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A story is gothic when a house burns down at the end. And the more hice burn down, the gothicer it is.

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Microsoft announces their new "20 squid for 20 quid" feature, in a move many AI experts are calling "confusing"
I seriously think that in the next couple years you're going to see so many people experience paranoia re: whether any given text/image they're looking at is AI-generated that it will be a clinically-recognized condition. It's happening to me to some extent, and I'm watching it happen on art sites like DA/Pixiv.
Within the last couple days both Sam Kriss and Alexander Wales have made “the AI text is everywhere man” posts, the former spitting mad about it and the latter just kind of exhausted and defeated. And I definitely share a bunch of this feeling, but at the same time, sometimes humans do in fact use em-dashes and say “it’s not X, it’s Y”. I don’t think being hypervigilant for these kinds of questionably-accurate tics is a healthy way to engage with the internet. I think over time it will drive you insane, even more assuredly than the psychosis of the people who use LLMs too much.
But maybe there is no healthy way, I don’t know.
When I was a kid, people didn't pick up after their dogs. Nowadays, streets are clean. You can look at your phone or a book while you walk, and you'll be fine. Back then, you had to carefully watch your step the whole time you were walking down the street. You even had to avoid stepping on leaves, because a leaf often conceals a dog turd.
It was annoying. I'm glad it was solved. But having to look out for dog shit all the time did not cause clinical-level paranoia, was "vigilant" rather than "hypervigilant" insofar as the distinction exists, and wasn't even particularly unhealthy.
Up until the end of the Ediacaran period, animals reproduced either asexually (e.g. by budding, like hydrae) or by simply releasing eggs and sperm into water. But with the advent of vertebrates and arthropods and cephalopods, there we have actively mobile animals with complex sense organs and a central nervous system, able to perceive and act in the environment. This gave them the opportunity to approach partners to make fertilization more likely, and even to select a partner over another by its features. These were the first animals able to be horny. This is known as the Cumbrain Explosion
"The Nation that makes a great distinction between its girls and its boys will have its yaoi done by cowards and its yuri done by fools."
-Thucydititties

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you could call the way people tend to ascribe power to pornography that it does not inherently possess the "pornography fetish" if you want to be really confusing and annoying
You can't be in favour of subversive, shocking art *and* against art you find icky.
That can't possibly be right. Consider my hypothetical art project, I Poop On Your Doorstep, wherein I poop on your doorstep (and then if you clean it up, I complain that you destroyed my artwork, you philistine).
I Poop On Your Doorstep is subversive: it draws attention to the norms of proper social behaviour, and how artists get a broad yet partial licence to violate them. It's shocking and icky, especially to you.
It's perfectly reasonable for you to be against this work, not just in the sense of saying it's bad, but even in the sense of legally preventing me from doing it. This doesn't entail that you think subversion and shock are worthless, and Kinkade is the only good artist ever.
you better bring a plaque
hell i'll bring the whole dentist
You can't be in favour of subversive, shocking art *and* against art you find icky.
That can't possibly be right. Consider my hypothetical art project, I Poop On Your Doorstep, wherein I poop on your doorstep (and then if you clean it up, I complain that you destroyed my artwork, you philistine).
I Poop On Your Doorstep is subversive: it draws attention to the norms of proper social behaviour, and how artists get a broad yet partial licence to violate them. It's shocking and icky, especially to you.
It's perfectly reasonable for you to be against this work, not just in the sense of saying it's bad, but even in the sense of legally preventing me from doing it. This doesn't entail that you think subversion and shock are worthless, and Kinkade is the only good artist ever.
yes I DO live under a rock and her name is the Moon and she is always smiling but she teaches me nothing
gese ic WUNIGE under stane and his nama is se Mona and he is a smercigende ac he ne me lærþ nan wiht
In Old English (and other Germanic languages), the moon is masculine. In the English-speaking world nowadays, the moon usually takes the pronoun "it", but often "she".
Trans moon.
