Give yourself a big hug for making it through this year.
i don't do bad sauce passes
One Nice Bug Per Day
Monterey Bay Aquarium
hello vonnie
🪼

⁂
sheepfilms

祝日 / Permanent Vacation

blake kathryn

if i look back, i am lost
Today's Document
2025 on Tumblr: Trends That Defined the Year
Game of Thrones Daily
d e v o n

Peter Solarz
Xuebing Du

izzy's playlists!
occasionally subtle

★
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@cautionarytales
Give yourself a big hug for making it through this year.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“You don’t know anyone at the party, so you don’t want to go. You don’t like cottage cheese, so you haven’t eaten it in years. This is your choice, of course, but don’t kid yourself: it’s also the flinch. Your personality is not set in stone. You may think a morning coffee is the most enjoyable thing in the world, but it’s really just a habit. Thirty days without it, and you would be fine. You think you have a soul mate, but in fact you could have had any number of spouses. You would have evolved differently, but been just as happy. You can change what you want about yourself at any time. You see yourself as someone who can’t write or play an instrument, who gives in to temptation or makes bad decisions, but that’s really not you. It’s not ingrained. It’s not your personality. Your personality is something else, something deeper than just preferences, and these details on the surface, you can change anytime you like. If it is useful to do so, you must abandon your identity and start again. Sometimes, it’s the only way.”
— Julien Smith, The Flinch (via wnq-anonymous)
do it scared do it weird do it alone. holy trinity
Solitude on Plateau de Valensole, France by Jeff Beem
THE MUMMY 1999 — dir. Stephen Sommers

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
i don't pay attention to the world ending. it has ended for me many times and began again in the morning.
― Nayyirah Waheed, Salt
Richard Siken, from "On Perplexity: Chrysanthemum"
Grief is the only proof that I love and I love well. Love and grief are actually intertwined with each other and as "Akif Kichloo" once wrote, "the opposite of grief is not laughter or happiness or joy. It is love. It is love. It is love."
"Grief is love's souvenir. It's our proof that we once loved. Grief is the receipt we wave in the air that says to the world: Look! Love was once mine. I love well. Here is my proof that I paid the price."
– Glennon Doyle Melton, Love Warrior
Pride and Prejudice (2005) | Red, White & Royal Blue (2023) → (requested by anon)
“I needed God to abandon me so I could feel his presence. I need to kill someone inside me.”
— The Complete Stories, ‘The Departure of the Train (”A partida do trem”)’ by Clarice Lispector tr. Katrina Dodson

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
art parallels jeremy lipking, federico zandomeneghi, serge marshennikov, allan douglas davidson, svetlana tartakovska
“When they ask you what your favorite moment is, you will say her. You will always say her.”
— Caitlyn Siehl, Her Her Her (via 89words)
Ella Purnell as Jackie Taylor YELLOWJACKETS (2021- ) 1.01 Pilot
graves grow no green that you can use.
gwendolyn brooks
Which was the BEST love story of NuWho
Ten/Rose
River/Doctor
Clara/Twelve
Yaz/Thirteen
Other (answer in tags)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Jennifer Chang, from "Dialogues (Against Literature)"
I noticed for the first time how the hydrangeas were coming into bloom, their blue heads thrusting themselves from the green foliage behind. For all their beauty there was something sombre about them, funereal; they were like the wreaths, stiff and artificial, that you see beneath glass cases in a foreign churchyard. There they were, all the way along the drive, on either side of us, blue, monotonous, like spectators lined up in a street to watch us pass.
Daphne du Maurier, from ‘Rebecca’