teacher?"
NYY: "OMG My Shizun loves kids!! He is especially nice to girls! (+ 100 more horribly worded compliments I can't think of) :DDDD"
Peak Lords: ... 🚨🚓🚨🚓🚨🚓🚨????????
all jokes aside, I think NYY would actually accidentally screw over SJ like this. Considering what she unintentionally did for LBH with the best intentions.
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So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.
I love the lawyer metaphor, because whenever I see “John knew that...” in prose writing I immediately think “how? How does he know it?” Interrogate your witnesses. Cross-examine them. Make them explain their reasoning. It pays dividends.
First, let me preface this with something very important: you can treat all of this advice as SECOND-DRAFT ADVICE. It is so much easier to rewrite this kind of stuff once you have words on the page. Telling yourself the first draft is totally appropriate and acceptable.
What we’re talking about here are FILTER WORDS (and to some degree verbs of being). Yes, “thought” words are included. But so are “heard, saw, looked, tasted, smelled” etc.—most words having to do with the senses.
This isn’t black and white advice; sometimes you’ll use these words and that’s okay. They’re not WRONG. They’re just weaker. And they’re weaker because they create distance between the reader and the experience of the character.*
If you want your reader to feel like they’re experiencing the story right alongside the character, you want to cut down on filter words.
*This is particularly important with first person and close third POVs. The reader always knows whose eyes they’re seeing through and thoughts they’re privy to. So you don’t need to tell them “I saw X.” Or “I heard X.” Or “I thought Y.” You can just jump into the action/observation as it’s happening.
This is also where you want to pay attention to verbs of being.
“It was rainy.” Versus: “The rain pounded against the roof.” Or “The rain howled like an injured animal.” Or “The rain tapped against the window like an anxious lover.” All of these are inviting the reader deeper into the experience of the story by using stronger verbs and similes. And, at the same time, they stir feelings (instead of TELLING feelings). And feelings keep your reader engaged. Engaged readers keep turning pages; engaged readers become FANS.
The most valuable advice that Author Ex gave me through the years that we wrote together was this: the problem with all these filter words is that they create distance in the POV.
That means that when you read a line like
John saw that the curtains were open.
It immediately takes you OUT of the character's perspective and instead tells you what they experience as a secondhand observation.
You don't have to get fancy or purple with how you rephrase things like this. Not everything needs a ton of breathing room.
You wanna know what's perfectly impactful while keeping a tight POV?
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