Fordite from the artisan dildo factory

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I don't know if you still do the Toulon Asks, but I have a rather random one if you still do about just the general morning schedule. I know you have mentioned that the men would each have their own mess kit, but would that mean that after waking up in the morning, they would take their mess kit to wherever they ate breakfast, then return to their salle/boat to deposit said bowl/spoon, and then join whatever work crew they were to be assigned to?
Hi, yes I do! Each convict seems to have stored their individual mess kit (gamelle) near their plank bed (tollard) in a salle or bagne flottant. There is strong direct evidence for this, such as the convict Jean-Joseph Clémens' illustrated "journal." The manuscript concerns Rochefort in the 1830s and 1840s, although Clémens was also imprisoned in Toulon 1825-1829 and Brest 1829-1834. Several of Clémens' watercolors show gamelles being stored along with other personal items on shelves above the beds. Here's an example:
I also have the impression that meals were primarily eaten inside the salle or bagne flottant, so there wasn't any need to carry the gamelle other places. This seems especially the case for mornings and evenings; the location of the midday meal is a little less clear, and if it was outside then I'm not sure if they were supposed to bring the gamelle with them or if one was provided. Meals were otherwise pretty easily transportable since it was basically just soup and bread.
Did they wash it?
I think there are some Types Of Guy or positions that are rare but existent, like the Feminist for Life or the art critic who thinks Bouguereau was better than any of the impressionists like Monet, but does the "anti-indigenous vegan" exist... at all? Like, I wouldn't be surprised if an example of such an individual could be found. The world is a big weird place. Whenever I see someone talking about this phenomenon, though, it's always like a generalized description, not a quote or a reblog of any specific individual expressing such views. (If you talked about vegans being ableist, I think you could probably find some Peter Singer quotes supporting that.)
It's like:
"Jews make money from usury!"
"Hmmm, most Jews are not in the financial industry, and most people in the financial industry aren't Jews, but it is true that Jews are disproportionately in the financial industry for some complex reasons, and inasmuch as one can say that there is usury in the financial industry, some Jews are involved, yes. Now, defining usury is a little bit tricky, but even if we leave aside the strict view that any charging of interest is usury, there are various extremely ethically dubious parts of the modern financial industry such deceptively marketed credit cards, and I don't think there's any evidence that Jews involved in the financial industry are either more or less ethical than the prevailing standards in the..."
"Jews make their matzos by draining the blood of Christian children and mixing it with desecrated communion wafers!"
"Uh, no. That's just not true at all. It's 0.00% true."
I do like Bouguereau better that Monet, fite me irl
The Nut Gatherers by W.-A. Bouguereau (1882)
I think the idea is that lots of traditional lifestyles rely on hunting or animal husbandry, and can't be done if you remove all animal products (whereas my lifestyle changes very little if I buy falafel instead of sausage rolls).
So a vegan who insists on zero animal products, without exception for traditional indigenous practices, is placing extra burden on those cultures, much like a pro-lifer who doesn't make an exception for rape is placing extra burden on rape victims.
@oldguardians making this answer a separate post because it’s kind of interesting*!
‘‘I cannot bear to hear that mentioned. Pray do not talk of that odious man. I do think it is the hardest thing in the world, that your estate should be entailed away from your own children; and I am sure if I had been you, I should have tried long ago to do something or other about it.’’
Jane and Elizabeth attempted to explain to her the nature of an entail. They had often attempted it before, but it was a subject on which Mrs. Bennet was beyond the reach of reason; and she continued to rail bitterly against the cruelty of settling an estate away from a family of ve daughters, in favour of a man whom nobody cared anything about.”
(In the interest of not getting bogged down in legal minutiae, I’ll keep this pretty general. Please note that I am vastly oversimplifying some legal concepts here for the sake of explaining the issue clearly. If you’re an attorney/barrister/whatever, don’t @ me - I KNOW it’s all much more nuanced than this.)
Pride & Prejudice is set somewhere around 1811. In the novel, the Bennets’ ownership interest in the family estate is famously said to be “entailed” away from the Bennet girls in favor of their cousin, Mr. Collins. This is specifically explained to be because Mr. Bennet has no sons, and thus his estate reverts back to his closest male relative.
