You listen to music regularly? Why? Have you even tried quitting? Could you quit? You get music stuck in your head? Wow. You're so ruined and music brained. I bet you make your partners listen to music with you when you have sex. Music addiction has really ruined a whole generation. You know it's not realistic to expect reverb in real life, right? You're probably so desensitized that you don't even feel anything anymore when you hear a bird singing that it wants some fuck.
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you can be peeling a boiled egg and think to yourself wow. that was so simple. and then you peel another one and it’s like being in the throes of war. shell everywhere. egg mangled. tears in your eyes. that’s how god keeps you humble
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I posted this last year and in the time in between that I have come to realise that this is the year where we can use the Americans as a litmus test for which companies have been using Pride Month as the Month of Insincere Pandering - when it cost them nothing and had no drawbacks - and which ones might, even in just the tiniest bits and pieces, actually mean it.
Because this year is a year where there is an opportunity cost for companies participating in Pride Month in the US. We all know who, and we all know why. So while it is important to remember that companies are never your friends, it is also to remember that some of them can choose to be much less dickish than others. So keep an eye open and take notes, particularly if you're not in the US.
given the current climate this pride especially i feel i must mention that i love my trans friends, i stand with trans people in the fight against transphobic legislation and those who would enforce it, and this blog is not a good place for you to be if you do not vibe with that
dincobb, FWB prelude, i wrote this probably 5 years ago and dropped it for whatever reason, but i stand by a lot of what Cobb is in this
Mandalorian, pre-canon, Tatooine, featuring probably sex worker Cobb
--
Tatooine is a hotbed for bounties. Din learns this early in his career. He also learns of the other things Tatooine has to offer.
"You're looking lonely, hunter."
There's a long line of a man in a doorway of the many stone and mud huts that make up this part of the city. His hair has a sort of spiked quality to it, and his eyes are sharp and forward. It reminds Din of a predator's gaze, and isn't by the man's growing smile, teeth that appear all too sharp.
Din knows little of Tatooine's people other than the majority are downtrodden in many ways, displaced and forced together, but the harsh environment has been known to breed harsh creatures.
"Are you asking for something?" Din says, attempting to keep his voice low, cold, impassable.
"I might be." The man sets a hand on his hip as he leans against the door frame. " i got a lot of things I can give."
From the cut of his figure and the slip of skin exposed at his waist, din can rightly guess what this man has to offer.
He crosses the street. "How much?"
"Depends on what you ask for." The man's eyes wander over Din's body, likely assessing the value of what he carries. The only pure beskar he has is his helm and any who has dared try touching it never lived to tell the tale. "Depends on how much time an important person like you has."
He stretches out his hand as if to caress Din's breastplate, but Din takes a step back, and the man's hand falls, but his gaze, sharp and undettered, remains.
Hunts are long and lonely, Din's discovered. There's a difference between the intimacy he receives at the Covert with those of the Creed and the type this man is offering.
"I don't have much time," Din says, thinking he might talk himself out of it.
"Strike you a deal then. Half price." The man winks.
"I have a . . . lot of stipulations."
"Good for me I'm a great listener." There's all those teeth again.
A part of him wants to know how sharp this man is. If he's as much of a predator as he seems.
"You seem like you bite."
There's a flash of incisors as the man chuckles. "Now what gives you that impression? Tell you what, hunter, I'll suck you off for half, hm? How does that sound."
He stretches out his hand again and Din lets a solitary finger drift along his bandolier. He then sinks it into an empty slot, and Din allows himself to be pulled into the single room dwelling.
It is sparse, functional, and no perceivable threat as Din toggles the settings on his helmet to scan the walls for any hidden mass. He finds none.
"You like what you see?" the man says as his hands trail to Din's waist, seeking out buckles to relieve and release. He nearly gets a hand on Din's holster and Din grabs his wrist.
"Not that."
"Anything for you." He watches the man sink to his knees and peel apart layers to remove Din's codpiece, freeing his soft cock.
this is meant to be a potential follow up to this fic which i intend on seeing through so expect a full fic ??? soon
it gets right into the sexy times so it's going under a read more
the vibes will be big dick Cobb and pillow princess Din.... eventually
"I'll take your cock into my mouth and slip two fingers into your ass to get you ready for me."
Din moans on the other end, a breathy little thing that Cobb eagerly swallows.
"I'd have to get you off at least once before you're even ready for my cock. Get you all relaxed and soft. And after you've come down my throat, I'd get your legs around my hips and--"
Thud.
Thud.
Thud.
"Shit," Cobb swears.
"What?" Din says, breathless. "What is it?"
Cobb can only imagine what the Mandalorian looks like now. His flushed skin, warm as his heart pumps more voraciously to fill his cock. Talking over comms only enables so much during moments of intimacy as Cobb hurriedly sets his feet on the ground to slip back into his work denim, sans briefs.
The knock continues, and in Mos Pelgo, most don't bother him off the clock, so it must be an emergency.
"Someone's at the door," he says. "I'll have to bail early."
He hears Din sigh heavily on his ends and Cobb can feel his disappointment.
They both click off, and Cobb, with his rapidly flagging erection, pulls on a shirt that hands low on his thighs to cover what remains of his arousal. And good thing, too, because when he opens the door, he finds his deputy, Jo, on the other side of it. As part of her training, she takes the graveyard shifts until two in the morning before heading in for the night. They have better boundary alarms now than they used to, but a bit of time is needed to ensure people make it home safely.
"What is it?" he asks.
Job's brow wrinkles in a sign of distaste. "Did I catch you at a bad time?"
He rolls his eyes and jams his feet into his boots. "What do you need?"
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Analyzing the politics of a work that's meant to be apolitical is actually a really interesting exercise because it asks you to critically examine what the creator considers to be "political" in the first place. Which ideas are just How Things Are, and which ones are Political, and how is that influenced by the creator's beliefs?
Angrily lashing out at the suggestion that it's possible to do basic media analysis was foundational to the ragebait ecosystem of the 2010s, from which we got basically the entire culture of modern far right politics, btw.
I went outside and got an education, that's where I learned that you can obtain knowledge and insight through analytical methods, then noticed that some people who sit on the internet yelling at strangers get really mad about that constantly.
So actually if you really wanted to use your analysis skills you'd realize that what people are annoyed about is the implication that there's never a story or creative work they can create that can escape people like you attempting to assign political meaning to it when they just don't want that. That in fact people's presumptions about life are not, in fact, political (at best they are cultural, which is not an inherently facet of politics). And that by you people arrogantly pushing this idea you are intruding on the fact that a lot of people use fiction as escapism from politics and insisting that "urm no actually your favourite cartoon actually has politics cause no human being is 100% unbiased" is in fact, supremely fucking annoying
"Stop having fun wrong, it ruins my fun when you have fun wrong, it's not enough for me to just scroll past the analysis I don't like, if anyone anywhere is saying that the cartoon exists in a political context that's undermining my enjoyment of it!"