arthouse trip

I will forever be profoundly unimpressed with people who take pride in their unkindness to others

when you download a pdf and it's called like 1328723486basdf12.pdf but then you gently rename it to what it's supposed to be. that's forming a bond with a hurt and wild mythological creature and reminding it who it is.

FUCKING SOBBING I LOVE KETCHUP BOTTLE PNG REBLOG FOR KETCHUP BOTTLE PNG

there’s this thing that happens on this website that’s like the opposite of pissing on the poor and is far better but also still somewhat annoying when you post something where the point is implied and then someone else adds the point you were making in a reblog as though they are like, adding something new and insightful to the post. eg you can post something about a female scientist from the 1800s having her intellect undervalued in her time and someone else is going to add like “that’s so crazy… i think they were treating her this way due to misogyny” and like well yes. i mean… yeah. you got it

I've read a few recently published books, and there's this recurring pattern where if anyone does anything bad and interesting, they have to later talk about it in a way that makes it clear that it was a misunderstanding/ justified/ not their fault, so they're still a good person. and if they have a disagreement with another character, they have to therapy talk it out, regardless of their background. it doesn't matter if this is a street urchin with three teeth who just stabbed and kidnapped someone, you will get eloquent sterile therapy speak that will smooth out any possible emotional tension. and everyone asks for permission before they kiss, and waits for a clear enthusiastic yes. again, doesn't matter the character's background or situation, they will ask "can I please kiss you," because if they didn't, that could get all yucky and uncertain, couldn't it? and if a character is from a rich family, they will hate being in a rich family, and hate wealth signifiers, and actually be all for class equality. and everyone is casually queer, without thought being put into how that would mesh with the society that is being described. like yes, this is violent class-based system obsessed with inheritance, but no, it's not actually a problem that the child they've coldly groomed to take on the family mantle is unwilling to beget an heir because of gay. the parents might be terrible, cruel and fascistic, but they're not homophobic! I don't know, it just seems like EVERYTHING that could actually be messy gets sanded and sanded until it's smooth as a shark, but the Fun Violence is allowed to stay, because bloodshed doesn't actually bother anyone or have any consequence apart from your rogue character shrugging and going oops, was that me? the rogue is still a good person though. if you think they're not, just wait for the two solid pages of introspection. and yes they started the book by slitting two throats, but that was fine. they will ask permission before hugging you.

This!!!!!

I've read a few recently published books, and there's this recurring pattern where if anyone does anything bad and interesting, they have to later talk about it in a way that makes it clear that it was a misunderstanding/ justified/ not their fault, so they're still a good person. and if they have a disagreement with another character, they have to therapy talk it out, regardless of their background. it doesn't matter if this is a street urchin with three teeth who just stabbed and kidnapped someone, you will get eloquent sterile therapy speak that will smooth out any possible emotional tension. and everyone asks for permission before they kiss, and waits for a clear enthusiastic yes. again, doesn't matter the character's background or situation, they will ask "can I please kiss you," because if they didn't, that could get all yucky and uncertain, couldn't it? and if a character is from a rich family, they will hate being in a rich family, and hate wealth signifiers, and actually be all for class equality. and everyone is casually queer, without thought being put into how that would mesh with the society that is being described. like yes, this is violent class-based system obsessed with inheritance, but no, it's not actually a problem that the child they've coldly groomed to take on the family mantle is unwilling to beget an heir because of gay. the parents might be terrible, cruel and fascistic, but they're not homophobic! I don't know, it just seems like EVERYTHING that could actually be messy gets sanded and sanded until it's smooth as a shark, but the Fun Violence is allowed to stay, because bloodshed doesn't actually bother anyone or have any consequence apart from your rogue character shrugging and going oops, was that me? the rogue is still a good person though. if you think they're not, just wait for the two solid pages of introspection. and yes they started the book by slitting two throats, but that was fine. they will ask permission before hugging you.