In the real world, entailment could (and usually did) work that way. But there is an enormous, glaring issue: English entailments have long been very VERY easy to defeat** through a remedy called Common Recovery. If Longbourn was truly entailed away from the female descendants, as the novel indicates, Mr. Bennet could have hired an attorney (his brother-in-law?) to start the Common Recovery process at any time. Within a few months, the court would render a judgment giving Mr. Bennet the property outright and free from any entailment, allowing him to leave the property to his daughters upon his death*** and make them independently wealthy women. And this wasn’t just a possibility - it was a very common legal mechanism that would have been almost expected of a gentleman interested in preserving his family’s comfort. There are hundreds of cases in the English Chancery records (featuring many families that were much less wealthy than the Bennets!) invoking this very remedy whenever fathers failed to produce sons.
So entailment makes no sense - it had basically no power over landowners by the Regency Period.
Let’s talk alternatives. In 1811, the primary way of keeping property in the male line was through another estate planning technique called strict settlement. To GREATLY simplify a complicated form of ownership, strict settlement had the present possessor of property always hold a life estate interest (they own it only until their death), with their male primogeniture descendants holding a remainder fee tail interest (read: eventual outright ownership upon their father’s death). Each generation of life estate owner would then force their young male descendants (the fee tail owner) upon their coming of age to give the young descendant’s unknown future male sons the remainder interest, retaining a life estate for themselves (which they would receive upon their father’s death). Thus the ownership system perpetuates down a male line of descendants, each generation demanding the same restrictive ownership system of their own children.
If you followed that - and I don’t blame you if you didn’t, as this is all very deliberately obtuse - you might think “wait okay. That kind of sounds like the Bennets’ situation. Austen called it an entailment but maybe it was actually a strict settlement!” Several academics have tried to argue that, but it also fails for several reasons:
(1) With the Bennets’ seemingly comfortable current income, strict settlement would have provided for significant lifetime income + dowries for Mr. Bennet’s female descendants. But in P&P, it’s made very clear that the girls’ only possible inheritance is a tiny amount from their mother’s side and nothing from their father’s. If they do not marry, they will be destitute. That is extremely unlikely and would be very shameful in strict settlement ownership..
(2) It would have been inconceivable for Mr. Bennet’s father to have forced him to benefit a cousin over his own descendants, even if they were women. One of the fundamental points of strict settlement was to avoid this outcome (aka to avoid the entailment system). People did NOT want a distant male cousin to inherit property simply because there wasn’t a primogeniture male descendant - they knew that if anything, their own female descendants could always produce a male heir in their marriages. Plus, Mr. Bennet’s and Mr. Collin’s fathers apparently hated each other (ref Mr. Collins’ initial letter) - why would Mr. Bennet’s father force his son to benefit the son of a man he himself hates?
(3) For many many other reasons, a strict settlement does not match how the family talks about/treats the estate in the novel. There’s literally a whole law review article on this topic (cited below), and I’ll defer to that for a full discussion.
So we’re left with two possibilities: the land is entailed, and for some reason Mr. Bennet isn’t willing to pay a small amount in attorney’s fees to undo the entailment for the enormous benefit of his daughters (extremely unlikely, robs the story of all its tension), or the land is subject to a bizarre + shameful strict settlement that goes directly against everything that would have been normal at the time, and none of the characters know that (makes no sense in the story).
And then, of course, there’s the truth: the “entailment” is simply a narrative device that does not reflect actual law or historical transfer of property at death, which is perfectly fine. Jane Austen was not writing a law textbook or even a legal drama. And her underlying point remains clear: Regency-era women were often in economically precarious positions and forced to marry to maintain their social and economic standings.
((If you do want a version in your head that works under the law, maybe we imagine that Mr. Collin’s father actually owned the home but was in debt to Mr. Bennet so he gave him some kind of strange lifelong leasehold interest with income from the property included. And then we ignore the passage saying Mr. Bennet having a son would have “avoided” the home passing to Mr. Collins + pretend that the family lied to everybody about the home being entailed to save face))
For additional reading, I highly recommend A FUNHOUSE MIRROR OF LAW: THE ENTAILMENT IN JANE AUSTEN’S PRIDE AND PREJUDICE by Peter A. Appel (linked). His analysis reflects my own reading of Regency inheritance law, and I think his conclusions are generally sound. There is significant other scholarship on this subject, but I find Appel’s work the most persuasive.
