TERFs have no right to speak. Ever. On any topic.


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@ceiaofsilence
TERFs have no right to speak. Ever. On any topic.

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Ribbon dancing I was not aware of your evolution đ¤Ż
Artist: Tim Brierley
Posting this for my soul cat Kenzie (she passed a few years ago but I still think of her every single day) and for everyone else who has lost someone they love. â¤ď¸
Did they let the fucking guy out
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Faith and Fate 2021. Oil/canvas

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if you go looking for doom and gloom all you will see is doom and gloom. if you go looking for reduced items at the grocery store you may find a littol treat
don't cry because it's over. attack. attack everything around you. do spin attacks
Every time I do art for myself I think of Amy Santiago saying brightly âit took a really long time but luckily my time is worth nothing!â
I donât think Downton Abbey gets enough credit for introducing a gay central character to a period drama in 2010, where being gay isnât his defining trait. His defining trait is that heâs Evil.
I think the biggest thing mascot horror things need to get a grip on is the reasonable balance of cute/creepy. The mascot in question needs to be cute enough to realistically be for children but scary enough to actually make for effective horror. Most games always lean too far in either direction and idk maybe it's just me but immersion with these kinds of games are important for me to actually find enjoyment in them.
Can anyone hear me
GUYS...

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you can stay indoors all day when the sun is out, and sometimes it's nice like a cool draught from a tranquil spring, but watch out because if you stay indoors for two days in a row while the sun is out you start doing odd gothic literature things, stalking the halls and passages and muttering to yourself and parting the blinds to gaze down at your neighbours with a haunted look before turning away to contemplate your mannequins #yourmannequins. three days and you're basically fucked. you have to throw a towel over your head to scurry as far as the store for milk and people jeer at you like frankenstein's monster.
âoh no, my audience has begun to guess the big twists of my story and are accurately predicting what will happen!â
incorrect response: write the rest of the story to be as twisty, shocking and counter to expectations as possible, regardless of whether this is a logical or satisfying way for the plot to go
correct response:
can someone elaborate on the âmake hoaxâ and âpost angry tweet about âleakââ part. iâm stupid and donât understand things
sure!
(youâre not stupid. I posted this thinking it would amuse a handful of mutuals who all knew the context and that would be about it, so I didnât think about providing any other explanation. I had no idea it would spread this far.)
Iâll start from the very beginning just to be thorough. so this is Alex Hirsch, creator and head writer of Gravity Falls, a show which had a big focus on mystery, conspiracies, codes and ciphers, etc. the whole plot is kicked off by one of the main characters finding a mysterious old journal in the woods, which detailed all kinds of weird and supernatural things, but then ended abruptly with the author saying they had to hide the journal because they were being watched. the central driving mystery of the show, therefore, was the question of who wrote the journal and what happened to them.
now, the thing about Gravity Falls is that, while it must be said that the writers werenât always quite as sure of their plans as we tend to like to think they are, it is very much a fair play mystery, with legitimate clues to what was going on. but the writers were caught off guard by how quickly the show attracted a dedicated audience, including a lot of people outside the primary presumed demographic, who started solving the clues faster than expected. so some of the fans were able to correctly guess who the author was before it was revealed in the show, and the theory started spreading. this put the writers in something of a panic, because this was THE mystery that the whole story revolved around, with ž of the show building up to the dramatic reveal in the middle of season 2. they wanted it to be a mystery that could be figured out, sure, but they werenât prepared for people to solve it so far in advance of when it was planned to be revealed, which would have really taken away from the big moment. they werenât going to change the main story itself, but having been caught unaware by how much attention the fans were paying, they wanted to up the ante and make the mystery more complex to solve going forwardâbut first they needed to buy some time and throw the fandom off the scent for a little longer.
hence, Alexâs plan as described above. they whipped up a fake shot that appears to give away the identity of the author as being another character in the show, put it on a screen in the studio as if it was a real animation frame, took a picture of it, and âleakedâ it online. it was initially decided to be a hoax (albeit, I think, presumed to be a hoax originating from outside the production team), until Alex posted this tweet:
âŚbefore quickly deleting it (though not so quickly that it didnât get seen, of course).
it worked well enough to distract most people for a while, and wasnât revealed as a hoax until a year later, when an episode aired that definitively proved that the supposed screenshot could never have happened, at which point Alex owned up to the whole thing as seen in the tweet above. by then the episode with the real reveal wasnât far off, and while people did still work it out ahead of time, it was more of an âOH MY GOD I KNEW IT!â moment than a âbooooooring, weâve known that for agesâ moment, which of course was what the writers wanted all along.
personally I find this a fascinating approach to dealing with the problem of spoilers, because it doesnât affect the story itself at all; if you watch Gravity Falls todayâor if you were watching it when it aired without any significant contact with the fandomâyouâd never know about it. ultimately, the problem the writers were facing wasnât that some people might guess the answer to the mysteryâthey never wanted to make it completely impossible to predictâso much as it was that they hadnât designed the story to stand up to so many people working on the puzzle together, which resulted in a sort of total output of puzzle-solving ability that far outstripped the capability of any one solo human being. so their solution is something thatâs very much targeted toward delaying that group problem-solving, without actually affecting the experience of any individual person watching the show.
plus, itâs very in keeping with the overall tone of the show.
and now you know!
if your audience guesses the ending of your story
donât:
change the ending
do:
gaslight them
why does this keep happening
I donât think thereâs anything inherently wrong with relating to characters, âtheyâre literally meâ etc but if thatâs the only way you engage with stories youâre kinda missing the whole point of Characters being vehicles through which we can see perspectives outside of our own. and also youâre going to get upset when the Character acts in a way that is not Personally Relatable to You
doubly for shipping. at risk if biting the hand that feeds me, a well written fictional relationship should ideally be more than a didactic template for how to have a nice relationship

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a cat is a sort of machine that dispenses hair all over you and everything else in the room
This just pissed me off so baaaad đ