ok i absolutely need to know what accents u all have pls reblog and tell me or comment or whatever I must know

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ok i absolutely need to know what accents u all have pls reblog and tell me or comment or whatever I must know

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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this is going around twitter rn but im also super curious: please tell me your top four comfort movies that you’re always down to watch bc my friend thinks mine are ridiculous and now we’ve realised everyone’s version of “comfort” is hilariously different
“So now you know the answer to my riddle? Face smudged with ashes, but it’s not chimney sweep. Hat with feather and crossbow, but it’s not hunstman. Dress embroidered in silver, but she’s not a Princess. Who is it?”
Tři oříšky pro Popelku (1973), dir. by Václav Vorlíček.
A very specific sub-genre of the early Soviet educational posters dedicated to the health of mothers and children: a baby rally. It's literally a picture of babies and toddlers rallying with demands for better childcare and parenting practices written on their placards.
poetic

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Some of my favourite (and most representative) panels I drew for 'The Dream Thieves' graphic novel adaptation I finished work on last year, and that comes out on August 9th (you can preorder it)! To be frank, the process of adapting this book was like pulling apart a beloved childhood toy and trying to put it back together with half the parts. I am proud of her, but boy did she back over my lifeless body more than once.
A Group Which Almost Became Historic
It's been over a decade since I first read Les Mis, and first drew this, (which still floats around in reblogs, the original post now being deleted with my old blog) and I thought I ought to finish this for Barricade Day. At the time, that illustration was the most ambitious I had ever drawn.
In the last ten years, Les Mis has perhaps felt more pertinent than ever. In Australia, where I live, bigoted, far-right political parties that were previously considered fringe are leading polls on the back of racist, anti-immigration rhetoric. I donate regularly to a charity that supports refugees that is local to me, the Asylum Seeker Resource Center, and am going to do so again today. I encourage you to do the same, either to the ASRC, or to an equivalent charity in your area.
"So long as there shall exist, by virtue of law and custom, decrees of damnation pronounced by society, artificially creating hells amid the civilization of earth... books of the nature of Les Misérables cannot fail to be of use." — Victor Hugo
Reblog to hug prev poster (they need a hug)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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(To the tune of Rasputin): BLEH BLEH DRACULA, KING OF TRANSYLVANIA, HE IS A BAT AND ALSO A MAN
THE DRESSER — 1983 dir. Peter Yates
my name is joAAAAAANa— don’tAAAAAAAAlikeworms.
What the fuck, Richard.

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The Westbury Horse, 1939 by Eric Ravilious
Train Landscape, 1940 by Eric Ravilious
Emma Holland (TMAU S4) and Melanie Bracewell (TMAoNZ S4) make Tom Gleeson and Jeremy Wells kiss.