—-
* At least to me, who admittedly studies this for a living
** For fun War of the Roses reasons!
*** Or much more likely, to a male relative conservator/trustee for their benefit (probably Mrs. Bennet’s brother, the attorney)
—-
EDIT: yes yes I know Mr. Bennett is a negligent father. Please read the full article for a more thorough discussion of that: there’s a difference between being neglectful (not paying much attention and hoping it all works out) and downright cruel (deliberately creating a situation where your daughters WILL be homeless).
We know he is not cruel, and there is substantial textual evidence that he is not completely negligent. Upon Lydia’s “elopement”, he immediately leaves to deal with the problem and is shown to be highly conscientious of the economics and social politics of the situation. He also is implied to have discussed quite frankly with Elizabeth the economics of saving for their allowances and dowries, suggesting that is at least on his radar.
In doing this kind of litcrit, you have to look a bit closer and more critically than accepting the trope and making assumptions from it. Yes, he is somewhat absent from his family, but he is never written to be a cruel man and the text repeatedly shows that he’s more tapped into the family situation more than you might otherwise expect.
As I understand it, Common Recovery only worked with the collusion of the heir, in this case Mr Collins, or was at least significantly easier with their collusion. If they don't have that, it is more than a small amount of legal fees and a couple of months
But also, attitudes to entail were changing - common recovery was actually banned in 1833 - and P&P is a part of that conversation. There's a lot of stories about the impacts of discrimination that I hope will make as little narrative sense to an audience in 2239 as P&P does to us today.
Finally, a good fucking informed take on this post THANK YOU
I see what you’re getting at but I don’t think it’s quite correct: the whole point of the common recovery was that it worked without the heir’s consent.** (Which makes sense: when the kings started using CR to break entails in the 1400s, they didn’t want some little runt heir of a disgraced noble later blocking it :)). It should not have required collusion with Mr. Collins, the tenant in tail heir.
[References in 18th Cent legal treaties to a fee tail owner participating in the pantomime are likely referring to the fee tail owner within the fictitious transaction (aka the ultimate fee simple owner-recipient), not the tenant in tail heir under the entailment]
However, to your point - the tenant in tail heir could theoretically sue to block the common recovery, and I’m sure that sometimes happened (though interestingly i can’t find any examples of that in the Canterbury prerogative court records. Which is its own fascinating mystery). And that lawsuit would of course be much more expensive and time consuming than a standard recovery, explaining Mr. Bennett’s reluctance. Maybe we can imagine the threat of suit is what prevented him from acting….? 🤔
(Another clarification for anybody reading all this - common recovery wasn’t banned by the Fines and Recoveries Act of 1833 because it was controversial or unpopular. It was banned because another, much more simple legal mechanism was created to replace it: the disentailment deed. I think that’s exactly what you were getting at, but I wanted to clarify 😅)
Incidentally, since some people have asked: no, the entailment in Downton Abbey makes no fucking sense either. It appears they just copied that plot point from Pride and Prejudice and did exactly zero legal history research as to its validity. The Downton Abbey estate was almost certainly a strict settlement with primogeniture preference + the title itself passing according to the primogeniture laws at that time (no longer in effect today). And that strict settlement WOULD have needed the consent of the remaindermen fee tail owner(s) to undo. (Incidentally, as would a post-1833 disentailment deed. The two property systems were essentially standardized in terms of remedies)
**if it turns out I’m wrong, please tell me - I’d love to read a treaties explaining that!! But I was definitely taught in my historical property law seminars that the tenant in tail (heir) was NOT a required party in common recovery. And at least Wikipedia’s description of common recovery confirms that
Misc comments on the paper
Either she knew or she did not know about the legal details of the entailment when she used it as a central plot device in Pride and Prejudice.
