The acting choices Rhys makes hereā¦
I love that Stede continues to gaze at the red silk heās placed in Edās pocket as he muses on its fineness.
When he states, āYou wear fine thingsā¦ā he raises his eyebrows. Coupled with a slight smile, it becomes an affiliative expression, gaining the trust of the listener. It demonstrates empathy too, and signals a desire for stronger emotional or social bonding.
Then thereās the sudden flick of his eyes upwards to meet Edās to deliver the āwellā, with the stress, importantly, on that word. Because itās not just about the fine thing itself, but the wellness with which Ed wears it, enabling it to become an even finer thing.
The smile then becomes just a little wider, but not so much that it might signal duplicity or pretence. And thereās a slight lowering of the chin at the end, to emphasise the gentleness of the interaction, whilst continuing to hold Edās gaze, reinforcing the sincerity of the words.
Stedeās timbre is significant too. āLook at that!ā which proceeds it, is slightly higher-pitched and excitable. But the delivery of āYou wear fine things well,ā is steady and smooth, and quiet yet powerful, in its honesty and intent.
The entire thing smacks of sincerity, and the delivery demonstrates the emotional truths and kindness behind it. Without Rhysā nonverbal cues and gestures, the line could so easily have fallen flat, or sounded artificial.
And whatās more, Rhys manages to play the scene in such a way that suggests, without doubt, that Stede has no idea of the beauty and importance of what he is doing.
No wonder Ed is rendered speechless, and his heart can do nothing more than thunk right out of his chest.
Itās so subtle yet powerful, and itās perfect, and Rhys Darby is a genius.