True…
According to some legal historians, use of [common recovery] increased during the War of the Roses. The king would recover the land of traitorous barons upon beating them on the battlefield. However, if the land was entailed, the traitorous baron had only an interest for life to be forfeited, and once the traitorous baron died (e.g., through combat or a gruesome execution for treason), the land would revert to the next tenant in line. Because the next in line was generally the traitorous baron’s son or a close relative, a new foe would rise up in the patriarch’s place, having land (and therefore money) and fresh motive to wage battle anew.
I haven't chased down Simpson 1986, but that sounds awfully overcomplicated. Why Not Just pass a law that expropriating traitors to the Crown also fucks over their heirs, instead of using a bizarre legal trick? (cc @thepictureofmadamec)
Heal and Holmes also give an example of one Sir Robert Strode, who disentailed his lands so that his daughter could inherit them (although matters did not end happily)
Clickbait in my journal article… ok fine I'll go read the cite. tl;dr she died without male heirs, Bobby Strode sued so his brother (the original heir) would get the land rather than his son-in-law, but lost.
The nature of the entail
Appel comments on "Mrs. Bennet was beyond the reach of reason":
Jane and Elizabeth are the two sensible daughters, and Austen would not give Mrs. Bennet special knowledge in this one particular context when Austen portrays her as foolish in all others.
IDK, I feel like this is taking irony at face value. I'm no Austen biologist but I get a strong vibe that when she's being "foolish" she's just very logically looking out for her family's practical interests (though in a ridiculous and counterproductive way), and when others are being "reasonable" they're mainly putting a sense of propriety over what actually needs done. This is weird of me to say because obviously Appel is an Austen expert and I'm not, so I sound stupid going "has he considered this simple point?" but… has he considered this simple point?
I would like to see some evidence on whether Austen's audience knew the legal details or not. Appel's speculation about both cases is interesting but it'd be nice to settle it.
Most of the paper's arguments for Longbourn being entailed rather than settled involve some character acting in ways that only make sense for an entail. But none of these characters are lawyers: maybe they just don't know the difference!
That said, if Austen and her readers generally knew those details, then it'd be weird for none of the characters to think of it. So this itself is evidence for the claim that Appel calls "most likely": Austen wrote an AU where entailment is unbarrable in English law, because her audience didn't know the law, and she either didn't mind the break from realism or just didn't know.
What if the entail was barrable tho?
Ok but let's suppose that it's not an AU: the estate is entailed and the entail is barrable. (This becomes more fandom than litcrit, but Appel calls this "more intriguing" so I'm allowed to do it too.)
I don't think the paper supports your argument that it's out of character for Mr Bennet. I agree he's not cruel and less than infinitely negligent. If e.g. the attorney in Meryton sat him down, explained how to break the entail, and urged him to do so, he would. But I could very easily see him assuming that there's nothing to be done to break it, and dismissing his wife's pleas to look into it.
Appel suggests another explanation:
Why would Mr. Bennet not disentail the property if he could? Perhaps it was simply not done, or not an option to a family of the social class or status of the Bennets.
Reeee don't perhaps me! You're the bigshot professor, you tell me if it was seen as proper or not!
Clearly it was acceptable in the 1480s (it was acceptable at the time), but one suspects some social norms might have changed by 1811. It's at least plausible: common remedy involves a stooge disappearing from court, sometimes by physically running away; it's horribly undignified.
If this "simply not done" explanation holds water, it's really cool: the Bennet daughters are screwed not by the law, but by the (title drop!!!) pride and prejudice of their set, too snooty to actually use the damn remedies the law is trying to give them.
Downton Abbey
IMO Downton Abbey's problem isn't with the legalities, it's with the characters. The "entailment" (more likely a strict settlement given what we're told, but it's never clear) can probably be broken, at least with the cooperation of the heir (who is a lawyer).
But the current earl suddenly decides that this would be dishonourable: his duty to the estate outweighs his duty to his daughters. The lawyer heir dude is a better manager than any trustee he could realistically appoint, so letting him get everything is best for the estate.
Is that a realistic attitude for someone in his position and era? IDK much about this, but I don't think so.
Is that in keeping with his character? Ehhhh his character is to be dumb in period-appropriate ways, and to be indecisive or pigheaded as serves the plot.
The top 100 novels of all time published in English, as voted for by authors, critics and academics worldwide. How many have you read?
How many of the Guardian's 100 best novels of all time have you read?
0-10
11-20
21-30
31-40
41-50
51-60
61-70
71-80
81-90
91-100
Bonus: add in the tags which one is your favourite.
Read in full: 16. Didn't finish: 11.
I mostly don't like this genre. There's only 6 on this list I liked. The only two I'd call "best novels of all time" are:
Lolita, one of my favourite books ever. Most beautiful thing you can possibly write in the English language.
Heart of Darkness. I didn't like it, but it obviously has the great classics juice. The zillion adaptations and responses prove it. (More like FART of DORKness.)
truly tragic how scott alexander was born with a rare defect of the soul, one that prevents him from enjoying bauhaus architecture, and now he feels compelled to write long repetitive screeds about how he's objectively correct and the rectangle-enjoying masses are wrong
i know there's some survey he cites claiming to show that the majority disprefers postwar modernism but i just don't think randos on the street can be trusted to self-report their own tastes. there's some sort of a pepsi effect going on surely. you say you like disneyland castles but if you were forced to live in one you'd kill yourself
I don't get this sore-winner attitude. Hoi polloi are already forced to live and work in buildings that make you happy and fill us with grinding despair. Why isn't that enough? Why do you need us to act happy about it? Just gloat!

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Antonio Petruccelli (1939)
[Painting of a crowded church, seen from above. Sunbeams fall from tall stained-glass windows.]
Oh I hate this!
It looks industrial. The repetition and symmetry of the pews and windows, the faceless people, the flat colours, all make it look like a big machine, like a human version of his Smoke Stacks.
Smoke Stacks (1937) and Shopping Center (1950s) by Antonio Petruccelli
It also reminds me of some Soviet paintings about industry, especially Sedukhin, who uses light in a similar way:
Symphony of the 6th Blast Furnace (1979) and Lights of Labouring Tagil (1984) by Evgeniy Sedukhin
I'm watching it from above. Not sure if this is meant to be a human point of view (from a balcony?) or a divine one, but either way I feel like I'm supervising an industrial process.
So it gives me the massive creeps: Christianity as a machine that takes people as an industrial input, puts them on pews like ores on a conveyor belt, and grinds them up into something to use for its own purposes.
The weird part is that I'm sure he didn't intend any of this! Almost his works creep me out in this way, even the nature paintings. Take his Fly Ball:
Fly Ball by Antonio Petruccelli (1930s)
That sea of grasping geometric hands with no other human parts, that balcony enclosing the sky, those endless flags, all tell me "Shudder! Feel uneasy! There's a sickness, a deep rot in America!": I'd use that painting for the cover of Death of a Salesman.
But it seems very unlikely he could have meant that! He was a Yankees fan! And even if he did, there's no way he was trying to say "this is creepy and rotten and industrial" about everything up to and including birds.
Kinda relieved he's dead: he probably wouldn't have enjoyed hearing "Man, your work is off-putting in such interesting ways, it's great, I hate it so much!"
There's only one exception I've found: his jellyfish. It's odd, because those are rather eerie creatures! But he abandons his usual flat-geometric style and lets them have organic curves:
The World We Live In: Undersea Jellyfish by Antonio Petruccelli for Life Magazine (1955)
Sources: Petruccelli works taken from this article. Sedukin works taken from this Reddit post.
The Royal Armouries let me play about in their armour!
(This was a set from someone similar in size to me, but it wasn’t exactly correct in all dimensions. Real knights often wore armour that was made to measure, which would allow for a slightly better range of motion. However, for a video game or film character that has looted armour, then something that fits as well as this would be a best case scenario, so it still tells us a fair bit!)
I'm surprised the back of the thighs is unprotected (e.g. at 0:25). Seems like a huge weak spot, there's arteries in there. I guess if the enemy can access it, you're already in big trouble anyway?